Top 10 WORST Films of 2015: #10-5

Well here we are at the end of the year so you know what that means… it’s time for the annual lists of our favorite and least favorite films of the year. Of course I’m starting off with the ‘Worst of the Year’ list simply because I want to end the year on a good note and talk about the good stuff. However, I’m fully aware that at the end of the day, this list is going to be the more popular of the two because the internet just LOVES to talk about the bad stuff. But not me; in fact, I’m kind of getting tired of the internet’s constant cynicism and mean-spirited nature. Right now online film culture is dominated by things like Honest Trailers and CinemaSins. And while I’ll admit to being a ‘fan’ of them in the past, nowadays I feel like these shows only ruin the reputations of perfectly good films. So with that said, don’t expect to see me rage that much about these films no matter how bad they are. I’m just going to be straight and to the point when it comes to talking about these films and their issues. Because this is the ‘End of the Year’ list, I will be discussing some of the more spoiler-y details of these films. But because this is the worst list, I’m not even going to bother to warn you guys about it because obviously I can’t recommend any of these films in the first place. So with all that said, here is Part 1 of my Top 10 list for the Worst Films of 2015. Today I’ll be listing films 10-5.

Kicking off this year’s list is a film that I had originally given a 3/5 rating to when I reviewed it this past April. However, as time has gone on, my opinion of the film has changed quite a bit. It is by no means the worst film that I’ve seen this year but it’s also one that I’m not keen on re-watching anytime soon.

10. UNFRIENDED

In the months since I saw this film, I realized that I appreciate it more for its technical merits than I do as far as it being a horror film is concerned. To its credit, it does have a pretty novel idea for a horror film. The film is set entirely within the confines of the computer of the main character Blaire and she and the other main characters communicate with one another via Skype. The terrors that they go through all occur as a result of a mysterious source that ‘hijacks’ their conversation whom they can’t remove no matter what they try. Again, to the film’s credit, I haven’t really heard of any other horror film like this before and the film definitely succeeds in sticking to its internet based setting, right down to the lag issue that can plague Skype conversations, something of which I’m familiar with through the podcasts that I have recorded with my friends. Obviously just having the whole film take place on Skype would’ve been rather boring so the film interjects these scenes with moments of Blaire using other applications like Facebook and Instant Messaging. And in certain parts, there is some genuine tension that comes from Blaire frantically trying to do something on her computer before something bad happens, like downloading virus removal software whose installation process is momentarily halted at one point due to some other application that is running at the same time or not showing a note that came from her printer that reads that one of her friends will die if she shows the message. And while not a ‘horror’ moment, I have to say that my favorite scene in the film is when the friends all get into an argument over secrets that are being revealed during a forced game of ‘Never Have I Ever’ and the killer trolls them by playing a song about lying on Spotify. Now that was hilarious!

However, those are really the only major positives that I can give this film because as an actual horror film, it’s rather subpar. The deaths are very traditional and the jump scares are, as usual, annoying. As for the characters, they’re both incredibly stereotypical and really, really unlikable. For you see, the main plot of the film revolves around an incident a year before where one of their classmates, Laura Barns, killed herself after receiving endless abuse from her classmates over an embarrassing video of herself drunk and passed out at a party that was posted online. And as we learn over the course of the film, the main characters all had a hand in her torment so it’s pretty much impossible to sympathize with any of them. So that would mean that we root for the killer, right? Well yes in this case we do but even then we actually never learn who the killer really is. I mean, I guess you can say that the killer is meant to be the ‘ghost’ of Laura but the film never explicitly states that this is the case. In fact, at one point during the film, Blaire messages her boyfriend Mitch and tells him that Laura had an uncle and when I saw that, I thought that this was the give-away; that Laura’s uncle was the ‘killer’ looking to enact revenge upon his niece’s classmates for causing her death. However, that’s not the case and we’re left to assume that it is the ‘ghost of Laura’ that’s haunting her classmates. So in short, ‘Unfriended’ is a fairly original horror film as far as its concept is concerned. However, in execution, it ends up being another fairly clichéd entry in the genre.  

My Number 9 pick is a film that I really wanted to like. I didn’t care that it was a prequel, which many argued was unnecessary, but ultimately the film ended up being a fairly disappointing take on a classic story.

9. PAN

Like I said, I really wanted to like this film. Given the fact that, nowadays, most big-budget live-action films are usually rated PG-13 or higher, I was happy to see that we were getting a PG-rated big-budget fantasy film, one that the whole family could see. And despite my overall thoughts on this film, at the end of my review I still recommended it to families as I felt that, at the very least, kids might enjoy it for the colorful visuals and stuff like that. But as for adults, their mileage will vary on this, unfortunately, misguided attempt at telling the prequel story to Peter Pan. Again, I didn’t judge this film too much for being a prequel nor did I judge it for its heavy use of CGI. At the end of the day, this film’s biggest problem is the writing. There are two main reasons as to why this is. First off, the references made to ‘future events’ in regards to the story of Peter Pan are very obvious and lack subtlety. When Peter talks to one of the fairies during the finale, of course it has to be Tinker Bell. And when Peter, Hook, and Tiger Lily are rafting down a river of crocodiles, Hook notes his dislike of them, obviously referencing the crocodile that would end up taking Hook’s hand, hence the name ‘Captain Hook’. But then another issue is the fact that the plot feels rather rushed as it feels like the film is trying to breeze through moments that would constitute any sort of character development in favor of zany visuals. And while the film’s visuals are rightfully surreal in design, as one would expect from something like Peter Pan, the pacing is still very messy and the characters are very dull and underwritten. There’s also quite a few weird things in this film as well, like scenes where a bunch of characters, for no real reason, start to sing Nirvana’s ‘Smells Like Teen Spirit’ and the Ramones’ ‘Blitzkrieg Bop’. Simply put, Baz Luhrmann’s ‘The Great Gatsby’ this isn’t…

Peter himself probably gets the worst of the general lack of character development as he spends most of the film rather cowardly not wanting to live up to the prophecy about him saving Never Land from Blackbeard. Thankfully, Levi Miller sort of manages to get around this when he does have the chance to convey the playful and cocky attitude of the character. As for Rooney Mara as Tiger Lily, I didn’t pay much attention to the controversy over casting a Caucasian actress in the role of the native American character and to her credit, she’s the most straight-faced and down-to-earth of the four main leads; in other words, not over-the-top. But in a film like this that is very much over-the-top in tone, maybe this wasn’t such the best idea. By contrast, Hugh Jackman is incredibly over-the-top as the main villain Blackbeard. In my review I actually pinned him as the ‘weak link’ of the cast but looking back on it, I do realize that Jackman’s ridiculously campy turn is very fitting for the film. And with that said, while Garrett Hedlund might have been a bit too over-the-top as the Han Solo-esque Hook (and yes, this is a very fitting reference because the film very much feels like ‘Star Wars’ in both plot and characters as far as the main trio of Peter (Luke), Hook (Han), and Tiger Lily (Leia) are concerned), I still thought he was fine. But despite the best efforts of the four main leads, ‘Pan’ ultimately feels like a weirder and campier version of the ‘Star Wars’ prequels, even though I will give this film credit in that its heart definitely was in the right place.

Speaking of the ‘Star Wars’ prequels, my Number 8 pick is another film that feels a bit too reminiscent of those prequels. It’s another film that I didn’t want to dislike but unfortunately it didn’t do much for me.

8. JUPITER ASCENDING

I think it’s safe to say that as soon as this film’s first trailer was released, many people were expecting the film to bomb, even after it got moved from its initial Summer 2014 release to February of this year. And ultimately it did bomb, making that three in a row for the Wachowskis, whose careers have been in steady decline since hitting big with ‘The Matrix’ in 1999 and will probably now hit a major wall, in terms of films, after this box-office bomb. In other words, who knows when they’re going to get another chance to direct a big-budget film? Like ‘Pan’, this film feels very much like the ‘Star Wars’ prequels in terms of its overall tone and while I’ve admitted in the past to actually liking the prequels, I don’t view other films being like that as a ‘good thing’. As I noted in my review for the film, this was basically the 2015 equivalent of ‘Attack of the Clones’; a sci-fi film with minimal action that’s pre-dominantly exposition-based. In other words, this film really does drag at times. And the sad thing about all of this is that, despite the film’s shortcomings from a writing perspective, the film’s visuals are genuinely amazing. Clearly a lot of effort went into the art design of this sci-fi world. After all, that was the main reason why the film got pushed back from its original summer 2014 release date; so that more time can be given to finish the effects. But at the end of the day, that’s all for nothing as a result of a plot that’s pre-dominantly dialogue driven and fairly messy.

The film’s main character, Jupiter Jones, is a pretty poor sci-fi female lead. Literally all she is in the film is a damsel in distress, despite the fact that she’s supposed to be the reincarnation of the matriarch of the most powerful alien dynasty in the universe. To her credit, Mila Kunis at least does her best even though she has very little to work with. By comparison, Channing Tatum and Sean Bean, the latter of whom actually doesn’t die for once in a film (in fact he also doesn’t die in the next film on this list), both get more to work with as soldiers Caine Wise and Stinger Apini, respectively. And then there’s Eddie Redmayne as the main villain; Balem. It’s a good thing that Redmayne did win the Oscar for his work in last year’s ‘The Theory of Everything’ because his performance here is likely going to get him a Razzie nomination. There are two levels to his performance here; either he’s whispering in a raspy Voldemort-like voice or he’s RANDOMLY YELLING AT SOMEONE! Thankfully he actually isn’t in the film that much. Seriously, he actually disappears for the entire middle half of the film while his character’s siblings, played by Douglas Booth and Tuppence Middleton, basically take his place as the ‘villains’. Though I use that term loosely because, when their scenes are over, they’re never seen again. Nothing is ever done about them by the end of the film which is, again, a sign of the messy nature of the screenplay. Like Joe Wright with ‘Pan’, I can clearly see how passionate the Wachowskis are about their work but in the end they all ended up biting off more than they can chew as both of their films ended up being major commercial flops. Yeah aside from ‘Fury Road’ Warner Bros did not have a really good year at the box-office.

My Number 7 pick is a film that I was actually looking forward to despite the various aspects of the film that would make others not want to go near it with a 10-foot pole. But in the end, it’s another dud for its lead star.

7. PIXELS

Oh Adam Sandler… here you are again in another one of my ‘Worst of the Year’ lists. As I’ve stated before, I don’t hate Adam Sandler. He seems like a really nice guy in real life and I do like his earlier films like ‘Happy Gilmore’ and ‘Billy Madison’. But as many of us know, he’s been experiencing a lot more duds recently; ‘Jack and Jill’, ‘Grown Ups 2’, and now ‘Pixels’. As strange as it may sound, I actually was looking forward to this film but not because of Sandler. The main reason why was due to the film’s video-game based storyline. And while most video-game based films tend to be terrible, that usually isn’t the case for films that only have a storyline inspired by video games like ‘Scott Pilgrim vs. the World’ and the ‘Tron’ films. As many of you know I’m also a big fan of video games, especially retro games, so I was intrigued by this film’s use of classic characters like ‘Pac-Man’ and ‘Donkey Kong’ in the context of aliens using these characters as weapons against the Earth after an intended message of peace sent by us in 1982 was misinterpreted by them as an act of war. And for once it wasn’t a Sandler film that wasn’t directed by one of Sandler’s regular directors like Dennis Dugan. Sure Chris Columbus hasn’t had a hit in years but I will always remember the great films that he has made in the past; the first two ‘Home Alone’ films, ‘Mrs. Doubtfire’, and of course the first two ‘Harry Potter’ films. 

I’ll just be perfectly blunt here; this film’s biggest weakness is that it isn’t funny. Almost all of the jokes fall flat. There’s been a lot of talk about the film’s poorly written female characters and I must say that this is very much true. Michelle Monaghan is severely underused in the main female role and is constantly being called a ‘snob’ by Sandler’s character basically because she doesn’t accept any of his romantic advances on her (at first). Jane Krakowski literally has nothing to do in the role of the First Lady (and yes Kevin James plays the President… I was never bothered by this so moving on…). And as for Ashley Benson in the role of the warrior Lady Lisa, a character from an in-universe arcade game, she may be touted as a badass warrior but ultimately she’s just the love interest for Josh Gad’s character. But at the end of the day, this is far from being my ‘worst’ of the year because there are still a few redeeming qualities to this film. While I may not have grown up during the 80’s, the filmmakers clearly have a lot of affection for the era and that’s clear through the film’s many, many 80’s references. The pixel-like visuals for the alien creatures are pretty cool as are some of the action set-pieces that pay homage to these classic games. I won’t lie… the ‘Donkey Kong’ finale was actually pretty cool. And despite the fact that his character is really nothing more than just a jerk to the other characters, Peter Dinklage is easily the most memorable part of the film. So that’s ‘Pixels’ in a nutshell for you. If you’re still a fan of Sandler’s films, you’ll probably like this. But as for me, this was quite a bit of a disappointment. Though considering that this is a Sandler film, I guess you could say that I should’ve known better at this point.

(P.S. And no I did not even bother with his Netflix film ‘The Ridiculous 6’)

It may surprise some of you to see this next film ranked as low as #6. While it definitely is bad, it’s actually not the worst film I’ve seen this year.

6. FIFTY SHADES OF GREY

Well this isn’t that much of a surprise for some of you, is it? I mean seriously, who out there was actually expecting anything good out of this? However, I’m not here to complain about how this film ended up being a big commercial hit when it was released in February, grossing over $500 million worldwide. I don’t complain about that kind of stuff given all the talk about the film industry’s declining ticket sales, regardless of the quality of films that are either commercial hits or duds. And as you can see, this isn’t even my #1 worst of the year. But don’t worry, that doesn’t mean that I’m going soft on this film… far from it. As you all know, this film was based off of a book that was fan-fiction spawned from ‘Twilight’, so you can get an idea as to how poorly written it is. But at the very least, ‘Twilight’ at least had a few vampire/werewolf action sequences to kind of (though not really) hold the attention of non-fans. ‘Fifty Shades of Grey’ doesn’t have that same luxury. It’s just regular people doing regular things and speaking horrible, horrible dialogue, from ‘Laters Baby!’ to ‘I’m 50 shades of f***ed up!’. Though I will say that the one line in the film that had me laughing the most was when Christian tells Anastasia that “I don’t make love… I f*** hard!” If any of you internet people recall the scene in the Nostalgia Critic’s review of ‘Saved by the Bell’ where the Critic goes on an epic laughing fit after seeing Zack Morris dressed up like, as he put it, ‘Vanilla Ice’s bitch’, that’s how much I was laughing at that line.

But it’s not just the dialogue that’s bad. Another noticeable thing about the writing is how indecisive the characters are, specifically Anastasia. Sometimes she loves Christian, other times she doesn’t, and so on and so forth for pretty much the entirety of the frigging film. At the end, even after all that he had put her through to make her question why she’s with him, she still tells him that ‘she’s fallen in love with him’. And as for Christian, it seriously raises the question of why any girl would fall for someone like this; a total psycho/sadist/any other similar word you can think of that frequently stalks his romantic interests and tries to control their lives; how much they eat, how much they exercise, etc. So even though this film has terrible dialogue and characters, you’d think that it’d at least deliver on the one thing that made the books so controversial; the BDSM sex scenes. And believe it or not, it doesn’t. I’m guessing this is due to the film trying not to go as far as an NC-17 rating but aside from the fact that sex/nudity actually shouldn’t be that much of an issue for MPAA ratings, the sex scenes in this film are extremely bland for what was an extremely controversial and ridiculous book. At the very least, Dakota Johnson at least tries her best with the terrible material she has to work with as Anastasia, though I can’t say the same for Jamie Dorman as Christian. There’s no denying that ‘Fifty Shades of Grey’ is exactly what you’d expect from something that originally spawned from another terrible book/film franchise… nothing more, nothing less.

That’s the end of Part 1 of my Top 10 Worst of the Year list. Check back tomorrow for Part 2 and my Top 5 worst films of 2015.

2015 Preview: July

We’re now halfway through both the Summer Movie Season and 2015 as a whole, which has already given us some incredibly entertaining films, including ‘Jurassic World’, which now holds the record for the biggest opening weekend of all-time both domestically and worldwide and is the third film of the year to join the billion dollar club. While we probably won’t get another film this summer that will match those numbers, there’s still quite a lot to look forward to, especially when it comes to this July. Welcome back to Rhode Island Movie Corner’s year-long preview of the films that are set to come out in 2015. This is Part 7 of 12 and today we’ll be looking at the lineup of films that are hitting theaters in July. Quite a lot to talk about this month so let’s get started…

JULY 1- The month actually starts out early on Wednesday the 1^st with the return of a classic 80’s film franchise and the sequel to one of 2012’s big summer hits.

*Director Alan Taylor (‘Thor: The Dark World’) continues the ‘Terminator’ franchise with ‘Terminator: Genisys’ (And yes that spelling is intentional). Basically the film re-tells the original story of the first ‘Terminator’ film but from a new perspective. In a future where humanity is at war with machines, the human resistance, led by John Connor (Jason Clarke), uncover a plot by Skynet to send a Terminator back in time to kill John’s mother Sarah (Emilia Clarke). One of Connor’s soldiers, Kyle Reese (Jai Courtney), volunteers to go back in time to save her but when he travels back in time to the year 1984, he finds that things are now different and that Sarah is now trained in combat by another Terminator (played by series star Arnold Schwarzenegger), who has been protecting her since she was a child. The film also stars J.K. Simmons and Matt Smith.

*The sequel to Steven Soderbergh’s hit Summer 2012 film ‘Magic Mike’, which was based around the experiences of star Channing Tatum’s time as a stripper when he was younger, ‘Magic Mike XXL’, directed by the first film’s first assistant director Gregory Jacobs, once again sees Tatum in the role of veteran stripper “Magic” Mike Lane. In this film, Mike and his fellow strippers travel to Myrtle Beach for ‘one last show’. Also reprising their roles alongside Tatum are Matt Bomer, Joe Manganiello, and Adam Rodriguez, among others. Newcomers to the cast include Elizabeth Banks, Jada Pinkett Smith, and Donald Glover.

JULY 10- While this week will no doubt be dominated by an animated spin-off, there will also be a horror film and a sci-fi film hitting theaters this weekend as well.

*A spin-off of the hit animated films ‘Despicable Me’ and ‘Despicable Me 2’, ‘Minions’ is a prequel centering on the group of yellow henchmen known as ‘Minions’ before they met their ‘leader’ Gru. Primarily focusing on a trio of Minions named Bob, Kevin, and Stuart, the film follows the three Minions as they try and find a new master. The film’s voice cast includes Sandra Bullock, Jon Hamm, and Michael Keaton.

*The latest Blumhouse production, ‘The Gallows’ follows a group of students who attempt to resurrect an old play that hadn’t been done in 20 years ever since the last run-through ended up in the death of a student. But this then results in some other students attempting to stop the production.

*Ben Kingsley and Ryan Reynolds star in director Tarsem Singh’s latest film, ‘Self/less’. Kingsley plays a wealthy aristocrat who, on the verge of dying, undergoes an operation that transfers his soul into the body of a younger man (Reynolds). But while promised that the body is an ‘empty’ vessel, he soon learns that his new body did have a life before, which leads him into uncovering a conspiracy.  

JULY 17- On one side we have the latest from Marvel Studios while on the other we have a Judd Apatow comedy.

*Despite some early production issues stemming from the departure of original director Edgar Wright, Marvel Studios brings us the next installment of the Marvel Cinematic Universe, ‘Ant Man’, now under the direction of Peyton Reed. Paul Rudd stars as Scott Lang, a criminal who gets a ‘second chance’ when he is approached by his mentor Dr. Hank Pym (Michael Douglas) to help steal back valuable technology from his company with the help of special technology of his own that allows the user to shrink in size but also gain strength. The film’s cast also includes Evangeline Lilly, Corey Stoll, Bobby Cannavale, and Michael Pena.

*Comedian Amy Schumer teams up with director Judd Apatow for ‘Trainwreck’. Schumer, who also wrote the film, stars as a career-driven woman who finds herself unable to commit to a relationship having been ‘taught’ that ‘monogamy isn’t realistic’ by her father. However, that all changes when she meets a doctor (Bill Hader) while on an assignment for her job. The film also stars, among others, Tilda Swinton, Brie Larson, Vanessa Bayer, and LeBron James.

JULY 24­­- Probably the biggest week of the month, this week will see the release of a film from the writer of ‘Fault in Our Stars’, a video-game inspired action comedy, and a Jake Gyllenhaal starring boxing drama.

*Based on the 2008 novel of the same name by John Green (‘The Fault in Our Stars’), ‘Paper Towns’ centers on a high-school student named Quentin (Nat Wolff) who heads out on a journey with his friends when his ‘girl next door’ Margo (Cara Delevingne) goes missing.

*Directed by Chris Columbus (first two ‘Home Alone’ and ‘Harry Potter’ films), ‘Pixels’, based off of a 2010 short film of the same name, revolves around an alien invasion of Earth in which the aliens use famous video-game characters (e.g. Donkey Kong, Pac-Man, etc.) to attack Earth. Adam Sandler, Josh Gad, and Peter Dinklage star as a group of former video game champions who are enlisted by the President (Kevin James) to defeat the aliens. The film also stars Michelle Monaghan, Jane Krakowski, and Brian Cox.

*Jake Gyllenhaal stars in director Antoine Fuqua’s latest film, ‘Southpaw’, written by ‘Sons of Anarchy’ creator Kurt Sutter. Gyllenhaal plays boxer Billy Hope, whose life goes downhill when his wife (Rachael McAdams) is accidentally killed during an altercation with another boxer. When his daughter ends up getting taken away from him, Billy starts a comeback with his new trainer (Forest Whitaker) in an attempt to reunite with his daughter. The film also stars Naomie Harris, 50 Cent, and Tyrese Gibson.

JULY 31- The follow-up to a comedy classic hits theaters early on Wednesday while the fifth film in a highly successful action franchise closes out the month.

*Opening early on Wednesday July 29^th is ‘Vacation’, the fifth installment of the ‘National Lampoon’s Vacation’ series. This time around, the film centers on the now grown-up son of Clark and Ellen Griswold (both Chevy Chase and Beverly D’Angelo reprise their roles in cameo appearances), Rusty (Ed Helms), as he takes his family; his wife Debbie (Christina Applegate) and their sons James and Kevin (Skyler Gisondo and Steele Stebbins, respectively), on a trip to Walley World, the same place he went to on vacation with his parents and sister 30 years earlier. The film also stars Leslie Mann as Rusty’s sister Audrey and Chris Hemsworth as her husband.

*Regular Tom Cruise collaborator Christopher McQuarrie (writer on films like ‘Valkyrie’ and ‘Edge of Tomorrow’ and director of ‘Jack Reacher’) takes on the fifth installment of the highly successful ‘Mission Impossible’ franchise with ‘Mission Impossible: Rogue Nation’. Tom Cruise, Ving Rhames, Jeremy Renner, and Simon Pegg all reprise their roles from previous installments as Ethan Hunt, Luther Stickell, William Brandt, and Benji Dunn, respectively, as they take on one last mission; to take down the mysterious organization known as ‘the Syndicate’ while also dealing with the impending disbandment of the IMF. The film also stars Alec Baldwin, Rebecca Ferguson, and Sean Harris.

And those are the films that will be hitting theaters this July. Check back next month for Part 8 as we’ll be closing out summer with the films of August.