Showing posts with label Jurassic World. Show all posts
Showing posts with label Jurassic World. Show all posts

Sunday, June 24, 2018

Jurassic World: Fallen Kingdom (2018) review

Jurassic World: Fallen Kingdom (2018)

Jurassic Park is a film series that needs no introduction at this point. What started with director Steven Spielberg’s 1993 adaptation of author Michael Crichton’s 1990 novel of the same name has gone on to become one of the most famous franchises in pop culture history. The original Jurassic Park still stands as one of the most famous blockbusters of all-time, touted for its groundbreaking visual effects (both animatronic and CGI-based) that were used to bring the story’s dinosaur creatures to life. Because of this, it was the highest-grossing film of its time, earning over $914 million worldwide, a record that stood for four years until James Cameron’s Titanic became the first film to earn over $1 billion at the worldwide box-office (Jurassic Park would ultimately join the billion-dollar club itself when it was re-released in 3-D in 2013 for its 20th anniversary). It was then followed by two immediate sequels, the Spielberg-directed The Lost World: Jurassic Park in 1997, which adapted Crichton’s 1995 sequel novelization that was made after the success of the first film, and the Joe Johnston-directed Jurassic Park III in 2001, the first film in the franchise that was not based on a Crichton novel. Both films did well at the box-office but neither of them was as well-received by critics and audiences compared to the first film. After that, a planned fourth film spent several years stuck in development hell due to numerous rewrites of the script, with writers like William Monahan, John Sayles, and Mark Protosevich being brought in to try and make it all work, ultimately to no avail.

It ultimately saw the light of day in 2015 with Jurassic World, directed by Colin Trevorrow, fresh off his 2012 indie hit Safety Not Guaranteed, who also co-wrote it with writing partner Derek Connolly. Serving more as a direct sequel to the original Jurassic Park (while still recognizing the previous two films as canon), the film was a monster hit at the box-office when it was released that summer. It earned over $208 million on its opening weekend in the United States and over $524 million worldwide, officially setting the record for the biggest opening weekend of all-time, a record that has since been outdone by Avengers: Infinity War both domestically and worldwide. And while critics and audiences seemed to be just as split on it as they were with the previous two films, it was still considered to be the best of the original film’s sequels. Cut to three years later and the series continues from its biggest financial hit to date with Jurassic World: Fallen Kingdom. This time, though, Colin Trevorrow isn’t in the director’s chair due to the commitment that he made to Star Wars: Episode IX before he ultimately left the project, though he and Connolly are still involved here as the film’s main writers. Instead, we have J.A. Bayona, who was previously considered to direct Jurassic World before he backed out due to fear of it being a rushed production, behind the camera. Like Trevorrow, Bayona’s been well-known for his work in the indie circuit with critically-acclaimed hits like 2007’s The Orphanage, 2012’s The Impossible, and 2016’s A Monster Calls. And for his first major blockbuster outing, he proceeds to give us yet another enjoyable dinosaur-centric adventure that does manage to carve out its own identity when compared to its four predecessors.

It has been three years since Jurassic World, the second major attempt at realizing industrialist John Hammond’s vision of a theme park featuring genetically-cloned dinosaurs was abandoned after the park was ravaged by its newest creation, a genetically-produced hybrid dinosaur known as the Indominus Rex. When it’s discovered that the island of Isla Nublar is about to be ravaged by an eruption from its previously dormant volcano, the U.S. Senate decides to not attempt to rescue the island’s dinosaurs to avoid any further dinosaur-related catastrophes. While this is going on, Claire Dearing (Bryce Dallas Howard), Jurassic World’s former operations manager who now runs an activist group seeking to rescue the dinosaurs, is approached by Sir Benjamin Lockwood (James Cromwell), who was Hammond’s primary business partner in his initial dinosaur-cloning experiments. Lockwood and his aide, Eli Mills (Rafe Spall), devise a plan to extract the dinosaurs from the island and have them moved to a safe location away from any human interference. Claire is selected to lead the rescue team and she also recruits her ‘ex’ Owen Grady (Chris Pratt), Jurassic World’s former Velociraptor trainer, who is ultimately convinced to go when it’s revealed that Blue, the last surviving member of both his raptor pack and her species in general, is one of Lockwood and Mills’ primary targets. Once on the island, however, Claire and Owen learn that Mills and his team have different plans for the dinosaurs. Instead of transporting them to safety, Mills plans to have the dinosaurs be sold off to buyers all over the world. And as for Blue, she’s needed to further the development of a new genetic hybrid that’s touted as being even more dangerous than the Indominus Rex, the Indoraptor.

Many have touted Jurassic World: Fallen Kingdom as being more akin to a horror film, and it’s easy to see why. The way in which some of the film’s biggest sequences are filmed does give off a neat horror vibe, whether it’s a young girl being hunted by a vicious raptor in her own home or two characters being hunted by a Baryonyx in an abandoned facility that’s slowly being destroyed by lava. And overall, this does give a nice new spin to the traditional franchise concept of humans being hunted by dinosaurs. Still, even with that in mind, admittedly the story doesn’t always match the quality of some of this film’s most memorable sequences. This is especially the case when one big twist regarding a secret about one of the new characters is brought up but is never expanded upon after that reveal despite it being based around an intriguing new concept for this universe. Still, like the previous films, Fallen Kingdom doesn’t skimp on its dinosaur action, with a thrilling finale set not on the island of Isla Nublar but an old gothic mansion. On that note, Fallen Kingdom is quite arguably the best-looking film yet out of the Jurassic Park franchise. The cinematography from Bayona regular Oscar Faura produces some truly vibrant imagery, especially during the sequences where Isla Nublar is being ravaged by its volcano. And for those who were disappointed by the previous film only featuring one dinosaur animatronic in favor of CG-created dinosaurs (which weren’t even ‘bad’, even…), you’ll be pleased to know that Bayona goes for a greater balance between the two visual mediums in this film. Yes, there’s quite a lot of CG dinosaurs in this film, but there are also plenty of instances where the same great style of animatronics that was perfected by the legendary Stan Winston (which won him an Oscar for Best Visual Effects for his work on the original Jurassic Park) are on full display.

Chris Pratt and Bryce Dallas Howard are the only major cast members from Jurassic World to reprise their roles in this film, and the two of them are just as excellent here as they were in that film. Pratt’s great charisma is once again in top form here, and this film does give him some stronger character development to work with through the emotional bond that he shares with Blue. And while Bryce Dallas Howard doesn’t necessarily get to work with the same great transformative arc that Claire underwent in the first film, going from an uptight, work-focused businesswoman to a more emotionally-driven badass, she still gets to have just as plenty of badass moments as Pratt does. Plus, the two have excellent chemistry, better here than in the first film, even. As for the rest of the cast, while a lot of them do end up filling the franchise’s typical collection of characters who end up being ‘dino-chow’, all these actors and actresses do solid jobs in their respective roles. You’ve got your reliable screen veterans like James Cromwell as Sir Lockwood, Ted Levine as the imposing leader of Mills’ mercenary group, and Toby Jones as an auctioneer working in cahoots with Mills. And then you also have some solid newcomers as well, namely the other two members of Owen and Claire’s core group, Daniella Pineda as tenacious paleo-veterinarian Zia Rodriguez and Justice Smith as timid systems analyst Franklin Webb. But easily the most talked about member of this film’s cast is Jeff Goldblum making his heralded return to the Jurassic Park franchise as Dr. Ian Malcolm, who last appeared in 1997’s The Lost World: Jurassic Park. But as Goldblum himself noted in an interview, Malcolm does not factor that much into the film’s plot, as he only appears briefly at the beginning and end in sequences that do not have him interacting with any of the main characters. Still, for what it’s worth, Goldblum does make the most out of his brief appearance, delivering more of the stoic truths that he uttered in previous films that tie into the franchise’s biggest themes revolving around the ethical debate of resurrecting creatures who have been extinct for millions of years.

With a mediocre 50% rating on Rotten Tomatoes (at the time that I’m writing this), Jurassic World: Fallen Kingdom continues the series’ trend of several folks feeling that the sequels don’t even remotely compare to the quality of the original film. But as someone who didn’t necessarily grow up with this franchise (outside of seeing Jurassic Park III when I was like six while over at a friend’s house), I’ve never held these heightened expectations against any of the sequels while still regarding the original film as one of the all-time greats. With that in mind, I enjoyed this film just as much as the other entries in the Jurassic Park franchise. To his credit, J.A. Bayona delivers what is easily the darkest installment of the series to date both thematically and visually. His horror genre roots do come in handy here, producing some effectively tense visuals that are bolstered further by Oscar Faura’s stunning cinematography. And while plot and character development are still not exactly this series’ strongest suit, it does deliver on everything else that fans of the franchise love about it when it comes to its wide array of dinosaur creatures and the chaos that is regularly caused by them. As such, this film ends on a truly fascinating note that paves the way for what will surely be an exciting conclusion to this new Jurassic World trilogy. This third installment will be hitting theaters in the summer of 2021 and will see Colin Trevorrow returning to the director’s chair and closing out the trilogy that he started a la J.J. Abrams returning to direct Star Wars: Episode IX (which, coincidentally, was originally set to be directed by Trevorrow). Until then, we have Jurassic World: Fallen Kingdom, another worthy follow-up to the iconic blockbuster that was the original Jurassic Park.


Rating: 4/5

Thursday, June 21, 2018

Jurassic Park: The Story So Far


Welcome, ladies and gentlemen, to the next installment of an ongoing series here on Rhode Island Movie Corner, ‘The Story So Far’. This is where I recap the past installments of a franchise in time for its latest release. In doing so, it allows you, the readers, an opportunity to catch up on a franchise if you find that you don’t have enough time to watch its previous installments and just want to know about its most important details before seeing the new film. And for today’s segment of ‘The Story So Far’, we’re looking at one of the most famous franchises in recent film history, Jurassic Park. Ever since director Steven Spielberg’s adaptation of author Michael Crichton’s best-selling novel of the same name hit theaters in 1993, it has gone on to become of the most beloved blockbusters of all-time, heralded for its groundbreaking visual effects. It then proceeded to get two follow-ups, 1997’s The Lost World: Jurassic Park, which Spielberg directed as well, and 2001’s Jurassic Park III, directed by Joe Johnston. Both films did well at the box-office though they weren’t as well-received by critics and audiences when compared to the first film. After that, a planned fourth film spent several years languishing in development hell until director Colin Trevorrow returned audiences to the island of Isla Nublar in 2015 with Jurassic World. Upon its release, the film set numerous box-office records amidst a critical reception that admittedly made it just as polarizing as the previous two films. But, of course, we’re back again with this cautionary tale of ‘man vs. nature’ with this year’s Jurassic World: Fallen Kingdom, directed by J.A. Bayona. But until then, let’s return to the early days of this crazy, little dinosaur experiment and embark on an adventure ’65 million years in the making’ as we recap the events of the Jurassic Park series.

Jurassic Park (RELEASED: 1993)

Jurassic Park (1993)

On the island of Isla Nublar, located off the coast of Costa Rica, industrialist John Hammond (Sir Richard Attenborough) and his company InGen have developed a way of cloning dinosaurs utilizing dinosaur DNA that has been extracted from fossilized mosquitoes. Hammond plans on showcasing his new discovery to the world via an immersive theme park called ‘Jurassic Park’. However, while transporting a Velociraptor to a new enclosure one night, one of the company’s dinosaur handlers is killed when the raptor tries to break free, resulting in a lawsuit from the employee’s family. Because of this, Hammond’s investors demand that he hires a team of experts to visit the park to ensure that it’s maintaining good safety standards. Thus, Hammond invites paleontologist Dr. Alan Grant (Sam Neill), paleobotanist Dr. Ellie Sattler (Laura Dern), and mathematician/chaos theorist Dr. Ian Malcolm (Jeff Goldblum) to the island. Along the way, they’re joined by lawyer Donald Gennaro (Martin Ferraro), who represents Hammond’s investors, and once they arrive on the island, they meet Hammond’s grandchildren, tech-savvy Lex Murphy (Ariana Richards) and her younger brother, dinosaur enthusiast Tim (Joseph Mazzello). This proves to be a bit of an issue for Grant who, as evident from an earlier scene where he discusses raptors with a kid at a dig site, isn’t that big a fan of children. But the tour goes on as planned, with the group being told that the dinosaurs on the island are unable to breed because they are all female, something that Malcolm questions as he claims that this attempt of theirs to control nature is doomed to fail. As for the tour itself, it ultimately ends up being incredibly underwhelming as most of the dinosaurs that the group is meant to come across don’t show up. The only dinosaur that they do come across is a sick Triceratops that they find once they temporarily leave their tour vehicles. Ellie decides to stay and study the Triceratops while Grant, Malcolm, Tim, Lex, and Gennaro return to the tour vehicles right as a tropical storm begins to make landfall on the island, which forces the tour to be put on hold.  

Jeff Goldblum in Jurassic Park (1993)

Meanwhile, Jurassic Park’s disgruntled main computer programmer, Dennis Nedry (Wayne Knight), initiates a plan to steal some of InGen’s fertilized embryos for a rival company. To do so, Nedry temporarily shuts down the park’s security system, which also ends up shutting off all the power in the park. To make matters worse for Grant and company, this ends up occurring right when they’re stationed near the Tyrannosaurus Rex paddock. Sure enough, the T-Rex breaks loose, eating Gennaro (while he’s hiding on the toilet in a nearby restroom) and injuring Malcolm while Grant and the kids barely manage to escape. Nedry’s own efforts to leave the island with the embryos in tow ends up being disastrous as well when he gets lost on the way to the docks and is killed by a venom-spitting Dilophosaurus (disclaimer: Dilophosaurus did not spit venom in real-life; this was something that Michael Crichton invented for the novel). When Ellie and the park’s warden, Robert Muldoon (Bob Peck), head out to try and find Grant and the kids, they rescue Malcolm and barely manage to escape from the T-Rex when it chases after them. Once back at the park’s visitor center, Hammond and his chief engineer, Ray Arnold (Samuel L. Jackson), decide to reboot the park’s entire system when they find that they’re unable to figure out a way around Nedry’s hacks. When Arnold fails to return from turning the power back on, Ellie and Muldoon head out to investigate. Muldoon ends up getting killed by a pair of Velociraptors while Ellie manages to reach the primary maintenance shed and gets the power back up and running again, coming across Arnold’s severed arm in the process.

Sam Neill, Ariana Richards, and Joseph Mazzello in Jurassic Park (1993)

As Grant and the kids begin their journey back to the visitor center, they come across a bunch of broken egg shells, with Grant realizing that Malcolm was right and that the dinosaurs can breed after all due to the parts of their DNA that were taken from frogs who can change their sex in a single-sex environment. After enduring everything from a Gallimimus stampede (and subsequent T-Rex attack) to Tim nearly dying when they try to climb over an electric fence right when the power is turned back on, the trio manages to return to the visitor center and reunite with Ellie. Unfortunately, they are then pursued by the raptors, who first chase Tim and Lex through the kitchen before cornering the lot of them in the control room. The group manages to temporarily keep them at bay when Lex manages to use the park’s UNIX computer system to restore power to the entire park, fixing both the phones and the electric door locks. As Hammond calls for a helicopter to evacuate, the group are forced to flee once again when the raptors break through the windows of the control room. They eventually end up in the visitor center’s foyer, where they get cornered by the raptors. Luckily for them, the T-Rex pops up by surprise and kills the raptors, giving them ample time to escape. After reuniting with Hammond and Malcolm, the group finally escapes the island via helicopter, with Grant having gained a newfound appreciation for children thanks to the time that he has spent with Tim and Lex.

The Lost World: Jurassic Park (RELEASED: 1997)

The Lost World: Jurassic Park (1997)

After the success of the film adaptation of Jurassic Park, Crichton published a sequel, The Lost World, in 1995, which was subsequently adapted to the big-screen by Spielberg two years later. Set four years after the events of the original film, it opens with InGen once again finding itself in hot water when a young girl named Cathy Bowman (Camilla Belle) is attacked by a swarm of Compsognathus while on vacation with her family. As it turns out, the family had landed on another Costa Rican island, Isla Sorna, which is revealed to be the site where the company had created the dinosaurs before they were moved over to Isla Nublar. The site was ultimately abandoned when a hurricane ravaged the area, leaving the dinosaurs on their own without any sort of measures in place to restrain them. InGen, now headed by John Hammond’s nephew Peter Ludlow (Arliss Howard), plans on using the island to fix their financial troubles caused by the incident on Isla Nublar. While this is going on, John Hammond approaches Ian Malcolm and asks for his help in ensuring the dinosaurs’ survival by having him travel to Isla Sorna with a team to document them to prove that they’re perfectly fine in their natural habitat. While Malcolm is hesitant to return to the area, he is ultimately convinced to go when he learns that one of the members of Hammond’s team is his girlfriend, paleontologist Sarah Harding (Julianne Moore), who’s already on the island. Now intent on getting her out before something happens to her, Malcolm meets up with the other two members of their team, engineer/field equipment expert Eddie Carr (Richard Schiff) and video documentarian Nick Van Owen (Vince Vaughn). Before they head off, Malcolm is also forced to deal with the increasingly strained relationship that he has with his daughter Kelly (Vanessa Lee Chester).

Jeff Goldblum, Vince Vaughn, and Richard Schiff in The Lost World: Jurassic Park (1997)

Once the group lands on Isla Sorna, they reunite with Sarah while also discovering that Kelly had stowed away with them in their mobile base. Soon after, a team of mercenaries and hunters led by Ludlow and big-game hunter Roland Tembo (Pete Postlethwaite) arrive on the island to enact InGen’s plans by capturing multiple dinosaurs and having them sent to a theme park that’s planned to be built in San Diego. They also capture an infant T-Rex that Tembo plans on using as bait to lure its parent, which he’s primarily looking to capture. Clearly aware of why this is, as Malcolm later puts it, ‘the worst idea in the history of bad ideas’, Nick and Sarah break the dinosaurs out of their cages, allowing them to wreak havoc upon the InGen team’s camp. They also take the infant T-Rex back to the mobile base to fix its broken leg. This, of course, causes its parents to arrive on the scene, knocking the base off a cliff while Malcolm, Sarah, and Nick are still inside and eating Eddie when he tries to pull it back up. The trio ultimately gets rescued by the InGen team and, because of the loss of both teams’ communications equipment, are forced to form an uneasy ‘alliance’ with them to reach the island’s abandoned radio station and call for rescue. The group ends up getting chased by the adult T-Rexes and a bunch of velociraptors, with numerous casualties along the way. Malcolm’s group manages to reach the radio station, fend off the raptors, and call for a helicopter while the InGen team successfully manages to capture the male T-Rex, who’s then transported to the site of the new theme park in San Diego.

The Lost World: Jurassic Park (1997)

Back on the mainland, the ship transporting the T-Rex ends up crashing into InGen’s docks when it arrives earlier than expected without responding to any calls from the harbormaster. After it’s discovered that the ship’s crew has been killed, the T-Rex is accidentally released from the cargo hold, allowing it to rampage through the city where it menaces suburbia, eats ‘unlucky bastards’ who happen to be played by the film’s screenwriters (no joke, that’s what the character played via cameo by screenwriter David Koepp is listed as), etc. To get it back on the ship, Malcolm and Sarah collect the infant T-Rex from the new park’s facilities and transport it back by car, luring the adult T-Rex back with them just like when they first took the infant back to their mobile base on the island. When Ludlow tries to intervene, he gets trapped in the cargo hold by the adult T-Rex and is devoured by the infant while Malcolm and Sarah manage to tranquilize the former and trap them both in there so that they can be sent back to Isla Sorna. The next day, Malcolm, Sarah, and Kelly watch a news report on the infant and adult T-Rexes being transported back. An interview with John Hammond reveals that plans have been made with the Costa Rican Department of Biological Preserves to turn Isla Sorna into a nature preserve, allowing the dinosaurs to live in peace without any sort of interference from humans. Thus, as the film ends with a shot of the family of T-Rexes reunited on the island, Hammond quotes the line that Malcolm famously stated in the previous film, affirming that ‘life will find a way’.

Jurassic Park III (RELEASED: 2001)

Jurassic Park III (2001)

Four years after the events of the previous film, Jurassic Park III opens with 12-year-old Eric Kirby (Trevor Morgan) parasailing near the island of Isla Sorna with family friend Ben Hildebrand (Mark Harelik). To their horror, the other passengers on their boat are killed by something that is unseen due to fog and the two end up having to detach themselves from the boat before it crashes into a bunch of rocks, resulting in them being directed right towards Isla Sorna. Meanwhile, back on the mainland, Dr. Alan Grant finds himself struggling to find funding for his team’s research while Ellie Sattler has since gotten married to U.S. State Department worker Mark (Taylor Nichols), whom she has had two kids with. One day, Grant is approached by Paul (William H. Macy) and Amanda (Tea Leoni) Kirby, who offer him funding for his research in exchange for an aerial tour of Isla Sorna. Despite his initial dismissal about returning to the area (to the point where he responds to a question about it at a university lecture by stating that ‘no force on earth or heaven will get him on that island’), Grant agrees to their offer. He is joined by his assistant, Billy Brennan (Alessandro Nivola), on the trip along with a bunch of mercenaries who are ‘financed’ by the Kirbys, Udesky (Michael Jeter), Cooper (John Diehl), and Nash (Bruce A. Young). Once they arrive at Isla Sorna, however, Grant discovers that the group plans on landing there. Despite his objections, they do land and, soon enough, they end up stranded when they crash into a Spinosaurus that had been chasing Cooper, who is subsequently eaten by it along with Nash. After escaping both the Spinosaurus and a T-Rex, who gets killed by the former, Grant learns that the Kirbys had lied to him. Instead of being a rich couple, they are recently-divorced parents who own a hardware store and have come to Isla Sorna in search of their son Eric and Amanda’s boyfriend Ben, who have been missing for the past eight weeks.

Sam Neill in Jurassic Park III (2001)

The group finds Ben and Eric’s parasail, with Ben’s skeletal remains still attached to it and no sign of Eric, meaning that he’s potentially still alive. After being chased by a group of Velociraptors, who kill Udesky, Grant is separated from the group and is rescued from the raptors by Eric, who’s managed to survive on his own for the past eight weeks. When the duo manages to reunite with the others, Grant learns that the reason why the raptors have been chasing them is because Billy had taken a pair of raptor eggs to provide their dig site the funding that they obviously won’t be getting from the Kirbys. Grant, furious at this decision, takes the eggs to ensure that the group will survive, remarking that Billy ‘is no better than the people who built this place’. When the group enters an aviary full of Pteranodons, Billy saves Eric from being taken by them but is seemingly killed in the process. Eventually, the group begins to make their way downriver by boat, barely managing to ward off the Spinosaurus with fire while Grant phones Ellie for help. When the group gets cornered by the Velociraptors once again, Grant manages to ward them off by surrendering the stolen eggs to them and using Billy’s 3-D printed replica of a Velociraptor larynx to confuse them. Once they reach the coast, they end up getting rescued by the U.S. Marine Corps and the U.S. Navy, who were called there by Ellie. Billy is revealed to be alive and the group leaves the island while noticing a bunch of Pteranodons departing as well. As Grant remarks, they’re ‘looking for new nesting grounds’.

Jurassic World (RELEASED: 2015)

Chris Pratt in Jurassic World (2015)

Generally ignoring the events of the previous two films (which still recognizing them as canon), Jurassic World takes place 22 years after the events of the original film. In the years since, John Hammond’s idea of a dinosaur theme park has been revitalized by the Masrani Corporation, with ‘Jurassic World’ operating on the exact same site on Isla Nublar. Bickering brothers Zach (Nick Robinson) and Gray (Ty Simpkins) Mitchell travel to the park to visit their aunt Claire Dearing (Bryce Dallas Howard), who serves as the park’s operations manager. As soon as they arrive, though, she immediately brushes them off to deal with the pressure coming from her boss, ‘pilot’ Simon Masrani (Irrfan Khan), to develop a new attraction that would help boost their attendance numbers. Under the direction of Hammond’s former lead scientist Dr. Henry Wu (B.D. Wong), a new dinosaur known as the Indominus Rex is created from the combined DNA samples of various dinosaurs, including the T-Rex, and other creatures. Claire is then forced to ask for the assistance of the park’s velociraptor trainer Owen Grady (Chris Pratt), whom she had one ‘bad’ date with, to ensure that the Indominus’ enclosure is properly secured. Once there, however, they find that the Indominus has seemingly managed to escape. As it turns out, the Indominus managed to fool them with its camouflaging ability (taken from cuttlefish DNA) and escapes for real once Owen and a few other workers go in to inspect the site. Masrani attempts to subdue it by sending in the park’s Asset Containment Unit, but most of the team ends up getting killed by it, resulting in Claire ordering a complete evacuation of the northern half of the island.

Jurassic World (2015)

Unfortunately for Claire, a new problem emerges when Zach and Gray end up wandering into a restricted area via the park’s gryosphere attraction. The two brothers end up getting attacked by the Indominus and barely manage to escape from it by jumping off a waterfall. While Claire and Owen head out to try and rescue them, they end up coming across the old Jurassic Park Visitor Center and begin heading back to the resort in one of the old park’s jeeps, which they manage to repair. Meanwhile, Masrani pilots an attack helicopter to hunt the Indominus. This ends up being a complete disaster, however, as the helicopter crashes into the resort’s aviary, resulting in a swarm of Pterosaurs attacking the resort’s guests. Owen and Claire manage to find Zach and Gray while park security manages to subdue the attacking Pterosaurs. Soon after, Vic Hoskins (Vincent D’Onofrio), head of InGen’s security team, assumes command of the situation. Hoskins and Owen had come into conflict earlier over the former’s suggestion of using the latter’s quartet of trained raptors (Charlie, Echo, Delta, and Blue) for military use. Despite Owen’s objections, he agrees to partake in Hoskins’ plan to use the raptors to hunt down the Indominus. Unfortunately, once Owen and the raptors come across the Indominus, Owen realizes one of the biggest secrets surrounding the creature’s creation… it’s part raptor. This allows the Indominus to become the Raptors’ new ‘alpha’, resulting in the pack beginning to hunt InGen’s troops.

Chris Pratt in Jurassic World (2015)

Owen, Claire, Zach, and Gray barely manage to escape and return to the Jurassic World Visitor Center. Once there, they discover that Hoskins has been working in conjunction with Dr. Wu on new hybrid dinosaurs to further his plan of having them be used for military purposes. While Hoskins ends up getting killed by Delta, Owen manages to regain the trust of his raptor pack right as the Indominus returns. After Echo and Delta are killed by it (Charlie was killed earlier during the Indominus hunt by a missile), Gray remarks that they need something with ‘more teeth’ to stop it. Thus, Claire orders one of the park’s control room operators, Lowery Cruthers (Jake Johnson), to open the gates to the T-Rex paddock as she manages to lure the T-Rex into a fight with the Indominus… and yes, she does all of this while wearing heels. With assistance from Blue, the last surviving member of Owen’s raptor pack, the T-Rex manages to corner the Indominus at the edge of the resort’s lagoon. Before the Indominus can attack again, it is swiftly grabbed by a Mosasaurus and dragged underwater. Blue and the T-Rex depart, though the former shares one last moment with Owen beforehand. As Isla Nublar ends up being abandoned once more, Zach and Gray reunite with their parents, Karen (Judy Greer) and Scott (Andy Buckley), at an off-site shelter in Costa Rica while Owen and Claire prepare for whatever comes next by deciding to stick together ‘for survival’. The film ends with the T-Rex perched above the abandoned Jurassic World site, once again in control of its home environment. But as it’s established in the trailers for the upcoming Jurassic World: Fallen Kingdom, the future of said home is put into jeopardy by way of the island’s previously dormant volcano.


And that is the ‘Story So Far’ when it comes to the Jurassic Park series. Thanks for following along and you can expect a review of Jurassic World: Fallen Kingdom sometime in the next few days. While I am aware that the overall reception towards this franchise’s sequels tend to vary amongst critics and audiences, I’ve personally enjoyed all the films in this franchise (yes, even Jurassic Park III despite the 2.5/5 rating that I gave it a few years back in the retrospective that I did on the original trilogy prior to the release of Jurassic World). Thus, I am eagerly looking forward to this new film, which I hear will provide an interesting set-up for the new trilogy’s finale that’s set to come out in 2021 and will see Colin Trevorrow return as director.


Thursday, September 10, 2015

Favorite Films of Summer 2015- As Voted By You!


About three weeks ago, I initiated Rhode Island Movie Corner’s second annual end-of-summer Fan Poll and asked you folks to vote for your favorite film from this past Summer, just like I did last year around this same time. With voting now closed, I once again have to thank all who voted, as it resulted in yet another phenomenal and, compared to last year, much bigger turnout this year. 47 votes went to, believe it or not, 20 different films from the past four months of the year. This time around, however, it won’t be a similar case like last year where three different films ended up tying for the most votes. This year’s poll had one very (and I mean very) obvious favorite as it garnered at least twice the amount of votes than any other film that got a vote in this poll. And let’s be honest, a lot of you probably already know what this film is. But before we get to that, just like last year, I’ll be honoring every film that earned a vote instead of doing a ‘Top 10’ as I originally planned to do the first time I did this poll but never did. Because ultimately a lot of these films ended up getting the same amount of votes. So without further ado, here are your favorite films from the summer… as voted by you!!

11 FILMS EARNED 1 VOTE

ENTOURAGE


There are just some films that are ‘critic-proof’ and are instead intended to be crowd pleasers. I know that may sound rather weird coming from someone like me but it’s undoubtedly true and the film adaptation/continuation of HBO’s hit series ‘Entourage’ is the prime example of this. As I noted in my original review for the film, I’ve seen quite a lot of heavy vitriol directed towards it and the show, leading up to and following the film’s release. I presume it’s mostly due to the fact that the film, like the show, is admittedly rather sexist given that it predominantly focuses on a cast of male leads and most of the female characters are viewed as ‘sex objects’ and not much more than that. While that’s definitely true when talking about the show and the film, from what I hear this is just the way things are in real life so don’t go criticizing them for simply reflecting how things really are in Hollywood. Anyway, despite having not seen the show before when the first trailer for the film debuted online, the trailer actually got me interested in the show and when I got a free 1-month subscription to HBO Now, I primarily utilized it to watch ‘Entourage’ and got through about 2 and a half seasons worth of the show. While I’ve not yet had the chance to finish the show, I can tell that this film is a much more fitting finale, if this really does end up being the ‘finale’, than the show’s actual finale. And as far as the film is concerned, it’s exactly like the show; a fun little farce featuring a fun cast of leads that have great camaraderie with each other (highlighted by Jeremy Piven as the always scene-stealing Ari Gold) and is definitely intended to be viewed with a crowd or, in other words, your own entourage.

INSIDE OUT


After Pixar’s last three films failed to attract the same critical acclaim as the studio’s previous efforts (though I will always defend ‘Monsters University’), the ‘pioneers of computer animation’ finally struck the jackpot with both critics and audiences, something that some argue eluded them for a few years, with their latest film, ‘Inside Out’. Directed by Pete Docter, the man behind some of Pixar’s most beloved films like ‘Monsters Inc.’ and ‘Up’, ‘Inside Out’ is both visually beautiful in its design and emotionally powerful in its writing. Featuring a unique story concept in which personified emotions controlled the everyday actions of their human beings, ‘Inside Out’ features what could be arguably be Pixar’s most gorgeous animation yet, which results in plenty of colorful and imaginative visuals. But of course ‘Inside Out’ also maintains the mature writing that one can expect from Pixar, as it tackles subjects and situations that we’ve all been through in one way or another, whether it’s moving to a new neighborhood or being the new kid at school. I guarantee you that you’ll get emotional at least once during this film and because of it, ‘Inside Out’ is another Grade-A animated classic from the Grade-A animation company that is Pixar.

TED 2


Well how about that, we go from the emotionally poignant writing of Pixar to the scatological/crass humor of Seth MacFarlane. But I don’t care because I really liked ‘Ted 2’. The first ‘Ted’ is one of my favorite comedies of the past few years as it balanced its unique concept of a teddy bear that came to life but ended up becoming a pot-smoking slacker with a surprising amount of heart and solid performance from its leads, particularly Mark Wahlberg and MacFarlane himself as the duo of John and Ted. And of course, it was absolutely hilarious. Watching ‘Ted 2’, I realized that they, John and Ted, are the main reason why these films are so funny. Whenever they’re not on-screen, that’s when the jokes fail to hit. But when these two are on-screen together, that’s where the film’s most hilarious moments occur. These two have such great chemistry and while they both may be very immature, they’re still surprisingly likable and it’s just fun to watch these two go off on all sorts of adventures. Like last time, Mark Wahlberg deserves a lot of credit for being able to work off of a character that’s basically only added in in post-production. And while the film unfortunately loses Mila Kunis’ character Lori, Amanda Seyfried is a solid replacement for Kunis as new female lead Samantha L. Jackson. While I can’t say that ‘Ted 2’ is necessarily better than the first film, it’s still a very fun comedy and it’s definitely one of my favorite comedies from this surprisingly solid summer for the genre.

TERMINATOR: GENISYS


I liked this more than ‘Mad Max: Fury Road’… there, I said it, come at me internet. I don’t care that this film basically got destroyed by critics. I think that not only is it a very entertaining film but a worthy successor to James Cameron’s first two ‘Terminator’ films. Hell, even James Cameron himself supports this but clearly most film fans didn’t agree. It seems that a lot of the vitriol towards the film stems from the decision to ‘reboot’ the timeline a la the J.J. Abrams ‘Star Trek’ films. But like those films, I completely support this as I feel that it allows the filmmakers to take interesting steps in telling a familiar story from a new angle, like putting the relationship between Sarah Connor and Kyle Reese, and subsequently the future conceiving of John Connor, into question and having Sarah, who’s still my favorite action film heroine and is portrayed excellently here by Emilia Clarke, being a badass warrior right from the get-go. There was also the controversial twist in which John Connor was revealed to be the main villain of the film, having been corrupted by Skynet and turned into a Terminator. Without saying anything about the fact that this was revealed in the film’s second trailer, I didn’t mind this twist at all because I liked that it gave Jason Clarke, one of my favorite underrated actors, a more substantial role in the film.

‘Terminator: Genisys’ proved to be a solid mix of action and humor, especially during the scenes involving Sarah, ‘Pops’, and Kyle Reese… and yes, I thought Jai Courtney was good in this too. And at the end of the day, regardless of whether you liked this film or not, you cannot deny that one of its biggest strengths is the return of Arnold Schwarzenegger in his most iconic role to date; the T-800. I’m now fully convinced that one of the biggest downfalls of ‘Terminator Salvation’ was the absence of Schwarzenegger, and no I’m not counting the CGI Arnold during that film’s finale, and his return here is much welcome. Even at 68 years old, he still kicks major ass. After all, as he states in the film, ‘he’s old… not obsolete’. Contrary to popular opinion, I really loved ‘Terminator: Genisys’ and I do think that director Alan Taylor at least deserves credit for his near-perfect re-creation of classic scenes from the first ‘Terminator’. I say ‘near-perfect’ because due to rights issues, they couldn’t actually use the footage from the first film but they do come pretty close here. In short, this film pays loving homage to James Cameron’s first two films but manages to stand out on its own due to the bold move of ‘resetting’ the timeline. All in all, I had a lot of fun with this film and was actually really invested in the story that most of the film’s critics referred to as ‘bad fanfiction’. I’m legitimately interested in seeing where the series will go from here and while the film underperformed at the box office here in the U.S., thankfully the film has done a lot better in the international market so hopefully that means we’ll be seeing more of this franchise in the future.

MAGIC MIKE XXL


Like I’ve been saying a lot recently, you can never go wrong with good old-fashioned ‘crowd-pleasers’ and it seems like ‘Magic Mike XXL’ was one of those films. I think it’s safe to say that a lot of people were surprised that 2012’s ‘Magic Mike’ was as successful as it was. I haven’t yet seen the film but according to both critics and audiences, it was actually pretty darn good. For a film that, on the surface, seemed to be nothing more than a film about male strippers, ‘Magic Mike’, based on the real-life experiences of star Channing Tatum, surprised audiences with its strong writing, direction, and performances. As for the sequel, ‘Magic Mike XXL’, I’ve heard both positive and negative things about it and admittedly I’ve probably heard more negative reviews about it than I have heard positive ones. The most major complaint that kept getting brought up in these negative reviews was that the writing just wasn’t as good as it was in the first film. But despite that, it seems like most audiences still liked it and while it didn’t do as well as the first ‘Magic Mike’ critically or commercially, it still did solid numbers at the box office and fared decently enough with critics. So without having seen the film, it seems to me that the film at least pleased its target audience and in my book, that’s what ultimately matters the most.

ANT-MAN


I always like it when a film defies expectations, especially nowadays given the increasingly cynical atmosphere of the internet. ‘Ant-Man’, the final installment of Phase Two of the Marvel Cinematic Universe, was one of those films that, for a while, was unable to catch a break when it came to getting tons of flak on the internet. We all know what happened behind-the-scenes on this film. Originally to be directed by Edgar Wright, who had been working on the film ever since the early days of the MCU, Wright ended up leaving the project in May of 2014 due to creative differences with Marvel, which given recent events we can now pretty much officially attribute to the studio’s ‘creative committee’, which was probably also responsible for starting the common criticism that the studio allegedly restricts their director’s ‘visions’, which for the record I’ve never completely agreed with. Regardless, despite the fact that Marvel Studios has continuously delivered quality superhero films and ‘Guardians of the Galaxy’ proved that they could make great films based around lesser-known characters, many predicted that ‘Ant-Man’ would be the studio’s first major ‘failure’. Hopefully a lot of those people are now eating their words…

After the truly epic affair that was ‘The Avengers: Age of Ultron’, ‘Ant-Man’ was a nice change of pace as it was a considerably much more scaled-down adventure by comparison. Even with this in mind, it still managed to be another solid entry in this great franchise. Director Peyton Reed more than proved to be an excellent replacement for Wright, whose presence was still very much felt in the final product, and not in a bad way. The film gave us one of the most unique superheroes we’ve seen to date in Ant-Man and his ability to shrink down to the size of an ant resulted in some very unique visuals and action sequences. Pair that with a charismatic performance by lead Paul Rudd, an excellent ensemble cast (which you can always expect in MCU films), and the humor and light-hearted atmosphere that has defined the MCU from the very beginning and you will get an idea as to why I and many other people love these films so much. I’ve said it before and I’ll say it again; Marvel Studios has yet to make a ‘bad’ film and ‘Ant-Man’ continues their solid streak of success. Seriously, at this point, it is foolish to have any sort of doubt towards an MCU film, regardless of what happens behind-the-scenes, like what happened with this film when its original director left.   

PAPER TOWNS


In last year’s end-of-summer Fan Vote, one of the three most popular films from that summer, according to you folks, was ‘The Fault in Our Stars’, based off of the book of the same name by John Green. This year Green had another one of his books, ‘Paper Towns’, adapted to the big screen. And while it wasn’t as popular in this year’s poll compared to ‘Fault in Our Stars’ last year, it still managed to earn at least one vote so it’s clear that these films are still doing solidly with both critics and audiences. While I haven’t read the book, the trailer actually did get my attention mostly because this was where I learned what the film was actually about and that it was a ‘coming-of-age’ story. For those who haven’t seen it, it centers on a high school senior named Quentin (Nat Wolff) who embarks on a road trip with his friends to search for the ‘girl of his dreams’, his next-door neighbor Margo (Cara Delevingne), when she goes missing. I didn’t see the film but according to critics, it was, to quote the RT consensus, an ‘earnest, well-acted, and thoughtful film’, even if it wasn’t exactly as deep compared to other films of the genre. Regardless, while it didn’t do as well commercially as ‘The Fault in Our Stars’, it’s clear that the film at least satisfied its target audience.    

VACATION


Here’s yet another instance of me disagreeing with popular opinion; I thought that the new ‘Vacation’ film was pretty darn funny. I may not have grown up with the ‘Vacation’ franchise but in recent years I’ve watched some of the older films and I really like both the original ‘Vacation’ from 1983 and the modern holiday classic, ‘Christmas Vacation’. While I don’t know if I’d go as far and say that the new ‘Vacation’ is as good as those two films, I still had a lot of fun watching it. Despite its obvious rehash of the original film’s plot, which it even fully admits to doing in a few bits of meta humor, this new film, to quote Rusty Griswold, did actually manage to ‘stand on its own’. Obviously not all of the jokes hit but there were still some notable laugh-out loud moments, like the scene in which the Griswolds go on a disastrous rafting trip with a guide who had just broke up with his fiancé and quite frankly the best scene in the entire film in which a full-on family brawl occurs between the Griswolds and a rival family while at Walley World. All in all, I feel that this new ‘Vacation’ was a worthy continuation of the franchise, as it respected the original film while also doing its own thing, instead of just being a full-on remake. It may not be my favorite comedy from this year, but thanks to the solid-enough humor and its great cast, highlighted by leads Ed Helms and Christina Applegate, it was a nice return trip onto ‘the Holiday Road’.  

MISSION IMPOSSIBLE: ROGUE NATION


The ‘Mission Impossible’ series has only gotten better and better as time has gone on, most recently culminating in the modern action masterpiece that was Brad Bird’s ‘Mission Impossible: Ghost Protocol’. This time around, regular Tom Cruise collaborator Christopher McQuarrie stepped in to helm the fifth installment of the franchise, ‘Rogue Nation’. And overall, McQuarrie does a very good job following in the footsteps of Bird. His direction was solid and I really liked his method of setting up the action sequences, effectively establishing a solid atmosphere. But at the end of the day, I still feel that ‘Ghost Protocol’ is the better film, primarily because while I did really like ‘Rogue Nation’, I was rather disappointed that the film backtracked on one of the best elements of ‘Ghost Protocol’; the team dynamic. One of the best things about that film was that it finally captured the one element of ‘Mission Impossible’ that had been sorely lacking in previous films and that was the balancing of the main IMF group instead of just being centered on Ethan Hunt. But as for ‘Rogue Nation’, two of the main characters, Brandt and Luther, are mostly ignored for the first half of this film. Thankfully the film isn’t all about Ethan and Brandt and Luther do end up rejoining him and Benji for the second half of the film. But it’s still rather disappointing given that these two are some of my favorite characters in the series, Brandt especially after ‘Ghost Protocol’.

But ultimately that’s just a minor setback to an excellent action flick. It has the exact things that you’ve come to expect from the ‘Mission Impossible’ franchise, from the insane stunts (highlighted by the iconic sequence in which Ethan Hunt hangs onto an airplane as it takes off) to the fast pace. Despite the fact that some of the leads are ignored, they do have an excellent camaraderie whenever they’re onscreen together. Simon Pegg gets the most substantial role out of all of the returning leads as Benji, who spends most of the film alongside Ethan and may just be my new favorite character from the series. But the biggest standout is newcomer Rebecca Ferguson as Ilsa Faust AKA the ‘female Ethan Hunt’. Ferguson more than holds her own against Cruise, especially in the action sequences, resulting in one of the best breakout performances of the year so far. And for a series that has been known for having some really mediocre villains, Sean Harris’ Solomon Lane does manage to be a pretty darn memorable villain, especially when compared to the forgettable villain of ‘Ghost Protocol’, Hendricks. So while I can’t say that ‘Rogue Nation’ is the absolute best film in the ‘Mission Impossible’ franchise, it’s still one of the series’ absolute best installments so far and continues the series’ amazing run in the wake of the incredibly disappointing ‘Mission Impossible II’.

THE MAN FROM UNCLE


Speaking of spy films, this year has been a stand-out year for the genre. Aside from ‘Mission Impossible’, we also got the incredibly over-the-top but highly entertaining ‘Kingsman: The Secret Service’ and the hilarious comedy ‘Spy’. Of course we will also be getting the next James Bond film, ‘Spectre’, in a few months but there was another spy film this year that didn’t really get as much attention as those other films. That film was Guy Ritchie’s ‘The Man from U.N.C.L.E.’, an adaptation of the popular 60’s TV series of the same name. As I stated in my original review for the film, it doesn’t exactly have the same amount of depth as something like ‘Mission Impossible’ or ‘Kingsman’. It is definitely a case of ‘style over substance’ as the main characters don’t really get a lot of character development outside of simple attributes and plotlines. Despite that, the film definitely does benefit from its strong visual style. As a director, Guy Ritchie has quite the knack for visuals and that is definitely evident in this film, from the fun action sequences to the pitch-perfect production design harkening back to the old-school days of the genre. Whereas ‘Kingsman’ embraced the campier atmosphere and plots of those films, ‘UNCLE’ was more a tribute to the glamour of those films and it definitely delivers in that regard. And to top it all off, the film benefitted from strong performances from its main trio of leads; Henry Cavill, Armie Hammer, and Alicia Vikander. So if you’re just looking for a good old-fashioned spy film, I have the feeling that you’ll enjoy this film. Overall, I thought that it was solidly entertaining though ultimately I can’t really say that it was the best of its genre in terms of the spy films that have been released so far this year.

THE END OF THE TOUR


As I stated in my intro post to this year’s poll, I didn’t include every single film that came out this summer in the list of options just so that I wouldn’t overwhelm you folks with so many choices. So if your favorite film wasn’t amongst those featured, you just had to list it in the ‘write-in’ section. And from that category, the one major pick was ‘The End of the Tour’, directed by James Ponsoldt, who had another critically acclaimed summer release two years ago with ‘The Spectacular Now’. As for his newest film, it tells the story of the five-day interview/road-trip between Rolling Stone writer David Lipsky and novelist David Foster Wallace, played by Jesse Eisenberg and Jason Segel respectively, in 1996 following the release of Wallace’s novel ‘Infinite Jest’. Lipsky wrote about his experience with Wallace in his 2010 book ‘Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace’, two years after Wallace committed suicide in 2008. Critics have praised the film for its performances and for its emotional poignancy and it seems like this could potentially attract some attention come awards season.   

3 FILMS EARNED 2 VOTES

PITCH PERFECT 2


When it was released back in September 2012, the first ‘Pitch Perfect’ was an unexpected smash hit both critically and commercially and it attracted a major cult following. So as a result, the Barden Bellas returned this summer, this time under the direction of co-star/producer Elizabeth Banks, for the highly anticipated sequel, ‘Pitch Perfect 2’. Now for the record, I wasn’t really a big fan of the first film the first time I saw it but ultimately this was only due to ‘how’ I first watched it… that and perhaps a ‘I didn’t want to watch it’ mentality that, for the record, is a mentality that I never follow anymore when it comes to films. I was on a school trip with my high school’s music program and a couple of us brought some films to watch on the bus. The first film that was played was ‘Pitch Perfect’ but the volume on the bus’s DVD player was cranked up really loud and, to put it bluntly, it aggravated me. In other words, it wasn’t exactly the best way to watch a film like this. But I did recently re-watch it and I will admit that I actually have warmed up to it. No it’s not necessarily my thing (even though I was a member of my high school’s chamber choir so I do have ‘something’ in common with the characters in this film) and I wasn’t a big fan of the film’s overt use of sexual and gross-out humor but it is a fairly pleasant film with an enthusiastic cast and plenty of great musical performances. While I haven’t seen the sequel yet, I’ve heard that it’s basically the same as the first film in terms of its plot but is still just as fun and energetic as its predecessor. Whereas the first film was a surprise hit, ‘Pitch Perfect 2’ was a guaranteed success for Universal and it seems like it was a definite crowd-pleaser. 

INSIDIOUS: CHAPTER 3


If you’ve been following this blog for a while, you’ll know that I’m not a big fan of horror films. They’re just not my thing. A lot of people, on the other hand, are horror film fans and taking the spot of the favorite ‘horror’ film from this summer, according to you, was ‘Insidious: Chapter 3’. The ‘Insidious’ series has been pretty successful with audiences. Almost every film in the series has grossed around $100 million at the box office and have fared decently with critics, save for the second film. This time around, series’ writer Leigh Whannell takes over for James Wan as director and the film is ultimately a prequel to the first two films, centering on the psychic Elise (Lin Shaye) as she tries to help a family deal with demons following the death of the mother. According to critics, the film wasn’t exactly as ‘scary’ as the first film but it did manage to stand out on its own due to its surprising amount of thematic depth. Will this lead to another film? We’ll have to wait and see about that but for now, ‘Insidious: Chapter 3’ at least seems like the most well-liked horror film of the summer, especially when compared to other horror films that came out this summer like the remake of ‘Poltergeist’ and ‘The Gallows’.

SOUTHPAW


Basically the general consensus towards Antoine Fuqua’s ‘Southpaw’ is that while the film is a rather by-the-numbers affair, its biggest saving grace is Jake Gyllenhaal in the lead role of boxer Billy Hope, who looks to resurrect his boxing career following the death of his wife (Rachel McAdams) when he ends up losing custody of his daughter as a result of his new reckless behavior. Gyllenhaal has enjoyed quite a lot of critical success in recent years and many film fans feel that he’s been long overdue for an Oscar, and they have been especially vocal about it these last two years after his performances in films like ‘Prisoners’ and ‘Nightcrawler’. Obviously he didn’t get nominated for either of those films and time will only tell if he gets any attention this awards season for his performance here. But above all, according to most critics, Gyllenhaal is the best thing to come out of this generally standard boxing film.

AND VICE VERSA… 2 FILMS EARNED 3 VOTES

TOMORROWLAND


It makes me really happy to see that ‘Tomorrowland’ did get some attention in this poll. To me there was no greater film sin this year than seeing a film like ‘Tomorrowland’ be a major box-office-bomb. Despite being an original story, something that I know that most film snobs were clamoring for in this current age of sequels and reboots, ‘Tomorrowland’ ultimately got ignored in favor of a film that was the fourth entry in its franchise. So yeah, kind of a major case of hypocrisy here, though I guess you can say the film’s polarizing critical reception was another factor in its underperformance. But unlike most critics, and the majority of the internet for that matter, I won’t let this film ‘die’. It’s an inspiring and imaginative sci-fi story that above all promotes two things that have been ignored in today’s cynical society; hope and the possibility of a bright future. Under the brilliant direction of Brad Bird, something that you can always expect from his films, ‘Tomorrowland’ is a very fun and light-hearted sci-fi film that pays tribute to the vision of Walt Disney that inspired this film and is very well-acted by all involved, especially female leads Britt Robertson and Raffey Cassidy as Casey and Athena, respectively, my two favorite film heroines from this year so far. It will always sadden me that this film did poorly at the box office this summer but hopefully just like another Brad Bird film, ‘The Iron Giant’, it will gain the attention that it deserves in the years to come.

AVENGERS: AGE OF ULTRON


Earth’s Mightiest Heroes delivered yet another exciting superhero epic with the follow-up to the 2012 superhero masterpiece ‘The Avengers’, ‘The Avengers: Age of Ultron’. Upping the scale and stakes from the first film, ‘Age of Ultron’ was a much grander, and in some cases a little more serious, affair than its predecessor but it still delivered on exactly what we’ve come to expect from the Marvel Cinematic Universe; a great team dynamic, plenty of funny dialogue, and awesome action sequences/visuals. Ultron, played by the badass James Spader, is another highly memorable MCU villain a la Loki who’s surprisingly much more humorous than I think we were all expecting. At the end of the day, I don’t necessarily think it’s ‘better’ than the first film but I don’t hold that against the film at all. Some critics feel that the film is rather overcrowded and while I’ll concur that the film does have a lot of characters in it, I don’t think it’s that big of an issue because of the fact that the MCU took its time prior to this film to establish its characters in other films instead of just throwing them all into one film at once (*cough* Batman v. Superman *cough*).

And as for all of the controversy surrounding Black Widow, first off in regards to the lack of Black Widow merchandise we can pretty much blame that on Marvel CEO Ike Perlmutter, who Kevin Feige thankfully doesn’t have to deal with anymore when it comes to the MCU films. But as for her role in the film and her growing relationship with Bruce Banner, I think all of the flak this has been getting is, to be perfectly frank, rather ridiculous and overblown. Their relationship was actually sort of set up in the first ‘Avengers’ given all of the scenes between the two so it’s not like this ‘comes out of nowhere’ as a lot of critics are claiming it is. Not only that, but I also think that it’s perfectly fine for a character like Black Widow to yearn for a normal life like Hawkeye, who gets a much deserved bigger role in this film than in the first ‘Avengers’. So in short, I truly believe that ‘Age of Ultron’ is far better than its current critical reception paints it out to be. It only has a 74% rating on Rotten Tomatoes and I really think it deserved a much higher score. Obviously I’m a little biased because I’m a huge fan of the MCU but ‘Age of Ultron’ truly is another great and highly entertaining installment of the Marvel Cinematic Universe.  

1 FILM EARNED FOUR VOTES

JURASSIC WORLD


Sorry to those who didn’t like this film, but ‘Jurassic World’, the highest grossing film of the year and one that has set numerous box-office records (including the honor of having the biggest domestic opening weekend in history, topping 2012’s ‘The Avengers’), was one of the most popular films in this poll and I’m right there with those who loved this film. It’s a highly entertaining summer blockbuster that may not have been ‘as good’ as the original ‘Jurassic Park’ but still managed to be a more-than-worthy follow-up to that film. Obviously, it didn’t fare well with everyone. The film’s biggest critics gave it crap for things like the CGI and the writing, hence why a lot of people have been too overly critical of director Colin Trevorrow being hired to direct ‘Star Wars: Episode IX’ despite the fact that his direction for ‘Jurassic World’ was actually pretty damn good. It even resulted in one of the stupidest controversies in recent memory (and given the internet, that’s saying a lot) over the decision to have Bryce Dallas Howard’s character Claire wear heels throughout the entirety of the film. Seriously internet, you’re getting worked up over frigging footwear. If anything, I think she actually deserves a lot of credit for managing to do a lot of the things she does in this film while wearing heels, including running away from a frigging T-Rex. That makes her a badass in my book.

Yes I will concur that this isn’t exactly a ‘smartly-written’ film and it shares some of the franchise’s weaknesses when it comes to the writing, particularly the characters. As is typical with this franchise, there are some very underdeveloped characters, like Vincent D’Onofrio’s Hoskins, who is meant to be the main human villain due to his scheme to use some of the dinosaurs as weapons but never actually does anything ‘villainous’, which was disappointing after D’Onofrio’s amazing turn as Wilson Fisk in ‘Daredevil’. But I’d argue that the four main characters; Owen, Claire, and Brothers Zach and Grey were all pretty solid leads and Chris Pratt, Bryce Dallas Howard, Nick Robinson, and Ty Simpkins were all excellent in their respective role. And overall, this film is just fun, which seems to be something that’s becoming lost amongst some film fans who were expecting just a bit too much from this film. I had a lot of fun watching it and clearly a lot of other people really enjoyed it too. This was the true definition of a ‘motion picture event’ that not only respectfully pays tribute to its predecessor, an equally big ‘motion picture event’, and it definitely earned all of the prestige and financial success that it has achieved.

TWO FILMS EARNED 5 VOTES

TRAINWRECK


The clear winner of this poll for your favorite comedy from this summer was the Judd Apatow-Amy Schumer collaboration ‘Trainwreck’. It’s very fitting because after all, Amy Schumer has been on fire recently with her show ‘Inside Amy Schumer’ on Comedy Central and for her first major leading role in a film, she teamed up with legendary comedy director Judd Apatow and wrote the script for it as well. In it, she plays a woman who constantly breaks off her romantic relationships for fear of commitment, after her father once told her that ‘monogamy isn’t realistic’. But when she meets a sports doctor (Bill Hader), their relationship starts getting more serious than what she usually deals with. The film features an impressive ensemble cast, including an unrecognizable Tilda Swinton, Brie Larson, and even John Cena and LeBron James, the latter of whom many have said was actually was one of the film’s biggest standouts. All in all, critics have noted that the film, and especially Schumer herself, were both hilarious and some even stated that the film broke new ground for the genre. Needless to say, this film effectively established Schumer as one of the biggest comedic talents in the world right now and her star will stay shining for quite some time. 

STRAIGHT OUTTA COMPTON


With all of the police brutality related incidents in this country over the past few months, a film like ‘Straight Outta Compton’ is a very timely release. It is the biopic of ‘the most dangerous group in the world’, N.W.A., a bunch of kids from the streets of Compton who boldly stood up against all of this with their music that was inspired by their life experiences in the rough California neighborhood. Under the direction of F. Gary Gray, ‘Straight Outta Compton’ is an emotionally driven and energetic look into the history of one of the most famous, and in a lot of cases infamous, musical groups of all time. The history of N.W.A. is expansive enough to cover a whole trilogy and while ultimately a lot of events are ignored in this single two and a half hour film, it does get across most of the essential beats of N.W.A.’s history, including their formation, Ice Cube and Dr. Dre’s departures to pursue solo careers, and the death of Eazy-E. And despite being a film produced by Ice Cube and Dr. Dre, the film actually doesn’t feel like it’s ‘over-glorifying’ the main characters. Top it all off with a great trio of leads in Ice Cube’s own son O’Shea Jackson Jr., Corey Hawkins, and Jason Mitchell and you’ve got one heck of a powerful musical biopic that legitimately elicits quite the emotional response from you in certain scenes.

AND YOUR PICK FOR THE FAVORITE FILM OF THE SUMMER… WITH A WHOPPING 10 VOTES

MAD MAX: FURY ROAD


Are you really surprised? After all, this has been one of the most critically acclaimed films in recent memory. Pretty much everywhere you go, both critics and audiences have been over the moon in their praises of this film. While there have been plenty of highly acclaimed summer releases over the years, ‘Fury Road’ is another beast entirely. It’s pretty much a rarity to see anyone not be completely in love with this film… well, if you’ve been following this blog you know that I’m one of those people. I’ve said it before and I’ll say it again; I think this film is pretty damn overrated and in my opinion it’s only getting more and more overrated every time I hear it being brought up. I seriously just don’t see why this film is being regarded as if it was the second coming of Christ. Again, like I’ve said before, I don’t think it’s a ‘bad’ film. The action sequences, production design, and Charlize Theron and Nicholas Hoult are all excellent. But the film severely lacks in story and character development for any character not named Furiosa or Nux. I understand that the filmmakers truly did intended to have a very simple plot but then again it’s a very simple plot; it’s just one long chase through the desert and nothing more than that. Not only that, but for a film titled ‘Mad Max’, Tom Hardy is severely underused in the role of Max. For the record, the film isn’t actually focused on him as Furiosa is the true main character of the film. Still, you could’ve taken Max out of the story altogether and it wouldn’t have seriously made that much of a difference.

As I’ve noted already, this is by no means a ‘bad’ film. It’s just that I’m getting really sick of hearing about it all the damn time. It’s also actually starting to kind of piss me off because almost everyone I’ve seen online has been negatively comparing other films that came out this year to it, like ‘Avengers’ and ‘Jurassic World’. Well sorry folks but at the end of the day I still prefer all of those films to ‘Mad Max’. But you know something? I think I know why this film became as ‘legendary’ as it did. Because it didn’t succumb to a lot of modern practices that a lot of hardcore film fans are sick of, like the overuse of CGI and overly-complicated plots, those film fans were, as a result, much more vocal in terms of how much they loved the film because they’ve been actively craving a film where a lot of the action was done practically and not just completely done with CGI. But at the end of the day, I’m not that ‘hardcore’ when it comes to this kind of stuff and it doesn’t change my mind about this film whatsoever. If you’re one of the many, MANY people who loved this film, then the more power to you. As for me, I just never got into the hype surrounding this film, before and after its release. But many people did, hence why it was clearly your favorite film from the summer of 2015.


So those were your favorite films this past summer? Didn’t vote in the poll or see your favorite film in this post? Be sure to sound off in the comments below.   

Thursday, July 2, 2015

2015 Midyear Recap

Well we’re halfway through the year of 2015 and overall I must say that this is shaping up to be one of the absolute best years ever in terms of the films that have come out so far this year. Sure there have obviously been quite a few stinkers, as there are every year, but overall I’d say that so far the good has definitely outweighed the bad. In just half a year, we’ve seen three films deservedly join the billion dollar club; ‘Furious 7’, ‘The Avengers: Age of Ultron’, and ‘Jurassic World’. Compare that to last year when only one film, ‘Transformers: Age of Extinction’, reached that milestone. And while I’ve seen some people say that the Summer Movie Season has been rather disappointing so far, I’d argue that it’s the other way around. This has been one of the better summers of recent memory with a wide variety of great films for audiences to enjoy. Again, that’s better than what we got last year when there was actually a rather lacking amount of family-friendly films. So now it’s time for my annual Midyear Recap where I look back upon every film that I’ve seen so far this year. And for the record, that doesn’t count films that were technically from 2014 but weren’t released until 2015 like ‘Selma’ or ‘American Sniper’. Finally, I just want to note that, aside from my Top 5, I’m not ranking any of these films. Instead I’m just dividing them up into five main categories based on their overall quality. So now, here’s what the 2015 year in film has been like for me so far, from the absolute worst to my current Top 5 favorite films of the year.

WORST OF THE YEAR SO FAR:

50 SHADES OF GREY


Well are you really surprised at this one being my current #1 worst? I mean, who was seriously expecting anything good from this ‘Twilight’ fan-fiction? And really, ‘50 Shades of Grey’ ends up being even worse because as bad as ‘Twilight’ was, there was at least some kind of cool monster-related action from time to time to hold over the non-fans. All this film has is… a whole lot of talking and a bunch of sex scenes. And on that note, for a film based off of a book that became highly controversial for its sex-related content, it is such a toned-down affair and the sex scenes are so flat and dull that the film doesn’t really have any sexual edge. And of course, being a ‘Twilight’ fan-fic, the writing is laughably bad with hilariously awful dialogue and we constantly have put up with the frustrating indecisiveness of the main characters. To her credit, lead actress Dakota Johnson at least tries here and at the end of the day is one of the few bright spots of the film. But as for Jamie Dorman, he isn’t so lucky in the role of, to put it simply, a sociopath. Seriously, what is it about characters like Christian Grey and Edward Cullen that a whole lot of women are attracted to? I don’t know and quite frankly I don’t want to know. ‘Fifty Shades of Grey’ is just as bad as you think. At the end of the day, though, it didn’t really piss me off like some of my most hated films of all time like ‘Sucker Punch’ and ‘A Haunted House 2’. Though to be clear, that’s really not saying much.  
  
OTHER STINKERS:

JUPITER ASCENDING


It’s really sad how poorly the Wachowski siblings, the duo behind the groundbreaking ‘Matrix’ trilogy, have fared in recent years in terms of their filmography. Every film that they’ve done since ‘Matrix Revolutions’ has flopped at the box office and that trend continued with ‘Jupiter Ascending’, their first original film since ‘The Matrix’. But while ‘Jupiter Ascending’ has some truly beautiful visuals, the story is a really, really huge mess. As many have already pointed out, the film is mostly just discussions and there’s not as much action compared to other sci-fi films. In my original review, I referred to it as the 2015 equivalent of ‘Attack of the Clones’ and that’s a pretty darn good analogy because that’s pretty much exactly what it is. The main character of Jupiter is a completely useless protagonist who ends up being nothing more than a damsel in distress, despite Mila Kunis’ best efforts with the limited material that she has to work with. Channing Tatum and Sean Bean, the latter of whom doesn’t die for once in a film, fare a little better as the two soldiers who protect her. And then you have Eddie Redmayne as the main villain, who thankfully won an Academy Award this year for his turn in ‘The Theory of Everything’, which will hopefully for the most part offset his potentially Razzie-award winning performance here, where he whispers most of his lines sounding like Voldemort and then randomly yells at certain points. Simply put, ‘Jupiter Ascending’ is a mess; a beautiful-looking mess but a mess nonetheless (and yes, that just rhymed).

UNFRIENDED


Looking back upon ‘Unfriended’, I realize that I admire it more for its execution than as a horror film. The whole film is shot to look like it all takes place on the main character’s computer screen with the main characters interacting through Skype. Execution-wise the film definitely captures the overall feel of being online pretty well, even down to the Skype lag. But as a horror film, it really doesn’t do much that would be considered ‘scary’. All of the main characters are cardboard stereotypes, which in the case of this story is more evident by the fact that they are all basically horrible people who had a hand in the bullying that led to the suicide of one of their classmates. So that would mean that we would root for the killer, right? Well sure, but even then we never really learn who this ‘killer’ is, even though we presume it’s the ‘spirit’ of their dead classmate. There’s some rather enjoyable moments where the ‘killer’ messes with the victims but we never once get a concrete answer as to what’s causing all of this. So overall, as someone who’s not a fan of the horror genre, ‘Unfriended’ is sort of the 2015 equivalent of last year’s ‘Oculus’. Though at the end of the day, if I haven’t already stated this before, I’m willing to give ‘Oculus’ another shot in the future. ‘Unfriended’, on the other hand… not so much.

MEH-FLIX

Basically these are the films that I didn’t necessarily hate but at the same time I wasn’t ‘too big’ on them either. In other words, these are basically the films that I thought were ‘okay’.

PROJECT ALMANAC


Not being a huge fan of ‘found-footage films’ save for 2012’s ‘Chronicle’, mainly because most of them are horror films, I actually was looking forward to ‘Project Almanac’, which instead opted for a time-travel story. It was the first ‘2015’ film that I saw this year and for the most part, I enjoyed it. With that said though, this film is by no means a ‘ground-breaking’ entry in the time-travel genre. And if you start to analyze the film’s story, I have the feeling that you’re bound to find numerous plot-holes. But at the end of the day, I did still enjoy the film quite a bit because it wasn’t trying to be something it’s not. It was just a fun little teen-centered time-travel film with a cast of leads that had excellent camaraderie with one another. Overall, ‘Project Almanac’ is, at the very least, a decently entertaining ‘popcorn’ flick. Just keep that in mind when you’re watching it because, as noted earlier, this has nothing on films like ‘Back to the Future’.

THE SPONGEBOB MOVIE: SPONGE OUT OF WATER


As someone who grew up with the ‘SpongeBob’ franchise, I was hoping that the new film would at least improve upon some of the show’s recent shortcomings (e.g. the post-‘first film’ era). And for the most part, this film does succeed in doing just that. With that said, though, occasionally there are instances where it does do some of the things that have made the show mediocre in recent years, mostly by way of shockingly heartless actions of some of the main characters. And overall the film’s story is fairly scatter-brained. The whole concept of SpongeBob and the gang going up to the surface and becoming superheroes, which was the primary selling point of the advertising, doesn’t occur until the finale. While that does mean that the film maintains the show’s classic 2-D style for most of the run-time, which is a nice little alternative to the computer-animated films of today, if you watched the trailers for the film, you’ve pretty much already watched all of the ‘superhero’-related sequences. And while it’s clear that Antonio Banderas is at least having fun in the role of the main villain Burger-Beard, at the end of the day he’s not really that much of a threat. So in short, I don’t ‘hate’ the new ‘SpongeBob’ film and I think that at the very least it’s definitely better than anything we’ve seen from the show since 2004. But at the end of the day, I’d recommend you stick with the first ‘SpongeBob’ film, which is by far the better film… so good that it surprisingly led to what is currently my most popular review of all time with over 500 views in about just four months.

WORTHWHILES

Now we’re finally starting to get into the good stuff…

CHAPPIE


Contrary to the critical reception of the film, I surprisingly actually enjoyed director Neill Blomkamp’s third feature film, ‘Chappie’. I actually liked it more the first time around than I did with his last film ‘Elysium’. Sharlto Copley shines in the role of Chappie, a robot who’s basically like Johnny 5 from ‘Short Circuit’ if Johnny 5 was raised by the wrong people and became a gangsta. Action sequences are solid and the motion-capture visual work for the character of Chappie is pretty darn solid as well. With that said, though, Chappie is basically the only major character in the film who gets any major character development. Everyone else, especially the ‘villains’ played by Hugh Jackman and Sigourney Weaver, both of whom are generally wasted here, isn’t as lucky. And to be honest, there’s not really any major ‘likable’ characters in this film. Then you have the South African rap-rave group Die Antwoord, who play the roles of Chappie’s surrogate parents. I don’t think they’re ‘terrible’ here, as Yolandi Visser at the very least makes up for it with her character’s motherly attitude towards Chappie. Ninja, on the other hand, is a bit of an asshole. Admittedly my positive thoughts on this film are definitely subject to change upon re-watch, but I actually kind of liked ‘Chappie’ and I do hope that this and the generally polarizing reaction towards ‘Elysium’ doesn’t turn Blomkamp into a ‘one-hit wonder’ in the eyes of the film industry.

MAD MAX: FURY ROAD


Oh boy… I realize that I’m going to get some major flack for this from quite a lot of film films but please hear me out on this first. ‘Mad Max: Fury Road’ has pretty much been the most critically acclaimed film of the year so far, not just in regards to this year’s summer movie season. But as for me… I never bought into the hype and I hate to say it… but I feel that the film itself is a tad bit overrated. It may just be because I never saw any of the other ‘Mad Max’ films before but I just didn’t get why this film was being treated by most film fans as the equivalent of the second coming of Christ. Now let me be clear, I don’t hate the film. The action sequences, which were pre-dominantly done practically and not just done with CGI, were impressive. That and the film is pure eye candy which is mainly due to its production design. Charlize Theron and Nicholas Hoult both shine in the roles of Furiosa and Nux… and that’s about as positive as I can be towards this film because at the end of the day, it’s really just one big chase scene and nothing else, with little to no character development for any character that is not Furiosa or Nux. Also, for a film called ‘Mad Max’, Tom Hardy is severely underused in the title role. He’s just dragged into the whole situation, one which he had nothing to do with in the first place. At the end of the day, Furiosa is the main character whereas Max is kind of irrelevant to the overall story.

Again, let me be clear: I don’t hate this film. I recognize its biggest strengths, namely the action sequences and Charlize Theron’s stand-out performance in what is clearly the lead role of the entire film. This is by no means a ‘bad’ film; far from it, in fact. It’s just that I’m not a part of the ‘bandwagon’ that is constantly showering this film with praise 24/7. Maybe it’s just that I went into this film rather unprepared, having not seen any ‘Mad Max’ films prior to this. But according to a lot of people online, you don’t have to have seen any of the previous films. At the end of the day, though, this film just didn’t blow me away as it did for, let’s be honest, the majority of film fans on the internet. I’m sorry if I pissed off anyone who is a big fan of the film as that wasn’t my intention. It’s just that I just don’t see why this is the absolute ‘best film of the year’ or ‘best film of the summer’ for that matter. If it is your favorite film of the year so far, then the more power to you. Just remember that film is subjective and not everyone is going to love the same thing… okay, in this case, almost everyone loves ‘Mad Max’. But as for me, this is not a film that I’ll be going ‘to Valhalla’ over.   

TED 2


Everyone’s favorite ‘Thunder Buddies’ return for what is surprisingly a pretty solid comedy sequel. I say ‘surprisingly’ because as we all know, most comedy sequels do not live up to the original film and the first ‘Ted’ was definitely a fairly tough act to follow. But ‘Ted 2’ actually does manage to be almost as funny as the first ‘Ted’ and ultimately that is due to the great comedy duo of John and Ted. Mark Wahlberg and Seth MacFarlane’s camaraderie shines just as much as it did in the first film and it’s just fun to see these two, one of whom is a talking teddy bear, go on all sorts of misadventures. Like its predecessor and MacFarlane’s famous show ‘Family Guy’, obviously ‘Ted 2’ is not for everyone. If you’re not a fan of MacFarlane’s style of humor (e.g. hard-hitting, crude, potentially offensive for certain people), then you’d be much better off with a different film. But as someone who did like the first ‘Ted’ and was a fan of the first few seasons of ‘Family Guy’, I had a really fun time watching ‘Ted 2’ and following along with these two knuckleheads on their quest to prove that Ted is as much of a person as everyone else. Does it have some of the problems of last year’s misfire ‘A Million Ways to Die in the West’? Yes, namely some ‘dead air’ moments and for being a bit too overlong. But thanks to the duo of John and Ted, ‘Ted 2’ actually manages to be much more consistent with its humor hence why it’s ultimately one of the better comedy sequels to have come out over the years.

SPY


Director Paul Feig and star Melissa McCarthy went into this with a bit of a chip on both of their shoulders as both have been receiving a lot of negative attention for some of their recent career moves, namely an upcoming female-led ‘Ghostbusters’ film that the two of them are working on. But if this film proves anything, it’s that this new ‘Ghostbusters’ couldn’t be in better hands. Definitely the funniest comedy so far this summer, ‘Spy’ surprisingly also works fairly well as a spy film, namely through its actually pretty well shot action sequences. I’d seriously would love to see Paul Feig do a Bond film in the future based on his work on this film alone. Anyway, McCarthy definitely shines in the lead role with her charm and likability, and the character is also a really solid female lead that defies all expectations to become a pretty badass spy. The film also benefits from some other standouts in the cast, including Jason Statham as a fellow FBI agent who constantly talks about how awesome he is, Rose Byrne as one of the main villains who once again shows that she’s at her best in comedic roles, and Miranda Hart in a breakout turn as the best friend of McCarthy’s character. The film takes a little bit to get going in terms of its humor but once it does, it’s definitely one of the best comedies so far this year and shows that Feig and McCarthy are at their best when working together.

FURIOUS 7


I’ll admit it… I cried at the end of ‘Furious 7’, the final film for one of the series’ mainstays, the late Paul Walker. The tribute to Walker at the end is well-done and preserves the legacy of the actor’s involvement with the ‘Fast and Furious’ franchise. As for the film itself, ‘Furious 7’ continues the franchise’s surprising resurgence even now at seven films in, a point where most film franchises would face an incredibly severe drop in quality. Justin Lin did not direct this entry and while he did a better job as far as the action is concerned, newcomer James Wan does a solid-enough job in his place. Sure the plot is jumbled as hell and the main villain (played by Jason Statham) is a bit underused (his frequent appearances actually make the MacGuffin of the film irrelevant), but at this point who goes into a ‘Fast and Furious’ film expecting Oscar-worthy writing? This film delivers exactly what you’d expect from the series; insane stunts that defy all physics and logic and the strong camaraderie of the series’ ensemble cast. It’ll be interesting to see how this series will continue in the wake of Paul Walker’s death but at the moment, ‘Furious 7’ continues the series’ solid post-2011 run, something that I’m for certain that no one expected from a franchise that was originally just about street racing.

ENTOURAGE


I think it’s safe to say that ‘Entourage’ was one of HBO’s biggest shows during its run in the 2000s. But when the film was coming out, I found that there was a lot of surprisingly heavy vitriol against it by a lot of people on the internet. Maybe it’s because it, like the series, can be a little misogynistic at times through the fact that it mainly revolves around a group of guys and most of the women in the film are mostly ‘sex objects’. But despite that, I’m just going to say it… I had a blast watching this film, hell more so than ‘Mad Max’ (yeah, I said it). This was a film that I was actually really looking forward to when the first trailer came out, so much so that when I got a free 1-month subscription for the new HBO streaming service HBO Now, I binge-watched about 2 and a quarter seasons of the show in preparation for the film. And while that does mean that I haven’t watched the entire show, that doesn’t mean that the film is completely inaccessible to general newcomers of the series. Still, I would recommend at least watching a few episodes first before seeing the film just so that you can be familiar with the world and the characters. All in all, ‘Entourage’ was a really fun, and pretty funny, film that is meant to be seen with a crowd and, more importantly, your own ‘Entourage’.

JURASSIC WORLD


‘Jurassic World’ is by no means the smartest sci-fi film ever written. But really, what do you expect from a series that is all about scientists recreating dinosaurs through animal DNA? ‘Jurassic World’ is just a super fun and entertaining summer blockbuster and those are exactly the kind of films that I love to watch. It may not be the absolute best film of the year but it does its job in delivering exactly what we want; awesome dinosaur-related action with quite frankly some of the most epic deaths in franchise history. ‘Jurassic World’ also succeeds through its subtle homages to the original ‘Jurassic Park’, and while it may not be ‘as good’ as the original film, it at least manages to recapture a good enough amount of the awe and wonder of that film and repackage it for a new generation. Like with every entry in the series, yes even the first in some cases, there are quite a few underdeveloped characters, including a so-called ‘human’ villain played by Vincent D’Onofrio that doesn’t actually do anything ‘villainous’, which is a bit disappointing given D’Onofrio’s recent turn as Wilson Fisk in ‘Daredevil’. But despite that, the four main leads are pretty darn solid. That includes Chris Pratt, who once again proves himself to be one of the best new leading men in Hollywood, Bryce Dallas Howard, whose character ends up being a pretty badass female lead despite her initial seemingly stiff demeanor and the strange backlash towards the decision to have her wear heels the whole time (one of the most trivial film complaints of all time, which given the internet is saying something), and Ty Simpkins and Nick Robinson as a pair of brothers who end up in the midst of all of the chaos. I’m happy to see that this film is doing so well at the box office, more so than anyone expected. This truly is an ‘event’ movie in the veins of films like ‘The Avengers’ and ‘Harry Potter’.

TOP 5

5. KINGSMAN: THE SECRET SERVICE


Starting with ‘Casino Royale’, the James Bond franchise has moved away from its more campy and over-the-top past installments. Director Matthew Vaughn’s ‘Kingsman: The Secret Service’ is basically the modern-day old-school Bond film with its incredibly over-the-top and insane action sequences and its self-aware tone. And the end result is one of the slickest action films of the year, with stand-out sequences including the all-out brawl in a church and one of the most epic explosion sequences of all-time. Sure the violence get a bit brutal at times and the final shot of the film, though I do understand the homage Vaughn went for, goes just a bit too far but overall the film still succeeds in capturing the feel of the old-school Bond films of the pre-‘Casino Royale’ era pretty damn well. And to top it all off, the film has a dynamite ensemble cast with the biggest standouts being Colin Firth, in his first major leading role in an action film, and Taron Egerton, one of 2015’s biggest newcomers who manages to hold his own against not just Firth but other acting heavyweights like Michael Caine and Samuel L. Jackson. ‘Kingsman’ is just straight-up fun, once again showcasing Vaughn’s talents as a director, hence why he’s easily one of the best directors working today.

4. THE AVENGERS: AGE OF ULTRON


Marvel Studios’ fantastic run with the Marvel Cinematic Universe continues with the second ‘Avengers’ film, ‘Age of Ultron’. Now is it as good as the first film? Well, to be honest, not really but I don’t hold that against the film. Instead, ‘Age of Ultron’ succeeds at being another truly epic superhero flick from Marvel Studios featuring Earth’s Mightiest Heroes. The stakes may be higher than they were in the first ‘Avengers’ but director Joss Whedon still gives the film the same style of humor and fun that the entire MCU has been known for, which is why I heavily prefer Marvel films over the ‘way too f***ing dark’ DC films. Ultron, played by the badass James Spader, is another excellent MCU villain, primarily due to the fact that he’s actually a much funnier villain than I think we all were expecting. The new additions to the cast (Scarlet Witch, the second major on-screen iteration of Quicksilver in two years, and of course Vision) are great and, yes, I liked the whole ‘Black Widow-Hulk’ romance that has been a major source of controversy amongst feminists to the point where many people online even sent Whedon death threats (sigh). Now I’ve seen many people say that the film is a bit overcrowded given all of the characters that are in it. And while it’s true that there are quite a lot of characters in this film to keep track of, I don’t think it’s as big of an issue as people say because A.) like the first ‘Avengers’, Whedon manages to balance out these roles pretty well and B.) as we all know, the MCU has already established many of these characters, which is a much smarter move than just cramming them all into one film without previously introducing them first in other films (I’m looking at you, ‘Batman v. Superman’). So in short, while I can’t say that ‘Age of Ultron’ is the absolutely ‘best’ installment of the MCU, it’s still a top-tier entry in this great franchise.

3. INSIDE OUT


As I stated in my original review for this film, I’m not one of those people who feel that Pixar went downhill after ‘Toy Story 3’. Sure, their next three films were nowhere near their best work but they had their own unique good qualities to them that at least made them enjoyable for kids (though I’d argue ‘Monsters University’ is actually quite underrated). But of course, when it comes to Pixar, many expect their films to appeal to both kids and adults, in the case of the latter due to their strong writing and great characters. And that is why ‘Inside Out’ is the best Pixar film since ‘Toy Story 3’. Of course like with any Pixar film, the animation is superb and it produces lots of colorful and imaginative imagery. The film’s voice cast is perfect and there’s definitely a lot of funny moments/dialogue throughout. But the film also succeeds with its execution of its creative premise, effectively capturing life experiences that all of us can relate to in some way, like moving to a new city and being the new kid at school. And let me tell you, if you don’t get teary-eyed at least once during this film, then there may be something wrong with you. ‘Inside Out’ is easily not only the best animated film of the year so far, but also one of the best films so far this year period. After some arguable missteps, Pixar finally delivers another home run to go alongside their many other animated classics.

2. TOMORROWLAND


Nothing saddens me more this year than the fact that this film has been a serious under-performer at the box office, having just recently only making its budget back. It probably has something to do with the fact that critics weren’t as kind towards it either. But this is one case where I seriously disagree with the critical reception for a film. Under the excellent direction of Brad Bird, ‘Tomorrowland’ is a bold, imaginative, and most of all inspiring original story that above all else promotes the one thing that I feel that has been severely lacking in today’s society; hope. This film is for those who ‘dare to dream’, who ‘never give up’. And it does this all without being preachy. Sure, some critics have accused the film of being just that, preachy, but if you ask me that just makes the message even stronger by showcasing how cynical our society has gotten in the last few years. Now the big point of controversy about this film is in regards to this ending and, without giving anything major away, while I’m not saying that it is a ‘great’ ending, at the same time I really don’t see why it’s ‘as bad’ as some people are putting it out to be. With amazing visuals (made even more impressive on IMAX screens), a terrific cast highlighted by Britt Robertson and Raffey Cassidy as two of the absolute best on-screen heroines of the year (even better than everyone's favorite's, Furiosa), and above all else a good old-fashioned sense of fun and adventure, ‘Tomorrowland’ seriously deserves much greater attention than what it’s currently getting. Hopefully it ends up the same way as Bird’s first film, ‘The Iron Giant’, in that it ends up getting the acclaim it deserves down the road despite its less-than-stellar debut.  

1. CINDERELLA


Yes folks, my Top 4 films of the year so far were all released by Disney (that includes ‘Age of Ultron’ due to Disney owning Marvel). And I don’t care if that makes me look like a big Disney fan boy. Disney’s just been having a phenomenal year… well, considering the box-office performance of ‘Tomorrowland’, I say that more in regards to the quality of their films to be precise. And right now, my favorite film of 2015 so far is Kenneth Branagh’s new take on the classic story of ‘Cinderella’, previously brought to the big screen by Disney in 1950. This is one of the most beautiful films that I’ve seen in my entire life, both inside and out. The film’s visual look and production/costume design are superb and will hopefully attract some awards attention later this year. But the film, like ‘Tomorrowland’, also succeeds because of its heart and strong messages, which in this case are to ‘have courage and be kind’ and that true beauty is on the inside. Just like how ‘Tomorrowland’s message rings true about today’s society, the messages in ‘Cinderella’ are damn good life lessons to live by in the cynical world that we live in today.

And despite what some feminists on the internet may claim (which, if you haven’t already noticed from some of the things I pointed out earlier in this post, is becoming quite a running trend this year given the backlash towards other films like ‘Age of Ultron’ and ‘Jurassic World’), this version of Cinderella (portrayed perfectly by Lily James) is a phenomenal female lead. Her courage, her control over her own destiny, and her sweet persona shine through against the arguments that she’s just a ‘passive’ protagonist who just gets rescued at the end by the Prince. And on that note, the other great thing about this film is that while it may primarily be a re-telling of the original Disney animated film, it does just enough to feel different while also improving on many of the now dated elements of that film. Whereas I was incredibly saddened by the box-office failure and middling critical reception of ‘Tomorrowland’, I was so happy to see this film do well with both critics and audiences. This new ‘Cinderella’ truly is one of the best films that I’ve seen in quite a long time and while I’ve seen quite a few cynics complain about Disney’s upcoming lineup of live-action adaptations of their classic animated films, this film, if anything, proves that they can be good.


So that’s what 2015 has been like for me so far. We still got plenty more films on the way so stay tuned to see if any of these current Top 5 films will end up in my end-of-the-year Top 12 list.