Thursday, July 10, 2014

Pokemon: Indigo League - Strangest Moments


Yesterday, I reviewed the first season of the ‘Pokémon’ anime, more commonly known as ‘Pokémon: Indigo League’ and one thing that I mentioned in the review was that there were quite a lot of odd moments that occurred in some of the episodes. When I say ‘odd moments’, this could mean anything from an strange animation error (which is understandable in this show’s case given how many episodes that have been made and how much hours were probably spent to get them finished on time) or just any instance when a character does something that is really stupid even though they should clearly know better. Now originally I was just going to include this part with my main review of the series itself but then I realized that there were quite a lot of weird moments that happened during this season that I needed another post just to talk about them all. So with that said, here are some of the strangest moments, in my opinion, that occurred during the first season of the ‘Pokémon’ anime.

‘DO THE MACARENA!!’ - CLEFAIRY AND THE MOON STONE

This face says it all...

This has to be one of my favorite moments of the entire season. The episode revolves around the gang coming across a mysterious rock known as the Moon Stone and a group of Clefairy who guard it from thieves. The moment that I’m specifically referring to occurs when Pikachu begins to talk with the Clefairy and of course because every Pokémon that is not Team Rocket’s Meowth only says their name, we can’t understand what they’re saying (although a later episode, which we’ll get to in a bit, fixes this problem). Pikachu then proceeds to try and tell Ash and his friends that one of the things the Clefairy do is that they pray to the Moon Stone and of course because they can’t understand him that well, he tries to have them figure it out via the process of charades but Ash guesses wrong at the end and thinks that the “Clefairy collect all of these stones and… Do the Macarena!” I just love this moment for both the random nature of Ash’s answer as well as Pikachu’s hilarious response to that answer (as shown above).

ASH CATCHES ALL 3 KANTO STARTER POKÉMON IN JUST 3 EPISODES


In the original Pokémon games, Red and Blue, the main character gets to choose one of three Pokémon to be their starter; Charmander, Squirtle, or Bulbasaur. In the anime, Ash misses out on getting to start out with one of them and instead starts out with a Pikachu. Well, guess what? Literally in the span of just three straight episodes, Ash catches all three of the starter Pokémon to add to his team. In Episode 10, ‘Bulbasaur and the Hidden Village’, Ash and friends come across a secret village where a girl named Melanie helps sick or abandoned Pokémon with the help of a Bulbasaur, which ends up coming along with Ash. In the next episode, ‘Charmander- The Stray Pokémon’, they come across a Charmander that has been abandoned by its owner so they help it when its life is on the line and Ash ends up becoming its new owner. Finally, in ‘Here Comes the Squirtle Squad’, they come into conflict with a group of mischievous Squirtle pranksters known as the ‘Squirtle Squad’ and by the end of the episode, Ash befriends the lead Squirtle of the group who ends up joining his team, officially completing Ash’s collection of the original 3 Kanto Starter Pokémon. I just find it to be amazing that Ash managed to catch all 3 of the Starter Pokémon in just 3 episodes because having played these games a lot, I know that it isn’t that easy to get all 3 Starter Pokémon in 1 game and Ash manages to do this in just a short amount of time. And for the record this isn’t the only time when Ash catches all 3 of one region’s Starter Pokémon. The same thing happens when the group goes to Johto where Ash ends up catching a Totodile, a Chikorita, and a Cyndaquil. But I’m not looking at that season right now…

SUBTITLED POKÉMON? - ISLAND OF THE GIANT POKÉMON


Remember earlier when I noted how we as the audience can never understand what the Pokémon are saying because all they say is their name? Well, this episode actually fixes that problem in one of the most surreal moments in the series’ history. This episode takes place after an episode where the gang boards the luxury ship, the S.S. Anne, and it ends up sinking. The trio escapes, with the help of Team Rocket, and end up getting marooned on a mysterious island separated from their Pokémon. Because of this, all of their Pokémon end up getting subtitled so that we can actually understand just what they are saying. The main reason why I find this to be a very odd episode is because, to my knowledge, there isn’t any other episode in the anime where the group’s Pokémon are on their own in which they’re subtitled. This is the only instance where this happened and I do question why they didn’t continue doing this but then again, I’m guessing that this is probably not that big of an issue in a series where the main characters are humans. I mean, the episode itself is also rather weird because it is revealed that the group is on an island that is actually a ‘theme park’ full of giant robotic Pokémon that just so happens to be owned by Team Rocket. Again, this was just a really odd episode.

CONTROVERSIAL EPISODE #1- BEAUTY AND THE BEACH


There have been a few infamous episodes of the anime that ended up being banned or removed from the series rotation for various reasons. ‘Beauty and the Beast’ is the first of these episodes as a controversial scene in the original Japanese version of the episode had to be cut before it could be aired anywhere else. The episode itself is rather weird because it’s fairly sexualized, more so than one would expect from a show aimed at children, being that it mostly takes place at the beach and revolves around a swimsuit beauty competition… but I’m getting ahead of myself. In this episode, Ash and the gang get into trouble when they end up crashing a boat and damaging a dock, resulting in them volunteering to help the owner of the boat, an old man named Moe (who makes a very odd and creepy remark about how Misty ‘reminds him of his granddaughter’), so that they can pay for the damage that they caused. Ultimately, they decide to have Misty enter a beauty contest in order to win enough money. The main reason why this episode is so controversial is because of a scene in which we see Team Rocket enter the contest as well… and not just Jessie but James as well, the latter of whom wears inflatable breasts… I don’t even know what to say about this, folks. This is just… uh… yeah… and that’s ‘Beauty and the Beast’ for you, an odd episode that I would’ve never have expected would come from a children’s show like Pokémon  then again this show is full of odd moments so I’m not surprised.

DONUTS? - PRIMEAPE GOES BANANAS


A common food that appears in the anime is a snack known as a rice ball (shown above). For some odd reason early on, the English dub of the anime occasionally referred to them as something else, apparently so that non-Japanese kids could call it something that they were more familiar with. Notably, in this episode, ‘Primeape Goes Bananas’, they are referred to… as donuts. I’m sorry, but do these things even look like donuts? No, not really and yet they’re referred to as such. Heck, in this episode, Ash actually catches a rice ball in a Poke Ball when he’s trying to catch a Primeape. The strange thing about this whole scenario is that in some of the other episodes, these things are properly referred to as rice balls. So in that case, why bother even renaming these things when you’re just going to end up referring to them by their proper name?

THIS… - SPARKS FLY FOR MAGNEMITE


Uhhhh…. No comment.

POSSIBLE CHILD ABUSE? - THE KANGASKHAN KID


First off, I just want to note that I do not condone child abuse in any way and because of that, this episode just rubs me the wrong way. The main plot of the episode revolves around an explorer couple who are looking for their son Tommy, who went missing a few years ago in the Safari Zone. The reason for this… is because of quite frankly one of the stupidest moments ever committed on any TV show, live-action or animated. The father holds the kid out of the window of the helicopter that they are in and accidentally drops him… wow, I’m at a loss for words here at the pure stupidity of this moment and thankfully the mother scolds her husband for being such a frigging idiot. But that’s not all… once Ash and the gang come across Tommy in the Safari Zone the poor kid gets punched by Misty (literally punched, mind you) when he asks her, “You People or Pokémon?” (Don’t even get me started on how this played out in the original Japanese cut… trust me you don’t even want to know). Then, the parents arrive and try to convince Tommy (who now goes by the name ‘Tomo’ by the way after being raised by a group of Kangaskhan) that they’re his real parents. When Tommy still believes that the Kangaskhan are his family, the father then proceeds to bash him on the head to jog his memory. What the f*** is up with this episode??? I feel bad for Tomo and the crap that he goes through in this episode by those who supposedly care about him.

Connection?

CONTROVERSIAL EPISODE #2- THE LEGEND OF DRATINI


Now we come to the second major controversial banned episode of the anime but unlike ‘Beauty and the Beach’, this one never even aired in North America even though there is reportedly an English dub of the episode. In this episode, Ash and friends meet the supervisor of the Safari Zone… who almost immediately aims a gun at them. Yes folks, the main controversy for this episode revolves around the fact that guns are repeatedly used to threaten people… you know, for kids!! This is one instance where I do agree with the censors’ decision here because I don’t even see why this episode needed to have so many moments where the main characters (who are kids, mind you) are threatened with guns. I mean it’s not like these guns are lasers or anything like that… these are real guns. However, I am aware that because this episode was banned, it caused a bit of a plot hole because in this episode, Ash catches 30 Tauros and because of it being banned, American audiences never got to see Ash catch them. Still, this is just yet another odd moment in this odd anime series.

MOST CONTROVERSIAL POKÉMON EPISODE- ELECTRIC SOLDIER PORYGON


‘Electric Soldier Porygon’ will go down in history as the most controversial episode of the Pokémon anime because it literally sent nearly 700 kids to the hospital. Why? Well, you’ll soon see why. In this episode, Ash and friends visit a Pokémon Center that is having problems with its Transfer System that they use in order to transfer Pokémon between Pokémon Centers. In order to fix this, they are actually sent into the system by its inventor, with the help of the digital Pokémon Porygon, to solve the problem, which is revealed to have been caused by Team Rocket. At one point, the group is targeted by an anti-virus program that thinks that they’re a computer virus. It fires some ‘missiles’ at them which Pikachu destroys with a Thunderbolt attack, causing an explosion that then results in a flash of very bright red and blue strobe lights. In real life, this then resulted in approximately 685 Japanese kids having to be taken to the hospital due to epileptic seizures. I’m only showing one of the images of this infamous scene above because I would not dare show the scene in its entirety (though Wikipedia apparently has the balls to show the entire scene on the page listing this episode… what the hell?). I’m not someone who is prone to seizures, but even with that in mind, I can definitely see why this scene would be a problem to anyone who is prone to them because even I have to admit that my eyes got sort of bothered when I ‘tried’ to watch this episode. It’s yet another episode of the show that got banned for a very, very good reason.

YET ANOTHER CONTROVERSIAL EPISODE- HOLIDAY HI-JYNX


And we have yet another one of the controversial episodes of the anime, which was originally supposed to air after ‘Electric Soldier Porygon’ but of course after what happened with that episode, this episode got pushed back. It instead was aired after the episode ‘It’s Mr. Mime Time’, which caused some confusion in regards to continuity which I’ll get to in a little bit. As for this episode, this is another one of those weird episodes because it revolves around Team Rocket kidnapping Santa Claus… yes folks, that is the plot of this episode. But the main controversy of this episode revolves around the Pokémon Jynx, who originally had a black face which led to complaints that it was believed to be representing the very racist art of blackface. Now I am aware that it might actually be representing the Japanese fashion styles known as ganguro and yamanba and as I’ve noted before I’m not really one who likes to talk about racist themes, but it’s pretty hard to argue against the ‘blackface’ thing and as a result Jynx’s face was re-colored to purple in all aspects of the franchise (games, trading cards, etc…). Now this actually isn’t the episode that was the most notable for being banned because of Jynx. Instead, it was the episode ‘The Ice Cave’ but ‘Holiday Hi-Jynx’ was also removed from rotation for the same dilemma. But now let’s talk about the continuity problem that this episode caused.

So instead of this episode, along with the following episode ‘Snow Way Out’, airing after ‘Electric Soldier Porygon’ (which of course wasn’t released outside of Japan), they instead aired after ‘It’s Mr. Mime Time’… 26 episodes later. I’m guessing this happened because they are both winter-themed episodes and that by the time the show was brought back after the ‘Porygon’ incident it probably wasn’t the winter season anymore. But still, imagine if you’re an American kid watching this show and it got to these episodes. You’ll probably be left confused as to why in these two episodes, Ash’s Charizard is suddenly back to being a Charmander and Misty still has her Starmie and Horsea, which had been left at the Cerulean City Gym a few episodes earlier. Now we know why… it’s because these episodes were supposed to air at an earlier time and instead got pushed back after the whole ‘kids having to go to the hospital’ situation. It’s a weird chronological continuity error that still stands today. Even Netflix maintains this order of the episodes (for the record, they also don’t have any of the controversial episodes that I’ve previously mentioned so if you want to see these episodes you’re going to have to find them online).

THE GANG DOESN’T RECOGNIZE TEAM ROCKET- MULTIPLE EPISODES


A common running gag in the anime is that Team Rocket occasionally tries to fool Ash and the gang by putting on disguises and while to us it’s usually clearly obvious that it’s them, most of the time their disguises are at least good enough to legitimately fool Ash and his friends. But there have been not one, not two, not three, not even four, but five separate instances where Team Rocket is wearing disguises that fool the gang despite the fact that these disguises are so bad that they should’ve easily recognized who they really were. These instances of stupidity first occurred in the episode ‘Showdown at Dark City’, in which Ash and company come to a town that includes two Pokémon Gyms that are both looking to become officially licensed gyms. However, these gyms are also fierce rivals resulting in multiple street fights between them as both gyms look to eliminate the other. While the gang hides out in a local restaurant, Team Rocket comes in dressed in disguise as bodyguards for one of the gyms. However, their disguises only consist of them wearing robes and having their mouths covered. Their hair (and in Meowth’s case, his face) is sticking out which definitely should have given away who they are but yet Ash and his friends doesn’t recognize them and act surprised when they are revealed to be Team Rocket… even though they should have easily realized that beforehand. I mean by this point they’ve already come across them about 40 times already so they should at least recognize them by their hairstyles by now.

But that’s not the only time when the gang is quite easily fooled by poor disguises. In the episode ‘The Ultimate Test’, Jessie and James disguise themselves as Pokémon trainers who, along with Ash, take an Admissions Exam in the hopes of immediately entering the Pokémon League without having to collect the minimum 8 badges. Now Jessie at least changes her hair so I can see how that would possibly fool Ash but James doesn’t change his hair whatsoever. And then we move ahead to the episode ‘The Purr-fect Hero’ in which Team Rocket disguises themselves as a pair of magicians, again without changing their hair and managing to fool Ash and his friends up until they reveal their true intentions. In the episode ‘Fire and Ice’, they try to fool Ash by pretending to run a Pokémon Center with James making no attempt at hiding his hairdo when he pretends to be one of the nurses. Jessie is at least wearing a Nurse Joy mask. Finally, in the episode, ‘A Friend in Deed’, Team Rocket disguises themselves as ‘Pokémon Inspectors’, with really no effort at all to disguise themselves whatsoever. Now I can understand Ash and the gang being fooled so easily by bad costumes at least once but five times? As I’ve made it clear, the main problem with their disguises is that they don’t change their hairstyles. Seriously, I’m pretty sure that not too many people in the world of Pokémon have the same damn hairstyles as they do. You’d think that by this point in the series, after facing Team Rocket a least a hundred times, Ash and friends would be able to see through some of these poor disguises. But NOPE!!!

UNNECESSARY TOURNAMENT- WHO GETS TO KEEP TOGEPI?


In the episode ‘Attack of the Prehistoric Pokémon’, Ash managed to find a Pokémon egg, which in the episode ‘Who Gets to Keep Togepi’ finally ends up hatching into the titular egg Pokémon, Togepi. This results in Ash, Brock, Misty, and even Team Rocket’s Meowth arguing over who should own it. They decide to settle this through a tournament which sort of does feel like they’re over-doing it quite a bit in order to solve something that is simple as just figuring out who gets to have the Togepi. Ash ends up winning the tournament by beating both Misty and Meowth but ultimately doesn’t get to own Togepi; instead, Misty becomes its owner. That is because when Togepi hatched, the first thing that it saw was Misty so that means that it thinks that she’s its mother. Ultimately, this makes the entire tournament (the main plot-point of the episode) that the main characters just had…


Also this episode features a very questionable bit of animation involving Professor Oak and a Muk that’s now become an infamous GIF and… well, I couldn’t resist using it here…


…yeah… moving on…

SURPRISED AT JIGGLYPUFF’S APPEARANCE- BEACH BLANK-OUT BLASTOISE


Another one of the series’ running gags began when the team came across a wild Jigglypuff, a Pokémon with the ability to make anyone (human or Pokémon) fall asleep whenever they hear its song. After Jigglypuff finishes its song, realizing that everyone’s asleep, it gets mad and draws on everyone’s face with a marker that it got from Ash’s backpack which it hides in its microphone. In this episode, Jigglypuff gets stuck in a Blastoise’s water cannon, resulting in the Blastoise falling asleep along with the multiple Squirtles and Wartortles on the island that they all inhabit together. Ash and friends help get Jigglypuff out of the cannon but once it does get unstuck, Ash acts surprised that it’s Jigglypuff… despite the fact that just a few minutes earlier, Brock and Misty realized who it was, said it out loud, and all of this was when Ash was right next to them. And yet once it comes out, Ash acts like he didn’t hear what Brock and Misty just said. I don’t know whether to classify this as either a script error or because Ash was just acting really stupid. In this case, I hope it’s at least the former but then again this is the same character who failed to recognize Team Rocket in cheap disguises at least five damn times so it might just be the latter.

SURPRISING DURABILITY OF THE POKEDEX- THE MISTY MERMAID


In this episode, Ash, Misty, and Brock return to Cerulean City where Misty reunites with her three older sisters. They ask if she could be a part of their new underwater stage show because they are having problems attracting an audience. Misty agrees and the show goes on without a hitch… that is, until Team Rocket comes in attempting to steal the Gym’s Pokémon. This then results in an underwater battle between Team Rocket and the gang. During the fight, Misty’s Sisters’ Seel evolves into a Dewgong. Like he does with every new Pokémon that they come across, Ash identifies with the Pokedex… while he is still underwater. Did you know that the Pokedex was water-proof? Apparently it is according to this episode and to my knowledge it hasn’t been used underwater in any other episode of the anime since. This episode also starts an odd practice in regards to the ‘Who’s That Pokémon’ bit that plays during the commercial break. Usually, this part of the show, in which the audience tries to guess the Pokémon whose silhouette is shown on-screen, uses the Pokémon that is heavily featured in that episode. But starting with this episode, the American dub of the anime decides to use the main Pokémon that is to be featured in the next episode instead, which apparently went until the Johto storyline. For the record, this wasn’t the case with the Japanese version; it was purely an aesthetic choice of the American dub. The reason for this turn of events is unclear. 

JUST HOW MANY BADGES ARE THERE TO EARN, ANYWAY? - BATTLE OF THE BADGE


In the video games and in the anime, the main character has to collect 8 badges from the Gym Leaders in the area they’re in so that they can enter the Pokémon League and it seems like you can only get 8 badges in any given region. Well, this episode, in which Ash heads to Viridian City in order to compete for his eighth and final badge, apparently proves otherwise. In this episode, Ash’s main rival Gary battles the Gym Leader, revealed to be the leader of Team Rocket, Giovanni, before Ash can and brags to him that he already has… 10 badges? Aren’t there only supposed to be eight badges? I know that there are some unofficial gyms located in Kanto, which in the anime is apparently much larger with all of the towns that Ash and the gang visit (most of which, for the record, are not featured in the games), but is it even possible to get more than eight badges? Apparently according to Gary it is. This episode also gives us our first look at the mysterious Pokémon that would play a pivotal role in the anime’s first feature-length movie (more on that momentarily); Mewtwo, though he isn’t referred to by name here.

TITLE CARD ERRORS AND… ABANDONMENT OF A FRIEND?? – IT’S MR. MIME TIME + SHOWDOWN AT THE PO-KÉ CORRAL


‘It’s Mr. Mime Time’ and ‘Showdown at the Po-ké Corral’ both had title cards that had very noticeable spelling errors. ‘It’s Mr. Mime Time’ was incorrectly titled ‘It’s Mr. Mimie Time’ and ‘Showdown at the Po-ké Corral’ was misspelled as ‘Showdown at the Po-ké Corall’. I’m kind of surprised that those in charge of the American dubbing of the show didn’t notice this. But I also want to talk about another odd moment that occurred in the Mr. Mime episode. In this episode, Ash and friends return to Ash’s hometown, Pallet Town, and come across a traveling Pokémon circus. However, this circus has a problem in that one of its star Pokémon, Mr. Mime, refuses to perform. In order to fix this, Brock suggests that Ash disguise himself as Mr. Mime, which Ash agrees to do, sort of against his own will. But then Team Rocket comes in and steals Mr. Mime… but instead they end up catching Ash, who is still disguised as Mr. Mime. He does manage to escape but I’m just amazed at what Misty and Brock end up doing in this episode when he gets captured. They don’t try to go and rescue him and instead go back to Ash’s house and eat. What kind of friends are Misty and Brock to leave Ash on his own when he’s captured by the bad guys? I mean, Ash does get away from Team Rocket but he doesn’t even get angry at Misty and Brock for not trying to rescue him, which for the record I would’ve done if I was in his situation.

POKÉMON: THE FIRST MOVIE


Of course I can’t talk about odd Pokémon moments without discussing the anime’s first feature-length film, ‘Pokémon: The First Movie’ AKA ‘Mewtwo Strikes Back’. Watching this film again definitely brings back a lot of nostalgic memories but as for the film itself… well, this is a case where the film is more geared to fans of the show and as such is more appealing to them. This isn’t a case like ‘Serenity’ or ‘Veronica Mars’; if you’re going into this film new to the series, then you’re really going to get confused at times. Also, from what I’ve heard, the original Japanese cut of the film was much different than the American version we got. The main change is that a sequence in the original cut that was basically the origin of the Pokémon known as Mewtwo, in which he befriended the clone of a scientist’s deceased daughter, was cut from the American cut, meaning that Mewtwo’s reasoning for mistrusting humans that was fairly developed enough in the original Japanese edition of the film, isn’t really delved on in the American cut. But that’s nothing compared to some of the stranger moments that occur within this film.

First off, this film has a few errors in regards to properly identifying Pokémon. One Pokémon trainer refers to his Pidgeot as a Pidgeotto, Team Rocket think that a silhouette of a Scyther is actually an Alakazam, and a Sandslash is called Sandshrew and apparently those in charge of the American cut purposely left these errors in for the fans to point out. But one of the most baffling elements of this film is its message. The main plot revolves Ash and friends, along with a few other Pokémon trainers, being ‘invited’ to a party hosted by the world’s greatest Pokémon trainer, which is revealed to also be the world’s greatest Pokémon, Mewtwo. Mewtwo then takes all of their Pokémon from them and has them cloned as he plans to take over the world with his clone army. But Ash manages to save the original Pokémon as a massive battle ensues between the real Pokémon and their clones. After a montage of this battle, the trainers, unable to take any more of it, comment on, basically, how ‘fighting is wrong’. I mean, it is actually a good message for kids but at the same time it is very ironic (and actually a bit hypocritical if you really think about it) that this message is being used in a show that is ALL ABOUT FIGHTING!!! And by the end of the film, Mewtwo actually erases the memories of all of the Trainers who were there… which makes the message of the whole movie…


But then we come to ‘that moment’… Pokémon fans, you know what I’m talking about. It’s the event that happens at the end of the movie, when Ash tries to intervene during a fight between Mewtwo and Mew, the latter of which is the legendary Pokémon whose DNA was used to create Mewtwo, and ends up getting caught in their attacks, resulting in him being turned in stone… basically killing him. Now I will admit that I did actually cry during this scene, mostly because of Pikachu’s reaction to it and his attempts to resurrect his friend. But then we get to one of the strangest moments in not just the history of Pokémon, but film history in general. All of the Pokémon begin to cry at the loss of Ash and the collective strength of their tears is able to bring him back to life… I’m not kidding folks, this really happens. Now, for the record, this technically was explained as being possible earlier in the movie when someone mentioned that the tears of Pokémon revived those who had lost their lives in a huge storm but even then, it’s still a very weird moment that doesn’t seem at all possible but it happens. And that’s ‘Pokémon: The First Movie’ in a nutshell for you; a film that is more appealing to fans of the show but also full of some very odd moments. But then again, as we’ve already seen, this show has been full of weird moments so it’s not that surprising.

The feels, man...

A GOLDEN ‘GROWLITHE’? PLUS, CONFUSION OVER STAGE OF GROWLITHE EVOLUTION - LIGHTS, CAMERA, QUACK-TION + THE FOURTH ROUND RUMBLE


In this episode, Ash and friends meet the famous director Cleavon Schpielbunk, who is in town looking for Pokémon to appear in his next movie, ‘Pokémon in Love’, which is basically ‘Romeo and Juliet’ with Pokémon. Schpielbunk notes that he has previously won the ‘Golden Growlithe’ which apparently is the Pokémon world’s equivalent of the Golden Globes. But I have to ask… does this (shown above) look like a Growlithe to you? No, because it’s an Arcanine, the evolved form of Growlithe. And folks, this isn’t the only time this season when these two Pokémon were confused for each other although in this next situation it was the other way around. In the episode ‘The Fourth Round Rumble’, Team Rocket tries to fool the police by having their balloon float around while they stay on the ground and capture Pokémon. Two Officer Jennys notice this and one of them commands her Arcanine to use Flamethrower on the balloon… although technically she only has a Growlithe and not an Arcanine. I’m surprised no one working on this episode noticed this error but it’s there, similar to the misidentification of other Pokémon in ‘The First Movie’.


And those are some of what are, in my opinion, some of the weirdest moments that occurred during the first season of the ‘Pokémon’ anime.

Wednesday, July 9, 2014

Pokemon: Indigo League (1997-99): Season Review


It might be embarrassing for me to admit it, but when the first season of the Pokémon anime was made available to stream on Netflix, I started to binge-watch the show. That’s because when I was younger, I was a big fan of the Pokémon franchise. I owned a lot of the video games, including some of the main handheld games like ‘Pokémon: Yellow’ and ‘Pokémon: Silver’ as well as a few of the spin-off games for home consoles like ‘Pokémon: Stadium’ and ‘Pokémon Snap’. But you see, this has been a franchise that I started to grow out of as I got older and one of the main reasons why I did was because the franchise continuously expanded with new worlds and new Pokémon species that were introduced with almost every new main game in the series; in other words, the series was basically starting to be a bit overcomplicated. Right now, there are about 719 kinds of Pokémon in this franchise split across six separate regions of the world of Pokémon… and I’m sorry but once you go past the Johto era of the series, that’s where it loses me. In that sense, I guess you can call me an ‘old-timer’ when it comes to the series because my favorite Pokémon games were the ones before the Hoenn era and being that I was born in 1995 that means that I was there when the series first made its debut here in the U.S (just a year later in 1996). So yes, I prefer the original Pokémon to their newer brethren. Now for the record, I still like playing the video games from time to time, but I guess at this point I’m more of a casual fan of the series. But even with that said, today I’ll be looking at the first season of the Pokémon anime, more commonly known as ‘Pokémon: Indigo League’.

(Note: This first season consists of 82 episodes, starting with ‘I Choose You, Pikachu’ and ending with ‘Friends to the End’. There are additional episodes of the following season that are currently streaming on Netflix, but for now I’ll stick to the first 82 episodes.)

In a world that is full of creatures known as Pokémon, 10-year old Ash Ketchum dreams of becoming the world’s greatest Pokémon Trainer. However, on the day that he is set to leave home (and for the record yes, most Pokémon trainers are supposed to leave home at that age… that’s how it works in this franchise) to go out on his Pokémon journey across the Kanto region, he ends up oversleeping and as a result, all of the regular Starter Pokémon that the local Professor, Professor Oak, provides to new trainers have already been taken. So instead, Ash ends up with a Pikachu as his first Pokémon. At first, the two have a difficult time getting along but soon they become inseparable as they travel across Kanto battling trainers, dealing with the criminal Team Rocket trio of Jessie, James, and Meowth, and coming across new Pokémon as Ash yearns to acquire eight badges from the local Pokémon Gyms in order for him to enter the Pokémon League Tournament. Along the way, Ash and Pikachu befriend two of the region’s Gym Trainers who end up joining him on his journey; Brock, the Gym Leader in Pewter City who looks to become the world’s best Pokémon breeder, and Misty, the Cerulean City Gym Leader who joins Ash on his journey after an incident in which Ash and Pikachu accidentally destroyed her bike when they borrowed it.

Folks, let’s be honest… this show is kind of stupid. I mean, even when I was a kid, I think I remember that even back then I thought that the show was a bit too goofy at times. Looking at it now, it’s kind of even goofier than I remembered. This show can be very corny at times, with a lot of bad Pokémon-related puns being said in almost every episode. Heck, some of these puns were even used in some of the episode titles (e.g. ‘Lights, Camera, Quack-tion’… get it?). Plus, this show is full of odd moments, whether it’s due to an animation error or just an act of pure stupidity committed by one of the characters (I’ll be covering these moments in more detail in the second part of this review). But probably the biggest problem with the show is that it is very, very repetitive. I mean pretty much every episode has the same general plot-points; Ash and friends come across a new Pokémon, which is usually accompanied by its Trainer, and they befriend this new ‘Trainer of the Week’ as they learn more about the ‘Pokémon of the Week’. Then, Team Rocket comes in attempting to kidnap Pikachu (after reciting their motto of course which they do… every… single… time!), or sometimes the ‘Pokémon of the Week’. Ash and his friends then defeat them, and they blast off into the sunset and the episode ends with the group continuing on their journey ‘having learned a new lesson about the world Pokémon’; rinse, wash, repeat. Really, I’m just amazed at how long they were able to stretch out this series, which now stands at more than 800 episodes, and yet have pretty much every episode play out the exact same way. It’s so repetitive that I don’t even feel like the characters mature at all during the show, and that’s not including the fact that they’re seemingly staying the same age a la ‘The Simpsons’.

While the main characters themselves are likable enough that you do want to follow them on their journey, they’re not the most ‘developed’ characters in the world and quite frankly each member of the main trio has their own unique major flaw. Ash may be an optimistic kid who doesn’t want to quit, but most of the time he does come off as a bit too headstrong and at times a little arrogant, acting before he thinks things through. Misty can be very sweet, but is easily prone to getting angry, especially at Ash. Brock probably is the most mature of the three, but he’s also notably always trying to hit on nearly every girl they come across; usually one of the many Nurse Joys and Officer Jennys that inhabit every town… though I will say that this is actually one of my favorite parts of the whole series because I just find it funny how Brock is always trying just a bit too hard to try and score with a girl. As for the Team Rocket trio of Jessie, James, and Meowth… boy, where do we begin with those three? I mean, they’ve been in nearly every episode since Episode 2, ‘Pokémon Emergency’, and yet continuously fail in their many, many attempts to capture Pikachu. They’ve even used some shock-proof equipment which you think they would use all the time… but no, there have been some instances where they use this kind of equipment but then they don’t use it the following episode(s) and even then sometimes this equipment ends up backfiring on them. I mean after all this time you’d think they would’ve learned from their mistakes (or quite possibly have given up after failing so many times) but NOPE!!!

So despite all that I’ve just said, why then do I still like this show even though I feel that it’s incredibly repetitive. Well, even with that in mind I still found the show to be pretty entertaining. For one thing, the show actually has a bit of an advantage over the video games because the Pokémon battles are more engaging in the anime than they are in the actual games themselves, especially when considering what the video games themselves were like at the time the show first aired. Because you see, in the old days, the battles in the video games were much more static as it was really just the two Pokémon staying in a single position facing each other and just attacking their opponents from that position without moving whatsoever… which let’s be honest kind of gets boring after a while. That’s not the case with the battles in the anime; the Pokémon move around much more which I do find to be much more exciting as they really do a better job of pulling you into the action on-screen. Plus, nowadays I really get a kick out of all of the cornier/stupid elements of the show, whether it’s Brock’s repeated attempts at trying to woo girls or Team Rocket’s inability to give up their sort of hopeless mission of capturing Pikachu. I mean, this show is just silly and it at least seems like the creators of the show aren’t trying to take things so seriously. So overall, ‘Pokémon’ is just a fun little show that may not be the smartest cartoon out there but it is still fairly enjoyable to watch and nowadays its first season can definitely serve as a key piece of nostalgia for anyone who grew up with the series like I did.

Rating: If mostly for Entertainment Value: 3.5/5


Check back Tomorrow for Part 2 in which I look at some of the strangest moments in the anime.

Thursday, July 3, 2014

2014 Midyear Recap

Well we are now officially halfway through 2014… and you know what that means. It’s time to do my annual Midyear recap of the year so far. If you’re new to this site, basically what I do here is that I just go through all of the films that I’ve seen this year so far. I don’t really do any rankings on this post, though I do basically go from worst to best. The only time I’m doing any film rankings is right at the end when I list my Top 5 of the year so far. So with that said, how has 2014 been so far in regard to the movies? Well, overall I’d say that 2014 has been a pretty solid year so far. Sure, as is every year I’ve definitely seen a couple of stinkers but so far the good has at least outweighed the bad, which is always a good thing in my opinion. Summer 2014 in particular has been really good so far. Out of all of the films I’ve seen so far this summer, there has been only one movie that, at worst, I was only ‘meh’ on. But now let’s not waste any more time and get onto the recap. This is how the first half of 2014 has been so far for me in regards to the movies that I’ve seen.

STINK-BOMBS

As that title suggests, these are my picks for the worst films of the year so far. And what’s the number one worst film I’ve seen so far, you ask?

WORST FILM OF THE YEAR SO FAR:

THE LEGEND OF HERCULES


I have a suggestion for a new title for this film; ‘Legendary Stinker’ because holy s*** was this one bad. It’s a film that tried to be the next ‘300’, especially in regards to its visual style, but failed to do so for multiple reasons. First of all, despite the fact that this is a ‘swords and sandals’ flick, the movie’s action is pretty much bloodless as the film’s rated PG-13. There’s some very violent action in this movie, but you really don’t see any bloodshed. Secondly, this movie’s visual effects are horrendous; seriously, they look more like they came from an old PlayStation 1 game; they’re some of the cheapest visual effects that I’ve seen in recent memory for a film with a fairly decent budget. Finally, the acting is pretty bad from all involved. I mean no offense to Kellan Lutz but right now this guy is not fit to be a leading man as he comes off as being very bland in the role of Hercules. The only positive thing I can say about this film is that from time to time Scott Adkins provides some entertainment as the main bad guy… but only because he’s so over-the-top. Do you want to know how bad this movie is? It’s so bad that I’m actually looking forward to a Brett Ratner film… that being the other ‘Hercules’ that is set to come out this year. If anything, hopefully that one will be much better than this turd.

OTHER DISHONORABLES

TRANSCENDENCE


Not only is this one of the worst films of the year so far, but it’s currently the most disappointing film this year for me because I was actually looking forward to this one. The main reason for this was because it was directed by Wally Pfister, Christopher Nolan’s long-time cinematographer and it looked like maybe Pfister’s experience working with one of the best directors working today would help him when it came to directing his own movie. But while I do still think that Pfister has potential as a director, ultimately the biggest problem with ‘Transcendence’ is that it’s a major snore-fest. Nothing really happens in this movie despite the fact that technically in regards to the plot things are happening (it’s kind of hard to explain but to put it quite simply, this movie is really boring). It may have some really excellent cinematography and a fairly solid cast (even though A.) most of the characters are very flat and uninteresting and B.) Some members of the cast don’t get much to do), but at the end of the day, this film unfortunately starts Pfister’s directorial career on a very, very low note. I don’t necessarily blame him for it, and I do hope that this won’t be his only foray into directing but quite frankly he definitely should have gone with a different first film than this one.

I, FRANKENSTEIN


Yet another stinker from January (which by this point is not at all surprising in the least given the usual slate of films that come during this month of the year), ‘I, Frankenstein’ tries to be the next ‘Underworld’ (it’s even based off of a graphic novel of the same name written by the co-creator of the ‘Underworld’ franchise, Kevin Grevioux) but ultimately comes off as a pretty dull fantasy action flick (Quick Disclaimer: I have not seen the ‘Underworld’ movies). The characters in this movie are incredibly bland as is the story and the action sequences sometimes feel a bit too over-bloated at times. None of them really stand out in anyway, and also on multiple occasions, the CGI is actually pretty bad, mostly in regards to the gargoyle and demon creatures in this movie. The only reasons why this isn’t my pick for the worst film of the year so far is that if anything else, Aaron Eckhart is at least trying in the lead role of Frankenstein’s Monster and the action sequences are at least not shot in the shaky cam style that currently dominates quite a lot of action movies these days. But aside from that, everything else about this movie is pretty mediocre.

‘MEH’-FLIX

These films are ones that I’m hoping won’t be in my ‘worst of’ list at the end of the year because while I don’t completely dislike these films, I’m not that positive about them either. So basically, these are the films that I think are just ‘okay’.

     A MILLION WAYS TO DIE IN THE WEST   

         
Seth MacFarlane’s second directorial effort does have a decent amount of laughs in it, but overall his last film ‘Ted’ was the funnier movie. This film’s biggest problem is that there are at least two-three instances where nothing funny is either happening or being said for a good 10-15 minutes. It is during these times where the film tries to develop its story and characters, namely the romantic relationship between MacFarlane and Charlize Theron’s characters, and while the two of them do have really nice chemistry, that still results in a severe lack of humor during these periods of time and that can’t justify a near two-hour run-time whereas ‘Ted’ had enough material and was only 10 minutes shorter than this film. The film has a good cast (MacFarlane does a pretty solid job for his first major on-screen performance) but overall ‘A Million Ways to Die in the West’ could’ve been a whole lot funnier. To its credit, though, it’s much funnier than most of the comedies I saw last year.

JACK RYAN: SHADOW RECRUIT


The first major 2014 release I saw this year, this film was originally supposed to be released in December of 2013 but it ultimately got pushed back to January 2014 to make room for ‘The Wolf of Wall Street’. That made me worried that the film wasn’t going to turn out that good considering that it got pushed back to the usual ‘dead’ month of movie releases; January. But, after seeing it, I can safely say that I realized that it perfectly fit to have the film come out in January. It’s not a bad film by any means; it’s certainly better than most of the films that come out in January. But the thing is… this movie doesn’t really ‘wow’ you with anything. It’s a fun and entertaining little spy film and it does feature some really good performances from Chris Pine and Kevin Costner, among others, but overall aside from that nothing about the movie really stands out. This is only director Kenneth Branagh’s second action film after ‘Thor’ and I feel that he needs to work more when it comes to doing action sequences. I do feel that this franchise does have potential but if they do make a sequel, I think they should go with a much-more experienced action director. As for this film, I can only recommend it as a rental.

OCULUS


Not being a major horror film fan, I was actually sort of looking forward to ‘Oculus’; the premise looked interesting (partially thanks to the trailer), and the film was getting pretty good reviews from critics. But in the end, I found myself having very mixed opinions about it. It’s one of those cases where most of the best things about the movie also resulted in some of its major problems. This film has a terrific cast, including Karen Gillan, Katee Sackhoff, Brenton Thwaites, as well as some really standout performances from its two kid actors, Annalise Basso and Garrett Ryan. This film’s second half also featured some genuine creepy moments… but that was after a first half that, well, kind of dragged. The whole idea of the past and the present starting to mold together is interesting but at the same time also gets rather confusing at times. Finally, while the ending did catch me by surprise, it also feels more like sequel bait than anything else. I haven’t seen the original short film that this was based on, but overall I think I would’ve been better off with that. Again, I don’t think this film was bad, but really I’m just ‘meh’ on it.

WORTH-WHILES

Now we’re getting into the good stuff. Here are all of the films (excluding my Top 5 of the year so far) that I do recommend in one way or another.

300: RISE OF AN EMPIRE


While Zack Snyder may not be behind the camera this time for the follow-up to his hit film ‘300’, the same film that put the ‘Man of Steel’ director on the map, director Noam Murro does manage to maintain the original film’s style pretty well though this one doesn’t really have the same amount of mysticism as the original had. Really, if you liked the original ‘300’ then I think you will like this interquel (being that it’s mostly set around the same time as the original film though at times shows events that take place both before and after the events of ‘300’) because it does maintain the same visual style and is full of bloody action and Snyder-esque slow-motion. However, that does mean that this is sort of style over substance. Now the same could be said for the original ‘300’ but at the same time I did find that there were some really nice themes that went on in that film and sometimes the same thing occurred in this film as well. But for the most part, most of the main characters in this are fairly bland… save for one, Artemisia (played by Eva Green, who’s easily the standout in this film). If only because of Green’s great turn as this sexy but fierce villainess, I do feel that this movie is at least worth checking out. I mean, yes it’s not the best-written film ever but like its immediate predecessor it is still pretty entertaining and with these films, I wouldn’t have it any other way.

ROBOCOP


It’s safe to say that many people were not very happy about this film being made, seeing how it’s was a ‘remake’ of one of the best sci-fi films of all time, 1987’s ‘Robocop’; definitely a hard act to follow. But I was surprised to find that I actually really enjoyed this film. The main reason why I liked it so much was because while it’s techincally a ‘remake’ of the original film being that it follows cop Alex Murphy as he becomes the robot lawman Robocop after almost dying at the hands of a crime ring, the film manages to be its own thing while making some references to the original film. Ultimately, this film is a reboot and the end result was a film that was actually pretty entertaining, though it was still flawed in some areas. For one thing, it actually had the WEAKEST villains in the history of the franchise with one that was barely used in the film at all and another that really didn’t come off as being that villainous despite the fact that this character was credited as being one of the main villains. Plus, for a film that is called ‘Robocop’, it actually focuses more on the supporting characters than Robocop himself, which is sad because I do feel that Joel Kinnaman actually did a pretty good job in the role given what he had to work with. Hopefully, if they make a sequel (which for the record I do hope they make), they can improve on the first film’s shortcomings. But even as is, I’d say that this is the best Robocop film since the original.

DRAFT DAY


I was pleasantly surprised by how much I liked ‘Draft Day’. Sure, like with most sports films, the overall story is a little predictable but quite frankly the film’s greatest success is that it really holds your interest throughout the entire film. That’s saying a lot considering that this is based around the NFL Draft and all of the stuff that goes on behind the scenes with teams’ general managers as they try to land it big in the draft. The movie makes it work because the film has a generally speedy pace meaning that there wasn’t any time when the film was starting to drag. It’s also not just about the Draft itself; I also liked the other side of the main story in which Browns GM Sonny Weaver (played by Kevin Costner, who does a pretty good job in this) finds himself in a stressful situation because everyone’s putting their faith in him to hopefully turn the Browns’ luck around. Sure at the end of the day it may seem like nothing more than a commercial for the NFL but I still found the film to be pretty entertaining. In other words, this is probably one of the biggest surprises of the year so far for me.

MUPPETS MOST WANTED


Everyone’s favorite puppet performers are back in ‘Muppets Most Wanted’, the sequel to 2011’s surprise hit ‘The Muppets’. As for ‘Most Wanted’, it’s exactly what you’d expect from a Muppet movie. It’s a whole bunch of zany fun filled with enjoyable musical numbers and a bunch of cameos. However, I find myself liking 2011’s ‘Muppets’ much more, which is actually kind of ironic because I’m surprisingly finding that while the last film was critically acclaimed, it seems that generally audiences have had a bit more mixed reaction to it. From what I’ve seen online, the main reason for why some people weren’t too big on it was because it didn’t focus on the Muppets enough, whereas this film is much more focused on them. But ultimately the main reason why the first film was better is because it really benefited from the fact that it was an open ‘love letter’ to the franchise, resulting in a film that had a lot of heart. This, on the other hand, is more or less your basic sequel going through the usual motions. I’m not saying that it’s bad, but overall I prefer the first film more than this one. But even with that in mind, I’m glad that this franchise is back as I feel it’s one of those rare franchises that are able to appeal to both young and old. Sure, this film in particular may be a bit more oriented towards kids but there’s still enough there for adults to enjoy it as well.

NOAH


Certainly one of the more controversial films of the year, this film did manage to be a pretty successful hit at the box office and with most critics which did catch me by surprise because I kind of thought that because of its controversial take on the Bible story of Noah’s Ark and the fact that this was director Darren Aronofsky’s first major big-budget blockbuster, I kind of thought that this film would’ve been a potential flop… but it wasn’t. For the record, yes this film does take quite a few artistic liberties with the story of Noah but at the same time, I also liked how Aronofsky took a more ‘humanistic’ approach to the story. It’s still the same general story of Noah’s Ark but this film focuses more on Noah as we see how he struggles dealing with the massive burden that has been placed upon him, resulting in him nearly committing a terrible act himself but only because he was ‘commanded’ to do so. This film really explores how there is darkness in all of us but it all depends on whether or not we let that darkness overpower us and I feel that that main theme was handled very well. The film has excellent visuals and good performances from all involved, with Russell Crowe giving one of the best performances of his in recent years as Noah. This is not the same story of Noah that you’re used to, but it is still a pretty compelling alternate take on it.

GODZILLA


After the whole disaster with 1998’s ‘Godzilla’, or as some call it ‘Godzilla in Name Only’, director Gareth Edwards brought us a film that is much more deserving of the name ‘Godzilla’. Now this has been a fairly divisive film (despite it getting pretty solid reviews from critics); some really love it, and some really hate it. As for me, I’m kind of in the middle; I like the film, but I don’t love it. First off, it’s definitely a ‘Godzilla’ film. I’m not that big of a ‘Godzilla’ fan but I can safely say this is much more of a ‘Godzilla’ film than the ’98 film was. Also, the final act of this film really delivers on epic monster action. But one of my biggest problems with this movie is that it teases us just a bit too much early on as the camera cuts away from not one but two of Godzilla’s fights with the creatures known as MUTOs. Now at the same time I do appreciate that Edwards didn’t drop the ball on the monster fights right away, but still it’s pretty annoying to have the film cut away from some potentially awesome monster fights. As for the human characters in the film, they may not be given as much quality material to work with, and are focused on a bit more than ‘Godzilla’ if you really think about it, but then again that’s always the case with ‘Godzilla’ films. Bryan Cranston and Juliette Binoche stand out amongst the cast despite the fact that both of them are only in the film for barely 10-15 minutes. Everyone else does a fine job but most of them come off as being either rather dull (e.g. Aaron Taylor-Johnson, though for the record I don’t think he was ‘bad’ in this) or woefully underused (e.g. Elizabeth Olsen). But as is, ‘Godzilla’ is a fun little summer blockbuster that is a welcome return for the ‘King of the Monsters’… however, I kind of like ‘Pacific Rim’ more as I feel that film better delivered on its premise more than this film did. But with that said, I do look forward to the planned sequel… but for that one please filmmakers do two things for us… have Godzilla fight one of his classic foes and don’t tease the action as much.

JERSEY BOYS


Do you want to know the main reason why I was interested in this film? It wasn’t because of the source material (I haven’t seen the actual Broadway musical this was based on) or because I’m a big fan of music. It was because this film was directed by Clint Eastwood. Who would’ve ever thought that the same man who brought us films like ‘Unforgiven’ and ‘Million Dollar Baby’ would direct a musical? Well, he did, and I have to say that I really enjoyed it. I mean given the fact that there are some shady elements within this story of the origin and eventual break-up of the Four Seasons, namely some associations with the mob, it does sort of make sense for Eastwood to direct this film after all. I also liked the fact that this film had a pretty laid-back pace, even if it did mean that the film was just a little bit too long. However, I did really get into the film (after it did sort of take about twenty minutes or so to get going) thanks to a few things. First off, the music is great (I seriously don’t care if I sound like an old man; I just love this kind of music). I also liked the main cast, the majority of whom had already played these roles on stage. I know some have said that their performances feel more suited for Broadway than a film, but I still felt that the four main guys did a really good job, especially because they all had a great camaraderie. If you haven’t seen this one yet, I feel it’s worth checking out.

MALEFICENT


Fans of arguably the greatest Disney villainess of all time might be a little disappointed that this new film, a live-action retelling of ‘Sleeping Beauty’ from Maleficent’s point of view, portrays her as its protagonist rather than the main villain. However, this does actually work for two main reasons. First off, as it has been noted already by everyone, Angelina Jolie is fantastic in this. Simply put, she was perfectly cast in the role and she does make the character very sympathetic in regards to how this film portrays her not as a villain, but as someone who was betrayed who enacts revenge against those who wronged her, which I did find to be an interesting new take on her story. The second major strength of the film is the relationship between Maleficent and Aurora (Elle Fanning, who may not have as much to work with as Jolie but I have to say I found her Aurora to be much more interesting than the Aurora from the original animated film); it’s sort of a motherly relationship, which provides the real heart of the movie. First-time director Robert Stromberg (who has been known more for his work in production design… phenomenal Oscar-winning work on films like ‘Avatar’ and previous big-budget Disney tent-poles ‘Alice in Wonderland’ and ‘Oz the Great and Powerful’, I might add) makes a pretty solid debut with this film, which I found that I liked more than Tim Burton’s ‘Alice in Wonderland’ and almost as much as Sam Raimi’s ‘Oz the Great and Powerful’. All in all, Disney delivers another solid big-budget live-action fantasy.

CHEF


(Fun Fact: The first time I saw this, the theater I was in had to be evacuated just a few minutes after the movie started due to construction on the nearby entertainment complex located within the same mall my theater is located in. Because of that, I had to go see the film the following day instead. Thankfully no incidents occurred the second time.)

This film clearly shows that after spending the last few years directing nothing but big-budget films like the ‘Iron Man’ films and ‘Cowboys and Aliens’, Jon Favreau must’ve been fairly frustrated with the studio system. In his newest film ‘Chef’, his frustrations with Hollywood translate into the main plot in which the main character, Chef Carl Casper (played by Favreau himself in one of the best performances of his career), also feels like he’s unable to express his creativity, albeit in his case as a chef in a fancy restaurant, not as a director in Hollywood. Because of this, the film has an excellent message that you should always stay true to yourself and it really emphasizes the idea of freedom of expression. This movie is a really heartwarming feel-good film that quite frankly is just really, really pleasant to watch and amidst all of the summer blockbusters we get every year, this film is a definitely good change of pace. I don’t necessarily think that it’s one of the ‘best’ films of the year so far, mostly because I didn’t find the film to be as ‘funny’ as a lot of people were saying, but I was able to overlook that because the film is so charming that it’s really impossible not to like it. Of course if you do see it, make sure that you do eat something beforehand because otherwise if you don’t you might regret it.

NEIGHBORS


Definitely one of the best comedies of the year so far, ‘Neighbors’ works because while it is centered on a ‘turf war’ between a fraternity and a couple with a newborn baby, the film doesn’t have a ‘villain’, per se; the main couple Mac and Kelly are a likable couple (Seth Rogen and Rose Byrne have excellent chemistry; Byrne in particular is the film’s biggest standout because she just has great comedic timing) but because we see that the members of the frat are trying to become a part of their frat’s history (which is actually a pretty admirable goal), they’re not portrayed as being unlikable. Plus, having seen this with a friend of mine who is in a fraternity, I can easily verify that this film does do a very good job at portraying the brotherhood of fraternities, as these brothers will stick by each other no matter what even when they start to fight. I mean, if this film did portray these guys as being nothing than just a bunch of a-holes, I don’t think that the movie would’ve worked as well as it did and it would’ve painted frats in a negative way. Thankfully, that didn’t happen here with this film and as is, it’s a fun little film that has quite a lot of laughs.

TRANSFORMERS: AGE OF EXTINCTION


Once again, the newest Transformers film has been universally bashed by pretty much everyone and once again, I find myself in the minority as one of those who really enjoyed this film. Like with the first two Transformers sequels, I do feel that this one is definitely better than what everyone’s putting it out to be. Now I will agree that the film is overlong at a runtime of nearly 3 hours. The main reason why this is a problem is because this film could’ve easily ended at one point and had the other half of the film saved for a later release date but instead it keeps going and even I’ll admit that I was rather exhausted by the end of the film. But as is typical with Michael Bay’s ‘Transformers’ films, the visual effects and action sequences are phenomenal and while the human characters may not be the most developed characters ever, the new additions to the cast are a very much welcome breath of fresh air for the franchise, highlighted by Mark Wahlberg who proves to be a superior lead than Shia LaBeouf. I’m very eager to see what happens next for the film franchise, though I do think that it’s time for a different director to take over, just because I’m sure that Michael Bay doesn’t want to keep making these films for the rest of his life. They already take up more than a third of his directorial filmography. But as is, Bay delivers yet another entertaining popcorn flick in this lucrative franchise.

VERONICA MARS


First off, I just want to note that I wasn’t one of the contributors to this film’s Kickstarter campaign because at the time it was going on, I hadn’t seen the original show. But after that Kickstarter campaign became one of the most successful ventures ever on the site which resulted in this film being able to get made, I was finally compelled to watch the show and I’m really glad that I did. It’s easily one of the most underrated shows of this past decade and it’s really sad that it only lasted three seasons ending on a rather low note with a finale that actually would’ve been good if it had been a ‘season finale’ but instead was the ‘series finale’, leaving fans with a lot of questions left unanswered. Thankfully now we have this movie and if by any chance it means that there won’t be a follow-up, this is a much more satisfying conclusion to the series. And yeah, the movie’s basically a ‘love letter’ to the fanbase (after all, they were responsible for the movie being able to get made) which means that technically it is geared more towards the fans of the show. But still, I think that this movie can appeal to non-fans because it continued to represent why the show was so good in the first place; intriguing storylines, memorable characters, and one of the best female TV leads ever in Veronica Mars thanks to both the excellent writing and Kristen Bell’s performance in the main role. I love the show, and I loved the movie.

EDGE OF TOMORROW


I’ll be honest… I did not expect this film to be as good as it was. Now for the record I was looking forward to it but I never thought that it would get excellent reviews from critics… but it did. This film offers a much more original story than what we’re used to seeing these days though for the record this is based off of a light novel so the term ‘original’ can only go so far. ‘Edge of Tomorrow’ is a film that revolves around Tom Cruise’s character Bill Cage stuck in a time loop but the film manages not to become tiresome because of this situation. In fact, this movie’s greatest strength is its humor, which comes from Cage’s trial-and-error campaign. Speaking of Cruise, this is probably the best he’s been in quite some time, especially because his character in this does have an arc and doesn’t immediately start off as a badass soldier, like a lot of the characters that Tom Cruise tends to play these days. Also excellent in this is Emily Blunt, who hopefully will get more roles in action movies because she is a legitimate action star and her character in this is a great action heroine. This film unfortunately has been performing rather poorly at the American box office (thank god for the International box office for saving this movie from being a flop) so that means that if you haven’t seen this film yet, you’re really missing out.

TOP 5 OF THE YEAR SO FAR

5. THE AMAZING SPIDER-MAN 2


This is easily the ‘Man of Steel’ of 2014 and by that I mean that this film has been very, very polarizing amongst both critics and audiences. How polarizing is it, you ask? Well, on my podcast group ‘The Feature Presentation’, I’m the only one of us five main guys who actually liked it; in fact, I’m really the only one of us five who actually prefers the Marc Webb directed reboot series to Sam Raimi’s original trilogy, which for the record I still like but at the same time I don’t feel is perfect. And yes, I don’t think that this film is perfect either, but I never found it to be as overcrowded, either in characters or plot-lines, as everyone was saying it is. Maybe it was and maybe that does result in a film that’s rather uneven in a lot of areas but I never really got that impression when watching this. What I really loved about this film was the cast (specifically Andrew Garfield and Emma Stone), the action sequences, and the visuals. Going back to Garfield’s performance, I also feel that this film really captured who Spider-Man was as a superhero; someone who gives the people of New York hope when all seems lost. That’s why he’s my personal favorite comic book superhero. He’s someone who is down-to-earth and just like us who just so happens to have superpowers, making him one of the most likable superheroes of all time. But I will say this about the film and, at the same time, this new Spider-Man franchise; if Sony really wants to develop their own Cinematic Universe a la Marvel, then they really need to start executing it because it’s really only teased at the end of this film. Now I do like the idea that they have in mind (e.g. ‘Sinister Six’) but again if they want it to happen, they actually have to do it. But still I do like what they want to do and I’m really looking forward to the upcoming sequels as well as the announced ‘Sinister Six’ and ‘Venom’ spinoffs… the fact that I’m saying all of this and that I have more faith in Sony than DC right now… says a hell of a lot, folks.

4. 22 JUMP STREET


One of the main reasons why most comedy sequels tend to suck is because a lot of them copy the same plot of the first film. This sequel does copy the same plot as ‘21 Jump Street’ but at the same time everyone involved with it is very self-aware of that. Not only does this film have just as much good material as the previous film had but a lot of this film’s humor comes from how the characters are very much aware of the situation they are in; they’re doing the exact same mission that they did in the first film, with the only major difference being that this time they’re going undercover at a college and not in high school. But it does work thanks to the great bromantic chemistry between Jonah Hill and Channing Tatum and a very smart script that plays off of the fact that this is basically repeating every major plot point from the first film. This is easily one of the best comedy sequels of all time, if not the best, and right now it’s my pick for the best comedy of the year. It’s another great film from the excellent directorial duo that is Phil Lord and Chris Miller. Speaking of those two…

3. THE LEGO MOVIE


Lord and Miller struck gold twice this year, starting off the year with this February release, ‘The LEGO Movie’. Now at first glance, this could have been nothing more than a glorified commercial for the LEGO brand and regardless of how good the film turned out, it sort of still is a ‘marketing gimmick’ (but really that’s unavoidable). But even with all of that in mind, the film really delivered when it came to the writing. The film has a great message that shows that we are all special in our way, whether we play by the rules or boldly go outside the box. This film speaks to both groups and this film really does a great job of representing the legacy and popularity of the brand, primarily through a great twist that was genuinely unexpected in an age where moments like that could be leaked at any time before a film even comes out, potentially ruining the moment. With terrific animation, a great voice cast but most importantly a whole lot of heart, ‘The LEGO Movie’ is easily the best animated film so far this year and at this point, as far as I’m concerned, Phil Lord and Chris Miller can do no wrong. After all, all of their film projects up to this point were deemed unlikely to be that good and once they came out, we were all proven wrong.

2. CAPTAIN AMERICA: THE WINTER SOLDIER


My personal favorite film of Phase One of the Marvel Cinematic Universe (not counting ‘The Avengers’) had to be ‘Captain America: The First Avenger’ for being very reminiscent of an old-school summer blockbuster but having the modern blockbuster magic at the same time. Its immediate sequel, ‘Captain America: The Winter Soldier’ may be set in a different time period (in this case the present day) but the end result… is quite frankly the best solo MCU film to date. Yes folks, I feel that this film is even better than the first ‘Iron Man’. While I never minded that ‘Iron Man 3’ and ‘Thor: The Dark World’ didn’t try to connect with the MCU that much, ‘Cap 2’ really takes advantage of the grand scale of the MCU as it really sets the stage for what’s to come in future MCU movies due to some incredibly game-changing events (e.g. SHIELD taken over by HYDRA). While their previous filmography in comedy doesn’t really suggest that they’d be a good choice to direct an action film, directors Anthony and Joe Russo did an excellent job with the movie with excellent visuals, a very good amount of humor (what else would you expect from two directors that before this were mostly known for comedy), and some very well-shot action sequences that were shot in a shaky cam style but it was effective enough and wasn’t annoying (like some other movies with lots of shaky cam work recently like ‘Alex Cross’ or ‘Battle: Los Angeles’). Chris Evans, Scarlett Johansson, and Samuel L. Jackson give their best performances in the roles of Captain America, Black Widow, and Nick Fury to date along with a terrific supporting cast, resulting in one of the best superhero films yet… though another superhero film managed to edge it out for the best of the year so far. That other film is…

1. X-MEN: DAYS OF FUTURE PAST


For many people, this was their most anticipated film of the year being that it was a film based off of an iconic X-Men storyline from the comics, had a large ensemble cast of old and new members of the film franchise, and was directed by the same man who brought the franchise into relevance in the first place, Bryan Singer. It may not have been my most anticipated film of the year (that honor went to ‘Amazing Spider-Man 2’) but overall it’s the one film this year that quite frankly delivered the most without any real disappointments. Sure, the film actually does focus more on the trio of young Professor X (James McAvoy in particular is the biggest standout of this film), young Magneto (Michael Fassbender was just excellent here as he was in ‘First Class’), and young Mystique (Jennifer Lawrence, who already did a really good job in ‘First Class’, was even better in this film). But even then this is the first time in an X-Men film where there is no weak link in the cast whatsoever. Even though a lot of members of the cast are basically just doing cameos in this film, they all do their job well in a film that quite frankly really delivers on its action and characters, really showcasing the ‘group dynamic’ that the X-Men have been known for. Singer returning to the franchise (even if, at first, it was only as a producer/writer for ‘First Class’) saved this franchise from rock bottom after the disappointing ‘X3’ and the horrible ‘Origins’… oh yeah, and now thanks to this new film we can now forget about those two as it’s clear that the filmmakers wanted to erase the mistakes made by those two films… and they did. All of this is why ‘X-Men: Days of Future Past’ is currently my favorite film of 2014.


But we still have half a year and this Top 5 is definitely subject to change. What new films will make my Top 12 ‘Best of’ list by the end of the year? Well, tune in near the end of the year for that list. Until then, thanks for reading and stay tuned for more movie reviews.

Tuesday, July 1, 2014

Transformers: Age of Extinction (2014) review


I’ve made it clear before that I’m a big fan of Michael Bay’s ‘Transformers’ films, and I’m also well-aware that by being a fan of these films, I am in the extreme minority when it comes to that opinion because there are quite a lot of people who really, really hate these movies and these people have certainly made an effort to express these opinions. In the past, I’ve defended these movies against their harshest critics and after re-watching them again, I still stand by my belief that they are honestly not as bad as everyone’s putting them out to be. I mean sure, I will concede that both ‘Revenge of the Fallen’ and ‘Dark of the Moon’ are not as good as the first of Bay’s ‘Transformers’ but at the end of the day they were still very entertaining popcorn flicks with some incredible visuals and action sequences even if it did come at the expense of the story and its characters. So now Bay is back for his fourth ‘Transformers’ film, ‘Age of Extinction’, which takes place a few years after the events of ‘Dark of the Moon’ and focuses on a new cast of main characters. But while this film is looking to reboot the franchise, one thing hasn’t changed… the critical reception. How bad are the reviews for this one, you ask? Well, at the time I’m writing this, it currently has a rating of 16% on Rotten Tomatoes, a worse score than the universally reviled ‘Revenge of the Fallen’ (Just let that sink in for a moment). And once again, I’m going to have to disagree with the majority of critics in regards to this latest entry in the series.

Five years after the Battle of Chicago, the friendly relationship between the people of Earth and the Transformers has since become very much strained. An elite government unit named Cemetery Wind, led by CIA Agent Harold Attinger (Kelsey Grammer), begins to hunt down all of the Transformers that are still hiding out on Earth, namely the Autobots despite the fact that they protected the planet, and its people, from the Decepticons. While all of this is going on, Cade Yeager (Mark Wahlberg), a struggling inventor from Texas, comes across an old truck and plans on stripping it for parts so that he can sell them in order to provide for him and his daughter Tessa (Nicola Peltz). However, Cade and Tessa soon find out that this truck is actually Autobot leader Optimus Prime (voiced by Peter Cullen), which results in Attinger and his team, as well as a Transformer bounty hunter named Lockdown (voiced by Mark Ryan), attempting to hunt them down. As Optimus rallies the remaining Autobots, with the help of Cade, Tessa, and her boyfriend Shane (Jack Reynor), the group looks to survive with the government hot on their tail. But they soon realize that Lockdown has a darker plan in store for Earth, one that threatens to wipe out both humans and Transformers at the same time.

Folks… let’s be honest here. Being that this is the fourth film in the ‘Transformers’ franchise, by now you should at least know what to expect from these films. A whole lot of action, mayhem, and visual effects paired with a story and characters that aren’t really up to par with everything else that’s in the film. Really, the amount of enjoyment you’ll have with this film all depends on whether or not you like these films in the first place and of course, I’m one of those who do like them. Now, for the record, I will agree on one of the main problems that many are having with this movie… it is way too damn long. That’s pretty ironic considering that I remember reading a report in which Michael Bay said that it would be the shortest of the films… and at the end of the day it ends up being the longest film in the series at 165 minutes. The thing about this movie is that it’s pretty much two movies in one. There’s a big action scene around the halfway point of the film in which the characters are on a big Transformer ship trying to save Optimus and Tessa. That could’ve been a good place to end this film and maybe Paramount could’ve done something along the lines of what Warner Bros. did with the Matrix sequels and have the second half of this film be its own thing and release it sometime later this year. But as is, the movie just keeps going and going until it stops. It still kept my interest, but it really could’ve benefitted from either a few cuts or, heck, even being a two-part film a la Harry Potter.

But even with that in mind, I still managed to enjoy this film for other reasons. The visuals of course are top notch as well as the action scenes (no one can do sequences like this quite like Bay). A lot of the action in the final act of the film is highlighted by the debuts of the Dinobots. They may not be in the movie that much but they easily end up being one of the best parts of the whole movie. I also give this movie credit for actually being a bit more legitimately serious in tone than the last three films. I mean keep in mind, we’re still talking about a Michael Bay directed ‘Transformers’ film so the idea of a serious tone can only go so far as there is still quite a bit of Bay’s ‘attempts’ at humor; some of it works, other times it doesn’t. I also liked that this film actually did focus on the Transformers a lot more than before. After seeing this film, I now realize that one of the issues with both of the previous two sequels was that because they were adding in a lot more Transformers than there were in the first film, not all of them were given enough quality time to shine as the film focused more on the main Transformers (e.g. Optimus and Bumblebee). Here, there aren’t as many Autobots as there were in the last two films and because of this they are allowed to have much more memorable personalities.

The new cast of human characters, while still not being the most developed characters out there mind you, was definitely a breath of fresh air for this series after the arcs of the characters from the original trilogy were already played out, mostly before the previous trilogy was even over. Mark Wahlberg instantly proves himself to be a superior lead to Shia LaBeouf in pretty much every way, as here he comes off as being very earnest and likable in the lead role (something Wahlberg is very much good at) and I found that I really liked how his character was very sympathetic being that he was someone who, as the movie begins, is just trying to get by making him a very relatable character in that regard. As for Nicola Peltz, while she unfortunately becomes yet another objectified blonde in a Michael Bay film (third film in a row this has happened, by the way), I actually thought that she wasn’t that bad in this. But Jack Reynor, on the other hand, comes off as being a bit too bland in this and he and Peltz don’t really have that much chemistry. As the main human villain, Kelsey Grammer doesn’t really do much in this film but I must say that Grammer definitely has a nice villainous presence in this regardless of the fact that he really isn’t in it as much as you would expect. Stanley Tucci is the other major standout of the cast besides Wahlberg. His character, a designer who looks to make his own Transformers after discovering the material that they’re made of, does have a pretty decent character arc in this, starting off as one of the supposed bad guys before having a change of heart. Plus, Tucci is just one of those actors who’s great no matter what film he’s in, good or bad.

I’m excited to see where this franchise goes next for its two sequels, but for the record, and I’m saying this as nicely as I possibly can, I think that it’s time for Michael Bay to step away from this franchise, if only because of the fact that more than a 1/3rd of his directorial filmography so far has been nothing but these ‘Transformers’ movies. I do think that it’s time for someone else to take over as director of these films. Now, at the same time, I fear that whoever takes over these films won’t be able to match what Bay did with these films in terms of entertainment value, but I’m still interested in seeing these next two films because like with the trilogy that came before it, I loved ‘Age of Extinction’. Sure, this one suffers from being overlong (something that, for the record, never really bothered me with the other films aside from the prolonged finale of ‘Revenge of the Fallen’) but the new additions to the cast are a welcome change of pace that helps give this series a new life and of course the action sequences and visual effects are excellent. I’ve said it before and I’ll say it again… no one can make these Transformers movies quite like Michael Bay and his films are never boring (even when they’re nearly three hours long). Still, if you’re not one of those people who likes these movies (Though for the record why would you even be watching this new one if you hate the others so much? That’s something that I never understand…), that’s fine but for the love of god, don’t rain on the parade of those who did like it.


Rating: 4/5

2014 Preview: July

To be completely honest with you folks, July 2014 doesn’t really look that appealing to me. Don’t get me wrong, there are still a couple of films coming out this month that I’m interested in but overall this is sort of feeling like one of the weakest Julys in recent movie history. But hey I could be wrong and that doesn’t mean that I won’t be doing a preview post for this month so let’s get started on doing just that. Welcome back to Rhode Island Movie Corner’s year-long preview of the films set to come out during 2014. This is Part 6 of 11 (previously 12) and today we’ll be looking at the films that will be hitting theaters during the month of July. I know I just said that I felt that this month’s lineup was pretty weak, but there are still a few noteworthy new releases this month.

FOURTH OF JULY WEEKEND- Independence Day Weekend will see the release of three new wide releases, all of which are opening two days early on July 2nd. Plus, on July 4th, there’s one limited release hitting theaters that I feel is noteworthy to mention.


*A few weeks ago, director Scott Derrickson (‘Sinister’) was hired to direct the upcoming Marvel film ‘Doctor Strange’. Meanwhile, his latest film, ‘Deliver Us from Evil’, produced by Jerry Bruckheimer hits theaters this weekend. Based on a 2001 book called ‘Beware the Night’ by Ralph Sarchie and Lisa Collier Cool which was based on Sarchie’s eyewitness account, the film stars Eric Bana as Sarchie, a cop from New York who teams up with a renegade priest (played by Edgar Ramirez) to deal with a case involving demonic forces.


*Originally developed by Disney, ‘Earth to Echo’ (now distributed by Relativity Media) centers on a group of kids who come across a little alien who is in need of their help.


*Melissa McCarthy teams up with her husband, director Ben Falcone, for ‘Tammy’, a film in which she stars as the titular Tammy who goes on a road trip with her grandmother Pearl (Susan Sarandon) after losing her job and finding out that her husband is cheating on her. The film also stars Kathy Bates, Allison Janney, Dan Aykroyd, and Sandra Oh.


*Coming out in limited release and slated to air on CNN later this year, ‘Life Itself’ follows the life of world-renowned film critic Roger Ebert, who sadly passed away more than a year ago on April 4, 2013. The documentary is directed by Steve James, director of the award-winning 1994 documentary ‘Hoop Dreams’.

JULY 11- Only one new release this week, and this just so happens to be my most anticipated film of the month.


*2011’s surprise hit ‘Rise of the Planet of the Apes’ gets a sequel in ‘Dawn of the Planet of the Apes’ with Matt Reeves (‘Cloverfield’) taking over for Rupert Wyatt as director. Taking place a decade after the events of the previous film, in which a devastating virus was unleashed on the world, this film centers on the developing nation of genetically evolved apes led by Caesar (portrayed of course through motion capture by Andy Serkis) as they soon come into conflict with a group of humans who have been able to survive the virus. The film’s human cast includes Jason Clarke, Keri Russell, and Gary Oldman.

JULY 18- Four new releases this week, including an animated sequel, a horror-thriller sequel, and an R-rated comedy.


*Originally intended for a direct-to-video release, 2013’s ‘Planes’ was instead released in theaters and grossed a little over four times its $50 million budget, resulting in a sequel, ‘Planes: Fire and Rescue’, being put in development, and it opens in theaters this weekend. In this film, Dusty Crophopper (again voiced by Dane Cook) learns that he can no longer race due to a damaged engine, resulting in him joining a wildfire air attack team as they battle a massive wildfire. Stacy Keach, Brad Garrett, and Teri Hatcher, among others, reprise their roles from the previous film and are joined in this film by Ed Harris and Julie Bowen.


*Director Rob Reiner’s latest film, ‘And So it Goes’, stars Michael Douglas as a realtor who finds out that he has to take care of his granddaughter, one that he had never knew existed, which results in him having to enlist the help of his neighbor (played by Diane Keaton).


*Last June, ‘The Purge’ was a sizable hit on just a $3 million budget resulting in the announcement of a sequel, ‘The Purge: Anarchy’, again directed by James DeMonaco and produced by Michael Bay’s production company ‘Platinum Dunes’. This film focuses on a group of five people; a couple who find themselves trying to get home, a mother and daughter forced out of their home, and a man (Frank Grillo) seeking revenge for the death of his son as they all team up in order to survive the annual Purge, the one night every year when crime is legal and all emergency services are suspended.


*Cameron Diaz and Jason Segel reunite with their ‘Bad Teacher’ director Jake Kasdan for ‘Sex Tape’, in which they play a couple trying to spice up their love life. They decide to make a sex tape but they find themselves running into trouble when the video ends up leaking to the internet via the Cloud. The film also stars Rob Corddry, Ellie Kemper, Jack Black, and Rob Lowe.

JULY 25- A pair of big-budget blockbusters close out the month along with a Woody Allen film opening in limited release.


*After January’s ‘The Legend of Hercules’, director Brett Ratner helms the second of two major films this year based around the mythical hero Hercules. This film, ‘Hercules’, stars Dwayne Johnson in the titular role and is based off of the graphic novel ‘Hercules: The Thracian Wars’ by Steve Moore. In the film, Hercules is sought after by the King of Thrace (John Hurt) for help in defeating a warlord. The film also stars Rufus Sewell and Ian McShane.


*The final major release of the month is ‘Lucy’, directed by Luc Besson. The film stars Scarlett Johansson as the titular Lucy, a woman who finds himself having to work for the Taiwanese mob as a drug mule with their product implanted into her body. However, the drug ends up leaking into her system which ends up giving her superhuman abilities. The film also stars Morgan Freeman.


*Also opening in limited release this weekend is Woody Allen's latest film, 'Magic in the Moonlight'. Colin Firth stars as a magician in the 1920's who travels to the French Riviera to unmask a supposed spiritualist (Emma Stone) who might be exploiting a rich family. 

And those are the films set to come out during July 2014. Check back next month for Part 7 where we’ll be closing out the summer movie season by looking at the films hitting theaters in August.