‘Transcendence’ serves as the directorial debut for Wally
Pfister, but while this may only be his first foray into directing, Pfister has
already made a name for himself as one of the best cinematographers in the
business. In the past decade, his cinematography work has been nominated for
four Oscars and he finally won the Oscar for Best Cinematography in 2010 for
his work on ‘Inception’. While he has worked on a few other films in his
career, including ‘The Italian Job’ and ‘Moneyball’, he has mainly been known
as director Christopher Nolan’s go-to cinematographer, having done all of his
films since ‘Memento’ (excluding the upcoming ‘Interstellar’ due to his work
for this project). Nolan himself serves as a producer for the film so it’s safe
to say that there’s a lot riding on this one. Pfister has long-worked with one
of the best directors in Hollywood so perhaps with this, he could successfully
move into directing and become the next Nolan. After all, this film’s premise
seems very much in line with what you might expect from a Nolan film.
Unfortunately though, this ends up being one of the most disappointing films of
the year.
Artificial Intelligence researcher Will Caster (Johnny Depp)
has been striving to develop a machine that can achieve technological
singularity, in which A.I. would progress to the point where it becomes smarter
than any human on the planet, resulting in radical civilization changes. While
Will is hard at work at accomplishing this goal with the help of his wife
Evelyn (Rebecca Hall) and their friend Max (Paul Bettany), an extremist group
known as R.I.F.T. (Revolutionary Independence From Technology) launches a
series of attacks on numerous A.I. facilities. Will himself gets shot by one of
its members and while he does survive the shooting, he and Evelyn learn that he
attracted radiation poison as a result of it and will eventually die in a few
weeks. Looking to save him, Evelyn decides to upload Will’s consciousness to a
computer and with Max’s help, they are successful, allowing Will’s spirit to
live on so that he can continue his work. However, soon Will starts to gain a
bit too much power, and Evelyn is soon forced to consider whether or not to
shut him down before he becomes way too powerful.
Going in, the biggest problem regarding whether or not this
movie would turn out any good probably had to have been whether or not the
science behind it was really smart or really dumb (or in the case of the
former, potentially even a bit ‘too smart’). But in the end, that’s not this
movie’s biggest problem. Its biggest flaw is that it is really, really boring.
This is one of those films where nothing really happens and yet strangely
enough things do happen in regards to the plot. This film does have an
intriguing premise and does raise some interesting questions about whether or
not technology should advance to the point where it becomes superior to us and
potentially could even become a major threat to us. The story they present here
is a good case of that. It’s just that as a movie, ‘Transcendence’ runs at a
very slow pace. As for the actual science within the film itself, I can’t
really say whether or not it’s handled well because I can admit that I’m not
that big of a computer expert. But for the record, I just want to recount
something that happened after I saw this film in the theater. Some guy seated a
few rows in front of me apparently began to rant about the film once it was
over. So with that in mind, I’m guessing that at the end of the day, this premise
wasn’t really handled that well.
But there are good things in this film. One good aspect in
particular is the cinematography. While Pfister isn’t the cinematographer here
(that duty instead belongs to Jess Hall), this film really has some gorgeous visuals
so it’s clear that Pfister is an expert when it comes to getting some excellent
shots, even when he isn’t directly behind the camera. Also, this movie does
have a good cast; however, the characters themselves are rather bland. In some
cases, some members of the cast are woefully underused; particularly Nolan
regulars Morgan Freeman and Cillian Murphy who really don’t get anything to do
here other than relaying exposition. Of this cast, two performances stand out.
The first is Johnny Depp, who gives one of the more subdued performances of his
career and that’s a nice refreshing change from what we usually see from him
these days. Also, that’s saying a lot considering that for most of the movie he’s
just on a computer monitor. The other standout is Paul Bettany because while,
like I said, most of the characters are rather flat his character Max has the
most depth out of any character in this film. One could argue that perhaps he
should have been the main character. He isn’t, but for what it’s worth, he does
a very good job here.
I really hate to say it, but ‘Transcendence’ ended up being
really disappointing and that is really sad considering who is involved here.
Wally Pfister is a great cinematographer and I do think that he has potential
to be a great director. However, he probably should have gone with a different ‘first
film’ as ‘Transcendence’ is, ultimately, not that good. Despite a very
intriguing premise, the film itself is very boring and that’s kind of ironic
considering that things technically do ‘happen’ within the film. The big
problem here is that there are a lot of moments when the film begins to drag,
and the characters are also pretty flat as well so we are not really
emotionally attached to any of them. The cast does a good job, especially Johnny
Depp and Paul Bettany, but in the long run they can’t save this train-wreck of
a film and from what I hear, the original script by Jack Paglen was much better
than what ultimately became of it on screen. What happened to that script?
Well, we might never know.
Rating: 2/5
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