Before I start this off, let me lay down the usual ground rules that I have for this list. First off, this is a Spoiler Post (!); I will be discussing major spoilers for pretty much every film on this list so you have been warned. If you haven’t seen any of these films, I suggest you watch them first before reading what I have to say. Second, like pretty much every year, I have not seen every film that has come out in 2013. Films like ‘Nebraska’, ‘Dallas Buyers Club’, and ‘The Spectacular Now’ will not be on this list so don’t be surprised if you don’t see them here because I haven’t seen them. Finally, and most importantly, please be respectful of everyone’s opinion. Obviously as I’ve said earlier, some of these films haven’t gone over well with audiences, so I guarantee you guys that you will no doubt disagree with me at least once on this list. Just don’t go and be an idiot and say something along the lines of ‘my opinion doesn’t matter’ for liking a movie that you didn’t like. This is just my personal opinion; everyone’s entitled to their own opinion. If there’s one thing that pisses me off more than a bad movie, it is when no one’s respecting others’ opinion.
First up, here are the Honorable Mentions and this year I have five.
MONSTERS UNIVERSITY
It’s really good to see Pixar return to form after two rather lackluster films in 2011’s ‘Cars 2’ and 2012’s ‘Brave’… well, almost. No, I don’t think this is the best Pixar film, but it is still a very good movie nevertheless. It’s a prequel that may have been a little unnecessary but it manages to avoid some of the things that plague most prequels, like phoned in references to the previous film. Not only that, but the story itself has a very heartwarming message; being able to believe in who you are against all odds. That is the story of everyone’s favorite one-eyed monster, Mike Wazowski, once again voiced by the incredibly talented Billy Crystal, who is repeatedly told that he doesn’t belong in the University’s Scare Program but continuously works to prove everyone wrong. John Goodman reprises his role as Sulley as well and like the last film, the two of them work off each other very well. Unlike ‘Monsters, Inc.’ which was more focused around Sulley and his relationship with the little girl Boo, this is more Mike’s story and yet it also gives Sulley a really well-developed character arc as well. At first, he actually comes off as a bit of a jerk but as the movie goes on, not only does he change his ways but, like Mike, he also starts to discover his talents as for most of the movie, he mainly gets by on his family legacy. As we see, even that legacy has had a rather negative impact on him. With a terrific voice cast, beautiful animation, and a lot of humor, ‘Monsters University’ is easily one of the best animated films of the year (though not really the best, as we’ll see in a bit).
THE HOBBIT: THE DESOLATION OF SMAUG
I do really like the first ‘Hobbit’, despite the fact that it felt too long. It made the number 11 spot on last year’s list after I initially gave it a 4/5 rating. This year, ‘Desolation of Smaug’ just misses the cut… despite the fact that I gave it a better rating, 4.5/5. Why? Well, to be honest, this was a bit more crowded of a year. Regardless, I think this film is a big improvement over ‘An Unexpected Journey’ mainly because this one has better pacing. Benedict Cumberbatch steals the show as the titular dragon Smaug, which is easily one of the best dragons ever in the history of film. However, at the same time, now I have a new worry about this ‘trilogy’ of films that shouldn’t really have been a trilogy in the first place. Obviously considering the fact that ‘The Hobbit’ is a very small book compared to the massive ‘Lord of the Rings’ trilogy, Peter Jackson and the filmmakers obviously have to include more stuff in to fit what will no doubt be a 9+ hour trilogy. But this is at the expense of some characters getting the shaft when it comes to character development, like most of the dwarves. The only major dwarves that have gotten any real character development in these movies are Thorin (obviously because he’s the lead), Balin, and Kili. Remember, there are 13 dwarves and I’m pretty sure that I’m still not able to remember all of their names because most of them haven’t done much in these movies. Also, for a film called ‘The Hobbit’, the actual Hobbit himself, Bilbo, is a side character for most of the movie. Still, the film is well-acted, the new additions (like Orlando Bloom returning as Legolas and Evangeline Lilly as an original character, Tauriel) are welcome, and it’s still just really nice to be back in Middle-Earth. However, I hope that ‘There and Back Again’ will be able to conclude this trilogy as best as it can.
PACIFIC RIM
‘Pacific Rim’ is just one of those ‘shut off your brain’ movies. Yeah, this movie is stupid, and it is most certainly a case of style over substance, but I think that was what director Guillermo Del Toro was going for with this movie. It delivers on exactly what it promises; giant robots, giant monsters, and giant robot/giant monster battles. This movie is an action-packed thrill ride from beginning to end and if you can accept it as that without being too overly critical on the writing, then you will really enjoy this film. Sure, the writing is not exactly perfect, and the characters may not totally be that well-developed. But at the same time, the film isn’t completely devoid of character and substance. The actors all do pretty good jobs, particularly Idris Elba and Del Toro regular Ron Perlman. All in all, ‘Pacific Rim’ probably won’t be winning any Oscars (unless they’re for technical achievements, like visual effects) but it’s just a fun popcorn flick that’s very, very enjoyable.
ANCHORMAN 2: THE LEGEND CONTINUES
Most sequels usually end up being not as good as the original, especially if that sequel is a comedy. Most comedy sequels tend to suck but thankfully ‘Anchorman 2: The Legend Continues’ is not one of those films. Sure, in the end, ‘Anchorman: The Legend of Ron Burgundy’ is still the better movie, mainly because it’s so quotable. Still, I have to give Will Ferrell and Adam McKay credit for being able to not only continue the story but to also make a film that is just as funny as the original. Ferrell and the rest of the returning players from the first movie (Paul Rudd, Christina Applegate, Steve Carell, and David Koechner) all return to their roles with ease and their camaraderie/chemistry is second-to-none. ‘Anchorman 2’: One of the rare comedy sequels that is actually pretty good.
SAVING MR. BANKS
Seeing how this is a Disney film, there was a possibility that the filmmakers might have been pro-Disney in telling the story of the production of their 1964 classic, ‘Mary Poppins’. They could have just had Walt been ‘right’ all of the time and try to vilify P.L. Travers for disagreeing with everything Walt did, but thankfully they don’t do that. Both are portrayed positively and the story is actually more about Travers, as it should be. We see how she’s worried about how Disney is going to adapt her beloved story to the big screen, as most authors probably are when their works are adapted to film. We also see why this story means so much to her, because it was heavily inspired by her own childhood, with the story’s patriarch, Mr. Banks, directly inspired from Travers’ alcoholic but loving father. Emma Thompson, Tom Hanks, and Colin Farrell all shine in this dramatization of the story. Sure, the whole story may not have translated onto screen (like Travers’ disgust with the finished project or Walt ultimately overruling most of her objections) but as a whole it’s just an interesting story. It does take a little while to get going, but it still worked out in the end.
And now we officially kick things off at number 12 with a film that many are predicting will be one of the top contenders at this year’s Oscars, along with another film that, spoilers, you’ll be seeing much later on in this list. Why then is it only at Number 12, you ask? Well, to be honest, it’s a truly amazing film but more on a technical level.
12. GRAVITY
I’ll openly admit that while I do stand by my original rating for the film (5/5), ultimately I ended up liking the next 11 films on this list a little bit more. But that’s not to discredit what a truly amazing film this is. From a technical standpoint, this film is a visual masterpiece. It has incredible special effects, gorgeous cinematography, and is a very effective thriller that will have you on the edge of your seat. However, at the same time, the film really isn’t the best when it comes to the writing. Still, I wouldn’t consider it bad; it’s just simple. There’s only two main characters in this, and they are your basic character archetypes. Sandra Bullock’s character is the rookie astronaut, while George Clooney’s character is the veteran who’s on his last mission. Yes, the character development may seem very simple, but I don’t think that’s the fault of the filmmakers, specifically director Alfonso Cuaron. I believe that his focus was more on making this film a visual masterpiece and he most certainly succeeds at doing that. Even with the simplified character development, both Sandra Bullock and George Clooney do great jobs nevertheless. Bullock, who basically is the only one on screen for the majority of the film, more than holds their own and while Clooney is not in the film that much, he’s still quite charming as he usually is. I won’t say ‘Gravity’ is the best film of the year, but it is still pretty darn good.
As I said earlier, ‘Monsters University’ was one of the best animated films of the year, but I didn’t call it the overall best. Number 11 is my pick for the best animated film of the year, and coincidentally, both films were released by the same company; Disney.
11. FROZEN
Like with Pixar and ‘Monsters University’, it’s good to see Disney’s main animation studio get back on track after a rather shaky start in the early 2000’s. I haven’t seen ‘Princess and the Frog’ and ‘Tangled’ in full, but ‘Wreck it Ralph’ was my pick for the best animated film last year and lo and behold, ‘Frozen’ gets that honor for this year’s list. It’s a film that goes back to the tradition of old-school Disney musicals like ‘Beauty and the Beast’ or ‘The Little Mermaid’ but at the same time it’s done with a modern flair. Sure, it seems like Disney’s starting to move away from traditional animation, but at the same time their computer animated films are now starting to reflect certain stylistic designs from their traditionally animated films.
This film has a great cast of characters. The main leads Anna and Elsa are both very engaging and the sister dynamic between them is really nice, something I don’t think Disney’s really done before. In a bold change from the original source material, Elsa the Snow Queen is not the villain of the film and both she and Anna are not the typical Disney princesses of old. They’re not prim and proper and they don’t need a man to do their work for them. The mountain-man Kristoff and his reindeer Sven are also fun characters mainly because they have a fun camaraderie, with Kristoff ‘translating’ all of Sven’s thoughts. But easily the best character in this whole film is the snowman Olaf. Not only does he get all of the best lines, but the fact that he’s a snowman wishing to experience summer for the first time is just hilarious. However, not all of the characters work though. The prince that Anna falls in love with, Hans, is pretty bland and even when he’s revealed to be the main villain, he’s still not that memorable. Another bland character is the Duke of Weselton (voiced by the sadly underused Alan Tudyk). At first it seems like he’s going to be the main villain but in the end they do nothing with him.
The music by Robert and Kristen-Anderson Lopez is pretty good but in the end, one song stands out above the rest. That song is Elsa’s big solo, ‘Let It Go’. Going back to what I said earlier about her characterization, this song really defines her character not being the main villain of the film. At this point in the story, she’s become an outcast after her powers have been revealed to the people of Arendelle. Before, she was told to keep her powers a secret but now she’s no longer afraid to do so. Again, this isn’t for evil purposes, she’s just finally free to use her powers to their full potential. This is easily one of the best Disney songs in recent years and I’m pretty sure it’s a shoe-in for ‘Best Original Song’ at this year’s Oscars. As a whole, ‘Frozen’ may not exactly be the best Disney film ever (the claim in the marketing that it’s ‘the best since ‘The Lion King’ is a little pretentious, especially to me considering that ‘Lion King’ is my all-time favorite Disney film), but it’s certainly one of their best of the last few years.
Number 10 is the first of the ‘fairly controversial’ movies that I mentioned in the intro. This is one of the summer blockbusters that had a rather mixed reception, despite the fact that it did pretty darn well both critically and commercially. Actually, as far as the box office was concerned, ‘pretty darn well’ is an understatement. This was the highest grossing film of the year (over $1 Billion), and I think it’s also one of the most unfairly criticized films of the year.
10. IRON MAN 3
There are 3 ‘complaints’ that many are having with this film, and I believe that these are rather unfair in regard to a movie that is far better than what many are saying. These three main complaints are:
A. The lack of the other Avengers and S.H.I.E.L.D.
Many question where the other Avengers and S.H.I.E.L.D. were during the course of the entire movie. Aside from a few references and a key cameo in the post-credits scene, Tony Stark was the only Avenger on screen. Well, I can answer that… they had their own crap to deal with. I think that it’s unfair to judge every superhero movie now for not having a whole team of superheroes; films like ‘The Dark Knight Rises’ and ‘Thor: The Dark World’ are in this category as well. Sure, we would all love to see ‘Avengers’ movies year-after-year, but it’s not that simple. Not every superhero film can be a big team-up film and be directed by Joss Whedon. They need time to develop these films and the Cinematic Universe that they reside in. How do they do that? By doing solo films, which you know, they’ve been doing since 2008’s ‘Iron Man’? As I keep bringing it up, the solo films are the main reason why ‘The Avengers’ worked as well as it did. Solo superhero films are just as effective as the team films, and this one is no exception. If someone asked, “Hey, where are the other Avengers? Where’s S.H.I.E.L.D.?” during every single action sequence, then that would get really, really annoying. Besides, isn’t Iron Man like the most popular of the Avengers anyway? His movies are the highest-grossing in the MCU (not counting ‘Avengers’, of course).
B. Tony Stark not being in the suit much
Tony Stark isn’t really in the Iron Man suit that much over the course of the film… just like in ‘Iron Man 2’… and yes folks, even the first ‘Iron Man’ movie. Looking back at that film, he’s not in the Iron Man suit that much either. More importantly, like with how the need for more superheroes isn’t necessary for every film, this shows that these films can work if the characters are well-developed, and in the case of Tony Stark, it most certainly is. Think about all of your favorite comic book superheroes; Batman, Captain America, the Hulk, Superman, etc. They all have one thing in common; their superhero identity is not their only one. It’s not the suit that makes the man; it is the man who makes the suit. They can’t cover up Robert Downey Jr.’s face all of the time, you know.
And of course, the most controversial aspect of this film:
C. The Mandarin Twist
Yeah, you’ve probably heard about this by now, but if by some chance you haven’t I’ll give you the rundown. As the movie begins, we’re introduced to who we presume to be the main villain, the terrorist/mastermind known as ‘The Mandarin’ (played by Ben Kingsley). He’s established to be quite the threatening villain early on, mostly by destroying Tony’s house after he threatens him on national television. Yes, that ‘threating a terrorist’ part’s pretty stupid, but I’m not too bothered by it because I think he was just emotionally compromised because his former bodyguard, Happy Hogan, had just barely survived one of the Mandarin’s ‘bombings’. But things start to change at the halfway point. Tony infiltrates the Mandarin’s base in Miami and comes across the Mandarin himself and as it turns out, the guy we thought to be the Mandarin… is just a drunken British actor by the name of Trevor Slattery. He was only playing the part of ‘The Mandarin’ while the main villain Aldrich Killian (Guy Pearce) was controlling everything behind the scenes. I’m just going to come out and say it… this is one of the best twists in any film in recent years.
First off, I have to give a whole lot of credit for everyone involved for managing to keep this secret. In this day and age where any major detail about a film could be spoiled at any moment (see my number 4 for proof of that), I applaud them for keeping this as hidden as they did. To paraphrase the ‘Mandarin’, or Trevor Slattery to be more precise, we truly ‘never saw this coming’. But more importantly, in the end what’s important is this… it actually worked from a story perspective. Let’s be honest, the Mandarin that many were hoping for is not really PC these days, and co-writers Shane Black and Drew Pearce make a bold move in changing things up. At the same time, it works because the main villain Killian was able to successfully create ‘an image of fear’ that keeps the heat off of him, the true mastermind behind all of this. Near the end of the film, when Tony is fighting Killian, he proclaims that ‘he is the Mandarin’. I understand the idea, but I don’t necessarily view Killian as the real ‘Mandarin’; it’s still just the image.
For reference, let’s briefly discuss another major character change in another superhero film, ‘Fantastic Four: Rise of the Silver Surfer’. That film changed up the design for the character of Galactus. Instead of being a gigantic man in a purple outfit, he was changed to a cloud. I understand why they decided to do this, because the former design is not exactly that practical. But as far as that film went, it was purely a cosmetic change and there was no reason why the character had to be a cloud. Here, I understand that it’s a drastic change from the source material, but Black and Pearce do give the proper explanation as to why it is. Ben Kingsley certainly got the most out of the role. When he’s ‘The Mandarin’, he’s properly menacing and commanding. When he’s Trevor Slattery, he’s properly goofy. He succeeds at being two characters at once and I would be interested in seeing this character again in perhaps either ‘Agents of S.H.I.E.L.D.’ (and please don’t get me started on how, like this film, that show has been getting a bit of a unfair rep) or even an Marvel One-Shot, which apparently they are doing where they will actually have the ‘real’ Mandarin in it. That will be very interesting to watch.
With that in mind, that gives you an idea of what kind of movie director Shane Black made here. It’s radically different from most of the other superhero films out there. I mean, how many superhero films are set around Christmas? As far as I know, none aside from this one. From a writing perspective, this film also does a great job at concluding the story of Tony Stark, whose now haunted by the events of ‘The Avengers’, sort of making him a shell of the man he once was. This is also Robert Downey Jr’s best performance in the role. He dials back on the arrogance that was a little too much on display in ‘Iron Man 2’ but still maintains his usual cocky but yet still likable persona. The ending, where Tony gets the shrapnel in his chest removed and destroys all of his Iron Man suits, does leave a rather big question about what kind of role he’ll be playing in ‘Avengers: Age of Ultron’ but I’m pretty sure they’ll find a way to properly incorporate him into the story. The rest of the cast is terrific as well; Don Cheadle gets more to do in this film than the last one and his camaraderie with Downey Jr. is much better. Gwyneth Paltrow still sort of gets stuck in the ‘damsel’ role at times as Pepper, but her chemistry with Tony is still excellent and she does get more to do than what she usually does. I mean, she actually kills the main villain… that’s actually pretty awesome.
As the main villain, Guy Pearce (who thankfully has been getting more work in recent years… he is a much underrated actor) is excellent. I’m not so sure yet if he’s the best villain in the ‘Iron Man’ universe (as I kind of prematurely claimed in my original review), but I think he was given a real nice amount of character development here. I like the backstory for Killian, as he tried to discuss business with Tony when the two of them first met in 1999 but was ignored (and yes, this is just like in ‘The Incredibles’… I get it). However, if there’s one character who kind of got the short end of the stick, it would be Rebecca Hall as Maya Hansen. Hall’s fine in the role, but she doesn’t get much to do. In fact, they don’t really establish whose side Maya is on. At first it seems like she’s going to be an ally of Tony, but then we learn her boss is Killian and she starts working with him again but then it seems like she’s still on Tony’s side. Not only is it unclear, they don’t effectively establish who she ultimately sided with… because they killed her off. Still, despite that, this is another fantastic entry from Marvel that I think has been getting a bit of a bad rep.
Check back tomorrow for Part 2, for Numbers 9-7.
