In Memory of Peter Sallis – “Goodbye, Chuck…”
1921-2017
Today on Rhode Island Movie Corner, we’re paying tribute to one of the most famous animation studios in the industry. No, not Disney (already did that one) … no, not Pixar (did that one too) … and no, not DreamWorks (at least, not primarily considering that they did distribute a few of these films). No, folks, today we’re talking about Aardman Animations, arguably the most famous stop-motion animation company in the entire film industry. Ever since the company’s inception in 1972 by animators Peter Lord and David Sproxton, Aardman has been involved in numerous critically acclaimed projects. Of course, most people are familiar with their beloved duo Wallace and Gromit, but they’ve also become well-known for projects like the character of Morph and the animation for Peter Gabriel’s iconic music video for his song ‘Sledgehammer’. And this past weekend, their latest feature film, Early Man, was released here in the United States. A review of that film will be coming sometime this week, but until then, I figured that it’d be a great idea to look at some of Aardman’s most famous works. I mean, obviously, I can’t look at everything that Aardman has done since they first got started in the industry because that would just take too long. So instead, I’m going to focus solely on their feature films; since 2000, they’ve made 7 films (including Early Man) and all have done quite well with both critics and audiences. I’ll openly admit that I’ve only seen one of them in theaters, but today I’m hopefully rectifying this by honoring a legendary company’s contributions to the world of pop culture. So, without further ado, buckle in, lads, and find some cheese and crackers to snack on as we look back upon the feature films of Aardman Animations. But first, one quick detour…
THE WALLACE AND GROMIT SHORTS
For most people, Aardman Animations is mainly known for the Wallace and Gromit franchise. Over the course of four half-hour short films and one feature-length film (which, of course, we’ll be getting into later…), audiences across the world were introduced to Wallace, a lovable cheese-eating inventor voiced by the late Peter Sallis, and Gromit, his smart and loyal canine companion who never speaks a word. They were first introduced in A Grand Day Out, which saw the two build a rocket to travel to the moon for their bank holiday because, as Wallace points out, “Everybody knows the Moon is made of cheese” The short film was the brainchild of animator Nick Park and initially served as his graduation project while at the National Film and Television School in Beaconsfield, Buckinghamshire, England. Three years into its production in 1985, he was hired by Aardman, who allowed him to finish the project on a part-time basis. And thus, A Grand Day Out was completed and released in 1989 and a beloved franchise was born. Not only that, but this short still holds up very well today. Sure, given that this is the first Wallace and Gromit short, the character designs are a lot more primitive than what we’d see in future shorts and films. However, the stop-motion animation (which was done mostly by Park himself) is still solid and is backed by the special’s delightfully wacky premise, which ends up involving a coin-operated robot called ‘The Cooker’ that dreams of traveling to Earth to ski there. A Grand Day Out ended up getting nominated for Best Animated Short at the Oscars that year, but it ultimately didn’t win. It wasn’t too big of a loss for Nick Park, though, as he instead won for his other 1989 Aardman Animations short film, Creature Comforts.
The duo returned in 1993 with The Wrong Trousers. This time around, Wallace and Gromit found themselves crossing paths with a villainous penguin named Feathers McGraw who tries to use Wallace’s newest invention, a pair of robotic ‘ex-NASA Techno Trousers’ meant to be used as a new dog-walking system for Gromit, to steal a valuable diamond. In many ways, The Wrong Trousers was a much larger production compared to A Grand Day Out; the character designs evolved more into the look that we know them as today, there are multiple parodies to classic films, and it ends with an elaborate chase scene finale involving a toy train set. Still, there’s no shortage when it comes to charming characters and a fun premise, which helped The Wrong Trousers to become the first Wallace and Gromit short to win the Oscar for Best Animated Short. Two years later, their third animated short was released, A Close Shave. This one had them dealing with sheep rustlers while Wallace also finds himself falling in love with the owner of a wool shop, Wendolene (Anne Reid). Sadly, this romance ultimately isn’t meant to be when Wendolene reveals that she’s not a fan of cheese. While this is another delightful featurette, I’ll openly admit that I was somewhat scarred by it when I was a kid; no, not because it was scary or anything, though granted the main villain Preston, Wendolene’s dog who is revealed to be a robot, is rather intimidating. Instead, it’s more because the short introduces a character named Shaun, a small sheep that plays a vital role in the plot. I first watched these shorts in elementary school, and when A Close Shave was played, my classmates joked about how I shared the same name as Shaun the Sheep even though my name is the ‘S-E-A-N’ variant. And for the record, this wasn’t a mean-spirited jest or anything but still, it did sort of sour my thoughts on this entry of the franchise. Don’t worry, though, because I did eventually warm up to it after that. A Close Shave would end up winning the Best Animated Short Oscar just like its immediate predecessor.
Finally, three years after the duo appeared on the big-screen, they returned to the small-screen in A Matter of Loaf and Death. In this special, the two are bakers threatened by a mysterious killer that has been going around murdering other bakers. During this time, Wallace also falls in love with a former pin-up girl named Piella Bakewell; however, it’s later revealed that she is the killer as an act of revenge against bakers for ruining her career due to weight gain. In short, it may not be the ‘best’ of the Wallace and Gromit shorts (like A Grand Day Out, it earned an Oscar nomination but didn’t win that year), but even after all these years, the franchise’s charm is still on full display here complete with a wacky finale involving a bomb (“Gromit, I’ve got a bomb in me pants!”). And, of course, Wallace and Gromit’s legacy goes far beyond these four short films. There were a series of shorts called Wallace and Gromit’s Cracking Contraptions that were released in 2002 and were also included on an early 2000’s DVD release of the original three shorts. As the title suggests, each of these ten vignettes focuses on an invention of Wallace’s that usually goes awry; not much else to say about them other than the fact that they give us some more great Wallace and Gromit material. The two have also had some video game titles published over the years, including Project Zoo, a pseudo-sequel to The Wrong Trousers that has the duo once again dealing with Feathers McGraw, and the video game adaptation of The Curse of the Were-Rabbit. There’s even a Wallace and Gromit dark ride, Wallace and Gromit’s Thrill-O-Matic, at Pleasure Beach Blackpool in Blackpool, Lancashire, England. It just goes to show how truly special of a franchise Wallace and Gromit has been for audiences young and old.
CHICKEN RUN (2000)
Aardman’s run on the big-screen officially began when they signed a multi-picture deal with DreamWorks in 1999, giving the former a new financial backer and the latter a means of bolstering their blossoming animation empire. And for their first collaboration together, they gave us a film that still stands as the highest-grossing stop-motion animated film to date, Chicken Run. Heck, it even played a part in the creation of the Oscar for Best Animated Feature when it didn’t end up earning a nomination for Best Picture despite being one of the most well-reviewed films of the year. But I’m getting off track here; Chicken Run is basically a farm-set homage to the 1963 war film classic The Great Escape. The film follows a group of chickens who try to escape from their farm when their cruel owners decide to move into the business of selling chicken pot pies. They do so with the aid of a Rhode Island Red Rooster (voiced by Mel Gibson) who they believe can teach them to fly. Being an Aardman production, the film is full of humorous slapstick and that good old-fashioned ‘English charm’. The main cast of chickens is an incredibly sympathetic group and you root for them all the way. And while the film is certainly a lot tamer than the main film that it’s inspired by, Chicken Run still manages to establish some extremely effective emotional stakes thanks to the ever-imposing threat of the film’s main antagonist, Mrs. Tweedy (Miranda Richardson). When she has a chicken killed, the film does not shy away from these moments, therefore making the protagonists’ escape efforts even more important. And really, that’s Chicken Run in a nutshell; it boasts some of the best emotional depth to come out of an animated film that pairs nicely with Aardman’s trademark great animation. In conclusion, this was notably one of the first films that I ever saw in theaters (well, technically, the drive-in but the point still stands). And even after all these years, the film is still just as delightful to watch now as it was back then.
Rating: 4.5/5
WALLACE AND GROMIT: THE CURSE OF THE WERE-RABBIT (2005)
After years of delighting audiences on the small-screen, Aardman’s dynamic duo finally headlined their own feature film in 2005, Wallace and Gromit: The Curse of the Were-Rabbit. Described by directors Nick Park and Steve Box as the first ‘vegetarian horror’ film, the film sees Wallace and Gromit taking on the roles of pest control to aid their town when it’s stricken with a rabbit infestation right before its annual vegetable competition. Things get more complicated, however, when a mysterious creature referred to as ‘the Were-Rabbit’ arrives on the scene; and then if that wasn’t enough, the identity of the creature ends up making the whole situation even more complicated. Through it all, though, the charm of the franchise’s premise of setting zany scenarios in a peaceful and idyllic British town is still strong throughout and wasn’t lost in any way when it transitioned over to film. Peter Sallis is great as always as Wallace and is joined by a few notable guest stars in this film, including Helena Bonham Carter as Wallace’s new love interest, aristocrat Lady Tottington, and Ralph Fiennes as his romantic rival, the pompous hunter Victor Quartermaine. And while I’m aware that some of the film’s critics have argued that perhaps Wallace and Gromit worked better in short films instead of a full-length animated feature, this does not take away from the film’s heartfelt narrative and its lovable characters. Thus, it’s quite easy to see why Wallace and Gromit: The Curse of the Were-Rabbit ended up continuing the franchise’s winning streak at the Oscars by winning in the category of Best Animated Feature. Whether it’s via a half-hour short or a 90-minute film, it’s hard not to love the delightful escapades of a good-natured, cheese-eating inventor and his smarter than average dog who always ends up saving him whenever something goes wrong.
Rating: 5/5!
FLUSHED AWAY (2006)
Flushed Away notably served as the first time that Aardman dabbled in computer animation, and for a perfectly understandable reason. Because the film is primarily set within a rat-inhabited city located in the sewers and therefore features several sequences set on the water, it would’ve been difficult to do it all in stop-motion as water can damage the plasticine models that Aardman uses in their work. Even just compositing stop-motion shots with CGI would’ve been expensive; thus, Aardman decided to have the film be computer animated. And while it doesn’t necessarily have the best computer animation ever, even for the time, it still does a nice job in replicating Aardman’s stop-motion style and the imperfections that come from it (e.g. dropped frames, thumbprints from constantly changing a character’s position in the frame, etc.). The film itself boasts an enjoyable adventure plot in which a pampered pet rat named Roddy St. James finds himself kicked out of his home and sent into the sewers, where he discovers a vast city that he must traverse with the aid of a scavenger named Rita to get back home. Roddy and Rita are a likable pair of leads voiced excellently by the charismatic duo of Hugh Jackman and Kate Winslet. They’re backed by a solid supporting cast that includes the likes of Ian McKellen as the film’s main antagonist ‘The Toad’, Jean Reno as his French cousin Le Frog, and Andy Serkis and Bill Nighy as Toad’s bumbling henchmen Spike and Whitey. In short, while far from being the studio’s best outing, Flushed Away is still a perfectly enjoyable family flick with just enough of that Aardman charm. However, the film ultimately did not do too well at the box-office, which was one of the key factors (along with various creative conflicts that had sprung from their past few productions) behind Aardman’s decision to cut ties with DreamWorks.
Rating: 4/5
ARTHUR CHRISTMAS (2011)
After backing out of their deal with DreamWorks, Aardman proceeded to sign a distribution deal with Sony Pictures, a partnership that was officially initiated by the 2011 holiday feature Arthur Christmas. Now as some of you long-time readers may already know, this is a film that I’ve talked about before on this site. Way back in 2014, I listed it as an Honorable Mention in my ‘Top 10 Favorite Christmas Films’ list. The reasoning behind its placement on that list was simple; at the time, I had only seen it once. So, with all that in mind (along with having now seen it a second time), I’ll try not to repeat myself too much here while hopefully still managing to delve a bit further into why this film is so fantastic. Arthur Christmas is a charming new take on the mythos of Santa Claus, with the set-up being that there have been several men who have taken on the mantle of ‘Santa’ over the years. Along the way, the process of delivering presents has become far more technologically advanced to the point where Santa and his elves are able to complete their job with military precision thanks to their various gadgets. The only thing, though, is that nowadays the elves handle most of the work whereas the current Santa (Jim Broadbent) mainly serves a ‘symbolic’ role in the proceedings because of his forgetful nature. However, when one present ends up getting forgotten due to an oversight, Santa’s clumsy son Arthur (James McAvoy) heads off on a mission of utter importance with his grandfather/ex-Santa ‘Grandsanta’ (Bill Nighy) and enthusiastic wrapping elf Bryony (Ashley Jensen) to make sure that the present is delivered in time for Christmas.
The whole film serves as a well-balanced look at the overall concept of Santa Claus and how his methods of delivering gifts to children all over the world could potentially evolve over time. And in the process, it manages to highlight the pros and cons of the old-school style that Grandsanta still abides by even after all these years and the North Pole’s current high-tech way of doing it. Sure, the film could’ve easily kept this as a one-sided debate and have Arthur’s brother Steve (Hugh Laurie), who’s established as being next in line for the position of ‘Santa’, be portrayed as a villain due to him leaning more towards the modern side of the argument. Thankfully, though, the filmmakers make the wise decision to not go down that route. Instead, it shows that these two mentalities can work together in harmony to keep the Christmas spirit alive, which is ultimately the most vital part of the whole operation. Thus, the film is full of heart thanks to its great collection of layered protagonists; Arthur, Steve, their father and his struggle to accept the fact that the time has come for him to hang up the red suit, etc. Arthur Christmas is also Aardman’s second computer-animated film, and while it may not maintain the ‘stop-motion’ feel that Flushed Away had, the CGI is exponentially better by comparison. Because of all this, along with a fantastic voice cast and a fast-paced sense of humor that produces an endless array of great visual sight gags and comedic dialogue, Arthur Christmas is not only another superb outing from Aardman but also a bona fide modern holiday classic (despite its under-performance at the box-office during its initial release) due to its creative spin on the biggest staple of Christmas.
Rating: 5/5!
THE PIRATES! IN AN ADVENTURE WITH SCIENTISTS! (2012)
In some ways, 2012’s The Pirates! In an Adventure with Scientists! (or, as it was called in the U.S. due to the source material not being as well-known there, The Pirates! Band of Misfits) served as a return to form for Aardman. Directed by studio co-founder Peter Lord, this adaptation of author Gideon Defoe’s 2004 novel of the same name was Aardman’s first feature film since The Curse of the Were-Rabbit to be done primarily in stop-motion. Thanks to all the big advancements in CGI that had occurred since then, they were able to effectively work around the issue of shooting stop-motion sequences set in water without things getting too expensive. And yeah, it’s quite nice to see Aardman be able to return to what they do best; the stop-motion animation in this film is fantastic and the CGI used to create the sea and other scenery effects complements the action on-screen nicely. As for the plot itself, it’s a fun comedic spin on the pirate genre; instead of being about a bunch of pirates looking for buried treasure… it’s about a not-so-great and somewhat egotistical Pirate Captain trying to win a ‘Pirate of the Year’ award. Yes, like any Aardman production, this film is full to the brim with snappy dialogue and hilarious sight gags. Sure, it’s not exactly the most heartfelt story that Aardman’s done to date; that and I’m aware that various executive-mandated changes were made to the U.S. release, including a few voice actors being recast and several risqué jokes being cut out. Still, The Pirates! In an Adventure with Scientists! (AKA The Pirates! Band of Misfits) is a good old-fashioned action-adventure comedy that boasts an excellent voice cast. Said voice cast includes the likes of Hugh Grant as the pompous but charismatic Pirate Captain, Martin Freeman as his loyal but often put-upon second in command, and David Tennant as the ‘hopeless romantic’ (yes, you read that right) Charles Darwin. Thus, this film is one heck of an entertaining popcorn flick even if you’re like me and you saw it via the ‘inferior’ U.S. cut. Now, who’s up for Ham Night?
Rating: 4.5/5
SHAUN THE SHEEP MOVIE (2015)
And finally, we end with the feature film debut of one of Aardman’s most iconic characters, Shaun the Sheep. After his breakout turn in A Close Shave, Aardman ended up giving the adorable little sheep his own series. Beginning in 2007, Shaun the Sheep, in which Shaun and his friends get into all sorts of adventures on the farm that they live on, has run for around 150 episodes, has won 2 BAFTA awards and 1 International Emmy, and has even spawned its own spin-off series, Timmy Time. And in 2015, the series transitioned to the big screen in the Shaun the Sheep Movie, in which Shaun and his friends head off into the big city to find their farmer when their tomfoolery causes him to suffer an extended bout of memory loss. Now, for the record, like the TV series, this film does not rely on dialogue. While there are a few notable voice actors in the cast (British comedians Justin Fletcher and Omid Djalili provide the vocals for Shaun and the film’s main antagonist, an Animal Control worker named Trumper, respectively), the film relies more on silent comedy. But even with that in mind, along with its simple plot, the film still boasts that delightful Aardman charm that has made the studio the iconic company that it is today. Where this film lacks in dialogue, it more than makes up for it with its wide array of hilarious sight gags. Plus, you don’t even have to be that familiar with the Shaun the Sheep series to enjoy this film (I myself have only seen a few clips of it) as it does a nice job of establishing its main premise along with the other characters of the show aside from Shaun. In other words, the Shaun the Sheep Movie is a heartwarming and hilarious stop-motion animated adventure that was so well-received upon its release that it even managed to give Pixar’s Inside Out a run for its money as the best-reviewed animated film of 2015. Heck, there’s already a sequel in the works that is slated for a 2019 release.
Rating: 4.5/5
And that concludes this retrospective on the feature films produced by Aardman Animations. Thanks for following along and be sure to sound off in the comments below with any memories that you have of watching this legendary animation studio’s output.
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