Michael Bay… talk about one of the most polarizing figures
in the film industry amongst film fans on the internet. I’ve made it clear in
the past that I am unapologetically a big fan of most of Bay’s films, even some
of his more critically-reviled ones. But when it comes to the rest of the
internet, obviously I’m in the extreme minority when it comes to being a fan of
his. Because while his films have achieved much success at the box-office, with
two of them (‘Transformers: Dark of the Moon’ and ‘Transformers: Age of
Extinction’) grossing over $1 billion worldwide, almost all of them have been
savaged by critics and a lot of film fans consider him to be one of the worst
directors working today. I, however, disagree with that notion as there are far
worse directors than him out there. And like him or not, you cannot deny that
he’s got a style all his own and there’s arguably no one else out there who can
shoot action sequences like he can. So what if I told you that his newest film,
‘13 Hours: The Secret Soldiers of Benghazi’, is one of the best films that he’s
ever made (which I know many will argue isn’t saying much)? ‘13 Hours’ tells
the true story of what happened on the night of September 11, 2012 when Islamic
militants attacked the American diplomatic compound, and later the CIA annex
building located just a mile away, in Benghazi, Libya. This incident has been a
major topic of controversy in U.S. politics but the film mostly ignores the
politics of the situation in favor of focusing on the six men stationed there
who fought to protect those stationed at both locations, which was definitely
the best route that this film could’ve gone.
In late 2012, CIA contractor and military veteran Jack Da
Silva (John Krasinski) arrives in Benghazi, Libya, where he meets up with
fellow CIA contractors/military vets Tyrone S. Woods (James Badge Dale), Kris
‘Tanto’ Paronto (Pablo Schreiber), Mark ‘Oz’ Geist (Max Martini), John ‘Tig’
Tiegen (Dominic Fumusa), and Dave ‘Boon’ Benton (David Denman), who together
form the CIA’s Global Response Staff. At the time of Da Silva’s arrival, the
country is in the midst of the aftermath of the 2011 Libyan Revolution but is
still considered to be dangerous territory. That is very much proven true on
the night of September 11, 2012, the eleven-year anniversary of 9/11, when a
group of Islamic militants attack the American diplomatic compound where U.S.
ambassador Chris Stevens (Matt Letscher) is currently located. Despite orders
from their chief (David Costabile) to ‘stand down’ due to the CIA’s intended
covert status in the area, Woods, Da Silva, and their fellow contractors head
over to the compound in order to protect those stationed there from their
assailants. Soon after this, the fighting moves over to the CIA annex as the
team, as well as their fellow CIA associates, find themselves trapped against
impossible odds without any real form of backup or air support.
As I noted earlier, there’s been quite a lot of controversy
from a political perspective in regards to this incident. The State Department,
and particularly then-Secretary of State Hilary Clinton, have been criticized
for not providing additional security at the consulate in the time before the
attack. But the interesting thing about this film, as well as the book that it
is based on (13 Hours written by
Mitchell Zuckoff and the surviving members of the Annex Security Team), is that
just like ‘American Sniper’, it doesn’t really focus much on the political
aspect of its story, which I feel is a good thing in this case. Instead, it
makes the smart decision to focus more on the six men who embarked on the most
extremely perilous mission of their lives in order to protect those stationed
at both the Diplomatic Compound and the CIA Annex. All of this is done with,
and I know this is going to really stun some people, a strong level of maturity
from Michael Bay. What? Were you expecting anything less from a director who’s
had a very strong relationship with the military as evident from the fact that
they usually play a part in almost all of his films? I mean sure, at the end of
the day this is still very much a Michael Bay film in terms of its overall style.
Once the action kicks in, it doesn’t let go and Bay is still fairly excessive
when it comes to his run-times, with this film clocking in at nearly two and a
half hours long. But in this case Bay doesn’t let his style overtake the
humanity of the story and amidst all of the action, he even takes a few
instances in between the action sequences to let the audience take a breather,
so it’s not like this is nothing but non-stop action for two-and-a-half hours.
All of this helps the film maintain focus on what really
matters; those who went through of this. Of the film’s cast, which is mostly
devoid of ‘A-listers’, the biggest name of the bunch is John Krasinski in the
role of Jack Da Silva. It’s certainly a much different kind of role than what
we’ve normally seen from the guy who’s best known for his role as Jim Halpert on
the American version of ‘The Office’ but Krasinski handles the role perfectly,
giving us a man committed to serving his country while also trying to be a
family man back home but always finds himself coming back to places like
Benghazi. Leading the way right alongside him is James Badge Dale as the leader
of the GRS team, Tyrone S. Woods. Over the past few years, Dale has established
himself as a superb character actor with standout supporting roles in films like
‘Iron Man 3’ and ‘The Walk’. Here he finally gets the chance to shine in a lead
role and he very much does. A lot of it comes from the strong camaraderie
between Dale, Krasinski, and the rest of the GRS squad (Schreiber, Fumusa,
Denman, Martini, as well as Toby Stephens, who plays GRS officer Glen ‘Bub’
Doherty). You can definitely sense a strong sense of brotherhood amongst these
men that carries throughout the entire film. Hell I’ll even admit that there
was one moment in this film that legitimately made me tear up. Yes, I got a bit
teary-eyed watching a Michael Bay film of all things.
‘13 Hours: The Secret Soldiers of Benghazi’ is a film that,
at the very least, should prove to hardcore cinefiles that Michael Bay can make
a mature, story-driven film that isn’t just explosions and CGI characters
fighting each other. I mean sure, maybe this film doesn’t really have as much
nuance compared to other war films but as far as Michael Bay’s films are
concerned, this is easily one of his most subdued efforts when it comes to
restraining his trademark style. And sure, the political aspect of this
incident can be argued till the cows come home but I feel that the film made
the wise decision to not get too much into the politics and instead keep its
focus on the six men who were right in the middle of all of this and who put
their lives on the line when the s*** hit the fan. I know that when this film
was first announced and that Bay would be directing it, some people feared that
this would be another case similar to Bay’s previous ‘historical war drama’,
2001’s ‘Pearl Harbor’. While that film did receive praise for Bay’s direction
of the attack on the Harbor sequence, it was widely criticized for focusing
more on fictional characters and a fictional romance than the real life people
who were there when it happened. But that’s not the case here. Aside from what
I can assume are only a few minor differences between what happened in reality
and what happens on screen, this is an extremely respectful portrayal of what
happened that night in Benghazi.
Rating: 5/5!
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