Showing posts with label Her. Show all posts
Showing posts with label Her. Show all posts

Tuesday, March 4, 2014

86th Academy Awards: Results and Quick Thoughts


WINNERS:

BEST VISUAL EFFECTS: GRAVITY



BEST EDITING: GRAVITY



BEST COSTUME DESIGN: THE GREAT GATSBY

BEST MAKEUP/HAIRSTYLING: DALLAS BUYERS CLUB

BEST CINEMATOGRAPHY: GRAVITY

BEST PRODUCTION DESIGN: THE GREAT GATSBY

BEST SOUND MIXING AND BEST SOUND EDITING: GRAVITY

BEST SONG: LET IT GO (‘FROZEN’)

BEST SCORE: STEVEN PRICE (‘GRAVITY’)

BEST ANIMATED SHORT: MR. HUBLOT

BEST LIVE ACTION SHORT: HELIUM

BEST SHORT DOCUMENTARY: THE LADY IN NUMBER 6: MUSIC SAVED MY LIFE

BEST FEATURE DOCUMENTARY: 20 FEET FROM STARDOM

BEST FOREIGN FILM: THE GREAT BEAUTY

BEST ANIMATED FILM: FROZEN

BEST ADAPTED SCREENPLAY: 12 YEARS A SLAVE

BEST ORIGINAL SCREENPLAY: HER

BEST SUPPORTING ACTRESS: LUPITA NYONG’O

BEST SUPPORTING ACTOR: JARED LETO

BEST ACTRESS: CATE BLANCHETT

BEST ACTOR: MATTHEW MCCONAUGHEY

BEST DIRECTOR: ALFONSO CUARON

BEST PICTURE: 12 YEARS A SLAVE

THOUGHTS ON THE SHOW:

Ellen DeGeneres is one very funny woman, and last night’s Oscars were further proof of that. She did a fantastic job hosting; her opening monologue was great, and I loved a lot of her bits, like when she did that celebrity group picture that briefly broke Twitter or when she actually ordered pizza. I thought that just a joke until that pizza guy actually showed up on stage. Also, on that note, that guy has to be one of the luckiest people on Earth right now considering the night he had on Sunday. I was one of those people who did like Seth MacFarlane’s job as host for last year’s show, but I do think that this year, Ellen was the superior host. Yes, this was obviously a ‘safe choice’ for the Academy after the controversy surrounding MacFarlane’s performance last year but at the same time, Ellen still did an excellent job. I did sort of like that this year’s show felt a little more casual than past years; may not always the best thing when talking about the Oscars, but this year it just worked out really well. Thankfully, the opening monologue wasn’t as long as last year’s but there were times where the show itself sort of dragged a bit, specifically in the middle.

All of the performances during Sunday’s show were very good. Pharrell’s ‘Happy’ is still as catchy as ever and that was one of the most entertaining performances of the night. Pink’s rendition of ‘Somewhere Over the Rainbow’ in memory of Judy Garland was also fantastic, as was Idina Menzel’s performance of ‘Let it Go’, despite the strange introduction she got (more on that in a bit). Of course, the ‘In Memoriam’ segment was, as always, well-handled (it was even more sad during this year’s show considering the greats we lost in the past year, like Harold Ramis (by the way, kudos to Bill Murray for the very classy nod to him when he was presenting the award for ‘Best Cinematography) and Phillip Seymour Hoffman). I’m guessing I’m going to be in the minority on this, but I thought Bette Midler’s performance of ‘Wind Beneath My Wings’ was really good. I remember seeing everyone reacting very, very negatively towards this on Twitter when she first came out and I don’t really know why.

As for the awards, I have no complaints about any of the winners. However though, there is something about this year’s show that disappointed me. That was the fact that all of the winners… were kind of obvious. For the record, I’m not criticizing any of those who won an award on Sunday. They were all very much deserving of their awards. However, before the show, I think many people (including myself) sort of knew who was going to win each of the awards, specifically the four acting awards. As you could see from my Predictions post a couple of days ago…


…I very much crashed and burned when it came to predicting the winners… and I knew who the frontrunners were, by the way. I just gave my personal picks, mainly because I did not see either ‘Blue Jasmine’ or ‘Dallas Buyers Club’ at the time I posted it. Again, it’s nothing against those who won; in reality, it’s actually sort of my fault for reading all of the ‘Oscar Predictions’ that were everywhere online. I just wish that there was at least ONE upset because as is, it was sort of a predictable outcome.

And now here are my Top 5 Favorite Moments from last night’s show…

5. Ellen Orders Pizza

Was anyone else suddenly in the mood for some pizza when this happened? I most definitely was…

4. When Jennifer Lawrence was presenting Best Actor

(UPDATE: So this mysterious 'laugher' turned out to be Ellen.)
I want to know… just who was it who was apparently laughing when J-Law went onstage to present the nominees for ‘Best Actor’. In fact, that’s a bit of a missed opportunity there for the producers of the Oscars… they didn’t cut to whoever that person was. Also, Jennifer’s response to it was priceless…

3. John Travolta’s strange gaffe

(UPDATE 2: Travolta has recently responded saying that this was just a 'slip-up'. No problem there; happens to all of us. Still this is easily one of the most memorable moments of Sunday's show.)

For the record, not exactly a ‘great’ moment, but boy is it memorable. John Travolta was onstage to introduce Idina Menzel’s performance of ‘Let it Go’ which seemed to go well… until the end, leaving us with one question. Who is ‘Adele Dazeem’? I don’t know what happened here; was it a slipup of the teleprompter or of Travolta himself (from what I’m hearing online, most likely the latter)? Either way, it certainly was… interesting, and now thanks to Slate.com…


 …you can all have your name ‘Travoltified’.

Sincerely, ‘Struan Suzzivan’.

2. The epic group pic that briefly broke Twitter

Yes, I retweeted it… so I probably had a hand in Twitter’s brief break-down. Sorry, Twitter!

And my number 1 moment didn’t actually happen during the show, but during the Red Carpet.

1. Benedict Cumberbatch Photobombs U2

Best Photobomb Ever!!!

And that’s my recap of the 86th annual Academy Awards. Thanks for reading and I’ll see you at next year’s Oscars.

Wednesday, February 26, 2014

86th Annual Academy Awards: PREDICTIONS


Seeing how we are only a few days away from the 86th Annual Academy Awards, which will be held on March 2nd and hosted by Ellen DeGeneres, it’s that time again to do some predictions over who might be going home with an Oscar this upcoming Sunday. Now, I won’t be covering all 24 of the Oscar categories and that will mostly be for one of two reasons; A.) I may not be that familiar with the topic, such as sound mixing, sound editing, and makeup or B.) I haven’t seen most of the films in that category. In the case of the latter, I’m mainly referring to the Short Films (both live-action and animated), documentaries (feature and short-subject), and the foreign films. Also, in some categories, I’ll be listing some snubs that I feel occurred when these nominations were announced because there were a few noteworthy ones this year (as is technically every year). With that said, let’s get started…

BEST VISUAL EFFECTS
*GRAVITY
*THE HOBBIT: THE DESOLATION OF SMAUG
*IRON MAN 3
*THE LONE RANGER
*STAR TREK INTO DARKNESS

Possible Snubs: I’m kind of surprised that ‘The Lone Ranger’ got a nomination in this category (it also got one for Best Makeup) seeing how, you know, most people hated it. I didn’t, but for all of the reasons why I did like it, none of them were really for the effects. In its place, I would’ve given the nomination to a film like ‘Oz the Great and Powerful’, ‘Man of Steel’, or ‘Pacific Rim’. But even if one of these films did get that nomination, it’s kind of unlikely that they would win because…

My Pick: GRAVITY


Yeah, it’s obvious, isn’t it? It’s almost certain that ‘Gravity’ is going to win this award because its effects were one of the most praised elements of the film. There’s really no competition here. I mean, out of these other four, the only other one that I feel could come away with an upset is ‘The Hobbit’ because of the excellent effects for the dragon Smaug. But at the end of the day, this one’s pretty much in the bag.

BEST PRODUCTION DESIGN
*AMERICAN HUSTLE
*GRAVITY
*THE GREAT GATSBY
*HER
*12 YEARS A SLAVE

My Pick: THE GREAT GATSBY


A bit of a wild card pick here, because I know that not everyone was as big of a fan of this film as I was (if you recall, this was my fifth favorite film of 2013). But if ‘The Great Gatsby’ were to win one of these awards, I have a feeling it would be in either one of the two categories it’s nominated in; this or Best Costume Design (maybe both) because both the Costume and Production Designs for the film were truly great. I have a feeling ‘American Hustle’ might take this one (and for the record, the film did have an excellent production design) but for this category, I give my vote to the one and only… Gatsby!

BEST ORIGINAL SONG
*HAPPY (‘DESPICABLE ME 2’)
*LET IT GO (‘FROZEN’)
*THE MOON SONG (‘HER’)
*ORDINARY LOVE (‘MANDELA: LONG WALK TO FREEDOM’)

Possible Snub: While this is not exactly a snub, I do kind of have to talk about what was previously the fifth song in this category, ‘Alone Yet Not Alone’ from the film of the same name. Never heard of it? Don’t worry because when this nomination was first announced, I didn’t know about it either. However, a few weeks ago, the nomination was revoked because one of the writers of the song, Bruce Broughton, had contacted members of the Academy for some support; Broughton being a former governor of the Academy and currently a committee member of the Academy’s music branch. The song itself was actually pretty good (it had a really sweet melody), but there’s nothing that can be done now; it’s no longer nominated. With that said though, why then is the Academy just going to stay with only four songs in this category? Why not just give the open spot to another song, like Lana Del Rey’s ‘Young and Beautiful’ from ‘The Great Gatsby’ or ‘Oblivion’ from M83 and the film of the same name. Heck, I would be fine if they gave it to ‘A Little Party Never Killed Nobody’, also from ‘Gatsby’. Anyway…

My Pick: LET IT GO (‘FROZEN’)


‘Ordinary Love’ won this year’s Golden Globe for Best Song, but I’ll admit that I’m not that big of a fan of it. I mean, I get the whole thing about U2 and their connection with Nelson Mandela but at the same time I don’t think it’s the ‘Best Song’ of the year (from a film perspective, of course). That honor, I feel, should go to Robert and Kristen Anderson-Lopez for the standout single from Disney’s ‘Frozen’, ‘Let it Go’. It truly is one of the best songs from any Disney film in recent years; in fact I’d say it’s the best since the last Disney film song to earn an Oscar, ‘You’ll Be in My Heart’ from ‘Tarzan’. As for the other nominated songs, my runner-up pick would be ‘Happy’ from ‘Despicable Me 2’. I have not seen the film, but boy does that song have a catchy beat.

BEST ORIGINAL SCORE
*THE BOOK THIEF
*GRAVITY
*HER
*PHILOMENA
*SAVING MR. BANKS

Possible Snubs: Um, where Hans Zimmer for ‘12 Years a Slave’? Now that was one of the best scores of the year. It was a simple score, but one that had so much powerful emotions in it at the same time. Also, while I haven’t seen the film, how about Alex Ebert for ‘All is Lost’? You know, the score that won this exact same award at the Golden Globes. Ah well…

My Pick: GRAVITY


This was actually a rather hard category to predict because I was torn between not two, but three of the scores that were nominated (the only three whose films I actually had seen). There’s Thomas Newman’s score for ‘Saving Mr. Banks’, which had some really beautiful melodies in it that, to quote my friend Matt, will make you want to watch ‘Mary Poppins’ again. There’s also the score from ‘Her’ by Arcade Fire which was really poignant and moving. But in the end, my vote will go to Steven Price’s score for ‘Gravity’, a score that goes along quite well with the intensity of the situations that occur within the film. I especially love the final selection from the score, which shares the name of the film, primarily for the epic choral performance at the end of it. For the record, I would be fine if any of the three scores I just mentioned win this award but if I had to pick just one, this would be that one.

BEST ANIMATED FILM
*THE CROODS
*DESPICABLE ME 2
*ERNEST AND CELESTINE
*FROZEN
*THE WIND RISES

Possible Snubs: No nominations for a Pixar film this year? I say that especially when considering that ‘Monsters University’ was a really good film. Sure, it wasn’t Pixar’s best film, or even the Best Animated Film of the year for that matter, but it was far better than the previous Pixar film, ‘Brave’, which for the record wasn’t bad but at the same time I wasn’t a fan of it winning this award last year because it wasn’t the best Animated Film of 2012.

My Pick: FROZEN


I’ve heard many reports that predicted that the Academy is likely going to give this award to ‘The Wind Rises’, seeing how it’s to be Hayao Miyazaki’s last film (I think; it hasn’t really been clarified if this is true yet). Now, I’m sure that ‘The Wind Rises’ is an excellent movie, as is the rest of Miyazaki’s work. However… I haven’t seen it. So, in its place, I’ll go with my pick for the Best Animated Film of 2013, ‘Frozen’. This one has really grown on me in the weeks since I first saw it in theaters. It truly is one of the best Disney films to come out in recent years and I feel that it will stand toe to toe with some of the most revered films in the Disney lineup. I’m really happy to see that it’s become the biggest hit for Disney Animation since ‘The Lion King’, as it has grossed over $980 million at the time I’m writing this and I have a feeling it will join that fabled billion dollar club in the next few days. But to all of you ‘Frozen’ fans out there, I ask that you please be prepared in case ‘The Wind Rises’ wins this award because there is a chance that it might win it. Don’t worry though, as these two films are the definite front-runners, so we’ll just have to wait and see who takes it on March 2nd.

BEST ADAPTED SCREENPLAY
*BEFORE MIDNIGHT
*CAPTAIN PHILLIPS
*PHILOMENA
*12 YEARS A SLAVE
*THE WOLF OF WALL STREET

My Pick: TIE (12 Years/Wolf)


I couldn’t pick just one in this category. I would be fine if it went to either John Ridley for ‘Twelve Years a Slave’ or Terrence Winter for ‘The Wolf of Wall Street’. Both featured excellent screenplays for their own unique reasons. With Ridley, it was for not skimping on any of the horrors and struggles that slaves faced during that time. With Winter, it was for writing a screenplay full of witty and hilarious dialogue. Both of these films earn my vote.


BEST ORIGINAL SCREENPLAY
*AMERICAN HUSTLE
*BLUE JASMINE
*DALLAS BUYERS CLUB
*HER
*NEBRASKA

My Pick: HER


Spike Jonze had a lot to work with in regards to ‘Her’. I mean after all, this is a story about a man who falls in love with the female voice of his computer’s operating system. Even with that strange premise, Jonze managed to make the characters feel real and yes that even includes the A.I. Samantha. He won this award at the Golden Globes, so I’m rooting for him to win it at the Oscars this year.

BEST SUPPORTING ACTRESS
*SALLY HAWKINS (‘BLUE JASMINE’)
*JENNIFER LAWRENCE (‘AMERICAN HUSTLE’)
*LUPITA NYONG’O (‘12 YEARS A SLAVE’)
*JULIA ROBERTS (‘AUGUST: OSAGE COUNTY’)
*JUNE SQUIBB (‘NEBRASKA’)

Possible Snubs: I haven’t seen ‘August: Osage County’ and I’m sure that Julia Roberts was excellent in it, but in her place I would have given the nomination to Margot Robbie for ‘The Wolf of Wall Street’, as she made quite an impression for what was most definitely her breakout role.

My Pick: LUPITA NYONG’O


One thing about this year’s acting nominees is that there are pretty much direct front-runners in every single category (both lead and supporting). In the case of Supporting Actress, the front-runner seems to be Jennifer Lawrence for ‘Hustle’. Now, I love Jennifer Lawrence; she’s a great actress, she’s one of the most likable actresses working today, and she was great in ‘American Hustle’. But for this year, my vote goes to Lupita Nyong’o for her role in ‘12 Years a Slave’. She makes one hell of an impression in what was only her film debut with a very powerful and emotional performance. I’m fine if J-Law wins for ‘Hustle’, but I feel that this award should go to Nyong’o instead.

BEST SUPPORTING ACTOR
*BARKHAD ABDI (‘CAPTAIN PHILLIPS’)
*BRADLEY COOPER (‘AMERICAN HUSTLE’)
*MICHAEL FASSBENDER (‘12 YEARS A SLAVE’)
*JONAH HILL (‘THE WOLF OF WALL STREET’)
*JARED LETO (‘DALLAS BUYERS CLUB’)

My Pick: MICHAEL FASSBENDER


Thankfully, Fassbender was not robbed of an Oscar nom like Leonardo DiCaprio was for ‘Django Unchained’ last year, both of whom portraying vicious slave owners in their respective films. Jared Leto is being tapped as the frontrunner for this award, but I haven’t seen ‘Dallas Buyers Club’ so I have to base this on the films I have seen and of the other four nominees in this category, my vote is for Fassbender. He really got into this role and even if he doesn’t win here, I have a feeling that this will not be the last time Fassbender gets a nomination.

BEST ACTRESS
*AMY ADAMS (‘AMERICAN HUSTLE’)
*CATE BLANCHETT (‘BLUE JASMINE’)
*SANDRA BULLOCK (‘GRAVITY’)
*JUDI DENCH (‘PHILOMENA’)
*MERYL STREEP (‘AUGUST: OSAGE COUNTY’)

DEFINITE Snub: This category has the biggest snub of this year’s Oscars in my opinion; Emma Thompson for ‘Saving Mr. Banks’. Her performance carries the whole film and was easily the highlight of the film. Who would I switch out to have Thompson put in this category? Meryl Streep; it’s nothing against her (like with Roberts, I can’t say anything about her performance because I haven’t seen the film) but this is her EIGHTEENTH (!!) Oscar nomination. It’s kind of getting old seeing her get nominated almost EVERY year. She won this award for ‘The Iron Lady’ two years ago, beating out more deserving nominees like Michelle Williams for ‘My Week with Marilyn’ and Rooney Mara for ‘The Girl with the Dragon Tattoo’. But as for this year’s nominees…

My Pick: AMY ADAMS


I’ve given ‘American Hustle’ quite a bit of flak, calling it one of the most overrated films of 2013. I still stand by that even though I’ve warmed up to the movie a bit more after a second viewing. But out of all of the members of Hustle’s cast who are nominated for an Oscar, Adams is the most deserving. It was her who stood out the most in the entire movie, more so than Jennifer Lawrence, Christian Bale, Bradley Cooper, and Jeremy Renner (by the way, you have to feel bad for Renner because he’s the only one of these five who hasn’t gotten a single nomination for his own work in the film (not counting the ‘best ensemble awards’). The front runner in this category is Cate Blanchett for ‘Blue Jasmine’ but like with Jared Leto (and his lead co-star; more on that in a second) for ‘Dallas Buyers Club’, I haven’t seen ‘Blue Jasmine’ so based on the films I have seen, Adams earns my vote. For the record, I’ll be fine if any of the cast members from ‘Hustle’ win an Oscar, but I feel that she is the most deserving out of all of them.

BEST ACTOR
*CHRISTIAN BALE (‘AMERICAN HUSTLE’)
*BRUCE DERN (‘NEBRASKA’)
*LEONARDO DICAPRIO (‘THE WOLF OF WALL STREET’)
*CHIWETEL EJIOFOR (‘12 YEARS A SLAVE’)
*MATTHEW MCCONAUGHEY (‘DALLAS BUYERS CLUB’)

My Pick: CHIWETEL EJIOFOR


This category’s front-runner seems to be McConaughey for ‘Dallas Buyers Club’. While I haven’t seen the film, I won’t be complaining if he wins because it will help signify the successful career resurrection that he has had. So… based off of the performances I have seen, my vote is for Ejiofor. Like his co-star Lupita Nyong’o, his performance was very powerful and emotional and he got all of this across saying very little in the entire film. My runner-up pick would be DiCaprio; not only because he brought his usual A-game to the role of Jordan Belfort, but the poor guy has been long overdue for an Oscar.

BEST DIRECTOR
*DAVID O. RUSSELL (‘AMERICAN HUSTLE’)
*ALFONSO CUARON (‘GRAVITY’)
*ALEXANDER PAYNE (‘NEBRASKA’)
*STEVE MCQUEEN (‘12 YEARS A SLAVE’)
*MARTIN SCORCESE (‘THE WOLF OF WALL STREET’)

My Pick: ALFONSO CUARON


I’m just going to come out and say this; Gravity is not my pick for Best Picture but at the same time, I’m more than happy to give my vote for Cuaron in regards to the Best Director Oscar. It was a project that he spent four years on and considering how it turned out, he is very well-deserving of this award. Besides, not every film will win Best Picture and Best Director at the same event (just look at last year’s Oscars; Ang Lee won the Directing Oscar, but ‘Argo’ took home Best Picture). Even if I don’t think ‘Gravity’ is the best film of 2013, Cuaron definitely was the standout when it came to directing.

BEST PICTURE
*AMERICAN HUSTLE
*CAPTAIN PHILLIPS
*DALLAS BUYERS CLUB
*GRAVITY
*HER
*NEBRASKA
*PHILOMENA
*12 YEARS A SLAVE
*THE WOLF OF WALL STREET

My Pick: 12 YEARS A SLAVE



Quite simply, it would be a travesty if this didn’t win Best Picture. It truly was the best film of 2013; a hard film to watch, but that’s what you’d expect for a film like this; one that doesn’t skimp on any of the horrifying aspects of its subject matter. My runner-up pick is ‘The Wolf of Wall Street’, but I’m rooting for this film to win it because it’s the most deserving.

Sunday, January 12, 2014

Her (2013) review


When you really get down to it, the premise for this film is… well, let’s face it, a little weird. I mean, we’re talking about a film where a man falls in love with the female voice of his computer’s operating system. It’s hard to deny it but it is true. But even with that in mind, why does this end up being one of the best films of the year (or of 2013, to be exact)? Well, that is because even with this film’s strange story, director Spike Jonze (‘Being John Malkovich’, ‘Where the Wild Things Are’) succeeds when it comes to the film’s overall execution to the point where this relationship between a man and a computer doesn’t feel as strange as it may sound. The writing is top-notch because the characters, as well as their dialogue, feel real, allowing us to become emotionally connected to these people, even when one of them is just a voice in a computer. When you take that and add not only Jonze’s excellent direction but terrific performances from the cast, then you have one truly excellent film on your hands.
The film follows Theodore Twombly (Joaquin Phoenix); a man who writes personal love letters for people who find themselves unable to express their emotions towards their significant others. However, at the same time, Theodore is lonely and introverted, struggling to deal with his impending divorce to his wife/childhood sweetheart, Catherine (Rooney Mara). One day, he purchases a new operating system for his computer, OS 1, the first artificially intelligent system of its kind that is programmed to adapt and evolve like human beings. After being asked whether he wants the system to have either a male or female identity, he decides that his operating system should have a female voice and as a result he is introduced to his new ‘system’ who gives herself the name Samantha (voiced by Scarlett Johansson). As Theodore and Samantha begin to bond, with the former starting to enjoy life more and the latter continuing to grow from her experiences, their relationship begins to get a bit more serious amidst her ‘limitations’.
This film mainly prospers because of the excellent writing (this film serving as Jonze’s first solo outing as a writer). Even when it’s working around a sci fi-ish premise, the characters still very much feel real and down-to-earth. That is also reflected in the dialogue. Regardless of your experiences with romantic relationships, good and/or bad, I think that you might be able to relate to a few of these characters because of their feelings and their interactions with each other. Heck, even Samantha, the operating system, feels real, not only because of how expressive she is and how she sees the world but also because of her relationship with Theodore. As weird as it may seem, it does manage to feel tangible. These two do have really superb chemistry which helps to ease the fact that this guy is basically in love with his computer. It’s quite something to be able to make us feel emotionally invested in a relationship as strange as this one and Jonze succeeds at doing just that.
Joaquin Phoenix is fantastic in the part of Theodore. He successfully disappears into the role of this man who may be able to express the romantic emotions that some people might not be able to say, but at the same time is lonely, introverted, and upset because of how his previous relationship is falling apart. This makes him incredibly sympathetic and Phoenix gives one of the best performances of his career. Likewise, Scarlett Johansson also shines as Samantha. She expresses so much emotion just by being a voice in the movie and that alone. I’m hoping that the Oscars will recognize her work, especially after she was ‘disqualified’ from being nominated for a Golden Globe. As for the rest of the cast, most of them only play minor roles in the film; of the film’s three female leads (not counting Johansson), Amy Adams has the biggest overall role compared to the other two (Rooney Mara as Theodore’s ex-wife Catherine and Olivia Wilde as a woman who goes on a blind date with him) but all three of them give their characters a sense of realism just like Phoenix and Johansson do with their characters.
‘Her’ is a film that may have a strange premise, but in execution, is full of real characters and dialogue that allow us to become emotionally invested in their actions. Yes, even to the point where we can believe in a relationship between a man and the female voice of his computer. There’s not much I can say about this film that’s bad. I mean, if I did have one solitary complaint, it would probably be that the film feels just a little bit too long at the end but even then that’s not really too much of a problem because everything else in the film is so good. The film has great direction, great writing, great performances, and a really great score (done here by Arcade Fire) among other things. I’m not too familiar with Jonze’s work as a director (I haven’t seen his other three films at the time I am writing this) but in the end, this might end up being one of his best out of the four films he has directed up to this point.
Rating: 4.5/5