As far as the various eras of Walt Disney Animation Studios
are concerned, many would agree that 2008’s Bolt marked the start of
what is widely referred to as the ‘Disney Revival’, when the studio finally
managed to overcome the rough stretch that it endured in the early 2000s and
produce some of its most critically acclaimed films in recent years. Because of
this, Disney fans have been treated to a bunch of modern animated masterpieces
such as Frozen, Zootopia, and The Princess and the Frog just
to name a few. And while it could be argued that the studio is still in this
period of its history given the strongly consistent track record that it’s
maintained since the late 2000s, it could also be argued that a new era for
the studio began in 2018 when Frozen co-director Jennifer Lee became the
studio’s new Chief Creative Officer. Lee’s gone on record stating that one of
her main goals for the studio moving forward is that they take greater
initiative when it comes to crafting stories and characters that reflect our
increasingly diverse world and you can certainly see that with the studio’s latest
endeavor, Raya and the Last Dragon. Directed by the duo of Don Hall (Winnie
the Pooh (2011), Big Hero 6) and Carlos López Estrada (director of the critically acclaimed
live-action dramedy Blindspotting), Raya and the Last Dragon is
entirely based around Southeast Asian culture and notably features the studio’s
first Southeast Asian princess. And as we’ve come to expect from Disney at this
point, it all comes together wonderfully in a beautifully animated and
emotionally poignant film.
Long ago, the people of the mystical land of Kumandra lived
in harmony with the magical dragons who shared a home with them. Unfortunately,
they soon found themselves invaded by sinister creatures known as the Druun
that turn their victims into stone, and while the dragons were able to successfully
thwart these spirits, the people of Kumandra became so divided by their greedy
aspirations that they split into five tribes: Fang, Heart, Tail, Spine, and
Talon. Many years later, the Heart tribe’s leader, Chief Benja (voiced by
Daniel Dae Kim), attempts to reunite the warring factions but this only results
in the destruction of the powerful orb that the dragons created to protect
Kumandra from the Druun, thus resulting in their resurrection. With tensions
between the five tribes fiercer than they’ve ever been before, Benja’s daughter
Raya (voiced by Kelly Marie Tran) embarks on a journey across the land to find
the last of Kumandra’s dragons, Sisu (voiced by Awkwafina). Together, they and
the various allies that they meet along the way embark on a quest to hunt down
the broken pieces of the orb so that Sisu can use it to stop the Druun once and
for all. However, they also find themselves having to deal with various threats
such as Namaari (voiced by Gemma Chan), the princess of the Fang tribe whose
duplicitous actions towards Raya were the primary catalyst behind their current
predicament.
Raya and the Last Dragon has been getting a lot of
attention for its action sequences, and sure enough, they’ll are brilliantly
done, so much so that some of them apparently had to be toned down so that the
film could maintain a Disney-friendly rating. But, of course, at the end of the
day, this film is another phenomenal showcase of Disney’s amazing animation
staff, especially seeing how they were all forced to work remotely on this one for…
well, obvious reasons. Following in the footsteps of other regional-based
Disney films such as Frozen (Norway) and Moana (South
Pacific/Polynesia), the filmmakers use this film’s Southeast Asian setting and
culture to their fullest effect, thus creating an utterly beautiful and effortlessly
fascinating world to explore in Kumandra. But this clear-cut respect for Southeast
Asian culture also carries over nicely to the film’s main plot which, on the
surface, may seem like a traditional action-adventure story but is ultimately
one that is steeped in some incredibly timely themes of unity. After all, the
whole plot revolves around the quest to rebuild a land that’s been thoroughly
divided, and while long-time readers of this site know that I usually don’t
like to bring politics into my reviews… well, let’s just say that these past
few years have made this story a particularly relevant one.
In the early stages of the film’s production, Raya was to be
voiced by Cassie Steele of Degrassi: The Next Generation fame. However,
a few months before the film’s release, it was announced that the role was
recast due to the desire to make Raya a more light-hearted protagonist rather
than the ‘stoic loner’ that she was originally developed as. Luckily, they
found just the right person for the job in Kelly Marie Tran, who brings all the
same great qualities that she brought to the role of Rose Tico in the Star
Wars sequel trilogy (sorry, racist trolls, but it’s true…) for Raya as
well, from her spunky attitude to the strong emotional beats that define her
character. Raya’s then joined by one of the most entertaining groups of Disney
sidekicks in recent memory, all led by Awkwafina as the utterly hilarious Sisu,
whose endearing optimism contrasts perfectly with Raya’s more world-weary
mentality which, given the context of the plot, is completely justified. Other
memorable allies include Boun (Izaac Wang), a smooth-talking entrepreneurial 10-year-old
from Tail, and Little Noi (Thalia Tran), a mischievous con-baby from Talon who’s
always joined by a trio of monkey creatures known as Ongi. The film also gives
Raya an excellent rival in the form of Gemma Chan’s Namaari who, despite what the
marketing may have implied, isn’t just a traditional ‘antagonist’. Instead, it’d
be more appropriate to refer to her as Raya’s foil since many of her actions,
as threatening as they often are, are done with the intent of protecting her
people which, at the end of the day, was a much better route to take with this
character since making her more of a straight-forward villain wouldn’t have
gelled well with the film’s themes.
Well, folks, in a completely unexpected turn of events, Walt
Disney Animation has delivered an animated masterpiece… actually, it’s not that
much of a surprise because that’s just what they do. Still, Raya and the
Last Dragon is yet another top-tier outing from them as it delivers a
highly entertaining action-adventure story that’s fully bolstered by some incredibly
timely themes that directly stem from the Southeast Asian culture that’s
well-represented here. Ultimately, though, I’d argue that the greatest aspect
about this film is the prospect of what all its successes will mean for its
lead actress, Kelly Marie Tran. At this point, I’m sure that most of you are
aware of the utterly horrible crap that she ended up going through following
the release of The Last Jedi when many of that film’s hostile critics
took out their hatred for it on her specifically. Even more than three years
after the film’s release, this still stands as one of the most tragic examples
of the dark side of fandom that, if you ask me, has only gotten worse these
past few years. But now, thanks to this film, Kelly Marie Tran can lay
claim to the honor of being Disney’s latest badass princess, and to be
perfectly frank, I can’t think of anyone more deserving of this
accomplishment than her. And so, in conclusion, this is an undeniable must-see
whether you’re able to see it in theaters or, if a certain pandemic is keeping
you from going out and watching it that way, by viewing it via Disney+, where
it became the service’s second film after the live-action remake of Mulan to
be turned into a ‘Premier Access’ release.
Rating: 5/5!
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