87th Academy Awards: Predictions

It’s that time of year again; time for the Academy Awards, the biggest film award show of the year. And of course that also means that it’s time for me to list my choices predicting who will be winning awards this Sunday. This year’s show is being hosted by Neil Patrick Harris, which is a pretty good choice if you ask me. However, this year’s list of nominations have attracted quite a lot of controversy, primarily the fact that all of the 20 nominees for Best Actor/Actress (Leading and supporting) are white, which is actually the third time this has happened since 1995. But… because I’m not one to talk about race-related controversy on this site I won’t be saying anything further about it, nor will I be focusing that much on ‘potential’ snubs this year either. I’ve come to the point where I realize that criticizing award snubs is a very clichéd thing to do. Because film is so subjective, awards shows like this are fundamentally flawed because they obviously aren’t going to please everyone given the fact that only about 5 or so films/performances get nominated for the major awards every year. Some may call the Oscars ‘bulls***’ but in reality they’re usually the ones who stir up all of the controversy surrounding the Oscars in the first place.

From this point on, I’m just going to accept the annual Oscar nominations for what they are and not complain that much about what didn’t get nominated. So because of this, unlike the ‘Oscar Predictions’ post I did last year, I’m not going to list any snubs for each of the award categories though I will probably mention some here and there while discussing my picks, the only thing being that I won’t make that big a deal about them. Also, I won’t be looking at every single one of the Oscar categories for one of two reasons; A.) Because I haven’t seen any or all of the films in that category (e.g. Foreign Films, Short Films) or B.) I’m really not that familiar with that particular aspect of filmmaking (e.g. sound mixing). Finally, and most importantly, please bear in mind that this is all just my opinion. Obviously I’m not going to predict every single one of these winners correctly (I doubt anyone can) and some of you will no doubt disagree with my picks because you’re always going to get that with film. All I ask is that you please be respectful not only to what I have to say but everyone else’s opinions as well. In other words, don’t be a jackass and trash someone else for liking something that you didn’t. So without further ado, here are my picks for the 87^th Annual Academy Awards.

BEST VISUAL EFFECTS

*CAPTAIN AMERICA: THE WINTER SOLDIER

*DAWN OF THE PLANET OF THE APES

*GUARDIANS OF THE GALAXY

*INTERSTELLAR

*X-MEN: DAYS OF FUTURE PAST

My Pick: Interstellar

Quite frankly, I’m fine with any of these five films winning this award as they all had some really nice special effects. While last year’s winner ‘Gravity’ was obviously going to win the award regardless of who else got nominated, thankfully this year doesn’t seem so ‘obvious’. In the end, my vote goes towards ‘Interstellar’, a film that once again showcases the strength of practical visual effects, a common trait of the films of Christopher Nolan. They created an actual dust storm for the scenes on Earth. They created the space visuals beforehand so that the actors wouldn’t have to act in front of a green-screen. And the planets that are explored in the film were filmed in real locations. Sure, they were fairly simple in design but if you ask me, that works much better for the kind of movie that ‘Interstellar’ was. The other four films’ visuals are mostly CGI-based so out of them, my runner-up choice would probably be ‘Dawn of the Planet of the Apes’, which once again featured exceptional motion-capture visuals for the ape characters. I mean it’s clear that the whole controversy surrounding whether or not motion-capture performances should be nominated for any major acting awards is still out there, hence why there’s no nomination for Andy Serkis’ work in the film. Ultimately though, like I said before, I’m fine with any of these films taking home this award and unlike last year, it’s not 100% certain which one will.

BEST MAKEUP/HAIRSTYLING

*FOXCATCHER

*THE GRAND BUDAPEST HOTEL

*GUARDIANS OF THE GALAXY

My Pick: Guardians of the Galaxy

Admittedly there isn’t really that much to say about ‘Guardians of the Galaxy’ when it comes to hairstyling considering that quite a few of the characters are bald (Drax, Nebula, etc…). Still, you really got to give the makeup artists a lot of credit for their work here. Now you can make the joke that most of the ‘aliens’ in the film were just humans who had paint splashed on them and for the most part that’s kind of true. But I’m mainly referring to the makeup effects for some of the main characters, namely Drax, Nebula, and Ronan, who had unique looks to them in terms of the makeup design. The work for Ronan and Nebula is so effective that Lee Pace and Karen Gillan are pretty much unrecognizable in these two roles. And as for Drax, Dave Bautista literally had to stay standing for the whole time that his makeup was being applied. That takes a lot of patience to get through and ultimately I feel that it paid off nicely. I have the feeling that ‘Guardians’ probably won’t be a ‘front-runner’ for Best Visual Effects so I think it has a better chance at winning this award. If not ‘Guardians’, then ‘The Grand Budapest Hotel’ which I think is going to win big in the next two categories coming up.

BEST COSTUME/PRODUCTION DESIGN

COSTUME DESIGN

*THE GRAND BUDAPEST HOTEL

*INHERENT VICE

*INTO THE WOODS

*MALEFICENT

*MR. TURNER

PRODCUTION DESIGN

*THE GRAND BUDAPEST HOTEL

*THE IMITATION GAME

*INTERSTELLAR

*INTO THE WOODS

*MR. TURNER

I’m pairing these categories together because not only do I feel that a lot of times they’re basically just the same thing (even though production design is technically a different aspect of filmmaking than costume design), but because my pick for both categories is the same film.

My Pick: The Grand Budapest Hotel

‘The Grand Budapest Hotel’ was actually my first major introduction to the films of Wes Anderson and right away I can say that one thing that you can always expect from a Wes Anderson film is a top-notch production design and colorful, zany visuals to boot. And that’s definitely the case with ‘Budapest’. There was some pretty unique-looking model work done in this film (namely wide shots) and the overall production design has a nice wintery vibe to it. The costume design was also really solid too, with plenty of colorful and eccentric outfits worn by the main characters. So that’s why my vote goes towards ‘Budapest’ in regards to both its production and costume design. I’m not sure if it has much of a chance at winning Best Picture but I have the feeling it’s much more likely to win in these two categories. For my runner-ups in these categories, I’ll be going with the simplistic but visually-pleasing production design of ‘Interstellar’ and the eye-popping fantasy costumes of Disney’s ‘Maleficent’.

BEST ANIMATED FEATURE FILM

*BIG HERO 6

*THE BOXTROLLS

*HOW TO TRAIN YOUR DRAGON 2

*SONG OF THE SEA

*THE TALE OF THE PRINCESS KAGUYA

My Pick: Big Hero 6

Well seeing how a certain animated film didn’t get a nomination in this category, I have to go with my second favorite animated film from 2014, ‘Big Hero 6’, as my choice for Best Animated Film. In my review, I referred to it as the animated equivalent of a MCU film, resulting in a fun, colorful, and charming effort from Disney, who are clearly in their second animated renaissance when it comes to their films. Not only that, but it is coming off the heels of ‘Frozen’, which won this award last year so I think it has a pretty good chance at a possible win. Though it does have some heavy competition in the form of DreamWorks’ ‘How to Train Your Dragon 2’, which has won this same award at a lot of other award ceremonies including the Golden Globes and the Annie Awards. But at the time I am writing this, I have not seen it… nor have I seen the other nominees in this category. Let me reiterate… I’m not going to complain about ‘The LEGO Movie’ not getting a nomination here. Moving on…

BEST ORIGINAL SCORE

*THE GRAND BUDAPEST HOTEL

*THE IMITATION GAME

*INTERSTELLAR

*MR. TURNER

*THE THEORY OF EVERYTHING

My Pick: Hans Zimmer- Interstellar

While ‘Interstellar’ was a fairly polarizing film amongst critics and audiences, the score by Hans Zimmer wasn’t so it earns my vote for this award. Anyone who went into this movie expecting Zimmer’s score to be too similar to his work on the ‘Dark Knight’ trilogy were more than likely pleasantly surprised to find that this wasn’t the case. A very organ-based score, Zimmer delivered some truly epic motifs as well as some genuinely emotional beats that resulted in a nicely balanced sci-fi film score. In the terms of the former, the best example of this came during the docking scene (‘No Time for Caution’) and, in terms of the latter, was best exemplified in the scene where Cooper leaves home (‘Stay’). Some people felt that the score was too bombastic though I think that was more a problem of the sound design… and yet the sound design was nominated in both ‘Sound Mixing’ and ‘Sound Editing’ (go figure). I guess the Academy wasn’t too bothered by it. I mean, to be fair, it didn’t bother me ‘that much’ either but for the record, it doesn’t get my vote in either of those two categories (that honor goes to ‘Whiplash’ and ‘American Sniper’, respectively). Anyway, my runner-up in this category will be ‘The Imitation Game’, specifically for the final track of the score ‘Alan Turing’s Legacy’. Alexandre Desplat has delivered some truly excellent scores in the past and this one is no exception.

BEST ORIGINAL SONG

*EVERYTHING IS AWESOME- THE LEGO MOVIE

*GLORY- SELMA

*GRATEFUL- BEYOND THE LIGHTS

*I’M NOT GONNA MISS YOU- GLEN CAMPBELL: I’LL BE ME

*LOST STARS- BEGIN AGAIN

My Pick: ‘Glory’- Selma

I’ll just be honest… I had never heard of ‘Grateful’, ‘I’m Not Gonna Miss You’, or ‘Lost Stars’ before these nominations were announced. In fact I’m a little disappointed that ‘The Last Goodbye’ from ‘The Hobbit: The Battle of the Five Armies’ wasn’t nominated. Anyway… this category looks to be a contest between the emotionally rousing tune ‘Glory’ by Common and John Legend and the annoyingly catchy ‘Everything is Awesome’ by Tegan and Sara (featuring The Lonely Island). While it was definitely one of those songs that immediately got stuck in your head, ‘Everything is Awesome’ was also a pleasantly upbeat tune that fit perfectly with the overall tone of the film. But in the end my vote goes to ‘Glory’ for its empowering themes and beat that, like ‘Everything is Awesome’, also fit well with the film that it was made for. ‘Selma’ may not have been nominated for Best Actor or Best Director, and it probably won’t win Best Picture, but it definitely looks like it will win for Best Original Song.

BEST ORIGINAL SCREENPLAY

*BIRDMAN

*BOYHOOD

*FOXCATCHER

*THE GRAND BUDAPEST HOTEL

*NIGHTCRAWLER

My Pick: ‘The Grand Budapest Hotel’

Wes Anderson’s films are full of quirky and hilarious dialogue; ‘Grand Budapest Hotel’ is no exception. My favorite moment, you ask? When Gustave is hanging off of the cliff and Jopling starts stomping the ground trying to knock him off. Gustave seemingly accepts his fate… and then Zero pushes Jopling off (‘Holy S***, you got him!). For my runner-up pick, I’m going with ‘Birdman’ for both its excellent portrayal of an actor trying to recapture his former glory and its fair share of humorous bits of dialogue.

BEST ADAPTED SCREENPLAY

*AMERICAN SNIPER

*THE IMITATION GAME

*INHERENT VICE

*THE THEORY OF EVERYTHING

*WHIPLASH

Quite a bit of controversy surrounding this group of adapted screenplay nominees this year. One of them, ‘Whiplash’, technically isn’t an adapted screenplay at all. Now it’s true that ‘Whiplash’ was originally a short film but that was done just so that investors would sign on to produce the full-length film. So really it should be in the ‘Original Screenplay’ category but it isn’t, apparently due an error by the Academy. And then with the two biopics ‘American Sniper’ and ‘The Imitation Game’, both films attracted controversy for their alleged ‘historical inaccuracy’. In the case of ‘Imitation Game’, it was for ‘allegedly’ underplaying Alan Turing’s homosexuality. And ever since it became a major hit at the box office, ‘American Sniper’ has been criticized by many people for its stance on the war in Iraq and the ‘questionable’ heroism of Chris Kyle. The other major biopic in this category, ‘The Theory of Everything’, has gone by unscathed for the most part. So with that said, where do I stand on this category?

My Pick: Any of the following 3: ‘Whiplash’, ‘American Sniper’, or ‘Imitation Game’

In a sense, I should probably go with ‘Whiplash’ just on the grounds that it should probably win anyway due to it being put in the wrong category. But I also really liked ‘American Sniper’ as well. Now of course I’m aware of all of the controversy surrounding the film but because I’m not really that much of a political person, I’m not really going to say anything about it. Really, the key to the film wasn’t its views on the war in Iraq or how cohesive the overall story was. Where it succeeded the most was how it portrayed the struggles of Chris Kyle, specifically how he felt compelled to keep going on tours of duty because he struggled to adjust back to normal life at home. Kyle’s story is a very fascinating one and Kyle himself is a fascinating person. Another equally fascinating person was Alan Turing and that is why I also give credit for ‘The Imitation Game’ for being a very compelling war story through the eyes of a man whose work forever changed the world. Personally I didn’t think the film ‘underplayed’ Turing’s homosexuality; I think it was handled very subtly showing the personal struggle Turing must’ve gone through his interactions with his co-workers, like how in one scene he risks it all so that he can reveal to his superiors that one of his co-workers was a Soviet spy. Ultimately, I’d be fine with any of these three films winning this award. ‘American Sniper’ and ‘Imitation Game’ were my favorite biopics from a year that was full of great biopics. But ‘Whiplash’ also had a great screenplay too; too bad it accidentally ended up in the wrong category.

BEST SUPPORTING ACTRESS

*PATRICIA ARQUETTE- BOYHOOD

*LAURA DERN- WILD

*KEIRA KNIGHTLEY- THE IMITATION GAME

*EMMA STONE- BIRDMAN

*MERYL STREEP- INTO THE WOODS

My Pick: Patricia Arquette- Boyhood

This year I’ve made an effort not to read a lot of ‘Oscar Coverage/Predictions’ posts for fear of this year’s event turning out as ‘predictable’ as it was last year due to the fact that I read a lot of posts that discussed all of the major front-runners for each award. But it’s safe to say that for the Supporting Acting categories this year, we have clear front-runners. In the case of Supporting Actress, it’s Patricia Arquette for her role as the Mom from ‘Boyhood’. Now I’m just going to lay this out there… I wasn’t really that big a fan of ‘Boyhood’ compared to, well, pretty much everyone else in the world given the fact that this is easily the most critically acclaimed film of last year. Now I’m not faulting the film for its ambitious production technique (being shot over 12 years with the same main actors) and I do think it did a great job at capturing the childhood experiences of the main character. But ultimately it didn’t really connect with me that much and I think that is because I never really had a childhood like the one Mason has in the film where my parents were divorced and my family moved around a lot. Now if you did have a childhood like that, then I perfectly understand why you’d connect with this film and really I feel that this will be the key factor as to whether or not you like the film. Again, let me be clear; I don’t hate it, and for the record I hate to use this following term, but I do feel that it’s a bit overrated and it’s ultimately my least favorite out of these 8 Best Picture nominees… boy I can already expect a lot of cinephiles giving me a lot of unfair s*** for this one.

But I will give credit where credit’s due in that Patricia Arquette does a fantastic job in this film as the mother; she and her husband (played by Ethan Hawke, who for the record I would have probably picked as my choice for Best Supporting Actor had there not been a different frontrunner in that category (more on that in a sec)) are probably the most interesting characters in the film. Personally I would’ve loved to see them reconnect as a couple (especially after she went through a series of, to quote the film’s ‘Honest Trailer’, drunken a-holes) but in the end Arquette did a great job portraying the emotional struggles of this character, as shown in scenes like the one near the end where she breaks down as Mason prepares to leave for college as she realizes how fast time has flown by. If I had to choose a runner-up, I’d go with either Keira Knightley from ‘The Imitation Game’, who definitely held her own against Benedict Cumberbatch in that film, or Emma Stone from ‘Birdman’. I’ve heard a lot of people say that Stone was the weakest part of ‘Birdman’ but I disagree. I think she did a really nice job in that film but in the end, I think it’s safe to say that Arquette is going to win this one.         

BEST SUPPORTING ACTOR

*ROBERT DUVALL- THE JUDGE

*ETHAN HAWKE- BOYHOOD

*EDWARD NORTON- BIRDMAN

*MARK RUFFALO- FOXCATCHER

*J.K. SIMMONS- WHIPLASH

My Pick: J.K. Simmons- Whiplash

There’s no contest here… on pretty much all accounts, it looks like the former boss of the Daily Bugle is going to win the Oscar for his turn as the tough-as-nails music conductor Terrence Fletcher in ‘Whiplash’. Seriously, J.K. Simmons is so frigging amazing in this film and is guaranteed to make you terrified of him whenever he goes all out on any of his students; all those years playing J. Jonah Jameson in the Sam Raimi ‘Spider-Man’ films really paid off. I mean it’s pretty much a given that Simmons is going to win Best Supporting Actor on Sunday. But what if, on the off chance, he doesn’t win it? I mean, this is a really solid list of nominees we have here… and yes I’m saying this even though a lot of people are bashing the nomination of Robert Duvall for ‘The Judge’ due to the mixed-to-negative reactions towards the film. I’m not one of those people (I did like the film) but I think it’s safe to say that Duvall isn’t going to win anyway. As for the other three, like I noted earlier, I’m going with Ethan Hawke as the dad from ‘Boyhood’. The dad was actually my favorite character in that film, primarily due to his all-around likable personality (again to quote the ‘Honest Trailer’, he wasn’t that bad, especially compared to his ex-wife’s other husbands). But like with Best Supporting Actress, I don’t think we’re really going to see an upset here.

BEST ACTRESS

*MARION COTILLARD- TWO DAYS, ONE NIGHT

*FELICITY JONES- THE THEORY OF EVERYTHING

*JULIANNE MOORE- STILL ALICE

*ROSAMUND PIKE- GONE GIRL

*REESE WITHERSPOON- WILD

My Pick: Rosamund Pike- ‘Gone Girl’

Out of all of the acting categories, this is the one where my choices are the most limited because I’ve only seen two of these films; ‘Gone Girl’ and ‘The Theory of Everything’. And while Felicity Jones did a phenomenal job in ‘The Theory of Everything’, my vote goes to Rosamund Pike for his stand-out performance as Amy Dunne in ‘Gone Girl’. Once the big reveal of ‘Gone Girl’ occurred showing that Amy was the mastermind behind her own disappearance, Pike commands the film from that point on and as I noted before I didn’t expect this character to be as, to put it simply, committed as she was. Regardless of your overall stance on the character, Pike’s performance in the film was outstanding. But of course, Jones’ work as Jane Hawking was also superb so of course, given the fact that I haven’t seen ‘Two Days, One Night’ (which from what I hear only played in like two or three theaters nationwide), ‘Still Alice’, or ‘Wild’, she is my runner-up pick. But it’s looking like we have a different front-runner for this category in Julianne Moore for ‘Still Alice’ given the fact that she’s pretty much won every other major award in this category from the Golden Globes to the SAG Awards. 

BEST ACTOR

*STEVE CARELL- FOXCATCHER

*BRADLEY COOPER- AMERICAN SNIPER

*BENEDICT CUMBERBATCH- THE IMITATION GAME

*MICHAEL KEATON- BIRDMAN

*EDDIE REDMAYNE- THE THEORY OF EVERYTHING

My Pick: Eddie Redmayne- The Theory of Everything

In a category full of fantastic performances that all deserve their nominations, I’m going to go with Eddie Redmayne for his turn as Stephen Hawking in ‘The Theory of Everything’. It was a role that required quite the transformation and Redmayne handled that perfectly. I mean, I’m kind of rooting for him anyway in the hopes that the alleged ‘Norbit’ curse that affects actors who have a critically maligned movie come out a few weeks before the Oscars won’t occur for him. Personally, I think this ‘curse’ is a bunch of bull but Redmayne did recently star in ‘Jupiter Ascending’ and of course as we all know, his turn as the villain in that film was one of the biggest acting misfires in recent memory. Still, that doesn’t take away the fact that he was brilliant in ‘Theory of Everything’ so that is why he earns my vote here. On a side note, Julianne Moore is arguably in the same boat as well giving the poor critical and commercial performance of ‘Seventh Son’ but again I really don’t believe in this ‘curse’ so I think that both of them will be fine. Runner-Up? Screw it, I’m fine with any one of these five brilliant performances taking home the Oscar. All five of these performances were brilliant and while it’s looking like it’s mainly a toss-up between Redmayne and Keaton, there’s no denying the phenomenal work that these five actors did in their respective films. In my opinion, this is the best group of nominees from any of the Oscar categories this year.

BEST DIRECTOR

*WES ANDERSON- THE GRAND BUDAPEST HOTEL

*ALEJANDRO GONZALEZ INARRITU- BIRDMAN

*RICHARD LINKLATER- BOYHOOD

*BENNETT MILLER- FOXCATCHER

*MORTEN TYLDUM- THE IMITATION GAME

My Pick: Richard Linklater- Boyhood

While I’ve already made it very clear that I’m not the biggest fan of ‘Boyhood’, my vote for Best Director goes to Linklater for his work on the film as this is a case similar to Alfonso Cuaron’s ‘Gravity’ last year. He worked on this film for 12 years and it got to the point where Linklater was going to put Ethan Hawke in charge of finishing the film in case he ended up dying at one point. Thankfully he didn’t and he was finally able to finish the film this year so ultimately he basically deserves this award anyway. I mean to be perfectly honest, this is a rather dull list of nominees for Best Director this year. I’m not discrediting any of the work done by these five directors but I do wish that there were some more ‘interesting’ nominees in this category, like Ava DuVernay for ‘Selma’ (not going to bring up the ‘race’ issue) or David Fincher for ‘Gone Girl’. So from the other four nominees, I guess my runner-up will be Wes Anderson for ‘The Grand Budapest Hotel’ though it’s unlikely that he’ll actually win.

BEST PICTURE

*AMERICAN SNIPER

*BIRDMAN

*BOYHOOD

*THE GRAND BUDAPEST HOTEL

*THE IMITATION GAME

*SELMA

*THE THEORY OF EVERYTHING

*WHIPLASH

Just for reference, here are my ratings for these 8 films:

American Sniper- 5/5!

Birdman- 4.5/5

Boyhood- 3.5/5

The Grand Budapest Hotel- 5/5!

The Imitation Game- 5/5!

Selma- 5/5!

The Theory of Everything- 4.5/5

Whiplash- 4/5.5

Personally I feel that this is one of the best groups of Best Picture nominees that I’ve ever seen. And while I may not have been the biggest fan of the critical darling that was ‘Boyhood’, I would be fine with any of these eight films winning Best Picture… but if I had to choose one…

My Pick: AMERICAN SNIPER

Is this the ‘best’ film of 2014? Probably not, but from a personal preference, ‘American Sniper’ was my favorite out of all of these nominees. Is the film perfect? No. Has there been a whole lot of controversy surrounding the film since it became a box-office hit? Yes. But like I said before, I’ve ignored most of this controversy due to the fact that I’m not that much of a ‘political’ person. Besides, there have been quite a few times where the ‘audience favorites’ have won Best Picture before. Remember in 2003 when ‘Return of the King’ won this award? Or when ‘Titanic’ did it back in 1997? Heck, you may even argue that ‘Argo’ was probably the fan favorite a few years ago. My runner-ups for this category are the three other films that I gave 5/5 ratings to. That includes ‘The Grand Budapest Hotel’, which probably won’t win but was still very entertaining, ‘The Imitation Game’, my second favorite biopic from last year and one that did really hit me on an emotional level, and ‘Selma’, and again I’m not saying anything about the controversy surrounding this film’s snubs.

So those are my picks for the 87^th Academy Awards. Obviously many of you are going to have different picks so feel free to share them in the comments below. 

BEST FILMS OF 2014: TOP 3

Welcome back to Rhode Island Movie Corner’s end-of-the-year Top 12 ‘Favorite Films of 2014’ list. We’ve come to the final part of this 4-part special and today I’m listing my Top 3 favorite films of this past year and my number 1 might surprise you but not in the way you think. So let’s get back to the list…

My favorite ‘biopic’ of the year takes the spot at Number 3 as it tells the story of a man who for years never got the recognition that he truly deserved… until recently…

3. THE IMITATION GAME

Whereas ‘The Theory of Everything’ was a sad but fairly uplifting biopic, ‘The Imitation Game’ is a much more heartbreaking story. It’s the true story of computer scientist Alan Turing who, during World War II, developed a device known as the bombe in order to decrypt the German Enigma Code. It was a success and as some predict, not only did it save countless lives but it also shortened the war by about two years. And yet, for the longest time, no one ever knew anything about it because it was kept secret and in 1952, Turing was prosecuted for gross indecency, all because he was a homosexual which at the time was illegal in the U.K. and even today, not every state in the U.S. has legalized same-sex marriage. And it wasn’t until last year (technically two years ago since it happened in 2013) when his work was finally revealed to the public and was given the proper recognition that he deserved that he unfortunately never got when he was still alive as he died just two years after his arrest as a result of suicide. This story truly hits you on an emotional level as you really sympathize with this man who was unjustly prosecuted just for being gay, which quite frankly makes it one of the most important films to come out this year. But at the same time, it’s also a great World War II ‘political’ thriller.

It covers all aspects of Turing’s life, from his early days as a young lad when he both constantly got bullied by his peers and also had a friendship with another boy named Christopher that unfortunately didn’t last as a result of Christopher’s early death to his tenure with MI5 and his development of the bombe to his final years and his arrest and the film balances all of this really well. And at times it’s also a very thrilling race against time as we see Turing and his team trying to break the Enigma Code because they only have a certain amount of time each day to crack it before the code changes at the end of each day. One of my favorite scenes of this year comes during the scene where the bombe finally works because despite the fact that they can now figure out all of the secret messages that Germany is sending out, they can’t really do much about it. At first, they look to help out a bunch of civilian ships that are about to be attacked by German U-Boats but Turing points out that they can’t because otherwise the Germans will figure out that they cracked the code and would resort to a new method of keeping their messages secret meaning that this whole operation would end up being entirely worthless and despite the pleads from one of Turing’s co-workers, who has a brother on one of the targeted ships, the others soon realize Turing is right. It’s a very hard-hitting scene where the characters realize that even though they broke new boundaries, it comes at a cost and I guess you can say that’s probably the reason why Turing’s work was kept hidden for so many years.

Benedict Cumberbatch gives one of the best performances of the year in the role of Turing. As I noted before in my original review of the film, there’s a similar aspect of Cumberbatch’s performance as Turing to his turn as Sherlock Holmes in, well, ‘Sherlock’ in that both characters have this awkwardness to them. But whereas Sherlock is more confident in himself and his awkwardness comes from how he acts amongst other people, Turing is much more awkward in the sense that obviously he’s hiding a big secret from everyone, that being his homosexuality. There’s a scene in which Turing learns that one of his co-workers is secretly a Soviet spy but learns that if he reveals this to anyone, then the spy, being the only one that Turing has shared his secret with at this point in time, will then spill the beans about him being gay. Again, it’s all a case of Turing being in an incredibly tough and unfair situation in a time when people like him were looked down upon by everyone around them. It’s unclear whether or not Cumberbatch will actually win any major awards for his performance here giving how many other great performances we’ve gotten this year but it’s still one of the best performances of the year and the highlight of a very well-directed and well-acted biopic that will hopefully help continue to highlight the truly groundbreaking work that Turing did in his life and the fact that he sadly got prosecuted just for being homosexual is something that unfortunately is still fairly common today in certain ways.

My Number 2 pick is the latest, and more importantly, the best entry in the franchise to date. Who would’ve thought that a series that started to go into decline with its third installment would rise from the ashes to deliver another superb superhero film?

2. X-MEN: DAYS OF FUTURE PAST

As we all know, in 2006 the X-Men film franchise started to go into a rapid decline after ‘X-Men’ and ‘X2’ director Bryan Singer decided not to come back to direct the third film. While admittedly I don’t think ‘X-Men: The Last Stand’ is ‘as bad’ as some have put it out to be, it was still a major disappointment that didn’t do its famous comic storyline ‘Dark Phoenix’ justice. Things got even worse with the series’ first spin-off, ‘X-Men Origins: Wolverine’, which was just a mediocre superhero film in pretty much every single aspect. It wasn’t until 2011 when the series finally started to get back on track with ‘X-Men: First Class’ and one of the key reasons for the success of ‘First Class’ was the return of Bryan Singer to the franchise. He may not have directed the film, but he did co-write/produce it as X-Men: First Class, with its badass James Bond-esque 60’s atmosphere and terrific cast highlighted by James McAvoy and Michael Fassbender as the younger versions of Professor X and Magneto, respectively, was easily one of the best superhero films of the last few years. Wolverine also got a much better spin-off two years later with ‘The Wolverine’. And this year, Singer, for the first time in more than a decade, returns to the position of director with ‘X-Men: Days of Future Past’, which is easily the best film in the series to date and his return to the series that he helped start in the first place is more than welcome.

This entry was based off of arguably the most famous ‘X-Men’ comics storyline to date, ‘Days of Future Past’, though technically it does stray quite a bit from the source material as shown from various changes like having Wolverine go back in time instead of Kitty Pryde, among other things. But that’s okay because the film is still very well-written. True, this series has been known (and not 100% in a good way) for emphasizing more on Wolverine than any other of the many mutant characters but here, Wolverine isn’t the main character in this entry. Instead, it focuses more on the younger versions of Professor X, Magneto, and Mystique. And sure, that still means that all of the other roles in this film are much smaller by comparison but everyone does their job in their various bits of screen-time. Whereas previous X-Men movies have had one weak link in their casts (like January Jones in ‘First Class’ or Svetlana Khodchenkova in ‘The Wolverine’), ‘Days of Future Past’ has the best ensemble cast of any film in the entire series with everyone doing an excellent job. This film, more than previous X-Men films, also is the first to really showcase the ‘team’ element of the series in the action sequences so really, this film is probably the closest in spirit to the comics.

In ‘First Class’, the biggest standout of the cast was Michael Fassbender as Magneto, which makes sense considering that ‘First Class’ is pretty much Magneto’s story. In ‘Days of Future Past’, though, it’s the other way around and the biggest standout is James McAvoy as Xavier in what is easily Xavier’s story. The first time he appears, we see that he’s become a shell of his former self after the whole incident with Magneto in Cuba during the Cuban Missile Crisis in ‘First Class’, which ended up with him both losing his legs and his ‘adoptive’ sister Mystique, who ended up going with Magneto. It’s fascinating to see Xavier at such an all-time low to the point where, with Beast’s help, he frequently takes an antidote that gives him the ability to walk again but at the same time also blocks his telepathic ability, which he’s completely fine with because he could no longer deal with the voices in his head. It’s only until Wolverine comes along to help guide him back to being the man that he once was, with a little help from his future self as well (on that note, it’s awesome to see Patrick Stewart and Ian McKellen reprise their roles as Professor X and Magneto one last time and they go out on a high note; not only that, but the scene between young and old Xavier is one of the best scenes in the film). Of course, Michael Fassbender is once again excellent as young Magneto as well and Jennifer Lawrence, who was already excellent as young Mystique in ‘First Class’, is even better here.

Finally, let’s talk about the ending of the film, which of course did one crucial thing that altered the entire film franchise. After Wolverine’s journey back in time is complete, he returns to the future but now finds himself in an alternate reality where both Cyclops and Jean Grey are alive, thereby erasing the continuity of ‘X-Men: The Last Stand’. Not only that, but at the end we see that Wolverine in the past was picked up by Mystique posing as General Stryker; in other words, it looks like ‘Origins: Wolverine’ was erased as well. Some aren’t as big on this ending as it ‘messes up’ the entire continuity of the franchise but I don’t see why that’s such a big problem if it means we can now forget about the two weakest entries in the entire series. It’s clear that this is what the filmmakers were looking to do; fix the wrongs of the previous entries and quite frankly they succeed in doing so. After two straight duds as far as superhero films go, the ‘X-Men’ film franchise is now back on track and now ‘Days of Future Past’ stands tall as the best ‘X-Men’ film to date and a welcome return to the franchise for director Bryan Singer, who was sorely missed by all ‘X-Men’ fans. It’ll be interesting to see what happens next with this franchise when ‘X-Men: Apocalypse’ hits theaters in 2016, apparently set to be the end of this ‘reboot trilogy’ of X-Men films that began back in 2011 with ‘First Class’.

And finally, we come to my Number 1 pick; my absolute favorite film of the year. My Number 1 pick is…

Yes, that’s right folks, for the first time ever, it’s a tie as I have not one but two films taking the Number 1 spot on this list. I couldn’t possibly pick one over the other as I loved them both equally and for their own unique reasons. The first of these two films was the most fun movie theater experience I’ve had this year.

1A. GUARDIANS OF THE GALAXY

Comic-Con 2012; Marvel Studios head Kevin Feige announces that ‘Guardians of the Galaxy’ is in production for a 2014 release. Like many people, my first reaction was similar to what Korath the Pursuer (Djimon Hounsou) says when Peter Quill (Chris Pratt) tells him his ‘other’ name; Star-Lord… “Who?” I had absolutely no idea who the ‘Guardians of the Galaxy’ were and from what I can tell, not even many comic book fans knew either. I have to admit for a while I was actually questioning Marvel’s judgment for going with a relatively obscure series (a ‘d-list’ bunch of heroes as some might say) as the basis of one of their major ‘Cinematic Universe’ film... cut to today, where I’m so glad that I was wrong to question Marvel to the point where I now have complete faith in anything they do. That’s because ‘Guardians of the Galaxy’ ended up being not only the best superhero film of 2014 but also the best film in the entire Marvel Cinematic Universe to date. Yes, that’s right, I think that this film is even better than ‘The Avengers’, which definitely speaks big words to how great a film ‘Guardians’ was. Now don’t get me wrong, ‘Avengers’ is still a great film, but I feel that there are a few reasons as to why ‘Guardians’ is the better movie.

First of all, I think it’s much funnier than ‘Avengers’, which admittedly didn’t start getting into the humor up until Iron Man first appeared on screen. ‘Guardians’ is more consistent with the humor from beginning to end and also a bit more daring in its humor. I still can’t believe that a MCU movie under the Disney banner could get away with not only a joke about how Star-Lord’s ship would look like a Jackson Pollack painting if they had a black-light (which I’ll admit I did not get until a while after seeing the film twice) but also the line ‘they got my dick message’. But while ‘Guardians’ does have a lot of comedic dialogue/moments, that doesn’t mean that it’s 100% a comedy. It still gives time for some serious moments (more on that in a sec). ‘Avengers’ admittedly also has a rather simple story; Loki tries to take over the world with help from the Chitauri and the Avengers team up to stop him. There’s nothing wrong with that, for the record, but ‘Guardians’ has a much more complex story… and yes, I’m aware that some people criticized the movie for having a complicated story but really, I never noticed.

Finally, the biggest reason why ‘Guardians’ is better than ‘Avengers’ is because of its emotional resonance. This movie starts off not with a funny scene but a really damn sad scene where Peter Quill’s mom dies right in front of him. Definitely not your typical opener to a superhero film. But then after Quill is abducted by Yondu and his Ravagers and the Marvel Studios logo runs, it cuts to Quill dancing to ‘Come and Get your Love’ during the opening credits, a perfect way to showcase what kind of adventure we’re in for while also highlighting one of the best elements of the entire film; its soundtrack. It’s an adventure in which we care about the main characters, who may be, to quote one of the Nova Corps members, a ‘bunch of a-holes’, but in reality they’re just looking for a place where they belong and that place is with each other. True, this may be a light-hearted superhero adventure in the veins of ‘Star Wars’ and ‘Serenity’ but it also takes time for effectively emotional moments, from Quill seemingly sacrificing himself to save Gamora when she’s left floating in space to Groot sacrificing himself to save the others when Ronan’s ship crash-lands into Xandar. That scene where Rocket tries to stop Groot from doing it and Groot comforts Rocket by placing one of his twigs on his face… gets me every time, let me tell you.

Even though the film focuses on a five-person group as its heroes, it does an excellent job at balancing out their roles in the film and all five roles are perfectly cast. As soon as the first trailer hit for the film, it was immediately proven that Chris Pratt was perfectly cast in the role of the charming yet cocky Star-Lord. Zoe Saldana is also superb in the role of Gamora, who because she’s the most serious member of the group doesn’t get as many funny bits of dialogue but she still has a few great lines here and there, like when she laments about how she’s going to die surrounding by the biggest idiots in the galaxy or when she tells Star-Lord she won’t fall for his ‘pelvic sorcery’. The biggest surprise, though, is easily Dave Bautista as Drax. Like Gamora, Drax is also a very serious character but in his case this results in quite a lot of hilarity due to the fact that metaphors go over his head (even though he claims that nothing goes over his head as his reflexes are fast enough to catch it). It’s even more impressive considering that from what I read online before seeing the film, it seemed like Drax would be the least memorable of the group and yet it’s arguably the other way around. And of course, as everyone predicted beforehand, Groot and Rocket are easily the biggest standouts of the film with both Vin Diesel and Bradley Cooper, respectively, doing phenomenal jobs in the roles.

Now let’s talk about the villains, because like with almost every other MCU film that does not feature Loki, they’re regarded as the weakest parts of the movie. But I heavily disagree with that; in fact, I assure you that if I didn’t like this film’s villains then ‘Guardians’ wouldn’t have been this high up on the list and I wouldn’t have said that it was better than ‘Avengers’. I think Ronan’s a bad-ass villain for a few reasons. First of all, he does have a clear motive; he wants to eliminate his race’s mortal enemies, the Xandarians. If anything, that’s better than him just being evil. Second, he doesn’t go down so easily during the final battle. It actually takes the Guardians three tries just to defeat him and they do so in one of my favorite (and one of the most hilarious) finales to any superhero film that I’ve seen when Star-Lord distracts the big turd-blossom with a dance-off. Finally, and perhaps most importantly, HE DEFIES THANOS! We never saw Loki do that so if you ask me, Ronan and Nebula get major props in my book for actually having the guts to say ‘screw you’ to frigging Thanos. As for Nebula, in the first half of the film she unfortunately gets screwed by not getting much to do but if anything they make up for it in the second half of the film. Plus, unlike Ronan, she does survive the final battle so hopefully she’ll be back in the future and I know that in the comics she’s also an adversary of the Avengers and plays a part in the ‘Infinity War’ storyline so if you’re reading this Russo brothers… hint hint…

‘Guardians of the Galaxy’ is perhaps the most important superhero film yet in this current era of superhero films because it shows that Marvel is not afraid to go outside their comfort zone. Heck, this whole Marvel Cinematic Universe itself was a major gamble as nothing like it had ever been done before and now in 2014 Marvel Studios has established one heck of a cinematic universe. But ‘Guardians’ also shows that they’re willing to make a film even if the characters that well known. While DC has still not yet done any superhero film that didn’t primarily star Batman or Superman, Marvel Studios has done films for supposedly B-list characters like Iron Man and Thor, made two excellent movies featuring the supposedly bland Captain America, and of course, made a movie in which we cared so much about a frigging talking raccoon and a walking tree creature that could only say ‘I Am Groot’ in that order. Kudos to you Marvel for yet another excellent entry in the Marvel Cinematic Universe and one that expands upon the universe more than any other film in the franchise without even doing that much to connect it to the other MCU movies other than using Thanos (now played by Josh Brolin who despite being on screen for barely 3 minutes immediately makes quite the intimidating impression)… and that’s perfectly okay in my book. These ‘a-holes’ who are not ‘100% dicks’ managed to prove everyone wrong and now stand as part of the best Marvel Cinematic Universe movie to date.

As for my second Number 1 pick, this film just blew me away from beginning to end and really, would you ever expect anything less… from Christopher Nolan?

1B. INTERSTELLAR

If I haven’t already mentioned this before in a previous post, I’m a huge fan of ‘old-school’ blockbusters. By that, I mean when a big-budget film, in its execution, feels like a classic blockbuster from way back when, even with all of the modern film tricks, that is an absolute must-see in the theater, which is especially relevant now considering that the advancements in technology and services like Redbox and Netflix have led to some debate about the concept of going to the movie theaters possibly becoming ‘obsolete’, which I must say I would absolutely hate to see if it really happened. Some recent examples of this include ‘Captain America: The First Avenger’ and ‘Super 8’ and that is also the case with ‘Interstellar’. Hopefully you got the chance to see this film in theaters, especially if you got to see in both IMAX and in 70 mm projection. I unfortunately never got the chance to see Nolan’s last two Batman films in IMAX so I made a big effort to see this film in IMAX the first time and I was even luckier to have the chance to see it in 70 mm projection. I literally have no idea how long it has been since I’ve seen a movie projected in that way giving how most theaters have switched to digital projection and I must say, it actually looks much better when projected in this fashion. You could actually hear the projector running during some of the quiet parts of the movie. This is the very definition of pure cinematic nostalgia. I saw this movie twice in theaters and while I didn’t see it in IMAX the second time, I got the chance to see it in 35 mm at my local theater and it was just as awesome as it was the first time.

This film is a visual masterpiece with some truly amazing visuals and like in his ‘Dark Knight’ movies, Nolan made an effort to use as many practical effects as possible. The dust storms on Earth were real, the visuals in space were done beforehand and used during filming so that the actors didn’t have to do it in front of a green screen, and all of the new worlds that the characters travel to were all filmed in practical locations, which I did like as while the looks of the planets may have been very simple compared to worlds in other sci-fi films it still maintained that sense of realism that Nolan has such a knack for, and yes I say this even though it’s a sci-fi movie. Sometimes the simplest visuals yield the best results. The cinematography by Hoyte van Hoytema is superb (the absence of Wally Pfister is not that big of a loss) as is the score by Hans Zimmer… oh my god, the score was absolutely superb, especially in the scenes where Cooper leaves home as Murph runs out too late to say goodbye (‘Stay’) and of course as many people have already mentioned, the scene where Cooper and Brand try to dock with their ship after the incident with Dr. Mann resulted in it getting damaged (‘No Time for Caution’), which is easily one of the best scenes in the entire film. Some say that the music was too overpowering but I wouldn’t say that’s the problem. As noted before, it’s in the sound design which sometimes is overpowering to the point where it’s hard to hear any dialogue at times.

But at the same time, this movie also benefits from a lot of genuinely emotional resonance, which some feel Nolan’s work usually lacks. As I said in my Spoiler Post for the film, I don’t entirely agree on that because I feel that there is emotional depth in his movies, it’s just that it’s always reserved for the main character (like Dom in ‘Inception’, just to name an example). Technically that’s the case here too but here it’s done perfectly in terms of the relationship between Cooper and Murph. It’s a heartbreaking situation to see both of them having to deal with him being forced to leave her and her brother behind to go off on this mission and we see both of them struggle to deal with this on an emotional level. There were two scenes that really hit me on an emotional level. The first is when Cooper talks to Murph before leaving and, as noted earlier, he leaves off as Murph rushes out unfortunately unable to say goodbye as he leaves. The other is after Cooper has already spent many years away from home due to him and the other members of his crew spending too long on Planet Miller. He watches all of the video logs made by Tom as he grows up, marries, and has a kid and of course gets very emotional about it (in one of the most powerful scenes of the movie consisting of just a single shot of Cooper reacting to everything) and then Murph makes one video log (this being the first appearance of Jessica Chastain in the film) telling him that she’s now as old as he was when he left and she wishes he was home by now. Matthew McConaughey, Chastain, and Mackenzie Foy all do fantastic jobs in the roles of Cooper and older and young Murph, respectively. I also want to highlight Bill Irwin for his great turn as the robot TARS, who provides some very funny quips of dialogue in his back and forth with Cooper. Of course, as with any Nolan movie, the cast is superb from top to bottom including Anne Hathaway, Michael Caine, Wes Bentley, and David Gyasi. And yes, I liked the whole subplot with Matt Damon’s character, Dr. Mann. Did it detour from the main story? Yes, but at the same time I also found it very fascinating to have a character like Mann who becomes so dis-enchanted with trying to find a new home for the people of Earth that he cowardly tries to get back home, even if it means that he messing everything up for Cooper’s crew.

In short, ‘Interstellar’ was a movie I was anticipating ever since Nolan was hired to direct because as I’ve said before, Nolan in my opinion has yet to make a bad film. And I’m sure some of you are going to accuse me of being a Nolan fan boy and, sure enough, there have been plenty of comments made by these fan-boys attacking anyone who dared not to like this film just like what happened when ‘The Dark Knight Rises’ got released back in 2012. But like I said before, I’m not that stupid. I recognize that this film was very polarizing and it has its critics. But me personally, this film really impacted me on an emotional level and was truly a one-of-a-kind cinematic experience. Some say the idea of going to the cinema has become old-fashioned due to services like Redbox and Netflix but I’m not one of those people. I still enjoy going to the theater to see a new film and films like ‘Interstellar’ and ‘Guardians of the Galaxy’ showcase why I love doing this. In the case of ‘Guardians’, it shows that I go the cinema to have fun (you starting to understand why this list was predominantly blockbusters now?) and in the case of ‘Interstellar’, it’s even better when a film is truly a must-see event in theaters, especially if you get the chance to see it on a big screen like IMAX and see it in the old-fashioned 70mm projection. Nolan’s a man of film and this is his love letter to it and that is why ‘Interstellar’ is one of my absolute favorite films of the year.

So that’s it folks, my Top 12 (or I guess you can say 13) favorite films of 2014. Thanks for reading and it’s time to start up a whole new year of movies.

Post Christmas Double Feature Short Reviews: 2014

Well folks, for the third year in a row, me and my co-panelist on ‘The Feature Presentation’, Matthew Goudreau, embarked on a cinematic double-header as we did our third straight post-Christmas double feature, as we went to go see a pair of potential award contenders yesterday, which has basically been the case with every film we’ve seen in this fashion since we started doing this. In 2012, we went to go see the musical epic ‘Les Miserables’ and Quentin Tarantino’s latest film, ‘Django Unchained’. Last year, it was Martin Scorcese’s hilarious, and in some cases rather underrated, black comedy ‘The Wolf of Wall Street’ and ‘American Hustle’, the film that unfortunately I wasn’t as big a fan of compared to most critics; I was more in the line with the general reaction from most audiences. Like I did these last two years, I’m not going to do full reviews of these two films, only because I’m currently busy prepping my end-of-the-year ‘Best of’ list. So instead, I’m just doing a pair of quick short reviews for each of the two films that Matt and I watched yesterday. So, without further ado, let’s get started.

INTO THE WOODS

Disney has been known for some truly iconic movie musicals, from animated films like ‘The Lion King’ and ‘Frozen’ to live-action classics like ‘Mary Poppins’. Their latest musical, ‘Into the Woods’, certainly has quite the pedigree in terms of talent both behind and in front of the camera. It’s based off of the multi Tony Award winning musical of the same name by famous composer Stephen Sondheim and writer James Lapine. It’s directed by Rob Marshall, who helmed 2002’s Oscar-winning musical ‘Chicago’, and it’s got an all-star cast from top to bottom… and overall it’s a pretty damn good musical with stunning visuals and a nice light-hearted atmosphere that contrasts solidly with the darker turns of the second act. As some have joked, it’s sort of the fairytale equivalent of something like ‘The Avengers’ as it brings together many famous characters from classic fairytales, from Cinderella (Anna Kendrick) to Little Red Riding Hood (Lilla Crawford) to Jack from Jack and the Beanstalk (Daniel Huttlestone). It’s primarily focused around a Baker (James Corden) and his wife (Emily Blunt) who embark on a journey to lift a curse of infertility that was set upon the Baker’s family years ago by an old witch (Meryl Streep) by bringing her four items; “a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold”. And while they’re on this journey, they come across all of the aforementioned fairy tale characters who just so happen to have the items that they need.

There’s been much talk about whether or not Disney would ‘tone down’ some of the darker parts of the musical, like the sexual undertones of the scenes between Little Red Riding Hood and the Wolf (Johnny Depp, who I kid you not is literally in the film for only about five minutes). And it’s true that certain parts were definitely toned down to maintain a family friendly PG rating. But, for the most part, I think it’s for the better. While the story certainly does get dark near the end, this is, for the most part, a fairly light-hearted story with a lot of humor and some fairly over-the-top moments but it’s ‘over the top’ in a good way as it’s a fairly heightened reality being that it’s a fairy tale. The musical numbers are solid and the cast is spot on from top to bottom. A lot of people have been focusing on Meryl Streep as the Witch and while she is great in the role, I have to say the biggest standout of the cast would actually have to be Emily Blunt as the Baker’s Wife, as she provides a much more ‘down-to-earth’ persona compared to most of the other characters in the story. My only real complaint about the film is that sometimes it feels like the story rushes through some moments, like when Jack climbs the beanstalk. I mean, this was probably the case with the musical as well but I do kind of wish that we could’ve gotten to see some of these moments. Still, ‘Into the Woods’ is a solid musical and while I can’t really say how much it stays true to the original musical due to the fact that I haven’t seen it, I have the feeling that this film at least does it justice.

Rating: 4.5/5

THE IMITATION GAME

Then we have ‘The Imitation Game’, based on the true story of Alan Turing, the famous computer scientist who was one of the key figures in cracking the Enigma Code of Nazi Germany during the Second World War by developing a special deciphering machine known as the ‘bombe’ that could encrypt these secret messages much faster than any human can. This story is truly fascinating and in some cases fairly sad due to some key events that happen near the end. I mean, this was a man whose work saved countless lives during World War II and, as some have predicted, it shortened the length of the war by at least two years. And yet unfortunately, in 1952, he was prosecuted for being a homosexual, a way of life that was outlawed in the UK at the time. He died only two years later in 1954 on account of suicide, and it wasn’t until recently (just a year ago, in fact) when his work was finally given the proper recognition it truly deserves. With that in mind, this is without a doubt a must-see ‘true story’ film as Turing was a man who truly left a major impact on all of our lives. You know those devices that you and I use every day… computers? His work is what laid the groundwork for that technology and the fact that he was prosecuted just for being gay (which is just total BS) makes this film even more important in today’s society, where currently only 35 states in the U.S. (and the District of Columbia) allow same-sex marriage.

The main highlight of this film is easily Benedict Cumberbatch’s performance in the role of Turing. I can definitely see a bit of Cumberbatch’s version of Sherlock Holmes in this performance as both men have this sort of awkwardness to them. But while Sherlock is more confident in what he’s doing despite the fact that he seems awkward and strange to everyone around him, Turing is fairly shy in terms of his awkwardness, which makes sense due to the fact that he’s holding in a big secret from everyone around him. Keira Knightley is also superb here as well as Joan Clarke, a fellow code-breaker who Turing gets into a romantic relationship with before finally revealing his secret to her. Not only are the performances great, but the film is really captivating as we see Turing and his team in a race against time to break the Enigma Code as they only have a set amount of time each day to figure it out before it switches at the end of the day. All in all, ‘The Imitation Game’ is a well-acted and well-directed film that truly shines a light on a man who thankfully has begun to receive the recognition that he truly deserves and the struggles that he went through near the end of his life will certainly resonate for many people today.

Rating: 5/5!