Showing posts with label Chris Evans. Show all posts
Showing posts with label Chris Evans. Show all posts

Friday, May 3, 2019

Avengers: Endgame (2019) review


Don Cheadle, Robert Downey Jr., Josh Brolin, Bradley Cooper, Chris Evans, Scarlett Johansson, Brie Larson, Jeremy Renner, Paul Rudd, Mark Ruffalo, Chris Hemsworth, Danai Gurira, and Karen Gillan in Avengers: Endgame (2019)

(I solemnly swear that there will be no major spoilers in this review. As with every review I do, there will be a general plot synopsis, but this one will be as light on the details as possible.)

After 11 years of phenomenal world-building and an endless array of excellent cinematic outings, the Marvel Cinematic Universe has finally reached the pinnacle of its ambitious narrative. Sometimes it’s crazy to think that it’s been that long since Tony Stark first announced to the world that he was Iron Man… and yet, here we are. Since the release of Iron Man back in 2008, audiences have been treated to one of the most rewarding cinematic experiences of all time as the MCU has very much set the new gold standard for shared universes. Sure, the idea of a shared universe is a media concept that has been around for decades, but the MCU easily outshines almost every other film franchise of this nature when it comes to its overall narrative and the ever-expansive scope of the world that it’s created. And while not every installment of the MCU has been a masterpiece, it can also be argued that none of them have been on the level of quality as some of the superhero genre’s most infamous outings (e.g. Batman and Robin, Catwoman, Fan4stic, etc.). With all that in mind, all eyes are now on the fourth Avengers film and the final installment of what Marvel Studios has now labeled as ‘The Infinity Saga’, Avengers: Endgame. This 22nd installment of the Marvel Cinematic Universe is the second half of a storyline that has been built up for a decade and officially got underway in last year’s Avengers: Infinity War. And after that film’s jaw-dropping finale, directors Joe and Anthony Russo (AKA the Russo brothers) are now tasked with bringing this epic story to its conclusion as our heroes do “whatever it takes” to avenge their fallen comrades. What follows is, as one can only expect from an MCU film at this point, an emotionally-charged superhero epic.  

At the end of Avengers: Infinity War, the Avengers found themselves dealt with the toughest loss that they’ve ever experienced. Despite their best efforts to prevent him from acquiring all six of the cosmic power sources known as Infinity Stones, Thanos the Mad Titan (Josh Brolin) managed to collect them all and use them to accomplish his plan to wipe out half the universe with just a single snap of his fingers using the Infinity Gauntlet. Thus, in the blink of an eye, the Avengers were forced to witness several of their friends and family erased from existence. After learning where Thanos ended up going afterward, Steve Rogers AKA Captain America (Chris Evans) leads a faction of Avengers that includes Natasha Romanoff AKA Black Widow (Scarlett Johansson), Thor the Asgardian God of Thunder (Chris Hemsworth), and new ally Carol Danvers AKA Captain Marvel (Brie Larson) to confront him. In the process, however, they discover that Thanos has destroyed the stones so that they couldn’t be used again to reverse his actions. All seems lost until Scott Lang AKA Ant-Man (Paul Rudd) manages to return from the Quantum Realm, which he had become trapped in at the end of Ant-Man and the Wasp when his allies fell victim to the snap. Having learned that time operates differently in the Quantum Realm, Scott proposes that they travel back in time and find the Infinity Stones before Thanos does so that they can hopefully use them to bring back those who were lost. Thus, Cap, Tony Stark AKA Iron Man (Robert Downey Jr.), and the other Avengers embark on their most important mission yet, which only becomes more complicated once Thanos discovers their plan.

Avengers: Endgame is a three-hour superhero epic, and it more than warrants its hefty runtime. As a follow-up to the events of Infinity War, it perfectly illustrates the devastating effects of what’s now known as ‘The Decimation’ on the MCU and, most importantly, its main protagonists. Just like its immediate predecessor, this film is easily one of the most emotional installments of a franchise that’s been very consistent over the years with its emotional depth. Sure, it still has all the usual aspects of an MCU film, from the snappy dialogue to the vibrant visuals, but just like every other entry in the franchise, the light-hearted elements of this film rarely have any sort of noticeable impact on its dramatic moments. In this instance, the urgency of the Avengers’ mission to ensure that ‘The Decimation’ will be reversed is strongly maintained throughout, along with the fact that because this is something that can’t easily be undone, it’s clear that they will have to make some sacrifices along the way. And because this mission sees them going back in time to key moments in the franchise’s history, this film is loaded with call-backs to previous films and a wide array of cameos. Sure, some may argue that this is blatant fan-service (which, to be fair, it technically is) whose success rate will depend on how familiar one is with the franchise, but at the same time, Marvel Studios has quite frankly earned the right to show off at this point given the continuing success of their franchise. And without spoiling anything, it all leads to one of the most satisfying bits of payoff ever witnessed on film.

Almost every MCU film to date (save for Incredible Hulk) has had the same casting director, Sarah Finn, and thanks to the woman who’s quite arguably the unsung hero of the franchise, we’ve experienced one of the best ensemble casts in cinematic history who continue to shine in every film that they appear in. I mean, there’s not much more that I can add to the discussion about how great this cast is that I haven’t already mentioned in previous reviews. Given the events of the previous film, this one focuses heavily on the original six Avengers from the first film, allowing for a perfect bookend to everything that they’ve helped create while also giving each member their own standout moment as has always been the case with these films. It also helps this film manage to be a bit more consistent with its character development when compared to Infinity War which, in that film’s defense, had a lot more characters to juggle and was more focused on Thanos’ quest for the Infinity Stones. And as one era of the franchise ends, those who will be headlining it for the next few years to come are equally outstanding. Brie Larson, for example, makes the most out of her surprisingly minor role in this film (which she notably filmed BEFORE Captain Marvel), once again exemplifying Carol Danvers’ strong charisma and powerful commanding presence. And, of course, we can’t forget about the MCU’s greatest villain, Thanos. Sure, he doesn’t play as prominent of a role in this film as he did in Infinity War, but he’s still given plenty of great emotional pathos and the film continues to epitomize why he’s truly the most dangerous adversary that the Avengers have ever faced.

Let’s be frank, folks, you know exactly what rating I’m going to be giving this film. It is, after all, the exact same rating that I’ve given to nearly half of the other films in this franchise. But as always, that’s ultimately more of a testament to what Marvel Studios has managed to pull off this past decade with their ambitious franchise. If Infinity War was a masterpiece of the superhero genre, then Endgame is MCU fandom nirvana. It more than does its job at being both a follow-up to Infinity War and the climactic outing of the ‘Infinity Saga’, as it provides great conclusions to some of the franchise’s longest-running storylines and character arcs. In other words, this is very much a love letter to the MCU’s devoted fanbase as it rewards those who’ve supported it over the years, especially those who’ve been there since the very beginning, with some of the most amazing imagery that the genre has ever seen. But amidst all the epic action, great humor, and massive amounts of grand fanservice, it still does everything that we’ve come to expect from this franchise’s extensive filmography. It fully endears us to its main protagonists, provides them with a well-layered and incredibly intimidating villain to face off against, and truly hits hard when it comes to its biggest emotional moments. Simply put, everything that happens in Avengers: Endgame is exactly what it needed to be, and because of this, it properly cements the Marvel Cinematic Universe as one of the most legendary franchises in the history of film.  

Rating: 5/5!

Sunday, April 29, 2018

Avengers: Infinity War (2018) review

Don Cheadle, Robert Downey Jr., Josh Brolin, Paul Bettany, Chris Evans, Scarlett Johansson, Elizabeth Olsen, Chris Pratt, Mark Ruffalo, Zoe Saldana, Benedict Wong, Anthony Mackie, Chris Hemsworth, Dave Bautista, Benedict Cumberbatch, Chadwick Boseman, Sebastian Stan, Danai Gurira, Karen Gillan, Pom Klementieff, Letitia Wright, and Tom Holland in Avengers: Infinity War (2018)

(Fear not, my fellow MCU fans who have yet to see this film, as this review will not (I repeat… NOT) be addressing any major spoilers from it. I mean, heck, who do I think I am? That guy from Forbes who spoiled the ENTIRE FILM before it even came out?)

(Seriously, though, what the hell, Forbes?)

In just a few days, Marvel Studios’ 2008 blockbuster Iron Man will celebrate its 10th anniversary… and thinking about that is truly surreal as I still remember going to see that film in the theaters. And like many others at the time, I had no idea of what was about to unfold before our eyes. Back then, the live-action film side of the superhero genre almost entirely consisted of films based on a single character or a small group of heroes. At the time, no one had ever really attempted a massive crossover-centric franchise between multiple big-name comic icons aside from various animated films and TV shows. But after Marvel’s film division made a $525 million financing deal with Merrill Lynch in 2005 to distribute their own films instead of licensing them to other studios, a plan was put into motion to attempt a ‘cinematic universe’ featuring all the major superheroes whose film rights were still owned by Marvel at the time. In other words, they couldn’t immediately work with some of their biggest properties, including Spider-Man, the Fantastic Four, and the X-Men, as the former’s film rights were owned by Sony and the latter two’s rights were owned by Fox. Thus, they had to go with some of their lesser-known heroes to start off this new franchise of theirs… and yes, as crazy as it may seem, Iron Man was, technically speaking, a ‘lesser-known’ Marvel superhero prior to 2008. But, of course, that all changed when the character’s first feature film adaptation became one of the most critically/commercially successful films of the year. And it all concluded with a game-changing post-credits scene in which main protagonist Tony Stark was approached by Nick Fury, the head of the government organization known as S.H.I.E.L.D. who came to talk to him about the ‘Avenger Initiative’. Thus, a cinematic universe was born…

Since then, Marvel Studios has continued to deliver top quality superhero flicks year in and year out. And while not all their films have been runaway hits, they haven’t necessarily made a downright ‘horrible’ MCU film no matter what directorial conflict or issue with the studio’s now-defunct ‘creative committee’ has ever occurred. And really, the main reason why this franchise has worked as well as it has is that studio president Kevin Feige and his team have made a considerable effort to ensure that the franchise takes its time to develop the universe and its characters before bringing them all together in one film. That was the case with Phase 1 of the franchise, which culminated in the genre’s then-latest landmark installment, 2012’s The Avengers. The heroes of the MCU were then subjected to some darker storylines in Phase 2 before reuniting again for the equally darker Avengers follow-up, 2015’s Age of Ultron. And now, as we near the end of Phase 3, the Avengers are back for Marvel Studios’ biggest endeavor yet, Avengers: Infinity War. A true cinematic epic that has been a full decade in the making, this film sees the Avengers taking on their greatest threat yet, Thanos, who has been continuously built up ever since he first appeared in the first post-credits scene of the original Avengers. And while Joss Whedon isn’t behind the camera for this installment, a suitable pair of successors are in Joe and Anthony Russo, who have already given us two of the MCU’s greatest installments to date in 2014’s Captain America: The Winter Soldier and 2016’s Captain America: Civil War. Sure enough, they once again deliver with a truly jaw-dropping cinematic spectacle that pulls off some of the gutsiest moves that the superhero genre has ever seen.

Over the course of the past 18 installments of the Marvel Cinematic Universe, its various superheroes have come across a variety of powerful objects that were spawned from a series of gems known as Infinity Stones, which were formed in the wake of the Big Bang. And it is these six stones that attract the attention of one figure, Thanos the Mad Titan (Josh Brolin), an alien warlord from the planet Titan who embarks on a mission to retrieve them all so that he can achieve his lifelong ambition of wiping out half the universe. To make sure that this doesn’t happen, all the world’s heroes unite to prevent the Mad Titan from getting his hands on the stones. In New York, ‘genius, billionaire, playboy, philanthropist’ Tony Stark AKA Iron Man (Robert Downey Jr.) teams up with his teenaged protégé Peter Parker AKA Spider-Man (Tom Holland), sorcerers Dr. Stephen Strange (Benedict Cumberbatch) and Wong (Benedict Wong), and scientist Bruce Banner AKA the Hulk (Mark Ruffalo) to safeguard the Time Stone housed within Strange’s special artifact, the Eye of Agamotto. In the African nation of Wakanda, fugitives Steve Rogers (Chris Evans), Natasha Romanoff AKA Black Widow (Scarlett Johansson), Wanda Maximoff AKA Scarlet Witch (Elizabeth Olsen), and Sam Wilson AKA Falcon (Anthony Mackie) ally with Wakanda’s king T’Challa AKA Black Panther (Chadwick Boseman) to protect the artificial being Vision (Paul Bettany), who’s powered by the Mind Stone. And in the far reaches of space, the Guardians of the Galaxy, consisting of thief Peter Quill AKA Star-Lord (Chris Pratt), Thanos’ adopted daughter Gamora (Zoe Saldana), warrior Drax (Dave Bautista), weapons expert Rocket Raccoon (Bradley Cooper), tree creature Groot (Vin Diesel), and empath Mantis (Pom Klementieff) end up running into Thor the God of Thunder (Chris Hemsworth), who managed to survive an attack by the Mad Titan himself.

Now at this point in the MCU’s run, I will fully admit that I’m just becoming a broken record at this point when it comes to listing all the great things that one can expect in an MCU film. And sure enough, that’s once again the case with Infinity War. You have your amazing action sequences that are bolstered by outstanding visual effects while also showcasing the Russo brothers’ growing strengths as action directors after they originally got their start in comedy. You have the franchise’s great sense of humor that produces an endless array of classic moments that never once take away from the dramatic context of the plot. And in the case of these Avengers films, this great humor is then further fortified by all the terrific character interactions between all the franchise’s great heroes, from Iron Man and Doctor Strange to the trio of Thor, Rocket, and Groot… and yes, that’s only naming a few of this film’s noteworthy combinations. But then the Russo brothers take things one step further by pulling off one of the gutsiest endings that the superhero genre has ever seen. Now, obviously, I won’t reveal anything about what happens in it for those who haven’t seen the film yet, but you could say that it’s possibly a response to the long-standing (and rather questionable) argument that Marvel films don’t have any real stakes in them. And with that in mind, while I know that this ending will probably get reversed somehow in next year’s fourth Avengers film, it is handled perfectly in this film with such a strong sense of emotional poignancy that it rivals any major ‘awards season favorite’.

Given that most of this film’s ensemble cast has already been in at least three or more previous MCU films, there’s really no need to talk about their performances because they’re all just as great as they’ve always been. From the original Avengers squad to the Guardians of the Galaxy to more recently introduced heroes like Black Panther and the MCU’s rendition of Spider-Man, Marvel Studios has managed to create one of the most legendary ensemble casts in film history. Now, admittedly, despite all that, it should be noted that you shouldn’t go into this film expecting a lot of new bits of character development for these heroes as it’s more about the battle against Thanos. And because Infinity War does boast the largest cast of heroes that has ever been seen in a superhero film, some characters do get a little more attention than others, like Thor (who was confirmed by the Russos themselves as having the most screen-time of any main protagonist in the film), Gamora (given her connection to Thanos), and Star-Lord (due to the romance between him and Gamora). This, in turn, could very much perpetuate the ever-growing argument that the MCU is getting too overcrowded. However, just like in Age of Ultron, this ultimately isn’t that much of an issue in the long run because of one simple reason, and it’s the one that I’ve been referring to time and time again. Because all these characters have been given great bits of character development in previous MCU films, there’s not that much of a need for a lot of that in this film as it’d just bog down its proceedings to the point where it ruins the pacing. And just like the previous two Avengers films, at the very least every major superhero gets to have his or her standout moment whether it’s via a hilarious joke or a badass action sequence.    

And then there’s the big bad of this film AKA the one that the MCU has been teasing for years, Thanos. Given all that build-up, along with all the jokes that were made about the character’s initial inactivity during his cameo appearances in Guardians of the Galaxy and Age of Ultron, clearly expectations were high for the Mad Titan to truly leave a lasting impression on viewers. This was especially a matter of the utmost importance for many people after several past MCU villains have been heavily scrutinized by critics and audiences for not being as well-developed as the franchise’s protagonists. Thankfully, that’s not an issue here as Thanos does, indeed, live up to the hype as one of the MCU’s greatest villains. First off, the motion-capture effects used to turn Josh Brolin into the character are outstanding, truly showcasing how far the art form has evolved over the years especially when compared to Brolin’s previous appearances in the role. At the same time, Brolin himself is also phenomenal as one of the most emotionally-driven villains that the franchise has ever seen. Yes, there is quite a lot of emotional heft to Thanos’ arc in this film. Despite all the terrible things that he and his followers, the Children of Thanos (a rather underutilized but still all-around serviceable group of imposing subordinates), does to our heroes, much like Erik Killmonger in Black Panther you’re able to get a sense of how truly committed Thanos is to his goals. And as we soon find out, he ends up going to some incredibly dark places to achieve those goals. In other words, in a film that is full of so many great characters, Thanos might arguably be the most compelling figure of them all.

Anyone who knows me probably guessed beforehand that I was going to love this film seeing how I’ve never given any of the previous MCU films a negative review. But in this instance, I want to truly emphasize why this entry in the franchise is something special. Because for most of this film’s two and a half hour runtime, it gives us everything that fans of the MCU have come to love about the franchise. It has the great action sequences, the wonderful interactions between all its main characters, and an endless array of quotable lines. But then comes this film’s ending, which takes so many daunting risks for an MCU film and yet all of which end up paying off because of how well-handled it is. And even though it’ll probably get fixed somehow in the fourth Avengers film, and even though it comes in a film where character development for its well-established heroes is admittedly not its primary focus, it will still leave one hell of a lasting impact regardless of one’s overall views of the MCU. That is a testament to the phenomenal job that Kevin Feige and his team have done in creating a franchise that has taken its time when it comes to world-building. It is a testament to the amazing direction from the Russo brothers, who have given us three of the MCU’s greatest outings in just the past five years. And it is a testament to the sterling performances of the franchise’s top-notch cast of endearing main protagonists along with one of the best villains in the history of both the superhero genre and film in general. Simply put, for long-time fans of the MCU, Avengers: Infinity War is the culmination of one of the most rewarding cinematic experiences of all-time.

Rating: 5/5!



Friday, March 3, 2017

Top 10 Favorite Superhero Film/TV Casting Choices (Protagonists)

Image result for logan 2017

This weekend sees the release of the highly-anticipated superhero flick, Logan, the latest installment of the X-Men franchise. All the hype surrounding this film is due to it being the final appearance of Hugh Jackman in the title role of James ‘Logan’ Howlett AKA Wolverine, a role that he’s been occupying for almost two whole decades. He’s appeared in almost every X-Men film to date (possibly ‘every’ film if you somehow count Jackman’s photo cameo in Deadpool as a proper cameo, even though he’s not Wolverine in it), effectively making him one of the most iconic casting choices in the history of the superhero genre. So, with that in mind, today I’m going over one of the most important aspects of any great superhero film; casting. After all, it’s one of the primary decisions that goes into making any lead character in a superhero film or TV show work as well as they can and, for the most part, superhero films/TV shows have done a solid job with casting their main protagonists. Obviously, though, not every superhero film casting is going to be a success; there have been some disastrous casting choices in this genre over the years (e.g. George Clooney as Batman in Batman and Robin). That, and it’s undeniable that every superhero casting is going to subjected to a lot of premature backlash from fans who just don’t see that actor/actress in the role. Just look at what happened when Ben Affleck got cast as Batman. But, thankfully, a lot of these superhero films/TV shows have been much more successful in the past few years in terms of casting their protagonists. Thus, in honor of Logan’s release, I’m listing 10 of my personal favorite superhero portrayals from film and TV. Though I just want to note that, for this list, I’m only focusing on main protagonists of superhero films and TV shows, not the villains. Don’t worry, though, as I will do a ‘Top 10 Superhero Villain Performances’ post in the future; maybe even one on the best supporting characters from these films. Also, I’m not going to be doing this in any specific order aside from alternating between actors and actresses, as I wanted to split this up evenly amongst male and female leads, and the occasional connection between franchises. With that said, here are my Top 10 casting choices in superhero films and TV shows.

HONORABLE MENTIONS


Obviously, it was hard to narrow this down to 10 choices; thus, I’ve got quite a few Honorable Mentions to name. First up, we have my favorite Batman; Christian Bale from the Dark Knight trilogy. While many have given him flak for the infamous raspy voice that he uses while wearing the cowl, he’s probably gotten the most material to work with out of any Batman star to date. By comparison, Michael Keaton, who for the record was great in the role in the Tim Burton-directed films, was often underplayed in favor of the villains. And as for the voice, I don’t mind it; if it’s fun to imitate, then it’s all right by me (“SWEAR TO ME!!”). Then, there’s Mark Ruffalo as the Hulk in the recent MCU films, specifically the Avengers films. Ruffalo is the third actor to portray the character, after Eric Bana in the oft-forgotten Hulk film directed by Ang Lee from 2003 and Edward Norton, whom Ruffalo directly replaced in the role, in the also oft-forgotten MCU film The Incredible Hulk. And while both Bana and Norton did do solid jobs in the role, Ruffalo has easily been the best Bruce Banner to date, particularly due to his strong camaraderie with his co-stars. Going over into the X-Men franchise, you can’t forget about the ‘Merc with the Mouth’, Deadpool, played by Ryan Reynolds. Reynolds is arguably one of the most pitch-perfect superhero castings to date; heck, the comics directly referred to him when describing the character. And while, obviously, his first turn in the role, in X-Men Origins: Wolverine, was marred by major deviations from the source material, he got the chance to do the character justice in 2016’s smash hit Deadpool. Finally, we have one of the more ‘recent’ additions to the superhero genre; Tom Holland’s iteration of everyone’s favorite web-slinger, Peter Parker. While I’ll admit that I’m still a big fan of Andrew Garfield and am a bit disappointed that he didn’t get the chance to join the MCU once Marvel Studios struck a deal with Sony, Holland proved to be an excellent Spidey in Captain America: Civil War, nailing all the character’s defining traits.

And now, onto the main list…

MELISSA BENOIST – SUPERGIRL (SUPERGIRL)

Image result for melissa benoist supergirl

To start things off, we have one of the newest shining stars of the superhero genre. In 2015, Melissa Benoist, fresh off her leading role on the show Glee as well as a memorable supporting role in the film Whiplash, took on the role of Kara Danvers AKA Kara Zor-El, cousin of Kal-El AKA Superman, in the TV adaptation of Supergirl. Originally premiering on CBS, the show has since moved over to ‘The CW’, where it is a much more natural fit with the other superhero shows that have been developed for the network by Greg Berlanti and Andrew Kreisberg. As for Supergirl, like I said in my review of Season 1 this past April, while the show’s light-hearted nature does result in some extremely cheesy moments from time to time, its heart is always in the right place and, as such, represents a lot of the best parts of the superhero genre. And, of course, one of the best aspects of this series, in general, has been Benoist in the lead role. When she’s in her ‘civilian identity’, Kara Danvers, she absolutely lights up the screen with her charisma, as well as the adorable awkwardness that sometimes comes from her trying to act normal when working off those who don’t know that she’s Supergirl. But, once she puts on the suit and cape, that awkwardness melts away and she conveys such great strength and passion as National City’s beloved heroine. And even as Season 2 of Supergirl has been introducing new characters, as well as new plotlines for returning characters, Kara has still been the main focal point of the entire show, hence why she’s very much become one of the genre’s best protagonists.

CHRISTOPHER REEVE – SUPERMAN (SUPERMAN I-IV)

Image result for christopher reeve superman

Next up, we have the classic superhero film casting choice that started it all; Christopher Reeve as the Man of Steel himself, Superman. But it’s interesting to note that, at first, he wasn’t the original choice for the role. Initially, A-listers like Robert Redford, Burt Reynolds, and Paul Newman were considered for the part. But, when Richard Donner was brought in to direct the first Superman film in 1978, the filmmakers then switched gears and began searching for unknown actors. Reeve was in the running but was initially ignored for being too skinny. But, after going through a strict workout regime with David Prowse (AKA the original in-suit performer for Darth Vader in the Star Wars films) to gain the proper physique, Reeve finally got cast and, of course, absolutely killed it in the role. Simply put, he was the perfect embodiment of the beloved superhero; charismatic, good-looking, and noble in every way. And even when the series started to severely go downhill with the third and fourth films, with Reeve even having a story credit for the latter, he still always did a great job in the role. As such, his portrayal of Superman is so iconic that it is one that has admittedly been hard to top, though that’s not to say that there haven’t been other good portrayals of the character since Reeve. While he has been somewhat limited by certain narrative choices (e.g. a lack of given dialogue), I’d argue that Henry Cavill has done a good job so far as the character in the current-era DC Extended Universe films. However, like I said, sometimes he has been limited by the material that he’s been given, which is sad because his turn in 2015’s The Man from U.N.C.L.E. shows that he does have the proper charisma for the role. And then there’s Tyler Hoechlin, who I’d argue was very Reeve-esque during his turn in the role in Season 2 of Supergirl. In fact, dare I say it, Hoechlin’s been the best Superman since Reeve.

JENNIFER LAWRENCE – MYSTIQUE (X-MEN: FIRST CLASS, X-MEN: DAYS OF FUTURE PAST, X-MEN: APOCALYPSE)

Image result for jennifer lawrence mystique

I’m aware that this choice may be a bit controversial (I’ll explain why in a little bit) but I think that Jennifer Lawrence has done an excellent job in the role of the shape-shifting femme fatale Mystique in the First Class-era X-Men films. She first appeared in the series’ 2011 ‘reboot’ X-Men: First Class, which pulled an interesting narrative retcon by having her become the foster sister of Charles Xavier AKA Professor X. I say ‘interesting’ because, obviously, this wasn’t brought up at all in the original X-Men trilogy, even though the next film in the series ended up wiping those films from the continuity. However, I do think that it was an interesting story route. Because once Magneto enters the picture, Mystique finds herself conflicted between the ideologies of him and Charles. Specifically, this was due to a fear of how people would react to her in her natural blue (and, well, naked (no other way around it)) form. While Charles urged her to keep her blue form hidden, Magneto encouraged her to embrace it. Thus, at the end of the film, she ends up leaving with Erik, though it should be noted that Charles did encourage her to go with him because he knew that ‘it’s what she wanted’. This then leads into Days of Future Past, in which she becomes the main focal point of the plot as it's established that her assassination of scientist Bolivar Trask was the catalyst for the events that resulted in the desolate, dystopian future that part of the film is set in. Like First Class, a lot of her character development comes in the form of her ties to both Charles and Magneto. While her time with Magneto has led her into becoming more like the cold-blooded femme fatale that we saw in the original trilogy (it’s noted in the film that killing Trask would’ve been the moment when she truly became ‘Mystique’), it’s also clear that there’s still some humanity left in her, which Xavier uses to convince her to not kill Trask, partially by admitting his mistake in trying to control her life all these years. The result is easily Lawrence’s best performance in the role...

…which then brings us to Apocalypse, and this is where that ‘controversy’ that I mentioned earlier comes into play. Because, of course, as many of us know. Apocalypse ended up attracting a mixed response from critics and audiences upon release. And one of the reasons why was due to Lawrence. Quite a lot of critics felt that Lawrence phoned it in for Apocalypse; a sign of her showing growing disinterest in the franchise, partially due to having to go through the elaborate makeup process to get into character even though that process had become more simplified after First Class. As for me, though, I didn’t think she phoned it in; maybe I’m just not good at sensing this sort of thing but I thought she was just as good as she was in the other films (though I will say DOFP is still her best turn in the role). Not only that, but Apocalypse is, in a way, kind of her story. After unintentionally becoming a ‘hero’ following the events in Washington D.C. at the end of DOFP, she is seen to be maintaining a low profile while trying to protect some of her fellow mutants all over the world. But, once the ‘god’ mutant Apocalypse reawakens, she begins to embrace her role as the leader of the next generation of X-Men as she leads them into battle against him. And at the end of the film, she and Beast are seen training the team’s new recruits. Right now, it’s unclear where the franchise will go from here. Are they going to continue from where they left off in Apocalypse with the new cast? If so, hopefully, they let the new cast become the main characters of future films. The First Class-era was primarily based around Xavier, Mystique, and Magneto and while I won’t mind if they come back for future films in supporting roles, I think it’s safe to say that their story arcs are done for the most part. Still, I think Lawrence was an excellent addition to the First Class-era as the second iteration of Mystique. In fact, I kind of prefer her version of the character over Rebecca Romjin’s from the original trilogy. I’m not saying that Romjin was bad as Mystique but, like Christian Bale compared to Michael Keaton as Batman, I think Lawrence has just had better material to work with. Speaking of her two main co-stars…  

MICHAEL FASSBENDER AND JAMES MCAVOY– MAGNETO AND PROFESSOR X (X-MEN: FIRST CLASS, X-MEN: DAYS OF FUTURE PAST, X-MEN: APOCALYPSE)

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From one First Class-era star to another, now we have the duo of Michael Fassbender and James McAvoy, who have been killing it in the roles of the metal-controlling mutant Erik Lehnsherr AKA Magneto and the world’s most powerful telepath, Charles Xavier AKA Professor X. In the original X-Men films, the characters were played by the legendary Ian McKellen and Patrick Stewart, respectively. Both did fantastic jobs in their roles but it’s come to the point where Fassbender and McAvoy have arguably outshined their predecessors thanks to the recent trilogy. First up, let’s talk about Fassbender as Magneto. In the three X-Men films that he’s appeared in, Fassbender has been the major standout of two of them. The first of these was First Class, which is fitting because, ultimately, First Class was Magneto’s story. While the film was solidly balanced in terms of the roles of him and Xavier, showing how the two first met, became friends, and were then divided on their views of humanity, a lot of the plot of First Class revolved around Magneto. The film opens with a re-do of the opening scene from the original X-Men film, in which a young Magneto is separated from his parents at Auschwitz and attracts attention by using his powers to bend a metal gate. This scene is then expanded upon by showing that this then led to Erik becoming a pawn of Nazi scientist and fellow mutant Sebastian Shaw. Shaw even kills Erik’s mother in his attempts to manipulate Erik into using his powers. Thus, most of the film sees Erik attempting to track down and kill Shaw, and despite Xavier’s attempts to dissuade him from this (“Killing Shaw will not bring you peace.”), Erik ignores the advice of his friend and kills Shaw, showing that while they may have been enemies, he did share his views on the divide between humans and mutants. And after accidentally causing Xavier to be paralyzed from the waist down, Magneto leaves to start his war against humanity for what they’ve done to him and his fellow mutants. 

Fassbender returned in Days of Future Past alongside Ian McKellen as the older Magneto. Sadly, the two never shared a scene together like James McAvoy and Patrick Stewart did in the film but it wasn’t a big loss and, seeing how the story takes place in two separate eras, you could say that it was much more plausible to have the two telepaths interact with each other instead of the two metal-benders. It’s also worth noting that, in this instance, Days of Future Past was more Xavier’s story than Magneto’s. Thus, Magneto was more of a supporting ‘protagonist’ (term used loosely because he is Magneto) this time around. Set primarily in the 70’s, he is first seen being held in prison for being the alleged assassin of John F. Kennedy as evident by the curvature of the bullet that killed him, although he later reveals that he was trying to save Kennedy because he learned that he too was a mutant. Wolverine, Xavier, and Beast (with the help of Quicksilver) break him out of prison so that they can acquire his help in preventing Mystique from killing Bolivar Trask. However, Magneto then betrays them by trying to kill Mystique instead, and once he learns about Trask’s newest invention, the Sentinels, he uses his powers to take control of them and, as usual, proceeds to go off against humanity. He tries to kill President Nixon and his Cabinet but Mystique prevents him from doing so, setting up the events of the sequel. In short, he may not have been the ‘main character’ this time around but Fassbender was still great in the role. And yes, I’m saying this even after he recently said in an interview that he feels like his performance in this film was mostly just him yelling at people (e.g. the scene where he gets hostile with Xavier while on a plane).   

Fassbender’s most recent appearance as Magneto in X-Men: Apocalypse saw him once again end up as the standout of the film, just like in First Class. And in this instance, it was by giving him the most emotional bits of character development in the film. Following the events of DOFP, it’s shown that Erik was forced to go on the run after the events in D.C. He ends up in Poland, where he takes on the name Henryk, gets a job, ironically as a metalworker, and starts up a family, with his wife, Magda, aware of his past and his daughter Nina being a mutant as well, with the ability to command animals. When he ends up inadvertently revealing his powers to his co-workers, he’s then ratted out to the police, who accidentally end up killing Magda and Nina when they confront him. As revenge, Erik kills them in the same manner that he killed Shaw in First Class; by forcing the Nazi coin that he was coerced into trying to manipulate right through them (literally). It’s easily the most emotional scene in the film and is the main reason why I completely disagree with the argument that Apocalypse lacked emotional depth. This then leads to him being approached by Apocalypse and persuaded into being the fourth member of the Horsemen. With enhanced powers (courtesy of Apocalypse) and a refueled hatred for humanity, Magneto works alongside Apocalypse in his plans to conquer the Earth but, after some convincing from Mystique and Quicksilver (who is revealed to be his son, though he doesn’t reveal that to Magneto just yet), Magneto comes to his senses to help the X-Men take down the god mutant. As the film ends, he heads out on his own once again after helping to rebuild the X-Mansion. Like I said earlier with Mystique, it’s unclear if this is the last time that we’ll be seeing Magneto for a while. But, if it is, at least we got a great trilogy-worth of performances from Michael Fassbender in the role.

And now let’s move onto James McAvoy as Xavier. I’ll admit that when First Class came out, I wasn’t exactly sure how I would feel about McAvoy in the role following Patrick Stewart’s excellent take on the character in the original X-Men trilogy. But, just like how the film ended up being a surprise success, he proved to be a great fit in the role. He had the ‘wise mentor’ persona down well but it was also kind of cool to see a young Xavier that, prior to the incident that cost him his legs, was a lot more high-spirited and even a bit of a party animal. That starts to change once he meets Magneto and becomes the leader of the first class of X-Men. But, of course, that friendship between Xavier and Magneto fades once their differing views on the human-mutant divide come into play, and the film ends with Xavier paralyzed from the waist down due to Magneto deflecting a bullet aimed at him. This, as well as the loss of his foster sister Mystique to Erik’s cause, affects him heavily, which we clearly see when he first appears in DOFP. 10 years after the events of First Class, it’s established that Xavier’s school for mutants was heavily shuttered by the Vietnam War. Thus, he’s become a bitter and pessimistic drunk due to the failure of his school. He’s also regained the use of his legs thanks to a serum made by Hank McCoy but this serum also suppresses his powers, which at this point he’s okay with so that he doesn’t have to endure the pain of listening to all the voices in his head anymore. But, when Wolverine comes into the picture to seek his help, Xavier ends up embarking on a journey to regain his faith in humanity. As I’ve said numerous times already, Xavier’s arc in this film is the reason why DOFP is ultimately his story and it results in McAvoy’s greatest performance in the role. That continues in Apocalypse, which sees Xavier finally adopt his definitive bald look. And of the trilogy’s three main leads, it seems like McAvoy is the most likely of them to return in a future film.  

CHLOE BENNET – QUAKE (MARVEL’S AGENTS OF SHIELD)

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Going into the realm of superhero TV for my next pick, we’ve got the Inhuman agent of S.H.I.E.L.D. from Marvel’s Agents of SHIELD, Daisy Johnson AKA Quake, played by Chloe Bennet. Daisy has easily had one of the biggest arcs in the entire show. At first, we knew her as the mysterious hacker Skye, who Agent Phil Coulson recruited to join his team of S.H.I.E.L.D. agents despite her ties to the rogue hacktivist group, the Rising Tide. Soon, though, she proved herself to be a loyal S.H.I.E.L.D. agent as she helped Coulson and co. take down the growing threat of HYDRA within the organization. And then, in the show’s second season, things began to change once her real identity was revealed. In the Season 1 episode ‘Seeds’, we learn that Skye had been deemed as an 0-8-4 (S.H.I.E.L.D. code for ‘object of unknown origin’) when she was just a baby. Halfway through Season 2, in the episode ‘What They Become’, the truth behind her ‘unknown origin’ was revealed. A run-in with the mysterious substance known as Terrigen Mist revealed that she was a member of the race of powered beings known as Inhumans and that her real name was Daisy Johnson. Thus, the rest of Season 2 consisted of her struggling to embrace her newfound earthquake-causing powers. At one point, she ends up in the Inhuman paradise known as Afterlife, where she is reunited with her mother, Jiaying. However, when Jiaying’s intentions are shown to be quite sinister (e.g. planning to unleash the Terrigen Mist upon humanity), Daisy is forced to fight her own mother, reaffirming her loyalties to Coulson and S.H.I.E.L.D in the process.

By Season 3, we see that Daisy has embraced a newfound confidence in her Inhuman identity, as she helps S.H.I.E.L.D. search for and protect her fellow Inhumans from enemy threats. Some of these Inhumans are even recruited into a special team, the ‘Secret Warriors’. However, this season ended up putting Daisy through the emotional wringer. In the episode ‘Spacetime’, she received a vision from another Inhuman foretelling the impending death of a S.H.I.E.L.D. agent, which haunted her for the rest of the season. And then, if that wasn’t enough, two episodes later in ‘The Team’, it was revealed that she had been brainwashed by the ancient Inhuman creature known as Hive, who at that point had taken over the body of S.H.I.E.L.D. traitor/Hydra agent Grant Ward, who happened to be Daisy’s love interest back in Season 1 prior to that reveal. While she does get brought back to normal by the season’s end, we see that this ordeal has severely affected her on a mental level. And then, to make matters worse, the agent whose death she foresaw ends up being her new love interest, fellow Inhuman Lincoln Campbell. Thus, as Season 4 begins, it’s revealed that she has left S.H.I.E.L.D. and has become a vigilante known as ‘Quake’. Since the show’s currently in the middle of the fourth season, I won’t get into any major details in regards to what happens in it just yet (that is, of course, until my inevitable review of Season 4). While I will say, though, is that it’s quite interesting to see Daisy go down a darker route than before, haunted by some of the recent tragedies in her life.  

As I’ve stated numerous times in my annual season reviews of AoS, Daisy has consistently been one of my favorite characters on the show. Performance-wise, Bennet has done a fantastic job in the role, especially when handling the trademark snappy dialogue that’s usually seen in a Joss Whedon-produced show. At the same time, like I said before, Daisy’s also arguably gotten the most material to work with out of any character in the entire series. From her starting out as the mysterious hacker with the equally mysterious past to becoming the initially scared but later confident superhero who constantly fights for the safety and rights of her fellow Inhumans, she’s very much been the catalyst for the introduction of the Inhumans into the MCU. On that note, a new Inhumans show is set to come out this fall on ABC, after debuting the first two episodes in IMAX theaters. Presumably, this is a replacement for the Inhumans film that was originally announced as a part of Phase 3 of the MCU films but was then taken off the studio’s schedule last year. On that note, though, some of the crew at Marvel (e.g. producer Kevin Feige) have stated that this doesn’t mean that the project is ‘fully canceled’. What does that mean? Well, if you ask me, I’m guessing that this was probably because they figured that a TV show was a better way to properly introduce the series’ mythos to audiences. Either way, it’s also been stated that the new show is more of its own thing than an Agents of SHIELD spin-off, so it’s uncertain if Daisy will appear in it at any point. However, I hope that they figure out a way for her to appear in some way, even if it’s just for a cameo; because after all, it was primarily thanks to her that the Inhumans managed to get a proper introduction in the ever-expanding Marvel Cinematic Universe.

ROBERT DOWNEY JR. – IRON MAN (MARVEL CINEMATIC UNIVERSE)

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Hands down, one of the most perfect casting choices in the history of the superhero genre. Nowadays, it’s hard to imagine anyone else in the role and that’s because RDJ was such a perfect live-action representation of the genius billionaire playboy philanthropist Tony Stark. And sure, maybe part of it was due to his infamous legal troubles in the past but, at the same time, it’s undeniable that this was the role that helped relaunch Downey Jr’s career. A lot of this was thanks to the solid emotional arc that Tony went through in the first film. After an incident in which he’s captured by terrorists and forced to build weapons for them, he instead builds a suit of armor and uses it to become the superhero known as Iron Man. The rest is history, and through it all, Downey Jr. has consistently maintained the character’s slightly arrogant but still all-around likable persona. Tony Stark’s also been through a lot in the MCU from a story perspective. For example, in Iron Man 3, he found himself having to come to grips with the fact that he’s just one small part of a larger universe; that and having to deal with the PTSD that came from his near-death experience in the first Avengers. And then, in Age of Ultron, he’s the one responsible for the creation of Ultron, the sentient A.I. hell-bent on world domination. Thus, when he decides to agree with the signing of the Sokovia Accords in Captain America: Civil War, it’s easy to see why he went this route. As my good friend and fellow film critic Matthew Goudreau has pointed out, a lot of the MCU has been Tony trying to atone for his mistakes. Because even when Civil War forced him into being the opposition to Captain America’s ‘Pro-Superheroes’ side, there were still times where you could sympathize with Tony’s stance on the matter, like when he learns that Cap’s friend Bucky was the one who killed his parents. So, in short, thanks to this great series-long arc, it’s easy to see why Tony Stark has been one of the most popular protagonists of the entire franchise. Because, after all, without Robert Downey Jr. and the original Iron Man, there probably wouldn’t have been an MCU in the first place. 

SCARLETT JOHANSSON – BLACK WIDOW (MARVEL CINEMATIC UNIVERSE)

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Next up, we have the MCU’s first major female lead; Natasha Romanoff AKA Black Widow, played by Scarlett Johansson. Black Widow’s come a long way since her first appearance in Iron Man 2, especially because, admittedly, it took a little while before Johansson really settled into the role. That’s not to say that she was bad in Iron Man 2 but it’s clear that she was hindered by the generally cluttered nature of that film’s plot. Thankfully, that changed once she returned for the first Avengers. Because even though that film obviously saw her become one of many main characters, Johansson was clearly more comfortable in the role this time around, while Black Widow also got some nice material to work with in the film. For example, when fellow agent Clint Barton AKA Hawkeye was brainwashed by Loki, Romanoff showed some noticeable concern, implying a personal connection between the two. And while the next Avengers film revealed that Hawkeye was married to someone else, it’s clear that the two had some history, which would probably explain the line in the first Avengers in which the two bring up an old mission in Budapest, with Hawkeye noting that he remembers Budapest a lot differently than her. Then there was also the growing relationship between her and Bruce Banner. This relationship is focused on more in the sequel but it’s there nevertheless, with Black Widow being the one who first approached Bruce to join the Avengers. In her next appearance, she teamed up with Captain America in The Winter Soldier, serving as an excellent foil to Cap while still being just as badass as she’s been in the other films, so much so that I’d say this was Johansson’s best performance in the role.

And now, it’s time to once again bring up the controversy surrounding her role in Age of Ultron, and no, I’m not referring to the lack of Black Widow merchandise during the film’s release. I’m referring more to her role in the film itself, namely through her relationship with Bruce. As I just stated earlier, I wasn’t bothered by them being linked romantically because you can at least see hints of it in the first Avengers film. The other major problem that many people had with her role in the film came during a scene between her and Bruce in which she admits that she yearns for a normal life after everything she’s done. They particularly got worked up over a line where she tells him that ‘he’s not the only monster’ on the team, a reference to her days training in the Black Widow program, where she lost the ability to have kids. In the first few days of the film’s release, Joss Whedon was hounded with the severe blowback that came from this. However, I honestly don’t see what’s so bad about it; it didn’t diminish Natasha’s value to the team or anything. It was just her expressing her desire for a normal life, something that’s been so hard for her as of late. It also perfectly sets up why she, to the surprise of many, sided with Iron Man in Civil War; clearly, she’s ashamed of a lot of things that happened in her past. In other words, the ‘red on her ledger’ that was mentioned in the first Avengers. And even though her allegiance is with Iron Man in that film, it’s clear that she’s still close to Cap, as evident in the scene where she talks to him after Peggy Carter’s funeral and notes that she’s there so that he wouldn’t be alone. This friendship then comes into play later when she lets Cap and Bucky escape via Quinjet during the airport battle so they can go after Zemo. Now, of course, a lot of the discussion regarding Black Widow’s role in the MCU has stemmed from all the demand for a Black Widow film, which has yet to happen. I hope that it does happen but at the same time, I’m not furiously demanding it either. I’m sure that it’ll happen soon, thereby affirming Black Widow’s status as a vital part of the Marvel Cinematic Universe.

(P.S. I hear Joss Whedon is being considered for it; if so, let him do it!)

CHRIS EVANS – CAPTAIN AMERICA (MARVEL CINEMATIC UNIVERSE)

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When cast in 2011’s Captain America: The First Avenger, Chris Evans took on the second major superhero role of his career as Steve Rogers AKA Captain America. He previously starred as Johnny Storm, AKA the Human Torch, in the 2005 Fantastic Four film and its 2007 sequel, Rise of the Silver Surfer. And while both films received mixed to negative reactions from critics and audiences, many agreed that he was at least one of its best parts. However, this may have also led to some backlash from fans when he was cast as Captain America due to the major differences between the two characters. But, in the end, Evans absolutely nailed it. Just like RDJ as Iron Man, he conveyed all the great character traits of the good-natured weakling from Brooklyn who, through science, becomes the physically enhanced soldier, Captain America. Also like RDJ, Evans has consistently maintained this persona throughout the entire franchise, even after the character gets sucked into modern times at the end of First Avenger. This subsequent ‘fish out of water’ characterization especially comes into play in Winter Soldier, where he finds that his old-school, ‘black and white’ war ideologies don’t match up with the more uncertain and less compromising attitudes of present day society. As such, it’ll be interesting to see where his story arc goes from here after Civil War, especially after the Russo brothers stated in an interview that he stopped being ‘Captain America’ after the scene in which he leaves his iconic shield behind after the final battle against Tony. Either way, Evans is yet another valuable part of the Marvel Universe and, dare I say, it may have gotten to the point where he’s even outshined RDJ as perhaps the franchise’s best lead.

HAYLEY ATWELL – PEGGY CARTER (MARVEL CINEMATIC UNIVERSE)

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Ok, this is the only instance in which I’m technically cheating here by having a character on this list that isn’t primarily a ‘superhero’. However, because Peggy ended up becoming the lead of her own show, Agent Carter, I think that she deserves some recognition. Because although Agent Carter was sadly canceled after Season 2, it’s clear that the character has had a major impact on the genre without ever having superpowers. Hayley Atwell’s first appearance as the Strategic Scientific Reserve agent turned co-founder of S.H.I.E.L.D. was in Captain America: The First Avenger and right out of the gate, she established herself as one of the best ‘love interests’ of the superhero genre by being a love interest who was more than capable of taking care of things herself. Literally, her first scene in the film sees her punch a soldier right in the face when he tries to hit on her. She soon befriends Steve Rogers prior to his transformation into Captain America, admiring his intelligence, honesty, and bravery despite his scrawny build. This friendship soon leads into a romance that sadly ends in tragedy. In what is easily the most emotional scene of the film, Steve sacrifices himself by crashing the Red Skull’s plane into the Arctic while Peggy talks to him over the radio, trying to figure out a way to get him out of the situation. Obviously, we know that this didn’t end up killing Steve; it’s just that it led to him being frozen in time for nearly 7 decades (Saddest line in the entire film? “I had a date…”). Thankfully, for Steve, he learns that Peggy is still alive by the time that he’s thawed out, resulting in an emotionally heartbreaking scene in Winter Soldier in which the two are reunited but, sadly, Peggy is starting to suffer from Alzheimer’s. She finally passes away in Civil War, as her niece, Sharon Carter, delivers a touching eulogy at her funeral that inspires Cap to stand by his stance on the controversial Sokovia Accords (“Even if the whole world is telling you to move, it is your duty to plant yourself like a tree, look them in the eye and say, ‘No, you move’”)

2 years after the release of First Avenger, Atwell reprised her role as Peggy in one of Marvel’s One-Shot short films, Agent Carter, which was released on home media alongside Iron Man 3. The critical success of that short immediately led to the development of a TV series based around everyone’s favorite SSR operative, Marvel’s Agent Carter. Aired during the midseason break of Marvel Studios’ other ABC show, Agents of SHIELD, the series gave Atwell a true chance to shine in the role of Peggy, who in the show, set one year after the events of the film, continued to work for the SSR while also struggling to cope with the sexism of the era. But, even though she frequently found herself being undervalued by other members of the SSR, she truly proves herself by being the one who is primarily responsible for taking down the organization’s enemies. Really, the moment that truly defined her as one of the best characters in the MCU occurs in the Season 1 finale, ‘Valediction’. After taking down the organization known as Leviathan, Peggy earns the respect of her colleagues but the media ends up giving fellow SSR agent Jack Thompson the credit instead for stopping them. However, Peggy assures fellow agent Daniel Sousa that it doesn’t matter to her if she gets credit for what she does because no matter what, she ‘knows her value’. And that, ultimately, is why Peggy is one of the brightest stars of the MCU; she’s a strong-willed, no-nonsense woman in a time when no one expected much out of her. And while it’s sad that Agent Carter ended up getting canceled after only two seasons, especially after Season 2 ended on an unresolved cliffhanger, Peggy’s impact as a role model to women is undeniable.           

HUGH JACKMAN – WOLVERINE (X-MEN FILMS)

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And finally, we bring it all back to the one whose tenure in the role of his iconic character is coming to an end this weekend with Logan; Hugh Jackman as Wolverine. Though it’s interesting to note that when the original X-Men film was being made, Jackman wasn’t the first one that director Bryan Singer cast in the role. Dougray Scott was initially cast in the part before turning it down due to scheduling conflicts with a different blockbuster from that year, Mission Impossible 2. And with no disrespect to Mr. Scott, I think we can all agree that this was ultimately for the best. Because even though there may have probably been some dissent from some comic book fans due to a 6’2’’ Broadway star playing a character that’s 5’3’’ in the comics, Jackman absolutely nailed it in the role, from the stubborn attitude to the moments in which he’s fueled with berserker rage. Now, obviously, as many have pointed out, the films’ overt focus on Wolverine and his story sometimes led to the underdevelopment of other characters, particularly Cyclops (James Marsden), who was mainly there to be part of the love triangle that Wolverine and Jean Grey were also involved in. Nevertheless, it was never too much of a big loss thanks to Jackman’s consistently excellent performances in the role. It’s easy to see why he became the definitive star of the franchise, appearing in almost every single film in the series up until Logan. And whenever he wasn’t in a lead role, he just made an awesome cameo, like in First Class, where he tersely rebuffs the offer of Xavier and Magneto to join them, and Apocalypse, where he’s unleashed in his Weapon X form upon the forces of Colonel William Stryker. That and his scene in Apocalypse ends with a hilariously meta quote from Cyclops (“Hope that’s the last we’ve seen of that guy…”).     

If I had to pick Jackman’s best performance in the role (pre-Logan, even though by the time this is posted, I’ll have already seen the new film), it would have to be in Days of Future Past. And the main reason why is because this could’ve just easily been another case of Wolverine hogging the spotlight, as the film sees him being the one that is sent back in time instead of Kitty Pryde like it was in the comics (or Bishop in the case of the 90’s animated series). However, the film does explain the logistical reasoning behind this as it’s established that Wolverine’s healing abilities make him the only one who’s capable of surviving a trip that far back into the past. Not only that, but it’s also fun to see the hot-tempered Wolverine try and be the ‘patient and peaceful’ time-traveler who must convince people that he’s from the future, which obviously doesn’t always go well (“Peaceful thoughts…”). But the coolest thing about Wolverine’s role in the overall story is that he’s ultimately not the main character. Don’t get me wrong, he’s still a vital part of the story but in this instance, it’s a much more reserved role compared to the other films. Ultimately, Jackman ends up being the bridge between the original series and the First Class-era films and because the film basically serves as a send-off for the cast of the former, he lets the First Class-era stars like James McAvoy and Michael Fassbender lead the way. So, in short, while it may not have always been a smooth journey (*cough* Origins *cough*), Jackman will forever be known as one of the most iconic casting choices in the history of the superhero genre.


And those are 10 (technically 11 since I paired McAvoy and Fassbender together) of my personal favorite casting choices in the superhero film genre. Thanks for following along and be sure to sound off in the comments below with some of your favorite superhero casting choices, especially if they’re ones that I didn’t mention here.

Saturday, May 7, 2016

Captain America: Civil War (2016) review


Sometimes it’s hard to believe that it’s been nearly a decade since the release of the first Marvel Cinematic Universe film, Iron Man, back in 2008. At that time, no one ever figured that this franchise would evolve into what it is today. After all, there had never been anything like the Marvel Cinematic Universe up to that point. And yet 8 years later, here we are… two whole phases into the Marvel Cinematic Universe with 12 films, 4 TV shows, and much more on the way. Marvel Studios has pretty much established itself as the most prolific force in the superhero genre, so much so that pretty much every other studio has been trying to emulate their success. And sure, the studio has faced some criticism over the years. There are some who argue that their films are ‘all the same’, even though in reality Marvel has actually covered quite a few different genres over the years from heist films to 70’s spy thrillers. And of course, there’s that damn superhero fatigue argument as well as the fact that some people actually think these films are ‘ruining’ the film industry, namely the fact that other studios have tried to use the ‘cinematic universe’ formula with non-superhero franchises. But here’s the thing… it’s not like Marvel was directly responsible for other studios implementing this formula into other franchises. All they’ve been doing is just continuing to produce quality films/TV shows. And now that the infamous Creative Committee that was responsible for incidents like Edgar Wright’s departure from Ant-Man is no more, clearly it looks like things are going to continue to run smoothly for what is easily one of the most critically and commercially successful franchises out there today.

I apologize if that last part went a bit too far into rant territory. Anyone who knows me knows I can get rather irritated when that fatigue argument comes into play. Anyway, kicking off Phase III of the MCU is Captain America: Civil War. Captain America: The Winter Soldier directors Joe and Anthony Russo, who prior to Winter Soldier had only been known for comedies, return to helm the final installment of the Captain America trilogy. And as some of you might have already guessed from the title, this particular entry takes inspiration from one of the most notable, and in most cases infamous, Marvel storylines of the past decade, Civil War. Written by Mark Millar (Kick-Ass, Kingsman: The Secret Service), this seven-part series saw the heroes of the Marvel Universe split between those who supported and those who were opposed to a new government act intent on regulating superhero activity in the wake of increasingly catastrophic superhero-related incidents. Specifically, this storyline saw Captain America, an opponent of the act, face off against Iron Man, who to the surprise of many supported the act, with each leading their own ‘team’ to combat the other. This new film follows a similar plotline but bases it within the overall context of the MCU’s lore and, as a result, doesn’t feature all of the characters that were in the original storyline. In other words, no X-Men and no Fantastic Four because they’re still over at Fox. And without having read the original series, it seems as if this version is a much more toned down affair compared to the comics. But given the generally polarizing nature of the original story, that might be for the better. Because yet again the Russos deliver another action-packed and character-driven superhero epic that pulls a lot of changes in regards to what will happen next for the MCU and its heroes.  

Captain America: Civil War opens up about a year after the events of Age of Ultron. During this time, it is established that public opinion towards the Avengers has started to wane in the wake of the countless international incidents that they have been involved in. And unfortunately the situation only proceeds to get worse for the team when a mission in Lagos, Nigeria ends up causing even more collateral damage. This immediately leads the United Nations into setting up the ‘Sokovia Accords’, a new act that would put the group under the control of an international governing body. This proves to be a very polarizing point of debate amongst the group’s members. Specifically, Steve Rogers (Chris Evans) AKA Captain America opposes it on the grounds that it hinders their ‘freedom’ while Tony Stark (Robert Downey Jr.) AKA Iron Man supports it due to him taking responsibility for having started the whole ordeal with Ultron. The situation becomes even more complicated when Cap’s best friend Bucky Barnes (Sebastian Stan), who following his supposed death in 1945 was revived and brainwashed into being the Hydra assassin known as the ‘Winter Soldier’, is suspected of bombing a peace conference. As Cap tries to protect his friend, who claims that he wasn’t responsible for the bombing, the Avengers soon find themselves on opposite sides of ‘the law’. On Cap’s side there’s Bucky, Sam Wilson (Anthony Mackie) AKA Falcon, Wanda Maximoff (Elizabeth Olsen) AKA Scarlet Witch, Clint Barton (Jeremy Renner) AKA Hawkeye, and ‘new recruit’ Scott Lang (Paul Rudd) AKA Ant-Man. On Iron Man’s side there’s Natasha Romanoff (Scarlett Johansson) AKA Black Widow, Vision (Paul Bettany), James Rhodes (Don Cheadle) AKA War Machine, Wakanda prince T’Challa (Chadwick Boseman) AKA Black Panther, and ‘new recruit’ Peter Parker (Tom Holland) AKA Spider-Man.   

For the record, this is not a straight-up adaptation of Civil War, which is probably a good thing considering the storyline’s generally polarizing reception. As someone who hasn’t read that storyline, it seems as if the film takes on a less extreme atmosphere than the comics. Obviously the conflict between the Avengers is still there but in the comics, Iron Man apparently took on an extremely authoritarian role in order to hunt down anyone opposed to the registration act. Thankfully that’s not the case here. Despite what it may seem, Iron Man is not the ‘villain’ of the film and neither are the other members of his ‘team’. And that’s the cool thing about this story; the Avengers aren’t the ‘bad guys’ in this situation and yet it’s still interesting to watch them get into one hell of a moral debate over everything that’s happened since they’ve made themselves public to the world. Not only that, but both sides actually do have valid points to stand on instead of it seeming like the writers are favoring one ‘team’ over the other. Obviously that means that there are quite a lot of scenes where the protagonists talk with one another, perhaps more so than there are action sequences. However, the film is still a fun ride throughout and sports some particularly epic action sequences, once again highlighting the Russos’ talent for directing action with this film giving them the added benefit of having more characters to work with. Interestingly enough, while this did seem like it would be the most serious MCU film to date, it still maintains the generally light-hearted nature of the franchise in general. In other words, the franchise’s trademark humor is still there in droves, and I’m aware that this will turn some people off as there have been some who have been critical towards the MCU films for relying a lot on humor. However, I’ve never seen it as a problem with these films as there are plenty of great and emotional character moments in this film that are effectively balanced with legitimately funny bits of dialogue, mostly coming from the interactions between the characters. 

In the months leading up to the film’s release, there was some discussion over why the film was still being deemed as a Captain America story considering that almost all of the other main superheroes in the MCU (save for Hulk and Thor who, spoilers, are not in this film whatsoever) were in it as well. For those people, it seemed like Avengers 2.5 was a more fitting title. And yet, somehow, the Russos actually managed to make it all work. At the end of the day, Captain America IS the main character of the story. A lot of the plot revolves around him trying to protect his pal Bucky which of course brings him into a major conflict with Iron Man, something that has of course been previously teased in the Avengers films as a result of their numerous ‘squabbles’ with one another. Aside from Iron Man, pretty much every other ‘Avenger’ in the film is in a supporting role. But that’s totally fine because, just like what Joss Whedon did with the Avengers films, the Russos manage to give every major hero/heroine his/her own moment to shine. Also, similar to The Winter Soldier, this film actually does manage to get by without having a major ‘villain’, as the focus is more on the protagonists and their conflict with each other. With that said, this film does have a ‘villain’, Zemo (Daniel Bruhl) and, well… he really doesn’t add much to the story. So as far as that common argument that the majority of the MCU’s villains are weak is concerned, nothing here is going to change that for those who make that argument.

13 films in, there’s really no need to say much more about the franchise’s returning players; Evans, Downey Jr., Johansson, Stan, Cheadle, Bettany, Rudd, Renner, Olsen, Mackie, etc. They’re just as great as they’ve always been in these films, with all of them having played their respective roles at least more than once by this point. So moving on from that, this film introduces two new players to the MCU. The first is Black Panther, played by Chadwick Boseman. To put it simply, Black Panther is a badass and Boseman absolutely owns the role, both in terms of the action sequences and the character’s overall gravitas. But of course the most hyped element of this film was the return of everyone’s favorite web-slinger, Spider-Man. After being previously unable to join the franchise due to the fact that his character rights are owned by Sony, the recent deal between Sony and Marvel Studios has finally allowed the web-slinger to join the MCU. Now to be perfectly frank, as someone who did like the Amazing Spider-Man films (yes, even the second one), I was a little disappointed that they decided to reboot the Spider-Man franchise, for the second time in five years for the record, instead of just letting the Amazing series continue but with the added benefit of having Kevin Feige and co. in charge to make sure the franchise runs more smoothly in the wake of the second Amazing film’s mixed critical/commercial response. However, even with that said, I have to admit it… Tom Holland is a frigging excellent Spider-Man. Obviously Holland is the youngest onscreen Spider-Man to date as the new series is intent on focusing more on Peter Parker’s high-school years compared to the previous two series. And Holland absolutely owns it in the role, both in terms of the character’s natural wit and the fact that, at least in this story, he is a legitimate ‘outsider’ to the whole ordeal with the Avengers.

13 for 13 when it comes to ‘well-received’ films; there has yet to be an MCU film that has dropped below the fresh percentile on Rotten Tomatoes. Clearly that’s got to be a record when it comes to film franchises. And rightfully so as Captain America: Civil War is yet another sterling success for Marvel Studios. While the film does take inspiration from the Civil War storyline, it doesn’t strive to be a perfect adaptation, which I think many people will agree is a good thing considering the original storyline didn’t go over too well with everyone. By comparison, the film takes on a less extreme route in terms of its plot but still does a great job in conveying the moralistic conflict that the Avengers end up getting into. You actually do understand where both sides are coming from and neither side is meant to be seen as a ‘villain’ even though they are in opposition with one another. Pair that with some particularly excellent action sequences and plenty of great character moments, especially those involving the newcomers Black Panther and, of course, Spider-Man, and you have one hell of a superhero epic. Whereas Winter Soldier was proof that the Russos could handle an action film of this scale, Civil War is proof that they can handle a massive ensemble cast like this one even though the film is mainly focused on Captain America. And that’s very much a good thing because these guys are set to take over for Joss Whedon as Avengers directors with the upcoming two-parter epic that will be The Avengers: Infinity War. Clearly, that film couldn’t be in better hands.


Rating: 5/5!

Wednesday, August 5, 2015

Fantastic Four (1994, 2005, 2007) Film Series Retrospective


We are currently in the golden age of superhero films and Marvel is right at the forefront of this comic book revolution. Thanks to the Marvel Cinematic Universe along with films produced by other studios like Fox and Sony, many of Marvel’s iconic characters have graced the big-screen to solid success, from Iron Man to Spider-Man to the X-Men to even lesser-known characters like the Guardians of the Galaxy and Ant-Man. But not every superhero has had a successful run on the big screen and probably the most infamous example of this has been the Fantastic Four. Despite being arguably one of the most famous superhero groups in not just the Marvel Universe but of all-time, their track record on film has been fairly mediocre at best, especially when compared with their fellow Marvel heroes like Spider-Man or the Avengers. The upcoming ‘Fantastic Four’ film, directed by Josh Trank, will be the third major attempt at bringing Marvel’s ‘First Family’ to the big-screen after two previous attempts in the past failed to attract much success. One film in particular didn’t even make it to theaters and the two that did are generally considered to be some of the weakest superhero films of their era. And today we’ll be looking at all three of those films. Yes I will be looking at not only the 2005 ‘Fantastic Four’ and its 2007 sequel but also the 1994 low-budget version that was ultimately never released in theaters. Here’s hoping that the new ‘Fantastic Four’ film will finally break this curse of this unlucky superhero film franchise.

THE FANTASTIC FOUR (1994)


Before the two ‘Fantastic Four’ films that we are all familiar with ever came out, and before Marvel was even the film powerhouse that it is today, there was actually a different ‘Fantastic Four’ film that even predates the 2005 film. This particular film was produced in 1994 by B-movie king Roger Corman and directed by music video director Oley Sassone. Never heard of it? Well, there’s actually a rather legitimate reason for this. For you see, this film never got a theatrical release, despite it being promoted in theaters at the time and the announcement of a planned world premiere at the Mall of America on January 19, 1994. Apparently the reasoning behind this move was that the film was never actually intended to be shown in theaters and was just produced so that producer Bernd Eichinger (who would go on to produce the following two officially released ‘Fantastic Four’ films) could retain the rights to the characters, though Eichinger himself denied these claims and instead claimed that Marvel stepped in because they didn’t want the film to ‘ruin the franchise’. Regardless of which story is true, most of the cast and crew were left completely unaware of this and in that regard, I do feel bad for them in this situation, having to ‘learn the hard way’ that the film they had all worked so hard on would never get to see the light of day. Unlike the 1990 ‘Captain America’ film, which was also never released in theaters but was released on home video, this film has never seen an official release outside of bootleg recordings on the internet.

To the credit of the cast and crew, if anything it looks like they at least tried their best with the limited resources that they had. This film only had a budget of around $2 million, and just about half of that budget went solely into developing the costuming for ‘The Thing’. But with that said, yes you could definitely tell that this is a very low-budget flick as far as superhero films are concerned based on certain elements of the production design and the visuals, or lack thereof in some cases. There’s seriously a ‘fight scene’ (and I use that term loosely) between the Thing and some of Dr. Doom’s henchmen which just consists of the camera rapidly spinning around to ‘simulate’ the action before cutting to the ‘aftermath’. And I’m pretty sure that the one major action sequence in which Johnny Storm is in full Human Torch mode recycles the exact same visual cues of an old ‘Superman’ cartoon from the 1940’s. Also there apparently wasn’t any major ADR work done for Dr. Doom because whenever he talks, he’s more unintelligible than Bane from ‘The Dark Knight Rises’. And finally, speaking of this iteration of Dr. Doom, he is easily the weakest villain in superhero film history as he lacks any sort of intimidation factor and repeatedly gets his plans foiled and his butt kicked by the Fantastic Four. Sure he may have a solid connection to the Fantastic Four being Reed Richards’ old friend from college, Victor Von Doom, but that doesn’t change the fact that he is just a wuss of a villain. Seriously, even Malekith from ‘Thor 2’ wasn’t as bad as him.

Ultimately, this ‘Fantastic Four’ is very cheesy and even a bit overly melodramatic at times, which partially stems from the film’s rather over-bearing score. But despite all of that, for some strange reason, I actually recommend you checking this film out at least once in your life (heck, I’ll even provide a link to it below). Let me be clear, it is by no means ‘good’ but similar to the legendary stinker ‘Batman and Robin’, it actually turns out to be one of those ‘so bad it’s hilarious’ films, namely due to the aforementioned ‘oddities’ that I mentioned earlier. And for what it’s worth, the four main leads in the film who play the Fantastic Four (technically 5 if you count the fact that Thing is played by two different actors); Alex Hyde-White, Rebecca Staab, Jay Underwood, and Michael Bailey Smith (Carl Ciarfalio plays ‘the Thing’) are fine enough in their respective roles. But ultimately I’d only recommend this film if you’re really interested in checking out an odd little part of cinematic superhero history; a low-budget superhero film that never got released to theaters and can only be viewed through bootleg-quality copies on the internet. Seriously, they released that godawful ‘Captain America’ film from the 90’s on Blu-Ray recently (I’ll get to that one someday) so why hasn’t this ‘Fantastic Four’ film gotten the same treatment? I’m serious, I think the time has come to give this film a proper home video release instead of just having it be viewable only on the internet and in rather piss-poor quality. In fact, dare I say that there is more heart to this ‘Fantastic Four’ film than the films that actually got released in theaters? That folks… is saying something.

Rating: 1.5/5


FANTASTIC FOUR (2005)


One whole decade after the 1994 ‘Fantastic Four’ film incident, producer Bernd Eichinger finally brought Marvel’s First Family to the big screen with 2005’s ‘Fantastic Four’, directed by Tim Story. The film was a solid hit at the box office, ultimately making about 3.3 times its original budget. However, the film itself fared poorly with critics and most audiences. As for me, I’ll admit that I don’t necessarily ‘hate’ this film compared to many others on the internet and while I hate using this term, I guess you can say this is sort of a ‘guilty pleasure’ for me. Still, this is definitely one of the weaker superhero films of the early 2000’s. It sort of shares a major similarity with the 2003 ‘Daredevil’ film in that it very much feels like a Hollywoodized superhero film in terms of execution, which seems to have been the major pattern for most of Fox’s Marvel flicks up until the X-Men series got itself back on track in 2011 with ‘X-Men: First Class’. In fact, for a superhero film, ‘Fantastic Four’ is actually rather light on superhero action. There are only about two to three major action sequences in the entire film and most of the run-time is instead focusing on scenes of the main characters talking and placing a lot of emphasis on humor that quite frankly comes off as being way too goofy. To anyone who complains about the Marvel Cinematic Universe films being way too focused on humor, trust me when I say that at least they’ve never gone ‘this far’.         

As far as casting is concerned, the film is about 50-50 in terms of its casting choices. The two biggest standouts are Chris Evans, before he took on another famous Marvel hero, Captain America, in, to be perfectly blunt, much better films, as the Human Torch and Michael Chiklis as Thing (also props to the filmmakers for sticking with practical make-up effects in order to bring Thing to life). Both do solid jobs in capturing their characters’ personalities and despite what I said earlier about the film’s over-reliance on humor, the back-and-forth camaraderie between them is actually one of the better aspects of the film. Heck, I’d also argue that Ioan Gruffudd was actually a solid choice for Mr. Fantastic even though he really could’ve benefitted more from a better script. But as for Jessica Alba as the Invisible Woman, this is definitely one of the biggest miscastings in superhero film history. In fact, this feels much more like stunt-casting given how much emphasis is placed on her sex appeal instead of any of the things that made the Invisible Woman such a great character in the comics. Julian McMahon is also majorly miscast as Dr. Doom. I may not have read much of the ‘Fantastic Four’ comics, but I definitely tell that the Doom of this film series shares little similarities with the Doom from the comics. All in all, though, I’ll admit that I still find this film to be fairly entertaining in parts and I don’t think that it’s the absolute worst superhero film of the era. But with that said, this is also by no means one of the genre’s best. Compared to other superhero films of the time like the first two ‘Spider-Man’ and ‘X-Men’ films, this is a much more ‘by-the-numbers’ superhero flick which definitely must have been majorly disappointing for fans of the franchise.

Rating: 3/5

FANTASTIC FOUR: RISE OF THE SILVER SURFER (2007)


So while the first ‘Fantastic Four’ film didn’t do so great with critics, it was successful enough to warrant a sequel in 2007 in ‘Rise of the Silver Surfer’. As the title suggests, this film, which surprisingly managed to warrant a PG rating after the first film was rated PG-13, introduces the iconic ‘Silver Surfer’, the herald of Galactus, the Devourer of Worlds. But like the previous film, this film also fared poorly with critics… but also like the previous film, I don’t think that this film is all that bad. In fact, I’d say it’s actually one of those rare sequels that actually manages to be better than the original, even if that’s not really saying much in the case of this franchise. It still carries quite a few of the same issues from the previous film, specifically the overly goofy attempts at humor and the hit or miss quality of the cast. Thankfully, though, this film does up the amount of action which was rather lacking in the first film. Because of that, this film also doesn’t drag as much at times like its predecessor did. And at the end of the day, the Silver Surfer (portrayed by Doug Jones but voiced by Laurence Fishburne) is definitely a major standout. But ultimately this film’s biggest downfall is how it portrays the character of Galactus. Instead of portraying him as the gigantic purple suit-wearing god-like character that comic book fans are all familiar with, he is instead turned into a giant cloud-like entity with a few fleeting visuals that resemble his look from the comics.

Now I’m not one to do many film comparisons but in the case of how Galactus is portrayed in this film, I feel that I must by comparing this infamous change to another infamous comic book film change; the ‘Mandarin’ fake-out from ‘Iron Man 3’. Obviously I’ve made it very clear in the past that I will always defend the ‘Mandarin’ twist because while it does go against how the character was portrayed in the comics, it actually worked well within the context of that film’s story. But the same cannot be said for Galactus in this film. There’s absolutely no reason story-wise for Galactus to look the way that he does in the film. Really, the only major reason I can figure as to why Galactus is portrayed like this is because the filmmakers couldn’t really come up with a way of having him look like he does in the comics without it being too silly. Though at the end of the day, I can’t really blame them that much for this because quite frankly even I can’t see how one can do this character justice on the big-screen without making some changes to his character design. So like with the first ‘Fantastic Four’, I’ll admit that I actually do like ‘Fantastic Four: Rise of the Silver Surfer’. Again it is by no means the ‘best’ superhero film ever made. It makes one of the worst ‘character changes’ in superhero film history and it still carries some of its predecessor’s glaring issues. But at the same time I don’t think that it is ‘terrible’ and if I had to choose between this and the first film, ultimately I prefer this film as it does benefit from better pacing and more action.


Rating: 3.5/5