The Terminator franchise has gone through quite a
fascinating run over the years that has mainly been defined by its repeated yet
ultimately unsuccessful attempts at kick-starting a full-fledged franchise. It
all began, of course, with the original Terminator from 1984. This
low-budget, noir-inspired sci-fi thriller went on to become a landmark entry in
the sci-fi genre and effectively launched the legendary career of its director,
James Cameron. Cameron would then return to the world of Terminator 7
years later with Terminator 2: Judgment Day. Judgment Day was a far
bigger sequel in every sense of the word, and upon its release, it too became a
critical and commercial success to the point where it’s often regarded as not
only one of the finest films of its genre but also quite arguably a superior
sequel to what was already a sci-fi masterpiece. However, this is where things
start to get… complicated, since the ending of Terminator 2 was very
much a conclusion to the story of the Connor family and their efforts to stop a
self-aware artificial intelligence system from starting a nuclear war. And yet,
a third Terminator film, Rise of the Machines, ended up getting made
in 2003 without any involvement from James Cameron that straight-up retconned its
predecessor’s ending. Despite this, however, the film managed to be a decent
enough hit with both critics and audiences and ended up spawning its own sequel,
Terminator Salvation, in 2009. However, in contrast to its immediate
predecessor, Salvation was both a critical and commercial disappointment,
most likely due in large part to the controversial decision to opt for a
lighter PG-13 rating. To make matters worse, the film’s main production company,
The Halcyon Company, ended up filing for bankruptcy two years later,
effectively nixing any plans for a follow-up within the context of this current
continuity.
Thus, the series ended up getting a major reboot in
2015 with Terminator Genisys. While the film would ignore the events of Terminator
3 and Salvation so that it’d be more in line with Cameron’s films,
it would also make the bold move of setting up its own continuity by establishing
an alternate timeline a la the 2009 reboot of Star Trek. But just like Salvation’s
decision to be a PG-13 rated film, this alternate timeline plot did not go
over well with fans of the franchise. This, along with other highly criticized aspects
of the production that range from the second trailer’s reveal of its biggest
plot twist to the widespread mockery of the ‘unique’ spelling of the Genisys
subtitle, ultimately led to the film being yet another disappointment for
both critics and audiences. And while the film wasn’t necessarily a commercial
underperformer like Salvation (at least in terms of worldwide box-office
since it didn’t do so well here in the U.S.), it was once again decided to cancel
any follow-ups that would maintain its continuity. Thus, this brings us to what
is now the third major attempt at continuing the franchise after Terminator
2, Terminator: Dark Fate. Like Genisys attempted to do before
it, Dark Fate, directed by Tim Miller as his first directorial effort
after the first Deadpool back in 2016, ignores the events of the most
recent films in the franchise to be a clear-cut sequel to Terminator 2. And
yet, perhaps this film’s biggest coup was securing the involvement of not only
James Cameron as a writer/producer but also Linda Hamilton as the series’
iconic female lead, Sarah Connor. As a result, this does help the film succeed
in several ways that the previous films didn’t despite being one of the most egregious
examples in recent memory of ‘been there, done that’.
It was in 1995 that Sarah Connor (Linda Hamilton) and her
son John managed to destroy all evidence of the artificial intelligence system
known as Skynet to prevent it from wiping out over 3 billion lives via a
nuclear holocaust on August 29th, 1997, a date that would’ve become known as ‘Judgment
Day’. And yet, even after all these years, that hasn’t stopped Sarah from continuing
her efforts to hunt down any of the machines known as Terminators that arrive
from the future to eliminate those who stand in their way. Sure enough, in
2020, a young factory worker from Mexico City named Daniella ‘Dani’ Ramos (Natalia
Reyes) finds herself being hunted by Rev-9 (Gabriel Luna), an advanced
Terminator model who can separate itself into two autonomous units. At the same
time, Grace (Mackenzie Davis), a cybernetically-enhanced soldier, is sent back
in time from the year 2042 to protect her, with Sarah soon joining the fight as
well. It is through Grace that Sarah and Dani learn that, despite the former’s
successful destruction of Skynet, a new A.I. system known as Legion ended up taking
its place as the catalyst for nuclear Armageddon. And just like how Skynet sent
numerous Terminators back in time to kill their greatest enemy, John Connor,
Dani is now Legion’s primary target due to her playing a pivotal role in the
rise of the future human resistance. Thus, Sarah, Grace, Dani, and eventually
an aging T-800 unit that goes by the name ‘Carl’ (Arnold Schwarzenegger) band
together to combat what is easily the most dangerous adversary that any of them
have ever faced before.
A lot has been said about why the last three Terminator films
haven’t been as well-received as the first two, and it could be argued that
this was primarily due to some of their ‘questionable’ ways of trying to
continue the story. This includes everything from Terminator 3’s
implication that the events of Terminator 2 only delayed the inevitable
incident that was Judgment Day to Genisys’ decision to flat-out ignore
the events of the first two Terminator films in favor of its new
alternate timeline that turned John Connor into an antagonist. Dark Fate manages
to avoid this, for the most part (aside from maybe one key moment at the very
beginning that radically changes the franchise’s dynamic), by maintaining a ‘back
to basics’ approach with its narrative. However, there is one notable downside
to this since Dark Fate ends up having quite a lot in common with its
predecessors when it comes to the plot. Granted, I’m usually not one to ding a
film for being ‘derivative’ since I know that it’s hard to be ‘truly original’ nowadays,
but Dark Fate literally has the exact same plot as most of the other
films in this series save for Salvation and Genisys. A Terminator
is sent back in time to kill a target who becomes a major threat to them in the
future while another being (usually someone who’s either partially or fully
cybernetic) is sent back as well to protect the target. At the very least, director
Tim Miller always keeps things moving thanks to the film’s rapid pace even if that
doesn’t allow for a lot of moments to take a breather… that and the finale ends
up feeling a bit too overlong.
Right from the moment that the film’s first promo image was
released, it was made perfectly clear that Terminator: Dark Fate was
primarily going to revolve around its trio of female leads, and sure enough,
they’re arguably the best part of the film. Obviously, it all begins with Linda
Hamilton’s heralded return to the franchise as Sarah Connor for the first time
since Terminator 2 (or Terminator 2 3-D: Battle Across Time if
you want to be specific). Prior to this, the character was unceremoniously
killed off-screen in Terminator 3, reduced to a voice cameo in Salvation,
and was recast twice, with Emilia Clarke taking on the role in Genisys and
Lena Headey playing the character in the short-lived TV series The Sarah
Connor Chronicles. But now the original Sarah Connor is back in triumphant
fashion as Hamilton seamlessly slips back into the role with ease, once again
finding that perfect mix of sardonic snark and devastating emotional pathos
that defined her iconic turn in the role in Judgment Day. Meanwhile,
Mackenzie Davis and Natalia Reyes are both excellent as well in what could best
be described as this film’s ‘Kyle Reese’ and ‘Terminator 1 era Sarah Connor’,
respectively. Davis’ Grace immediately establishes herself as a formidable
action heroine while Reyes shines in what will surely be her breakout role
thanks to her wonderful handling of Dani’s character arc where she transitions
from an unassuming ‘nobody’ to a far more confident leader. But, of course, you
can’t have a Terminator film without Arnold Schwarzenegger, and while he
technically doesn’t show up until the second half of the film, Dark Fate does
give him one of the most interesting characters he’s ever played in this series
as we learn that this T-800 unit has a ‘very specific’ bit of history with
Sarah. Finally, to close out the main cast, Agents of SHIELD breakout star
Gabriel Luna also does an excellent job as the new main antagonist Rev-9. Like Grace
and Dani before him, Rev-9 is admittedly best described as ‘this film’s T-1000’
given the many similarities that he shares with Robert Patrick’s iconic antagonist
from Judgment Day. Still, Luna’s take on the character perfectly syncs
up with the characterization that Patrick went with as the completely
unassuming cybernetic being who could impeccably transition into his real identity
as a stone-cold killer in the blink of an eye.
I’ll openly admit that I wasn’t quite sure what to expect
from Dark Fate going into it and that had a lot to do with my overall experience
with the Terminator franchise. Obviously, I love the first two films
just as much as everyone else, but at the same time, I’m not afraid to admit
that I do like some of the sequels. I think that Terminator 3: Rise of the
Machines isn’t as bad as it’s often put out to be, and as long-time visitors
of this site may recall, I was one of the rare people who gave a genuinely
positive review of Terminator Genisys back in 2015. Heck, it even
managed to make my Top 10 that year. As such, there was legitimately a part of
me that hoped that they would try to do a follow-up to Genisys but perhaps
manage to secure the involvement of James Cameron (since he did go on record stating
that he did like the film) so that it could be a lot better. Obviously,
though, that didn’t end up being the case, and instead, Cameron and Tim Miller
decided to truly take the series back to its roots, for better or worse. In
other words, Terminator: Dark Fate does indeed feel like the legitimate
follow-up to Terminator 2: Judgment Day in terms of both its story and
action beats. However, with that said, the film is somewhat hindered by the
fact that it arguably tries a bit too hard to be like Cameron’s Terminator films
to the point where it straight-up rehashes their plots practically
beat-for-beat. And yet, despite how much it stringently adheres to the franchise’s
long-running formula, the triumphant return of Linda Hamilton in the role of
Sarah Connor is ultimately enough to make Dark Fate one of the better
entries of this series. Let’s just hope that if any of these supposed sequels
that Cameron has been teasing end up getting made, they try to do something a
little different next time.
Rating: 4/5
