Sunday, March 17, 2013

Ranking the James Bond films


When it comes to the greatest movie franchises of all time, the James Bond franchise is certainly one of the best, if not the best. Probably the greatest thing about the Bond franchise is that, because there have been 23 Bond films, everyone is bound to have their own unique list when it comes to ranking them all in order from best to worst. No two lists are ever going to be the same. So, with that in mind, here is my list of rankings for the 23 Bond films by Eon Productions. At the time I am writing this, I have not yet seen the 'unofficial' Bond films, including the 1967 'Casino Royale' with Peter Sellers and the 1983 'remake' of Thunderball, 'Never Say Never Again', starring the original Bond himself, Sean Connery and even if I did, I actually wouldn't even include them on this list. Finally, because I've already listed my picks for the Top 5 Best and Worst Bond films back in November during 'Bond Month', I won't be going into much detail about those films. This will be more focused on the other 13 Bond films I have not talked about yet. So grab your Vodka Martinis ('Shaken, not Stirred' of course), and let's get rolling...



23. A View to A Kill:



Roger Moore's too old, the lead Bond girl's nothing more than a Damsel in Distress, and the movie's just plain dull. The only saving graces are Christopher Walken as the villain Max Zorin and the main theme by Duran Duran.

 

22. The Man with the Golden Gun:

A man in a dinner jacket holding a pistol is in the centre of the picture. Various scenes and images surround him, including two women in bikinis, a midget with a pistol, a car stunt and explosions. At the bottom right, oversized and pointing towards the man in the dinner jacket, is a golden gun, with a hand holding a bullet, about to load the gun. The top of the picture has the words "ROGER MOORE as JAMES BOND 007". At the bottom are the words "THE MAN WITH THE GOLDEN GUN".

Same problems as 'A View to a Kill', except this one was only Roger Moore's second Bond film compared to his last, so age is not a problem here. The only reason this one's worth watching is Christopher Lee as the villain Scaramanga.

 

21. Moonraker:



James Bond... IN SPACE!! That is all...

 

20. Diamonds are Forever:



This was just a poor way to end Sean Connery's run as Bond for Eon. It's a film that's just way too campy to be taken seriously, though to its credit, it is entertaining.

 

19. Die Another Day:



I don't think this one is as bad as most people have put it out to be, but still it's not perfect. There's way too much CGI, Halle Berry's Jinx is not really that good of a Bond girl, and the second half is a bit of a mess. Still, Pierce Brosnan does a solid job as Bond alongside Toby Stephens as main villain Gustav Graves and Rosamund Pike as Bond girl Miranda Frost.

 

18. Octopussy:



'Bond 13' (no, I will not refer to it by its official title, which is hands down the most ridiculous title for a Bond film) is by far the most over-the-top Bond film to date. Bond swings on a vine and yells like Tarzan, swims around in a 'crocodile suit', and dresses up like a clown. Need I say more? But, for some odd reason, this is actually my 'guilty pleasure' of the series because of its over-the-top nature. That's what makes it so entertaining.


17. You Only Live Twice:

Poster showing small, open-cockpit helicopters flying in the sky

While this film certainly has some great set pieces and action sequences, things start to fall apart in the second half of the film. Not only does Sean Connery not really look invested in this film, but for a movie that serves as the first full appearance of Ernst Stavro Blofeld, perhaps Bond's most famous foe, he is not given much to do which is a shame because Donald Pleasance does a solid job as Blofeld.

 

16. The World is Not Enough:

Poster shows a circle with Bond flanked by two women at the centre. Globs of fire and action shots from the film are below. The film's name is at the bottom.

This is a mixed bag of a Bond movie because there are good things in it and also bad things in it. First off, what's good about this film? Well, Pierce Brosnan gives what is probably his best performance as James Bond and Sophie Marceau's Elektra King is a pretty solid villain because, like 006 in 'Goldeneye', the relationship between Bond and Elektra is more personal. But while both Brosnan and Marceau do good jobs, Robert Carlyle is underused as the other villain Renard and Denise Richards... yeah there's no denying it, she's one of the worst Bond girls ever. I don't think she's the absolute worst (see Stacey Sutton from 'A View to a Kill') because at least she helps Bond a few times. This is really more of a miscasting.

 

15. Quantum of Solace:

A man in a business suit holding a machine gun stands on a desert. To his left is the title "Quantum Of Solace" in black letters – except the 'O's, which are golden and make a diagonal straight line with a 7 resembling a gun.

To put it simply, Quantum of Solace is not as good as its predecessor, 'Casino Royale'. Why? Well, the main reason is because unlike the slower-paced 'Casino Royale', 'Quantum' is more fast-paced and there's not really much time given towards character development which, considering how Daniel Craig portrays Bond and how Casino Royale played out, should be essential to this film but it's surprisingly lacking here. Also, the editing is... kind of bad; there's a lot of fast cuts making it hard sometimes to see what's going on. Finally, the main villain is just boring. So, is there anything good in this film? Well, the one thing that does hold it together is Daniel Craig, who is still fantastic as Bond and the relationship between Bond and M is also handled well here. So while Quantum of Solace is by no means as good as Casino Royale, I don't really hold that against it that much because it is a true sequel to it.

 

14. Thunderball:



After the first three Bond films in the series, in comes this film and well, it ain't as good as the first three. There are two things holding it back. The first is the villain, who is just a generic eye-patch-wearing agent of SPECTRE. There's also the underwater sequences which, while well-shot for the time, just get monotonous and drag the movie out longer than it should be.



13. Live and Let Die:



'Live and Let Die' is a solid debut for the third Bond, Roger Moore, with some very memorable villains and easily the hottest Bond girl ever. Granted, the movie's not exactly perfect because there are times where the film goes really over-the-top, like during the boat chase scene (which is a pretty awesome action scene, by the way) where we see a lot of this crazy sheriff, J.W. Pepper (who also makes a return in the next film, 'The Man with the Golden Gun' (as if that film couldn't get any worse)).

 

12. For Your Eyes Only:

A graphic, taking up three quarters of the image, on black background with the bottom quarter in red. Above the picture are the words "No one comes close to JAMES BOND 007". The graphic contains a stylised pair of women's legs and buttocks in the foreground: a pair of bikini bottoms cover some of the bottom. The woman wears high heels and is carrying a crossbow in her right hand. In the distance, viewed between her legs, a man in a dinner suit is seen side on, carrying a pistol. In the red, below the graphic, are the words: "Roger Moore as Ian Fleming's James Bond 007 in FOR YOUR EYES ONLY".

While this is a top-notch Bond film in regard to the more serious tone it takes compared to its more campy predecessor, 'Moonraker', this is not really my favorite of Roger Moore's Bond films because I actually think it's a bit too serious for a Roger Moore Bond film. I'm glad that the filmmakers decided not to do another over-the-top film like 'Moonraker', but I don't associate a serious Bond film with how Roger Moore portrays Bond. If this was a Timothy Dalton or Daniel Craig Bond movie, it would much better but for Moore, not so much. But I'm not going to lie, this is still a solid Bond film. Speaking of Timothy Dalton...

 

11. The Living Daylights:



Because he only starred in two Bond films, Timothy Dalton (like George Lazenby before him), never got a chance to make his mark as James Bond, which is sad because he's perhaps one of the best to have ever played him. Dalton's Bond has a lot more edge to him than someone like Roger Moore or even Sean Connery and that's more in tone with the Bond that author Ian Fleming created in the original Bond novels. However, Dalton also could have done a lot better at humor. So how about his first of only two Bond films? Well, it's a solid Bond film with a good Bond girl and some really good Bond allies. The only problem? The main villains are really weak. There are two of them in this film and neither of them are any good. That is why I listed them as the worst Bond villains of all time back in November during 'Bond Month' because of the fact that there are two crappy Bond villains in one movie. So, my pick for the best Timothy Dalton Bond film is...



10. Licence to Kill:

A film poster showing a large face in red dominating the left hand side. In the middle of the picture stands a man dressed in black pointing a pistol towards the viewer. An inset picture shows two women looking out of the poster. The name '007' appears in the top right whilst in the centre at the bottom are the words "LICENCE TO KILL"

In my opinion, the most underrated Bond film ever. I know 'On Her Majesty's Secret Service' is also pretty underrated, but while that film has had a very positive reception from both critics and audiences since its release, 'Licence to Kill' has not been so lucky which is a shame because it's a damn good Bond film in terms of how Bond is portrayed and how this whole mission effects him personally. This is 'Casino Royale' before 'Casino Royale' even came out. Granted, the film does get a bit too brutal at times, like when one of the main henchmen gets locked in an air compression chamber and his head blows up. As the first Bond film to get rated PG-13, it's probably a bit too violent for a film given that rating. But the best part of this whole film is the villain, Franz Sanchez. While the character is a despicable bad guy, Robert Davi actually brings a bit of charm to the role, so much so that the filmmakers could have passed him off as Bond and I'd buy it. The bottom line is that no, this isn't the best Bond film, but it's one that's much better than what some have put it out to be.

 

9. Tomorrow Never Dies:

A man wearing evening dress holds a gun. On his sides are a white woman in a white dress and an Asian woman in a red, sparkling dress holding a gun. On the background are monitors with scenes of the film, with two at the top showing a man wearing glasses holding a baton. On the bottom of the screen are two images of the 007 logo under the title "Tomorrow Never Dies" and the film credits.

While I can't say 'Tomorrow Never Dies' is as good as Pierce Brosnan's first Bond film, it's still a solid Bond film and if anything else, it's much better than Brosnan's last two Bond films. It has a pretty good villain in Jonathan Pryce's Elliot Carver and one of the best Bond girls in franchise history in Michelle Yeoh's Wai Lin, one of only two Bond girls who can be considered as Bond's equal.

 

8. The Spy Who Loved Me:



This is easily Roger Moore's best Bond film. It's a Bond film that mirrors that of 'Goldfinger' by being a perfect mix of action and humor. Like 'Tomorrow Never Dies', it has a terrific lead Bond girl in Barbara Bach's Agent XXX, another Bond girl who is Bond's equal and the way the two of them become connected makes for some great romantic tension. The film also features one of the series' best henchman in Richard Kiel's Jaws (let's just ignore his appearance in 'Moonraker', shall we?) and that makes up for a lead villain, Stromberg, that's just an okay villain.

 

7. Dr. No:

In the foreground, Bond wears a suit and is holding a gun; four female characters from the film are next to him.

Why is the first Bond film ever only at number seven, you ask? Well, that is because Dr. No is admittedly really dated. There's no theme song (by that I mean there's no song performed by a singer), the main villain and lead Bond girl don't appear until the movie's halfway over, and there's no Q and any use of gadgets. That's not a bad thing; it just shows that this series obviously got better and better as it went on. This is still a really good Bond film, and while it is slower-paced, it's still a solid film and Sean Connery makes a name for himself as the first (and best) James Bond right from his first words. All together now, 'Bond... James Bond!'

 

6. Goldeneye:



While Goldeneye is only number six on this list, it is my personal favorite James Bond film and one that holds a special place in my heart because... it is the first Bond film I ever saw. Likewise, Pierce Brosnan is my personal favorite James Bond because he was the first Bond who held the position when I was young (though, ironically, I didn't see this film (or any of the other Bond films for that matter) until after Brosnan's tenure as Bond was finished). It helped bring Bond back to prominence just like Casino Royale would do 11 years later. Brosnan shines in his first outing as Bond, and Sean Bean also does an excellent job as the main villain, Agent 006, giving Bond a more personal villain to face than some of the other Bond villains. We also have solid turns from Izabella Scorupco as lead Bond girl Natalya and Famke Janssen as henchwoman Xenia Onatopp. All in all, it's one of the best Bond films ever and that is why it is at this spot in the list.


5. On Her Majesty's Secret Service:

A man in a dinner jacket on skis, holding a gun. Next to him is a red-headed woman, also on skis and with a gun. They are being pursued by men on skis and a bobsleigh, all with guns. In the top left of the picture are the words FAR UP! FAR OUT! FAR MORE! James Bond 007 is back!

Another underrated Bond film and sure, George Lazenby is no Connery, but he still does a fine job here and the film ends with the saddest moment in franchise history, one that was never truly resolved in future installments.

 

4. Casino Royale:

A man in a business suit with a loose tie holding a gun. Behind him is a silhouette of a woman showing a building with a sign reading "Casino Royale" and a dark grey car below the building. At the bottom left of the image is the title "Casino Royale" – both "O"s stand above each other, and below them is a 7 with a trigger and gun barrel – and the credits.

A film that brought back Bond in a whole new way, resulting in a grittier and edgier Bond film unlike anything we have seen before. Top that with Daniel Craig's terrific performance as Bond and you have one of the greatest Bond films ever.



3. From Russia With Love:

The upper center of the poster reads "Meet James Bond, secret agent 007. His new incredible women ... His new incredible enemies ... His new incredible adventures ..." To the right is Bond holding a gun, to the left a montage of women, fights and an explosion. On the bottom of the poster are the credits.

So if 'Dr. No' is the dated Bond film, then 'From Russia With Love' is the first Bond film to resemble later Bond films much closer. An engaging story, top-notch villains, and probably Sean Connery's best performance as Bond.

 

2. Goldfinger:

On a black background, three pictures of a man in a suit, holding a gun on the middle one and kissing a woman in the bottom one. Behind the middle picture, a nude woman painted gold lies. Atop each image is a phrase of the tagline: "James Bond Is Back", "Everything He Touches", "Turns to Excitement!". On the bottom of the poster, the title and credits.

A perfect mix of action and humor. This is just classic Bond anyway you look at it.



1. Skyfall:

The poster shows a man wearing a tuxedo and holding a gun, standing in front of an image that looks like it was taken from the inside of a gun barrel, with the London skyline visible behind him. Text at the bottom of the poster reveals the film title and credits.

So why is 'Skyfall', the most recent Bond film, my pick for the best Bond film ever? Well, 'Goldfinger' is a classic Bond film, but when it comes to taking the character of Bond to a whole new level, 'Skyfall' takes the cake for that. I love the whole idea of Bond not only having to come back from a supposed death and try to get back in the game, but also to prove that someone like him is still useful in today's modern world and director Sam Mendes executes this perfectly. Javier Bardem's Raoul Silva is also a terrific villain, whose actions mirror those of the Joker from 'The Dark Knight' very closely. Like in 'Quantum of Solace', the relationship between Bond and M is terrific and Judi Dench is given her most substantial role as M to date (also her last and her send-off is both sad and well-handled). I just can't find anything wrong with this film and sure, in the end, Goldfinger might be the better film. But, as the Bond franchise celebrated its 50th anniversary, it was honored with a top of the line Bond film, and that is why 'Skyfall' is my pick for the best Bond film of all time.

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