Showing posts with label Hercules. Show all posts
Showing posts with label Hercules. Show all posts

Friday, November 18, 2016

DISNEY MONTH: Top 10 Favorite Disney Songs


Welcome back to another installment of Disney Month here on Rhode Island Movie Corner, a month dedicated to honoring the best of the best of Walt Disney Animation Studios in honor of the impending release of their 56th animated feature, Moana. Previously, I ranked the current members of the Disney Princess line and listed my Top 5 favorite Disney Protagonists and Sidekicks. And this week, it’s time to delve into what is usually one of the most prominent parts of any Walt Disney Animation film... the music. While there are some films like Atlantis: The Lost Empire and The Rescuers Down Under that go without the use of soundtracks, most Disney Animated films are well-known for their music. Whether it’s from legends like the Sherman Brothers or Alan Menken, it’s hard to narrow down all the great Disney songs to just your Top 10 favorites. But… that’s what I’ll be attempting today. Now, to keep things fair, I’m limiting my choices to one song per film. Because if I didn’t, this list would be dominated by most of the songs from one or two films. With that said, though, I will be listing my ‘Runner-Up’ picks from each film that I list here. Also, I will not be including songs that were primarily featured in their film’s credits, so that disqualifies songs like ‘When Can I See You Again’ by Owl City from Wreck-it Ralph and ‘Immortals’ by Fall Out Boy from Big Hero 6 (Disclaimer: Even though the latter was used for a montage scene in the film, it’s still primarily the end credits song hence why I didn’t count it.) So, without further ado, here are my Top 10 Favorite Disney songs.

HONORABLE MENTIONS


Like I said, it was hard to narrow this list down to just 10 songs so I have quite a few honorable mentions. I’ll rattle them off quickly here. First there’s the classic song from The Jungle Book, ‘The Bare Necessities’, sung by Baloo as he teaches Mowgli about the care-free lifestyle. And no, Screen Junkies, this isn’t the only memorable song from the film. King Louie’s number, ‘I Wanna Be Like You’, is just as iconic. Next up is ‘I See the Light’ from Tangled. Overall, this was a nice love song backed by the gorgeously animated sequence that was Corona’s annual lantern ceremony. My runner-up pick from this film is Rapunzel’s ‘I Want’ song, ‘When Will My Life Begin?’, which she sings as she wishes to explore the world outside of her tower. And speaking of this ‘genre’ of music, finally there’s the two main ‘I Want’ songs from The Little Mermaid and Cinderella. The Little Mermaid’s ‘I Want’ song, ‘Part of Your World’, is beautifully sung by Jodi Benson and is set to a terrifically animated sequence in which Ariel expresses her desire to explore the human world. My runner-up pick from this film is everyone’s favorite, the Calypso-inspired melody that is ‘Under the Sea’. As for Cinderella, her big ‘I Want’ song is ‘A Dream is a Wish Your Heart Makes’, a soothing melody buoyed by the performance of Ilene Woods in the title role of Cinderella (Lily James also did a fantastic rendition of the song for the live-action remake in 2015). For my runner-up pick of this film, that distinction goes to the obvious choice of the Fairy Godmother’s upbeat melody ‘Bibbidi Bobbidi Boo’.  

10. WHY SHOULD I WORRY? (OLIVER AND COMPANY)

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While 1988’s Oliver and Company may not exactly be the most beloved entry in the Disney canon, especially considering that it’s sandwiched between two of the studio’s most well-received efforts, it does have one major saving grace. And that is the main song from the soundtrack, ‘Why Should I Worry?’. Sung by the legendary Billy Joel, it’s probably the one thing that most people remember when they think about Oliver and Company, and sure enough, it’s very much the main highlight of the film. In the film, Joel plays the charismatic street-dog Dodger, who in this sequence shows Oliver that above all else, he’s got ‘street savoir-faire’. During this entire scene, Oliver is trying to catch up with Dodger, who is carrying a bunch of hot dogs that Oliver helped him steal from a vendor. The two end up in various situations over the course of the sequence, including Oliver getting blasted with water from a fire hydrant (thanks to Dodger) and Dodger playing a piano with his tail as the piano is being lifted by a crane. Simply put, this was an enthusiastically upbeat song that I listened to quite a lot as a kid thanks to those old Disney Sing-Along VHS tapes (Ah, the good old days…). And as I stated before in my 80’s Disney Retrospective, this was before I ever saw the actual film. Sure, it’s probably a telltale sign of how the song ultimately became more famous than the film itself but hey, who’s counting?

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Runner-Up: Admittedly the rest of the soundtrack for the film is just ‘ok’ at best. I mean, it’s disappointing to note that the song performed by ‘The Divine Miss M’ herself, Bette Midler, ‘Perfect Isn’t Easy’, is easily the weakest song in the film. But another thing that this soundtrack has is a song by Huey Lewis which opens the film; ‘Once Upon a Time in New York City’. Simply put, it’s Huey Lewis, the same guy who brought us the classic songs from Back to the Future. But I also think that the song ‘Good Company’, sung by Oliver’s new owner Jenny as she practices the piano, was a cute little melody that showcased the growing friendship between the two of them.

9. BELLA NOTTE (LADY AND THE TRAMP)

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Call me crazy, but I consider the ‘Bella Notte’ sequence from Lady and the Tramp to be one of the best romantic film scenes of all-time. And keep in mind… we’re talking about a scene that centers around a romance between two dogs. But it’s easily the most famous scene from the film. After spending some time with the charming stray Tramp, him and the house-owned cocker spaniel Lady head on over to an Italian restaurant named Tony’s, which Tramp was shown to frequently visit earlier in the film and was also shown to be on good terms with the owner, Tony. And even though they’re just dogs, Tony has his assistant Joe prepare them a plate of spaghetti and meatballs. As they eat, Tony and Joe serenade them, via accordion and mandolin, respectively, with the romantic melody that is ‘Bella Notte’. The film then transitions to Lady and Tramp in the park, during which the song is then sung by a chorus for the remainder of the scene. And while George Givot’s (the voice of Tony) take on the song is excellent, I kind of prefer it when it’s sung by the chorus as it takes on a very soothing tone that I think works quite well in this romantic context. Still, there’s no denying how iconic this scene is, especially the part where Lady and Tramp both start to eat a single strand of spaghetti and they end up sharing a kiss once their mouths meet. It’s so famous that it’s been replicated in other forms of media, including shows like The Simpsons and Family Guy. Not bad for a film that, like Oliver and Company, is sandwiched in between two of Disney’s most famous films.

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Runner-Up: Okay, I should probably lay out a disclaimer for this one. The other memorable song from this film is ‘The Siamese Cat Song’. This plays during the scene where the two Siamese cats of Aunt Sarah’s cause all sorts of trouble and Lady subsequently gets blamed for it all. It’s a memorable scene for sure and I remember seeing it all the time on those old ‘Disney Sing Along’ tapes. With that said, though… um, this is one of those cases of early Disney where, from a modern perspective, this scene may come off as being incredibly racist to some people. But like with the natives from Peter Pan, while I understand if people do see it that way, it doesn’t ‘really’ bother me that much.

8. I’LL MAKE A MAN OUT OF YOU (MULAN)

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Taking the Number 8 spot on this list is the stand-out sequence from Disney’s highly underrated 1998 effort, Mulan. At this point in the film, Mulan has already enlisted in the Chinese army under the assumed name of Ping. The scene starts off with the soldiers on their first day of training under Captain Li Shang, who starts off the song. Shang’s singing voice is provided by Donny Osmond, though it’s interesting to note that in the Chinese versions of the film, the song was performed by, believe it or not, Jackie Chan. Yes, THAT Jackie Chan. Anyway, this leads to a fun training montage and the best part about it is that there’s a clear arc to it. As it begins, it’s made clear that Mulan and the other soldiers are severely lacking when it comes to combat experience. As such, the sequence starts out with them struggling to complete their training exercises. But then, as the scene progresses, they too start to get better and better. And it’s all spurred by the best moment in the entire sequence. Going back for a quick second, the sequence started off with Mulan and company being presented with their first big training exercise; grab an arrow lodged in a tall wooden log by climbing up to it, all while carrying heavy weights. Obviously, they all fail at first (Shang: “We’ve got a long way to go…”). But when Mulan is told to go home by Shang because she’s “unsuited for the rage of war”, she does succeed in grabbing the arrow, finally managing to impress Shang and their comrades. And so, as the song concludes, the soldiers are now shown to be mastering their training, ending one of the best scenes in the entire film.

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Runner-Up: ‘Reflection’, the beautiful solo sung by Mulan following the incident with the Matchmaker as she laments about who she’s meant to be, just barely got beat out by ‘I’ll Make a Man Out of You’.

7. YOU’LL BE IN MY HEART (TARZAN)

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As I’ve stated before, it seems as if I’m in the minority when it comes to liking the soundtrack from Disney Animation’s 1999 effort, Tarzan. From what I’ve seen online, some people aren’t too big on the songs that were provided by Genesis front-man Phil Collins. The main reason why, again going from what I’ve gathered online, is that instead of the characters in the film singing the songs, they’re performed by Collins himself. And at the very least, I do get that argument as it is a bit of a weird spin on the usual proceedings of a ‘Disney musical’. However, I think that on their own merit, Collins’ songs are really good. And even with that said, I think that they also work fine in the film, too. At the very least, they all match up to their respective scenes. And if I had to choose a favorite, I’d go with the [admittedly] obvious choice of ‘You’ll Be in My Heart’. This is one of the few instances in which a character in the film sings the song, albeit partially. It’s first sung by Tarzan’s adoptive ape mother Kala when he is an infant to calm him down. But after that, Collins takes over and basically all the other songs in the film are just sung by him. Still, it’s a great song that can be used as either a romantic song or a song of motherly love depending on the situation. Thus, it earned the Oscar for Best Original Song at that year’s ceremony. In fact, this was the last Disney animated film to do so for more than a decade. Which song broke that drought? Well, let’s just say that it’s coming up in a bit…

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Runner-Up: Admittedly it was rather hard to pick just one ‘runner-up’ from this soundtrack. Like I said, I do like most of the songs in the film; ‘Strangers Like Me’, ‘Son of Man’, etc. But I decided to go with the one that opens the film; ‘Two Worlds’. And open the film it did… on a great note.

6. GASTON (BEAUTY AND THE BEAST)

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You’ve probably noticed that I don’t have a lot of ‘villain songs’ in this list. While I do recognize that many consider Disney’s ‘villain songs’ to be some of the best songs to come out of their respective films, I’ll admit that they’re usually not my favorite songs on a Disney film’s soundtrack. For the record, though, that’s not to say that there haven’t been any great Disney villain songs… because there have been. ‘Hellfire’ from Hunchback of Note Dame, ‘Be Prepared’ from Lion King, ‘Friends on the Other Side’ from Princess and the Frog, the list goes on and on. But I’ll admit that I lean more towards the songs performed by the main characters or sidekicks. I guess it’s because I just prefer heroes over villains in general. But, anyway, if I had to choose my favorite Disney ‘villain song’, it would have to be the one named after its main subject, ‘Gaston’ from Beauty and the Beast. The scene starts out with Gaston sulking at the local tavern after being “Dismissed! Rejected! Publicly humiliated!” by Belle when he tried to propose to her. His lackey LeFou manages to cheer him up by reminding him of the fact that he’s the town hero and that everyone loves him. What follows is an extremely catchy tune in which Gaston lists all his accomplishments in life, like how he’s grown to ‘roughly the size of a barge’ (because he always eats five dozen eggs every morning) or how no one can beat him in a spitting competition. It perfectly captures the smug egotism of Gaston with the running theme of “No one (insert verb here) like Gaston”, a line that I know many of us have quoted in Gaston’s manly voice. In short, this is just a fun ‘squad’ song that highlights one of Disney’s best villains. What’s not to love?


Runner-Up(s): Ok I’m kind of cheating here because I have two other songs from Beauty and the Beast in the runner-up spot instead of one. The first is probably the most famous from the film, ‘Be Our Guest’, the literal personification of dinner and a show. But the title song ‘Beauty and the Beast’ is great as well, matched perfectly with the film’s beautifully animated sequence of Belle and Beast’s first dance.

5. LET IT GO (FROZEN)

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Yeah, yeah, I know… some of you are tired of hearing this song being brought up all the damn time. It’s been covered so many times on YouTube that it’s practically become its own sub-genre on that site. But with that said, it’s hard to deny the impact that this song has had on pop culture. Just like how the song serves as Elsa’s anthem of liberation in the film, it’s undoubtedly served the same purpose for many others. And of course, it was one of the major factors into reworking Elsa as one of the main protagonists instead of being the main villain. Frozen’s music was created by the duo of Robert and Kristen-Andersen Lopez, who also did the music for Disney 2011’s release, Winnie the Pooh (the latter even voiced Kanga). Back when Elsa was still set to be the villain, the two began to develop a song that was more about her inner struggles instead of just being her ‘badass song’. No joke, that was the literal note that they got from the filmmakers. And while it ultimately meant that director/co-writer Jennifer Lee had to re-write the whole film to accommodate this change, we all know that it was for the best. The song is great and is set to one of the best sequences of the entire film in which Elsa rids herself of her former demons (e.g. shedding the gloves that were used to conceal her icy powers) and builds her ice palace, away from those who’d fear her. And of course, it’s all backed by the phenomenal performance by the vocal powerhouse that is Idina Menzel (or ‘Adele Dazeem’ if you’re John Travolta). And that is why ‘Let it Go’ won Best Original Song at that year’s Oscars, making Frozen the first Disney animated film to win that award since Tarzan which, fittingly enough, was also directed by Frozen’s co-director, Chris Buck. Sure, some might find it to have been ‘played out’ at this point but it’s still undeniably the most iconic element of the global phenomenon that is Frozen.


Runner-Up(s): Once again, I have two ‘runner-up’ picks from this film. The first is the other one that everyone loves, Do You Want to Build a Snowman. It’s a song that details Anna’s attempts to reconnect with Elsa over the years, starting off in the cutest way possible before ending on a somber note and hitting us in the feels as the result of it ending with the death of Anna and Elsa’s parents. Would you believe that this song was almost cut? Thank god they kept it in, right? The other song that I like is ‘For the First Time in Forever’, which is a duet involving Anna and Elsa but mostly focuses on Anna as she finally gets the opportunity to leave the castle grounds because of Elsa’s Coronation Day. This song was then reprised later in the film when Anna tries to reason with Elsa in her ice palace. This version gradually crescendos before ending with Elsa accidentally striking Anna’s heart with her icy powers.

4. HAKUNA MATATA (THE LION KING)

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It was hard to pick just one song from The Lion King, which has probably my favorite Disney soundtrack of all-time. I love all the songs that came courtesy of the legendary Elton John and lyricist Tim Rice, the latter of whom also worked on the soundtracks of Aladdin and the Broadway adaptation of Beauty and the Beast. ‘I Just Can’t Wait to Be King’, ‘Can You Feel the Love Tonight?’, ‘Circle of Life’, etc. It was hard to narrow it down to just one. But I went with the [again, admittedly] obvious choice of ‘Hakuna Matata’. Going off what I was talking about last week, this song, sung by the duo of Timon and Pumbaa, helps liven the mood after the devastating loss of Mufasa. After finding Simba out on the desert all alone, they let him stay with them as Simba begins to learn about their carefree lifestyle and how he should ‘put his past behind him’ by adhering to their motto and “problem-free philosophy”, ‘Hakuna Matata’, which means ‘no worries’. And while Simba does wise up after a while and embraces his destiny as the rightful king of Pride Rock, this is still a classic song that is easily one of the best moments in the entire film. Pumbaa gets a hilarious ‘flashback’ in which other animals are shown to be turned off by his constant flatulence, Simba gets a ‘crash course’ in regards to Timon and Pumbaa’s ‘bug diet’, and even ends up becoming an adult as the result of him spending many years with his two new friends. Really, there’s not much else that I can say about ‘Hakuna Matata’ that hasn’t been said before by others. It’s just a classic, laid-back tune from one of my favorite films.

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Runner-Up(s): Simply put, given what I said before, let’s just put the rest of the film’s soundtrack as my ‘runner-up’ pick, ok?

3. WHEN YOU WISH UPON A STAR (PINOCCHIO)

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What more can be said about this song that hasn’t already been said? This is practically the anthem of Disney. It’s used during the opening logos of most of Disney’s film output. The first seven notes of the song are used as the horn signal whenever the Disney Cruise Line leaves port. In other words, this is arguably the most famous Disney song of all-time. And rightfully so as it’s a terrific tune sung excellently by Cliff Edwards, the original voice of Jiminy Cricket, during the opening credits. But as I noted before in my 30’s/40’s Disney Retrospective, it seems as if there’s a bit of controversy surrounding this song. This controversy stems from the supposed message that this song implies. The implication that all that kids need to do is wish upon a star to make their dreams come true. But like I said in the retrospective, I don’t think the song is literally telling people to do that. It’s just a heartwarming melody that correlates well with the plot-line in Pinocchio in which Geppetto wishes on a star for his wooden puppet Pinocchio to be a real boy. But at the very least, I think Disney is aware of this controversy. 2009’s The Princess and the Frog opened with a reference to this song but then went in a totally different direction by having Tiana’s father tell her that one has to work hard for their dreams to come true. Still, it’s hard not to love the classic tune that is very much, 100%, utterly, undoubtedly, in every respect… Disney.

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Runner-Up: Easily the other classic tune from this film is ‘I’ve Got No Strings’. It’s set to an entertaining sequence in which Pinocchio performs for Stromboli in his traveling puppet show. But for you Marvel fans out there, like myself, you’ll remember the sinister version that was used in the trailers for Avengers: Age of Ultron, a fitting connection seeing how Ultron was basically the dark personification of Pinocchio.

2. A FRIEND LIKE ME (ALADDIN)

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Last week, I listed Robin Williams’ unforgettable character from Aladdin, the Genie, as my #1 favorite Disney sidekick. In fact, he’s quite possibly my favorite Disney character, period. And, sure enough, his big musical number, ‘A Friend Like Me’, ends up being my favorite tune from the film. It’s all set to an excellently animated sequence in which the Genie, freed from the confines of the magic lamp, shows Aladdin the true extent of his powers. Originally, the piece was done in the style of legendary scatman/bandleader Cab Calloway. But once Robin Williams was cast, the song was reworked to match the Genie’s new wise-cracking, anachronistically pop-culture spouting characterization... and probably to better fit Williams’ musical abilities, also. And, sure enough, it all comes together nicely. Williams does an excellent job performing the song and the animation in this sequence is flashy and colorful throughout. There’s even some traces of Aladdin’s original design, when he looked more like Michael J. Fox instead of Tom Cruise, left in at this part because this was one of the first scenes of the film to be animated. But ultimately, the key to this scene is that it does its job at showcasing just what the Genie can do, effectively making this one of the studio’s most creative animated sequences ever. Highlights include the time that he tap-dances with his two hands and the big show-stopping finale that includes dancing camels, dancing elephants, you name it, it’s probably there. What more can be said but...

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Runner-Up(s): Like Lion King, this is another instance in which I’m going to put the remaining soundtrack of the film in the runner-up spot instead of just picking one song. Because Aladdin had an equally fantastic soundtrack outside of ‘Friend Like Me’. ‘Arabian Nights’ does a great job of setting up the atmosphere of Agrabah. ‘One Jump Ahead’ is a fun tune set to Aladdin’s efforts to escape the Palace Guards. ‘Prince Ali’ is another memorable showtune, again sung by Robin Williams, to help introduce Aladdin’s new persona. And of course, who can forget the film’s big love song, ‘A Whole New World’, sung by Aladdin and Jasmine as they rode the Magic Carpet. But there was one other song from the soundtrack that sadly never made it into the film. ‘Proud of Your Boy’ was written by the late Howard Ashman, sung by Aladdin as he laments about the fact that he’s constantly been a disappointment in his mother’s eyes due to his troubling ways. His mother was originally in the film but ended up getting cut. And so, even though it no doubt must’ve hurt Ashman’s collaborative partner Alan Menken to do so, the song was cut as well. It did, however, come back in the Broadway musical adaptation.

1. GO THE DISTANCE (HERCULES)

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For my number one favorite Disney song, I decided to go with Hercules’ ‘I Want’ song from, well, Hercules; ‘Go the Distance’. The song symbolizes Hercules’ struggles to fit in with the human world, unaware that he’s the son of the gods Zeus and Hera and was taken from his home in Mount Olympus when he was a baby. The song starts off with him basically praying to the Gods to help him find his place in life before taking a brief break as Hercules learns about the necklace, which has the symbol of the gods on it, that he was wearing when his adoptive parents, Amphitryon and Alcmene, first found him. As he heads off on a journey to the temple of Zeus, the song starts up again in a much more rousing iteration compared to the slower but very much hopeful tone of the first verse. And finally, it is reprised once more as Hercules heads off on his quest to become a ‘true hero’ and return to the world of the gods. The reason why I love this song so much is because it truly is an inspiring anthem. Obviously, none of us are a Greek demigod like Hercules but away from the context of the film, this song’s inspirational feel can be uplifting and inspire people to never give up and achieve their dreams no matter the circumstance. In other words, this is basically just like ‘Let it Go’ but was done 16 years before that song was ever conceived. Just imagine playing this song while working out at the gym or doing some similar activity; it does motivate you. Sure, it may not exactly be a ‘classic’ like ‘When You Wish Upon a Star’ but it’s still a great song because of its ability to inspire. And that is why it’s my favorite Disney song to date.  

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Runner-Up: This was another instance where I do like most of the songs from the film’s soundtrack; ‘The Gospel Truth’, ‘One Last Hope’, ‘I Won’t Say I’m in Love’, etc. But if I had to choose just one for my runner-up pick, it’d probably be the montage song ‘Zero to Hero’, sung by the Fates as they recount Hercules’ rise in popularity. Simply put, it’s catchy, upbeat, and the animation is, like many great Disney animated sequences, flashy and colorful.


And those are my Top 10 favorite Disney songs. Obviously, there are a lot of other great Disney songs that I didn’t cover here. Like I said, it was hard to narrow this down to just a Top 10. So, be sure to sound off in the comments below about your personal favorites, especially if they’re ones that I didn’t mention here. Next week, Disney Month concludes with what is easily the biggest list of them all. A complete rankings list of the 55 animated features that Walt Disney Animation Studios has produced up to this point, from Snow White to Zootopia.

Tuesday, July 1, 2014

2014 Preview: July

To be completely honest with you folks, July 2014 doesn’t really look that appealing to me. Don’t get me wrong, there are still a couple of films coming out this month that I’m interested in but overall this is sort of feeling like one of the weakest Julys in recent movie history. But hey I could be wrong and that doesn’t mean that I won’t be doing a preview post for this month so let’s get started on doing just that. Welcome back to Rhode Island Movie Corner’s year-long preview of the films set to come out during 2014. This is Part 6 of 11 (previously 12) and today we’ll be looking at the films that will be hitting theaters during the month of July. I know I just said that I felt that this month’s lineup was pretty weak, but there are still a few noteworthy new releases this month.

FOURTH OF JULY WEEKEND- Independence Day Weekend will see the release of three new wide releases, all of which are opening two days early on July 2nd. Plus, on July 4th, there’s one limited release hitting theaters that I feel is noteworthy to mention.


*A few weeks ago, director Scott Derrickson (‘Sinister’) was hired to direct the upcoming Marvel film ‘Doctor Strange’. Meanwhile, his latest film, ‘Deliver Us from Evil’, produced by Jerry Bruckheimer hits theaters this weekend. Based on a 2001 book called ‘Beware the Night’ by Ralph Sarchie and Lisa Collier Cool which was based on Sarchie’s eyewitness account, the film stars Eric Bana as Sarchie, a cop from New York who teams up with a renegade priest (played by Edgar Ramirez) to deal with a case involving demonic forces.


*Originally developed by Disney, ‘Earth to Echo’ (now distributed by Relativity Media) centers on a group of kids who come across a little alien who is in need of their help.


*Melissa McCarthy teams up with her husband, director Ben Falcone, for ‘Tammy’, a film in which she stars as the titular Tammy who goes on a road trip with her grandmother Pearl (Susan Sarandon) after losing her job and finding out that her husband is cheating on her. The film also stars Kathy Bates, Allison Janney, Dan Aykroyd, and Sandra Oh.


*Coming out in limited release and slated to air on CNN later this year, ‘Life Itself’ follows the life of world-renowned film critic Roger Ebert, who sadly passed away more than a year ago on April 4, 2013. The documentary is directed by Steve James, director of the award-winning 1994 documentary ‘Hoop Dreams’.

JULY 11- Only one new release this week, and this just so happens to be my most anticipated film of the month.


*2011’s surprise hit ‘Rise of the Planet of the Apes’ gets a sequel in ‘Dawn of the Planet of the Apes’ with Matt Reeves (‘Cloverfield’) taking over for Rupert Wyatt as director. Taking place a decade after the events of the previous film, in which a devastating virus was unleashed on the world, this film centers on the developing nation of genetically evolved apes led by Caesar (portrayed of course through motion capture by Andy Serkis) as they soon come into conflict with a group of humans who have been able to survive the virus. The film’s human cast includes Jason Clarke, Keri Russell, and Gary Oldman.

JULY 18- Four new releases this week, including an animated sequel, a horror-thriller sequel, and an R-rated comedy.


*Originally intended for a direct-to-video release, 2013’s ‘Planes’ was instead released in theaters and grossed a little over four times its $50 million budget, resulting in a sequel, ‘Planes: Fire and Rescue’, being put in development, and it opens in theaters this weekend. In this film, Dusty Crophopper (again voiced by Dane Cook) learns that he can no longer race due to a damaged engine, resulting in him joining a wildfire air attack team as they battle a massive wildfire. Stacy Keach, Brad Garrett, and Teri Hatcher, among others, reprise their roles from the previous film and are joined in this film by Ed Harris and Julie Bowen.


*Director Rob Reiner’s latest film, ‘And So it Goes’, stars Michael Douglas as a realtor who finds out that he has to take care of his granddaughter, one that he had never knew existed, which results in him having to enlist the help of his neighbor (played by Diane Keaton).


*Last June, ‘The Purge’ was a sizable hit on just a $3 million budget resulting in the announcement of a sequel, ‘The Purge: Anarchy’, again directed by James DeMonaco and produced by Michael Bay’s production company ‘Platinum Dunes’. This film focuses on a group of five people; a couple who find themselves trying to get home, a mother and daughter forced out of their home, and a man (Frank Grillo) seeking revenge for the death of his son as they all team up in order to survive the annual Purge, the one night every year when crime is legal and all emergency services are suspended.


*Cameron Diaz and Jason Segel reunite with their ‘Bad Teacher’ director Jake Kasdan for ‘Sex Tape’, in which they play a couple trying to spice up their love life. They decide to make a sex tape but they find themselves running into trouble when the video ends up leaking to the internet via the Cloud. The film also stars Rob Corddry, Ellie Kemper, Jack Black, and Rob Lowe.

JULY 25- A pair of big-budget blockbusters close out the month along with a Woody Allen film opening in limited release.


*After January’s ‘The Legend of Hercules’, director Brett Ratner helms the second of two major films this year based around the mythical hero Hercules. This film, ‘Hercules’, stars Dwayne Johnson in the titular role and is based off of the graphic novel ‘Hercules: The Thracian Wars’ by Steve Moore. In the film, Hercules is sought after by the King of Thrace (John Hurt) for help in defeating a warlord. The film also stars Rufus Sewell and Ian McShane.


*The final major release of the month is ‘Lucy’, directed by Luc Besson. The film stars Scarlett Johansson as the titular Lucy, a woman who finds himself having to work for the Taiwanese mob as a drug mule with their product implanted into her body. However, the drug ends up leaking into her system which ends up giving her superhuman abilities. The film also stars Morgan Freeman.


*Also opening in limited release this weekend is Woody Allen's latest film, 'Magic in the Moonlight'. Colin Firth stars as a magician in the 1920's who travels to the French Riviera to unmask a supposed spiritualist (Emma Stone) who might be exploiting a rich family. 

And those are the films set to come out during July 2014. Check back next month for Part 7 where we’ll be closing out the summer movie season by looking at the films hitting theaters in August.

Wednesday, November 27, 2013

Disney Retrospective: The 90's

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If this post looks a little different to you, that’s because I decided to update it. Back in November 2013, I covered all of the films that made up Disney Animation’s ‘Renaissance’ period in preparation for the release of the then-newest Disney animated film, Frozen. As a result, this became the first of Rhode Island Movie Corner’s ‘Disney Retrospective’ series, though obviously it wouldn’t be until this year when I finally continued to make them. Well, actually, when it comes to that first Retrospective, it wasn’t really a complete look at the ‘Renaissance’ era because I didn’t include the one film that’s considered to be the one that started the whole era to begin with, 1989’s The Little Mermaid. Simply put, this is because I didn’t have the means to watch it at the time. This is before I had purchased the film on Blu-Ray that year, which was actually a Christmas Gift for my mom as it’s one of her favorites. So even though I did initially title the post as a ‘Disney Renaissance’ retrospective, recently I retitled it so that it would have a much more fitting title as it was only covering the films of the 90’s. However, I decided to work on this old post a little more as, looking back, I wasn’t exactly satisfied with how it turned out. Heck, some of the ‘reviews’ weren’t even a paragraph long. So as a result, I wanted to give these films much more proper reviews that are more in line with the reviews that I’ve done for the other Disney animated films. So today, join me as I review the Disney animated films of the 90’s, a decade which saw the studio rebound after the rather tumultuous decade for them that was the 80’s to produce some of their most beloved efforts in recent years, effectively re-establishing them as one of the best animation studios working today.

THE RESCUERS DOWN UNDER (1990)

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Interestingly enough, in between two of the Renaissance’s biggest hits, The Little Mermaid and Beauty and the Beast, there was a first for Disney Animation; a theatrically-released sequel. Specifically, the film in question was The Rescuers Down Under, the sequel to 1977’s The Rescuers. As part of my original preparation for this post back when I first made it in 2013, I had watched the original Rescuers first before watching Down Under and as previously stated in my 60’s/70’s Disney Retrospective, I felt that the original Rescuers was an ‘okay’ entry in the Disney canon that benefitted from likable leads but was a bit too sluggishly paced. That’s definitely not the case with Down Under, a film that trades in the gloomy Bayou setting of the original film for the bright and gorgeous landscapes of Australia. This film is much better paced compared to its predecessor and features some incredible animation for the time, which is especially showcased during the scenes that involve a rare giant eagle. Bob Newhart and Eva Gabor reprise their roles of Bernard and Miss Bianca, respectively, and they are both excellent once again in regards to making them an incredibly likable duo. The film also has its fair share of memorable side characters, including Wilbur, the albatross brother of the character Orville from Rescuers and voiced by the late John Candy, and the main villain McLeach voiced by George C. Scott. With all of this in mind, The Rescuers Down Under is not only one of the best animated sequels ever made, it’s also one of the studio’s most underrated efforts. As the result of a lackluster opening weekend, the film’s marketing was pulled, resulting in this becoming a Renaissance film that completely went under the radar, which is a shame because it’s a really good animated film.

Rating: 4.5/5

BEAUTY AND THE BEAST (1991)

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This is one Disney Renaissance film that needs little to no introduction. It was so well-received upon its initial release in 1991 that it ended up becoming the first animated film to ever be nominated for Best Picture, an accomplishment that, since then, has only been accomplished by 2009’s Up and 2010’s Toy Story 3, both made by Pixar and released under the Disney banner. And rightfully so as Beauty and the Beast really is one of Disney Animation’s finest efforts. To quote the classic Disney film Mary Poppins, it’s ‘practically perfect in every way’. It has great animation and great music courtesy of Disney’s go-to songwriter Alan Menken, from ‘Be Our Guest’ to ‘Gaston’ to the title song. Belle is easily one of the best Disney princesses and the romance that forms between her and the Beast is really well-handled. The film takes its time to establish a connection between them instead of just immediately having them fall in love, as was admittedly the case with some previous Disney romances. There’s also plenty of memorable side characters as well, including the Beast’s servants, all of whom have been turned into household appliances due to the curse that an enchantress put on the castle that turned the Beast into the creature he is today, and the film’s main villain Gaston. As many other people have pointed out, Gaston is a character who, in any other film, would’ve easily been the hero of it all. And yet that’s not where this film goes with his character, instead portraying him more as a selfish and egotistical ‘town hero’ who tries to woo Belle. All of this makes him a really entertaining baddie. And as a result, the film as a whole is pretty much an animated masterpiece. It’s easy to see why this film ended up becoming the first animated film to be nominated for the highest honor at the Academy Awards.

Rating: 5/5!

ALADDIN (1992)

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Me and my friend Matt Goudreau (writer for ‘The Young Folks’ and ‘Nerd Stash’) have always described this film as ‘a Disney film for boys’. With its emphasis on adventure, swordplay, and fantasy, Aladdin is yet another classic from Disney Animation. In fact, I can safely say that it’s pretty much one of my personal favorites. Those aforementioned elements of adventure stories are handled perfectly here and are backed by terrific animation, a great story, and a terrific cast of characters. Aladdin is a very likable protagonist as is his romantic other, Princess Jasmine. The two of them form a really sweet romance and have terrific chemistry with each other. Of course there’s also the film’s terrific villain in the form of the devious Royal Vizier Jafar, the sinister sorcerer who has many tricks up his sleeves which he uses in his attempt to take over the city of Agrabah. Speaking of genies, however, obviously the most notable character in the whole film is the Genie. Simply put, Robin Williams gave us not only one of Disney’s best characters but one of the best characters in film period with the lovable and pop-culture referencing Genie, who has ‘phenomenal cosmic power’ but ‘itty-bitty living space’. Obviously his pop-culture references are very much anachronistic but they still provide us with plenty of great humor. It was most certainly one of Williams’ greatest performances. And thanks to him, as well as everything else I’ve gone over here, Aladdin is a terrific entry in the Disney canon. It’s easily in my Top 10 when it comes to Disney’s animated films. As for my personal favorite, though…

Rating: 5/5!

THE LION KING (1994)

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When it comes to my personal favorite Disney animated film, that honor currently goes to 1994’s The Lion King. This is a Disney film that I legitimately watch at least once every year. I love pretty much every single aspect of this film. I love the epic scale and scope of the story and the animation very much matches that, capturing the majestic plains of Africa perfectly. I love the film’s soundtrack. This includes both the film’s collection of songs courtesy of Elton John and Tim Rice and the film’s epic score by Hans Zimmer. The latter is quite arguably the most famous musical score of any Disney film and is very much capable of giving one goosebumps. Elton John and Tim Rice’s songs are also great as well. In fact, this may be my favorite Disney soundtrack as I do love all of the songs, from the epic opening tune that is ‘Circle of Life’ to the laid-back anthem that is ‘Hakuna Matata’. I love this film’s cast of characters. Simba, voiced excellently by Jonathan Taylor Thomas as a youth and Matthew Broderick as an adult, is a terrific lead, he has a terrific foil in the film’s main villain, his uncle Scar, voiced phenomenally by Jeremy Irons, and James Earl Jones’ Mufasa is just a total badass. Simple as that. And the big scene involving him? Man, talk about an emotional gut-punch. Of course there’s also the film’s great cast of side characters, including the unforgettable duo that is Timon and Pumbaa. I could go on and on but I think you folks understand where I’m getting at here. Now do I think it’s the absolute ‘best’ Disney film? Eh… I’m not really sure if I can go that far but it’s most certainly my personal favorite. It’s just an epic masterpiece from beginning to end.

Rating: 5/5!

POCAHONTAS (1995)

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Interestingly enough, apparently Pocahontas was intended to be Disney Animation’s ‘bigger’ film compared to The Lion King, which was apparently being handled by their ‘B-Team’. Well at the end of the day that ‘lesser’ film ended up becoming one of the biggest animated films of all-time whereas Pocahontas… Eh. This may or may not be a controversial opinion depending on who you ask but unfortunately I feel that Pocahontas is the weakest of the ‘Renaissance’ era. The main reason for this is simple; the film as a whole is rather dull. And I’m not just saying this as a result of my most recent re-watch of it. If I recall, I even found this film to be rather boring as a kid. Both the main characters, Pocahontas and John Smith, are rather bland, even when the latter is voiced by Mel Gibson. The same can be said for the film’s main villain, Governor Ratcliffe. Basically, he’s just a ‘greed’ villain and nothing else. The best characters in the film are the cast of animal characters, who initially were to be able to talk but that changed when John Candy, who was set to voice a turkey character named Redfeather that ended up getting cut from the film, passed away. Aside from the animals, at the very least there are some redeeming qualities to this film. For one thing, the animation is, as expected, quite nice. Not only that but the film’s soundtrack, once again done by Alan Menken, is pretty solid, which includes ‘Just Around the Riverbend’ and the film’s Oscar-winning song ‘Colors of the Wind’. Unfortunately, though, that’s not really enough to save this film from being one of the weaker installments in the Disney canon. I’m not going to go in any detail about how much this film reflects actual Native American history, which quite frankly based on what I’ve heard it doesn’t, but at the very least it’s not Disney’s worst. But at the same time, it’s not really one that I can easily recommend either.

Rating: 2.5/5

THE HUNCHBACK OF NOTRE DAME (1996)

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The Hunchback of Notre Dame is easily one of Disney’s darkest outings. In fact, it’s kind of amazing that this film managed to squeak by with a G rating despite its dark imagery, frequent mentions of hell and eternal damnation, and the lustful nature of the main villain towards the female lead. And that’s even after all of the changes that had to be made from the source material to even get that rating in the first place. But this actually kind of ends up being the reason why Hunchback is a very entertaining entry in the Disney canon. It’s quite cool to see a Disney film that has the guts to tackle some darker material and it does result in some nice atmosphere through the animation. Though with that said, the film does try and make an effort to maintain the usual family-friendly tone of a Disney film. In this case, it’s done through Quasimodo’s gargoyle friends; Victor, Hugo, and Laverne. I don’t dislike this trio but admittedly they do kind of give the film a rather uneven tone at times. But the film does make up for its tonal shifts with the usual great animation, a likable cast of main characters, and an enjoyable array of songs courtesy of, you guessed it, Alan Menken. But easily the best part of the film is its villain; Judge Claude Frollo. Frollo is simply one of the most enjoyably vile villains that Disney’s ever created and also a very fascinating one. For all of the terrible things that he does in this film, from murdering Quasimodo’s mother to lusting after the beautiful gypsy Esmerelda, he always keeps asserting that it’s the right thing to do as a man of the Christian faith. Simply put, Frollo’s a terrific villain and as a result, Hunchback of Notre Dame is most certainly a highly memorable Disney flick. Admittedly this is obviously a rather hard one to recommend to younger audiences due to its darker material but it’s still a very unique entry in the Disney canon regardless.

Rating: 4/5

HERCULES (1997)

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While Disney’s Hercules obviously takes its inspiration from Greek mythology, suffice it to say this film doesn’t really adhere much to the actual legend of the divine hero of whom the film is named after. Plus, the film admittedly could prove to be a bit much for people as a result of its style. Said style is basically a very flashy Broadway/Vegas look, with the animation being directly inspired by the work of famous English cartoonist Gerald Scarfe. However, even with all of that said, this is actually another personal favorite of mine when it comes to Disney films. I like the film’s cast of characters, from Hercules to his love interest Megara to his trainer Phil, voiced by Danny DeVito. Obviously though the big standout of the bunch is the villain, Hades. Voiced excellently by James Woods, Hades is definitely one of Disney’s funniest villains, acting very much like a fast-talking sports agent. As for the film’s soundtrack… I love it. ‘Zero to Hero’ is always a pretty darn fun tune but for me the best song of the soundtrack is Hercules’ solo ‘Go the Distance’. Simply put, it’s one of the most inspiring Disney songs of all-time and it perfectly encapsulates Hercules’ journey in this film to realize who he’s really meant to be. So yes, while it’s certainly not perfect, Hercules is still a really fun entry in the Disney canon. Just don’t go into it expecting a completely accurate adaptation of the story of Hercules.

Rating: 4/5

MULAN (1998)

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Mulan is definitely one of the more underrated films of the Disney Renaissance. For one thing, it features a badass female lead in the form of Mulan. Excellently voiced by Ming-Na Wen, Mulan serves as an excellent role model for young girls, nobly taking her father’s place in the Chinese army in order to protect him when it becomes clear that his warring days are over. It’s also really fun to watch her try and fit in with the rest of the soldiers while posing as a man, resulting in plenty of great humorous moments. The film also has its fair share of memorable side characters, from Mulan’s loyal dragon sidekick Mushu (voiced by Eddie Murphy) to some of her fellow soldiers, namely the trio of Yao, Ling, and Chien-Po. Admittedly, though, the main villain, Hun leader Shan-Yu, is the weak link of the film. Simply put, he’s basically just a straight-forward ‘silent warrior’. But even with the weak villain, the film really does shine, which of course is primarily thanks to its main heroine. It has a really great soundtrack highlighted by Mulan’s beautiful solo ‘Reflection’ and the fun training montage song ‘I’ll Make a Man Out of You’. The animation is quite nice as well, with perhaps the best scene in the film being the scene where the Huns attack the Chinese Army on the snowy mountainside. Said scene required the creation of new animation software in order to create the massive Hun army and the result really is quite spectacular. I also feel that the animation does a nice job in capturing the beauty of China. In short, like I said before, I think this film is pretty underrated. I say that because when it comes to the Disney Renaissance, admittedly you do hear more about the first few films of the 90’s than you do the ones that came out during the second half of the decade. But when it comes to those latter films, Mulan is definitely the best of the bunch.

Rating: 4.5/5

TARZAN (1999)

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Controversial opinion in three, two, one… I really love Phil Collins’ soundtrack for this film. I say ‘controversial’ because in recent years I’ve found that not many people are fans of the soundtrack. From what I can gather, the main reason why is that instead of having the film’s characters sing the songs, they’re almost entirely sung by Collins save for a few exceptions. But I’m actually not too bothered by that because I think his songs are quite excellent. I love pretty much all of them; ‘Two Worlds’, ‘Son of Man’, and of course the film’s Oscar-winning tune ‘You’ll Be in My Heart’. I think they work fine in the film but I understand if people don’t exactly agree. However, I do think they’re phenomenal songs on their own. Anyway, as for the film itself, it’s another really entertaining entry in the Disney canon. The animation is excellent, especially when it comes to scenes in which Tarzan swings through the jungle like a skateboarder. Tarzan himself is a likable lead as is Jane, who manages to overcome her character’s usual status as the ‘damsel in distress’. Admittedly, though, the main villain, Clayton, is probably the weakest part of the film. He’s another one of those villains who’s only really motivated by greed. However, at the very least, out of all of the Disney villains who were basically just ‘greedy’ villains, I will say that Clayton’s probably my favorite of the bunch. And sure that’s not exactly saying much in the long run but hey, at least it’s something. All in all, Tarzan is a very enjoyable entry in the Disney canon. It served as the final film of the ‘Renaissance’ era and in that regard, I think it ended the era on a pretty darn solid note.

Rating: 4/5


And that’s the end of this Disney Retrospective on the Disney animated films released during the 90’s, the era known as ‘the Disney Renaissance’. Thanks for following along with me on this updated series of reviews. As always, what are your thoughts on the Disney films discussed here? Be sure to sound off in the comments below. And be sure to also check out the other Disney Retrospectives that I’ve done since this post was first published all the way back in November 2013. The links to them will be provided below.