One of the most controversial films of this past decade, if
not of all time, was 2004’s ‘Passion of the Christ’, directed by Mel Gibson.
The tale of the final 12 hours of Jesus Christ’s life sparked much debate due
to its extremely violent content; regardless, it was actually a big hit
commercially as it grossed over 600 million worldwide. This year we have ourselves
another religious-based film that has also caused some controversy; ‘Noah’, an
adaptation of the ‘Noah’s Ark’ narrative from the Old Testament. This film has
already been banned in a few countries such as Pakistan and Indonesia. However,
in the case of ‘Noah’, the controversy is not on the violence, but on the
‘creative liberties’ that were taken by director Darren Aronofsky in regards to
his vision of the story; bottom line, it is a very bold take on the story of
Noah’s Ark but controversy aside, this is still a pretty damn good film that is
not only visually stunning but one that also gives us a fascinating different take
on the story. It may not be completely accurate when compared to the original
story but it is much more character driven than what some people might expect.
The titular Noah (Russell Crowe), the descendent of Seth,
one of Adam and Eve’s offspring, receives a prophetic vision that God (referred
to in this film as ‘the Creator’) plans to destroy the world by way of a
massive flood in order to rid the world of the many misdeeds that mankind has
committed over the years since Earth was first created. Noah realizes that the
Creator had chosen him specifically to be the one who would save those who were
innocent and so, with the help of his family; his wife Naameh (Jennifer
Connelly), their three sons Shem (Douglas Booth), Ham (Logan Lerman), and Japheth
(Leo McHugh Carroll), and their adopted daughter Ila (Emma Watson), Noah begins
to build an ark in order for them to survive the storm. However, he soon finds
himself dealing with his nemesis, Tubal-Cain (Ray Winstone), the same man who
killed Noah’s father years ago who poses a threat to the safety of both him and
his family both before and after the flood begins.
Like I said, there definitely are some creative liberties
taken in telling this story. Probably the most notable aspect of these
liberties is the portrayal of this group of characters known as ‘Watchers’ who
help Noah and his family (these characters have been absent from the
marketing). But perhaps the most interesting aspect of this adaptation of the
story is how it is much more character driven than what one might expect. I
mean, religious or not, we all know the story of Noah; he builds an ark, two of
each kind of animal get on it, then Noah, his family, and the animals spend 40
days and 40 nights on the boat before the waters recede. But there’s much more
to the story in this version, like how much burden is placed on Noah to perform
this deed that the Creator has given to him or how sometimes he doubts whether
or not he and his family are worth keeping alive. The latter dilemma especially
becomes relevant during the final half hour of the film. I won’t spoil what the
scenario is, but it does involve another ‘task’ that the Creator wants Noah to
do and a pretty damn dark one at that. That’s another thing about this movie;
it may be PG-13 but it can get pretty brutal at times. Regardless, it’s a
fascinating character study showing how no one’s perfect and that there is darkness
in all of us.
Religious aspects aside, this movie is very visually
stunning and that’s mainly for two reasons; both the visual effects done by
Industrial Light and Magic and the cinematography by Matthew Libatique. This
film also benefits from a strong cast from top to bottom. Russell Crowe gives
one of the best performances of his career as Noah, really capturing the
personal struggles and sometimes anguish that the character goes through. Just
like how the movie itself can get dark, this is not the Noah that some might
expect but even with that in mind, Crowe is fantastic here. Equally terrific
here is Emma Watson who, like Crowe, also gives one of the best performances of
her career here, as she provides quite a bit of the emotion that arises during
the final half of the film. Everyone is very good as well; Jennifer Connelly,
despite sort of being stuck in a role that just has her stand around, works
well alongside Crowe and Ray Winstone is quite intimidating at Tubal-Cain, a
role that is actually a bit more substantial than what one might expect from
watching the trailer.
‘Noah’ is no doubt going to be one of the most controversial
films of the year, but I get the feeling it won’t just be for the religious
aspects of the film. For many, this will not be the Noah that they are familiar
with. In fact, the trailers aren’t really conveying the real nature of the film
at all. At times, this film can be very dark mainly in regards to some of the
moral dilemmas that Noah faces during the course of this film, particularly the
one he struggles to deal with right at the end of the film. But at the same
time, these darker moments in the story make it a fascinating character study
of how one man dealt with the monumental task of protecting the innocent while
also questioning whether or not he is among those worthy to live. This is sort
of a hard film to recommend because if you are a very religious person, you may
find yourself not liking the way this story is told here. However, from a film
perspective, ‘Noah’ is visually beautiful, well-acted, and well-directed. Again
though, it won't be for everyone.
Rating: 4/5
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