Showing posts with label Richard Madden. Show all posts
Showing posts with label Richard Madden. Show all posts

Monday, June 17, 2019

Rocketman (2019) review


Taron Egerton in Rocketman (2019)

What more can be said about Elton John that hasn’t been said already? For the past five decades, he’s been one of the most iconic figures of the entire music industry. With over 300 million records sold worldwide, he’s currently amongst the Top 5 best-selling artists of all-time with classic hits like “I’m Still Standing”, “Goodbye Yellow Brick Road”, and “Tiny Dancer”, and of course, that’s just to name a few. Aside from that, he’s also provided the soundtracks for films like Disney Animation’s smash hit The Lion King and DreamWorks Animation’s The Road to El Dorado as well as the music for Tony Award-winning hits like Aida and Billy Elliot: The Musical. Outside of the world of music, he’s also played a huge role in combatting HIV/AIDS through the Elton John AIDS Foundation, which has raised over $450 million since 1992. And now the story of his life is being brought to the big screen in a film that shares the name of his 1972 classic, Rocketman. John serves as an executive producer on this production while his husband David Furnish is one of the film’s main producers. Directorial duties, meanwhile, go to Dexter Fletcher, a long-time veteran of the film industry who started out as an actor but has recently transitioned into directing with films like Wild Bill and Eddie the Eagle. It’s also worth noting that this isn’t Fletcher’s first time working on a musical biopic as he came on board to finish last year’s Queen biopic Bohemian Rhapsody after Bryan Singer was fired two weeks prior to the end of filming. And while that film may have ultimately attracted a mixed critical reception, Rocketman has been fittingly praised as a lively musical fantasy all topped off by a phenomenal lead performance by Taron Egerton as the one and only ‘Rocket Man’.

In the county of Middlesex, England, a young Reginald Dwight (Matthew Illesley as a young boy, Kit Connor as a teenager) starts to develop a passion for music. And while he doesn’t get much encouragement from his emotionally distant mother Sheila Eileen (Bryce Dallas Howard) and his frequently absentee father Stanley (Steven Mackintosh) due to his time in the Royal Air Force, his loving grandmother Ivy (Gemma Jones) brings him to lessons at the Royal Academy of Music. Several years later, ‘Reggie’ (Taron Egerton) decides to embark on a solo career after spending several years with the R&B band Bluesology. He ends up changing his name to ‘Elton John’ and is signed to a deal with publisher Dick James (Stephen Graham) and manager Ray Williams (Charlie Rowe). He is then paired with songwriter Bernie Taupin (Jamie Bell) and the two begin to craft multiple hit tunes that turn Elton into one of the biggest recording artists in the world. During this time, he also strikes up a relationship with John Reid (Richard Madden), who not only becomes his new manager but also his lover as Elton begins to further embrace his identity as a homosexual. In the process, however, Elton starts to develop nasty drinking and drug habits that threaten to undermine his relationships with his friends and family.  

It’s been said that musical biopics tend to be one of the trickier film genres to truly get right. While there have been plenty of well-received musical biopics over the years like the Johnny Cash biopic Walk the Line and the N.W.A. biopic Straight Outta Compton, many have noted that almost all these films tend to abide by the genre’s typical tropes. This includes everything from segments where the main characters fall on hard times (usually due to drug use) before going back to doing what they do best to montages that cover their rise to fame without really delving into how that came to be. By comparison, Rocketman goes about things a little bit differently. To be clear, it’s still very much a traditional musical biopic that goes through the genre’s usual story beats. However, director Dexter Fletcher manages to work around this by giving the film a fun visual style, and that’s very much apparent in its musical numbers. Some sequences see Elton performing alongside his younger self and in another, his performance of ‘Crocodile Rock’ is such a big hit that it briefly results in him and everyone in the audience levitating into the air. But most importantly, all of them do a great job in capturing Elton John’s signature flashy style, and this is then matched by the film’s excellent handling of his story. Compared to some of the other films of this genre, Rocketman is a lot more upfront about the various struggles that its subject has gone through, namely Elton’s drug and alcohol addictions. Plus, whereas Bohemian Rhapsody was widely criticized for its handling of the portrayal of Freddie Mercury’s sexuality, Rocketman is more open about Elton John’s, resulting in stronger emotional poignancy.

In a way, the stars were truly aligned when it came to Taron Egerton playing the role of Elton John. Not only did John have a notable cameo in Kingsman: The Golden Circle (Kingsman director Matthew Vaughn also happens to be one of this film’s producers), but Egerton performed a standout cover of “I’m Still Standing” in Illumination’s Sing. Thus, it goes without saying that Egerton does a fantastic job performing all of John’s classic songs. At the same time, he also does a great job when it comes to both replicating John’s extravagant stage presence and conveying the emotional turmoil that John sometimes found himself in. He also benefits greatly from the strong connections that he creates with his co-stars, namely Jamie Bell as John’s long-time partner Bernie Taupin and Richard Madden as his manager/lover John Reid. Thanks to a strong performance from Bell and the excellent camaraderie that he and Egerton share, the film does a wonderful job exemplifying the strength of Elton and Bernie’s friendship, especially due to it establishing that the latter is quite arguably the only one to fully accept Elton’s sexuality. This is then effectively contrasted with Elton’s relationship with John Reid who, despite forming a romantic relationship with him, proves to be a considerably toxic toll on his life. In other words, it’s a role that provides a nice change of pace for Richard Madden, who’s usually known for playing more heroic characters (e.g. Prince Charming in Cinderella).

In January 2018, Elton John announced that following a three-year Farewell Tour, he would officially be retiring from touring to spend more time with his family. As such, now is quite arguably a perfect time to attempt an Elton John biopic, and the one that we get is easily one of the best of the musical biopic genre. Even as someone who has gone on record saying that I did like last year’s Bohemian Rhapsody, I do concur that it wasn’t exactly the definitive Queen/Freddie Mercury biopic that it could’ve been. With that in mind, Rocketman does go about the whole ‘musical biopic’ thing a lot better even if it still abides by the genre’s well-established tropes. However, unlike some of the other musical biopics that have been made over the years, Rocketman is one of the genre’s most openly honest affairs as it balances out its emphasis on Elton John’s career highs and lows so that we can fully understand everything that made him the legend that he is today. And thanks to some excellent direction from Dexter Fletcher and a visual style that deftly honors its subject’s eccentric flair, Rocketman more than lives up to its tagline of being based on a ‘true fantasy’. But, of course, the biggest highlight of this film is its star, as all the charisma that made Taron Egerton the breakout star of the Kingsman franchise is on full display in what is easily the best performance of his career to date. As such, don’t be surprised if he ends up being a major frontrunner in next year’s Best Actor race just like Rami Malek was last year after playing Freddie Mercury in Bohemian Rhapsody
  
Rating: 4.5/5

Sunday, March 15, 2015

Cinderella (2015) Review (300th Post!!)


While Disney’s recent live-action fantasy films have gotten a generally mixed reception from critics, they’ve definitely been much more successful with audiences which if you ask me is what matters the most at the end of the day. I for one have generally liked them. I’ll admit I wasn’t the biggest fan of ‘Alice in Wonderland’ but on the other hand I absolutely loved ‘Oz the Great and Powerful’, to the point where I even listed it as my favorite film of that year. Last year gave us ‘Maleficent’, a retelling of ‘Sleeping Beauty’ from the perspective of its main antagonist. While some may have issues with the fact that the film portrays her more as the protagonist, I did still enjoy it, mainly for Angelina Jolie’s outstanding performance in the role of Maleficent. And now Disney returns with their latest re-imagining, this time revisiting one of the most iconic films in their lineup, ‘Cinderella’. Unlike the previous three major fantasy films, which were a sequel, prequel, and re-telling, respectively, this new ‘Cinderella’, directed by Kenneth Branagh (‘Thor’), instead opts to basically just tell the same story as its animated predecessor. Some may find this to be unnecessary but ultimately this new ‘Cinderella’ does end up being an excellent adaptation of this classic story. That is thanks to not only beautiful production design, classy direction, and a top-notch cast, but also a clear sense of appreciation for the original film while in some ways also updating it for a new generation.

After the death of her mother (Hayley Atwell), young Ella’s (Lily James) father (Ben Chaplin) remarries to Lady Tremaine (Cate Blanchett), who also has been recently widowed after the death of her husband, who was an old friend of Ella’s father. Unfortunately, not long after this, he dies while on a business trip, leaving Ella in the care of her new stepmother, who ends up revealing her true wicked nature as Ella becomes a horribly mistreated servant to both her stepmother and stepsisters, Anastasia (Holliday Grainger) and Drizella (Sophie McShera), who nickname her ‘Cinderella’ due to the fact that her face was covered in soot one morning after sleeping by the fireplace. One day, while riding in the woods, Ella comes across a nice young man (Richard Madden) named ‘Kit’ who claims to be an apprentice living in the nearby kingdom. In reality, however, he is actually the Prince, who’s being pressured by his dying father (Derek Jacobi) to find a bride, specifically a princess, at an upcoming ball. But because ‘Kit’ is so entranced by Ella, he convinces his father to allow every maiden in the kingdom to attend in the hopes of seeing her again. On the night of the ball, Ella is eager to go but is forbidden by her stepmother to do so because she doesn’t want her to ‘disgrace’ her and her daughters. But with the help of her Fairy Godmother (Helena Bonham Carter), Ella’s fortunes soon begin to change.

This basically is the same general story as the original ‘Cinderella’, save for a few differences that actually do kind of improve on certain elements of that film. For one thing, Cinderella and the Prince do meet before the ball so it isn’t as ‘rushed’ of a romance as it was in the original film. We see Ella with her original parents more than we did in the original and while we don’t get the full details of it all, we even get a little more insight into Lady Tremaine’s back-story, giving us an idea as to why she acts the way she does towards Cinderella. Ultimately though, this film really benefits from just having an overall positive tone. After all, the film begins with Cinderella’s mother giving her the advice to ‘have courage and be kind’ and let’s be honest folks, in the cynical world that we live in today, that is some genuinely good advice to follow. From a technical standpoint, this film is an absolute visual delight thanks to the terrific production design, from the incredible costume design by Sandy Powell to the visually splendid set design. But at the same time, this film also has quite a lot of heart to it as well due to the aforementioned feel-good atmosphere. Branagh’s solid direction shows nothing but respect to the original film while also doing just enough to make it so that it isn’t just a ‘carbon copy’ of the original, which admittedly hasn’t aged very well in some aspects, namely in regards to the main character.

I mean I think it’s safe to say that Cinderella is a rather controversial member of the Disney Princess lineup. This is mainly due to the fact that in the original film, she is viewed by some people as being a rather passive protagonist who doesn’t really do much until she’s rescued in the end by the Prince. However, at the same time, she should be also given a lot of credit for her inner strength, positive attitude and perhaps most of all her ability to put up with all of the s*** that she’s put through by her Stepmother and Stepsister. This new film in some ways may follow the same route as the original but I don’t think that this Cinderella is passive at all. Her kindness really shines through the toughest of times and at one point she even tells Lady Tremaine that she’ll do whatever she can to ‘protect’ the prince, even if it comes at her expense. This results in, in my opinion, a very strong female heroine who is defined not by her actions but because of her overall character and Lily James does a phenomenal job in conveying Ella’s charm, likability, and most importantly, her inner strength and beauty. Because the relationship between Ella and the Prince is expanded upon here, their chemistry feels very genuine and Richard Madden definitely brings the right amount of, for lack of a better term, charm to the role. And of course, Cate Blanchett absolutely owns the role of Lady Tremaine, who’s definitely one of the greatest Disney villains of all time due to how she manages to gain so much control over Cinderella’s life without any special powers, while Helena Bonham Carter is a definite scene-stealer as Cinderella’s Fairy Godmother.

‘Cinderella’ may be one of the most iconic Disney films of all time but at the same time it may not exactly be the most ‘pro-feminist’ story out there. And while the same could be argued about this new version of the story as well in certain areas, I don’t think that it’s as prevalent here as it may have been in the original film. The Cinderella in this is not just some damsel in distress who doesn’t do much. This one is more involved in determining her own fate and even if she may still not be the most proactive female protagonist ever, her likability and sweet persona more than make up for it. All in all, director Kenneth Branagh’s ‘Cinderella’ really stands out amongst Disney’s recent fantasy re-imaginings, even if it’s not doing much different when compared to the original animated film. The production design is worth the ticket price alone but the film also succeeds in terms of its heart, showing much appreciation towards its animated predecessor while also maintaining an overall ‘feel-good’ atmosphere even with all that Cinderella goes through while living with her stepfamily. And really, as someone who’s finding that he’s really starting to favor films like this over ones that are much bleaker in tone, I really believe that this film is a must-see, especially if you’re someone who is looking to cheer themselves up. I guarantee you that this film really will put a genuine smile on your face by the end of it. There’s no better way of saying it; this film is pure cinematic magic (pun totally intended) that is absolutely gorgeous both inside and out.

Rating: 5/5!


(P.S. This film is paired in its theatrical release with the short film ‘Frozen Fever’, a follow-up to Disney’s hit animated film ‘Frozen’. Because it’s just a short film, I’m not going to go into too much detail about it. However, what I will say is that if you are a fan of ‘Frozen’ (I know I am), then you’re definitely going to love this short as it brings back all of your favorite characters as well as yet another catchy song a la ‘Let it Go’ in the form of ‘Making Today a Perfect Day’.)